As a Mobile, AL native, I got ALL the vibes from y’all’s performance. Thanks so for this exquisite display of love! Just moved to NYC and reflecting on Mardi Gras so much from this vid. Hate I’m gonna miss it, but this was a wonderful taste of home for me. Thanks again!!
Turned out, it was better to miss Mardi Gras in 2020. So many locals exposed to travelers who brought it in. 💔 You must've had a heckuva year in NYC. Hope this finds you & yours healthy & employed as 2021 nears. 🎆🎉🎇 May your New Year be happy.
since some years ago I buy a Blues-harp from HOHNER in A-Dur and I play this peace like Luis Armstrong since I live on 1958 n.Chr. - my favorit peace! (I write this words on 5.54/h in the morning.
Ben Jaffe's Sideshow Bob look never fails to crack me up. You guys are so much the best. Saw y'all play this past October--no Ben, no Clint, no Charlie, alas, but still an amazing show, as always.
when i was young i thought jazz would be my music when i was old but i was wrong. jazz is the old person music for young people. it's a rare old person who can avoid being too on-the-nose for jazz
Si la clave esta "cruzada" caballero, le da más sabor. Por eso es tan controvertido el Latín Jazz, por ser asimétrico cuando no quiere ser absolutamente "un espejo". Preciosa Versión.
@@PedroCucuchucho Esos son terminos que la compania Americana en esos dias usaron para vender el disco a Americanos que tenian familiaridad con esos terminos. Es como hoy como usan la palabra "salsa" para vender la música cubana al mercado mundial. El Manisero no tiene nada de fox trot y nada de rumba.
Seria la verdadera revolucion mesclar algodon y cana en un mismo campo musical cambiando la clave ?No le diga eso al senor Winton Marsalis.....Hernan Lopez Nussa,claro,tambien lo sabe.
The trumpet player starts clapping clave in 3/2 (the wrong clave direction) and the tune, "El Manisero" is one of the best/simplest examples of a tune in 2/3!!! And then he makes matters worse by tapping on a cowbell the same crossed rhythm! Yikes, call the Clave Police - Triple CCC (Cruzao Con Cojones)!!!
You make a common mistake, my friend, let me explain: the trumpet player gets it right, although the way he does it creates a situation where people can make the mistake you're making. Listen again -- his first clap is the 1 of the 3 side of the clave -- he doesn't get it wrong, he just starts clapping on the second bar of the 2 - 3 clave. Ideally it's not how one wants to bring the clave clicks to the foreground, I grant you that, but he's got it right, for one thing, and, for another, he might be thinking he needs to identify the most-accented 1 for others in the band. He gets it right by feeling where the the heaviest or most over push into the 1 beat is; that is the key, or one of the keys, to orienting to the 1 beat (other keys to the 1 can happen in short phrases the congero plays to tell the rest of the band where the 1 is, if necessary). It might look to you that he gets it wrong because he starts clapping 2 - 3 clave on the 3 side of the clave so you THINK he's clapping out 3 - 2 when, in fact, he's just starting on the 3 side. To actually start playing 2-3 clave on the 3 side is maybe not to be recommended, but listening for the 1 of the 3 side is the best way to identify 2 -3 clave in a composition. Sometimes a composition starts in one clave and then changes to the other, in which case, one really needs to listen for those pushes into the 1 beat of each bar -- which bar gets the most overt push, which bar gets the less overt push. I grant you that it would have been better for him to simply feel that 3 side without clapping so that he could start the clapping with the 2 of the 2 side. That's how I and others play clave to El Manisero (which has been printed on my bone marrow since my early childhood in the 50's due to my father being a Dixieland and swing musician who constantly listened to Latin music) -- and probably most purists would say he should have felt that 3 side without clapping and instead waited for the next bar, its less overt push into the 1, and then come in on the 2. That said, he does have the 2-3 clave pattern correctly and that's obvious by how his clapping sync's properly with the accents the sax player is maintaining as he does it, to cite just one of the other musicians. The 1 on the 2 side of the clave also gets a push, but it's not as overt; however, once a person is in sync by using the 3 side to identify the 1 so that one can slide into the 2 - 3 groove, the quieter push into the 1 on the 2 side becomes really clear. It's something you feel with your whole body at the beginning of the 2 side, and then you hit the 2 beat with the clave. When you're in the groove, it's a sensual delight, I tell you! Overly-technical musicians and the really uptight form of ballroom-trained dance judges often get this wrong because in dance, for example, in a 2-3 clave mambo or salsa, a dancer would usually identify the 1 from the 3 side of the clave, so a feelingless-but-thoroughly-technical ballroom judge or music school teacher would say the person is starting on the 5, which -- in my opinion, as a dancer and Afro-Latin percussionist of many, many years -- steers them, the judges, away from understanding the music's spirit on its own terms. It's a problem when the international-style dance judges of the British academy start telling swing dancers how to dance the swing that was invented in the Savoy Ballroom in Harlem, or how to dance Latin dances -- the worst of them can be outright offensive in how they want to impose their constipated uptightness on musics and dances that they really don't connect with. Also, in dance, one can break forward on the 2 or the on the 1, which can add an additional layer of confusion to it all if a person doesn't understand both clave and the pattern of bolero, mambo, salsa, merengue, or cha cha dance steps -- all those types of music are based on clave, either 2 - 3 or 3 - 2, as an underlying ceaseless alteration of compression and relaxation, or vice versa. There are other forms of clave in folkloric music and dance such as rumba -- the rumba form of 2 - 3 and 3 - 2 is, each of them, half a beat different than the 2-3 or 3-2 of the popular non-folkloric music. There is also an extended form of clave in Yambu, another form of rumba. It's simple when you get it correctly, though. In New York in the 40's, according to the bongo great and dancer Jack Costanzo, ALL the dancers broke forward on the 2, including the greats Armando Perazza and Tito Puente, both of them mambo dancers from the days long before salsa was invented. El Manisero, incidentally, is copywrit 1928 -- mambo is a lot older than many people think.
@@vancouverterry9142 You have absolutely no idea about what you're talking about in regards to this tune and its clave direction.The tune is in 2/3 clave not 3/2. If that's the way you learned how to tap clave to El Manisero you're completely wrong as is the drummer and the cowbell player and you've revealed yourself as not knowing anything about clave and Cuban based music. They're all crossed. On top of that this song is son not rumba, which from what you've written I know you nothing about as well. El Manisero is not a mambo, it's son in the pregón style. Mambo doesn't begin developing until the mid 1930s with Arsenio Rodriguez. You're talking a lot and saying nothing. Here is El Manisero in the proper clave direction it is supposed to be played in by the band that first introduced it to U.S. audiences in 1930. ua-cam.com/video/sD5M6HUCZgg/v-deo.html
About the cowbell -- I'd say he does go off clave for a bit when the trombone player quotes from "Brazil" but gets back on after a couple of bars. He looks toward the trombone player when the Brazil quote starts and then goes off clave briefly to my ear. Possibly he wondered if the trombone was going to have a leap of brilliant improvisation into Brazilian agogo pattern feeling, which is usually played on a bell, and went off clave briefly listening to hear if he should support the trombone player with an agogo-ish bell pattern -- but that's just a guess. I play a lot of bell in jams and that's something you listen for when soloists hold forth, although usually they want the bell to stay the same unless they're really taking things elsewhere. On the whole, one can say the whole performance is rather loose at times with respect to clave. I played percussion in a big salsa band and I can imagine my old band leader ranting that the clave underbelly of this performance badly needs tightening up, but myself, being bi-cultural with respect to New Orleans Dixie and Latin mambo/salsa, I see how Dixie looseness can add to it, although that's not the orthodox clave approach. If you haven't seen the performance of this that they do in Havana, check it out -- it's much more together rhythmically.
@@vancouverterry9142 It's not about timing or tempo, it's about playing the proper rhythmic accompaniment for the tune. He's playing a pattern in 3/2 clave and the song is in 2/3 clave. So you have a rhythmic war going on. The pianist, who is Cuban is being gracious about it. That's why he's not even bringing his head up. Once again, you absolutely know nothing of what you're speaking of. Here's another example of the tune properly being played in 2/3 clave where it's supposed to be. ua-cam.com/video/sxygcGzhcEk/v-deo.html
@@jazzandbeyond7549 You don't read too well, do you, Buddy? WHAT UTTER, UTTER MISUNDERSTANDING OF THE EASILY-UNDERSTOOD SENTENCES I WROTE. READ AND THINK ABOUT what I said, you offensive, uneducatable dilettante!!!! Your problem is not with me, 'Dummy -- it's with whatever so-called "educational" system that left you thinking you can read and understand what you've read. SERIOUSLY, FOOL -- READ WHAT I WROTE. And wake up to the fact you're semi-literate and intellectually-incompetent. Wow! How utterly incompetent you are with simple English!!!!
Te creo que no tienes NI IDEA DE MUSICA ., SOLO POR QUE LOS INSTRUMENTOS NO ESTAN CONETADO A UNA TRAMPOSA MESA DE SONIDO SIGNIFICA QUE LOS MÚSICOS SON DEFICIENTES AL CONTRARIO Y EL ARREGLO MAGNIFICO
Love this Cuban son❤
PURE JOY! Pres Hall: No drinks served. No photos allowed. But one of my FAVORITE places on earth!
Just can't avoid hearing this again and again!
Just the best possible version of the "Peanut Vendor"that could possibly be played---wow, bravo.
Listen to Ken Colyer at Manchester City Hall.
Love this wicked jazz jam session. Very sound interpretation of this Cuban standard.
que sabroso se escucha, son unos maestros en este arte de la música, que deleite, estoy sin palabras
Brutal...no me alcanzaran Las manos para aplaudirles.
Quelle atmosphère ! Et fort bonne prise de son. Thumbs up for the impro by the saxone player. Bravo from Montréal.
cuba and new Orleans got some jazz!just like Brothers from another mother!thanks for the music! appreciate it
This type of energetic jazz is the reason why I decided to start learning how to play saxophone
Simplesmente eu amo essa mistura do jazz e a música latina: Latinjazz é tudo de melhor.
I listen to this song every night when I make dinner. It's my ritual!! Love it so much❣️
Bon appétit !
5
Such a great idea! I’m going to start doing the same!
La épocas de los antaño ...Recuerdo mas maravillosos Que buenos que excite este material vídeo muy lindo ..Ciudad Guatemala....y Cuba...
just superb cuban jazz...increíble....
As a Mobile, AL native, I got ALL the vibes from y’all’s performance. Thanks so for this exquisite display of love! Just moved to NYC and reflecting on Mardi Gras so much from this vid. Hate I’m gonna miss it, but this was a wonderful taste of home for me. Thanks again!!
Turned out, it was better to miss Mardi Gras in 2020. So many locals exposed to travelers who brought it in. 💔 You must've had a heckuva year in NYC. Hope this finds you & yours healthy & employed as 2021 nears.
🎆🎉🎇
May your New Year be happy.
I'll listen to anything Ernan plays on. He's a master, and always swings his ass off.
since some years ago I buy a Blues-harp from HOHNER in A-Dur and I play this peace like Luis Armstrong since I live on 1958 n.Chr. - my favorit peace! (I write this words on 5.54/h in the morning.
Moisés Simmons original récord. Was a street pregón In cuba.
Gracias por este aporte, no cabe duda que la música no tiene limite... Buen MANICERO!... Les quedo muy bien.
¡Creía que ya había escuchado y visto ejecutar la mejor interpretación de El Manicero ... pero está está fuera de concurso!
Majestuoso, Fenomenal !
grandi ... grandi ... grandi ...fantastici !!!!!!!!!!!!!!
wow de dónde salieron estos monstruos? Cracks! Capos! Masters! Aplausos de pie!
Simplemente magistral. De otro mundo.
The reason to love New Orleans...
a trumpet player who can make sweet notes.. not even muted !!!
all terrific band....!!!
I love it. It is the first time I listen to this group and I do like it. Nice syncro
Interpretacion genial istrumrntalmente muy buena.
Disfruto mucho el solo de trombon y una chica biendo y disfrutando de ese solo aldo d la puerta
This is great to listen any time. Bravo.
excelente interpretación....! Gracias por compartir este arte que admiramos muchos el jazz.
esplendido muy buena interpretación.
PERO QUE PIANISTA HERMANO " GRANDE MASTER"
ME ENCANTA!!!
Ernan , the best cuban piano player
BEAUTIFUL AGAIN.
VERY POWERFUL
Why this song makes me happy
Preciosa interpretacion soy una fanática del jazz y de la música
azucar! azucar! azucar!!! love you all for that version!
Fantastic!!!
Can’t wait to see these guys in NYNY baby!
Hermosa melodía y que arreglos 👏👏👏👏👏👏👏💕
muy bueno el arreglo, espero verlos pronto en colombia suramerica
Great !!!! I like all the Music and the colours of the video
This is wonderful.
Beautiful music! Parts of the piano solo reminds of the piano solo on Forest Flower (Live at Monterey) ...
OMG, This is wonderful .....
And still hear this at 2021 .. Yes, Still a life .
Hermoso!!!!
Magnífico
Ben Jaffe's Sideshow Bob look never fails to crack me up. You guys are so much the best. Saw y'all play this past October--no Ben, no Clint, no Charlie, alas, but still an amazing show, as always.
BEAUTIFUL AND POWERFUL
maravihoso....Sensacional....
Great Friday . thank you guys
One of the best
O ooooooooooooo ese piano hermano marca el estilo .Pero que buen estudio de grabación el mejor público
CRAZY BEAUTIFUL
when i was young i thought jazz would be my music when i was old but i was wrong. jazz is the old person music for young people. it's a rare old person who can avoid being too on-the-nose for jazz
POWERFUL
F A N T A S T I C
Bravo!
Fantastico, TU !!
Amazing
Dopiero ich odkryłam dzięki Trójce. Pełen zachwyt. ...
Kamila Baranowska mam dokładnie tak samo! genialne!
Eccezzionali!
If you've never been to Preservation Hall, you may want to consider putting it on your Bucket List.
Genial esta vercion musicos
Magistrales
I LOVE THIẞ, THANG YOU
ALL VERY POWERFUL
Great from Russia!!!!! Wow!!!! Super!!!!!!!!!
Exelente ,🎺🎶🎵👍🇲🇽🍻🎹🎶🎵
New Orleans jazz with cuban flavor
Great jazz hey. Traditional.
Linda muito rica!
❤❤
UN ORUESTON COMPADRE MAGNIFICO ARREGLO
Si la clave esta "cruzada" caballero, le da más sabor. Por eso es tan controvertido el Latín Jazz, por ser asimétrico cuando no quiere ser absolutamente "un espejo". Preciosa Versión.
TB percibí q la clave está al revés jaja pero está de lujo .altos maestros
POWERFUL TRUMPET
joli!!!!
Wrong clave! jajaja muy buenos igual claro está ...
ESTE VIDEO ES COMO EL BUEN VINO MIENTRAS PASA EL TIEMPO MEJOR SAVE
Someone knows the names of the band members and what they each play?
Fuera de serie!
los cubanos juegan con el piano
El Manicero es una Rumba que en la interpretación de Don Aspiazu hizo famosa a la música cubana fuera de sus fronteras.
El Manisero es un son pregón. No es una rumba.
No peleas niños sólo aportes que se agradecen
@@jazzandbeyond7549
Aquí dice que es una Rumba Fox Trot. ¿Qué tal?
ua-cam.com/video/bAkG0yUereA/v-deo.html&ab_channel=ScottMusil
@@PedroCucuchucho Esos son terminos que la compania Americana en esos dias usaron para vender el disco a Americanos que tenian familiaridad con esos terminos. Es como hoy como usan la palabra "salsa" para vender la música cubana al mercado mundial. El Manisero no tiene nada de fox trot y nada de rumba.
@@tablearevalo7921 ¿Que pelea? Estamos discutiendo. La verdad es la verdad. El resto es...
lol the trombone solo was under the sea
He was playing a tenor trombone with an attachment which lowers its range!
PHJB guys, please check the timming for the "clave", it is shifted one compass
is that little mermaid in the middle?
Agua!!!
AGUANTATE UN POQUITO
El manisero
¡LOS NUSSA ... AHÍ SÍ HAY! ¡Cuba for ever!
¡Viva Fidel!
A Fifo Bola de Churre nunca le intereso la musica.
as far as i understand, New Orleans is the capital of the Caribbean (think big guys before attacking)
Q solo de piano tan criminal
Afrobeats
Seria la verdadera revolucion mesclar algodon y cana en un mismo campo musical cambiando la clave ?No le diga eso al senor Winton Marsalis.....Hernan Lopez Nussa,claro,tambien lo sabe.
Un fusión increíble !!! Ernan y la clave haciendo la diferencia. Definitivamente la música ni tiene barreras.
manisero*
MUY BUENO, pero es el MANISERO, no el MANICERO, por lo demás muy bien
Puede escribirse de cualquiera de las dos maneras.
A quién le importa eso
DON LUIS ES SOLO UN DETALLE PERO LA ORQUESTA SONO MAGNIFICA
45
The trumpet player starts clapping clave in 3/2 (the wrong clave direction) and the tune, "El Manisero" is one of the best/simplest examples of a tune in 2/3!!! And then he makes matters worse by tapping on a cowbell the same crossed rhythm! Yikes, call the Clave Police - Triple CCC (Cruzao Con Cojones)!!!
You make a common mistake, my friend, let me explain: the trumpet player gets it right, although the way he does it creates a situation where people can make the mistake you're making. Listen again -- his first clap is the 1 of the 3 side of the clave -- he doesn't get it wrong, he just starts clapping on the second bar of the 2 - 3 clave. Ideally it's not how one wants to bring the clave clicks to the foreground, I grant you that, but he's got it right, for one thing, and, for another, he might be thinking he needs to identify the most-accented 1 for others in the band. He gets it right by feeling where the the heaviest or most over push into the 1 beat is; that is the key, or one of the keys, to orienting to the 1 beat (other keys to the 1 can happen in short phrases the congero plays to tell the rest of the band where the 1 is, if necessary). It might look to you that he gets it wrong because he starts clapping 2 - 3 clave on the 3 side of the clave so you THINK he's clapping out 3 - 2 when, in fact, he's just starting on the 3 side. To actually start playing 2-3 clave on the 3 side is maybe not to be recommended, but listening for the 1 of the 3 side is the best way to identify 2 -3 clave in a composition. Sometimes a composition starts in one clave and then changes to the other, in which case, one really needs to listen for those pushes into the 1 beat of each bar -- which bar gets the most overt push, which bar gets the less overt push. I grant you that it would have been better for him to simply feel that 3 side without clapping so that he could start the clapping with the 2 of the 2 side. That's how I and others play clave to El Manisero (which has been printed on my bone marrow since my early childhood in the 50's due to my father being a Dixieland and swing musician who constantly listened to Latin music) -- and probably most purists would say he should have felt that 3 side without clapping and instead waited for the next bar, its less overt push into the 1, and then come in on the 2. That said, he does have the 2-3 clave pattern correctly and that's obvious by how his clapping sync's properly with the accents the sax player is maintaining as he does it, to cite just one of the other musicians. The 1 on the 2 side of the clave also gets a push, but it's not as overt; however, once a person is in sync by using the 3 side to identify the 1 so that one can slide into the 2 - 3 groove, the quieter push into the 1 on the 2 side becomes really clear. It's something you feel with your whole body at the beginning of the 2 side, and then you hit the 2 beat with the clave. When you're in the groove, it's a sensual delight, I tell you! Overly-technical musicians and the really uptight form of ballroom-trained dance judges often get this wrong because in dance, for example, in a 2-3 clave mambo or salsa, a dancer would usually identify the 1 from the 3 side of the clave, so a feelingless-but-thoroughly-technical ballroom judge or music school teacher would say the person is starting on the 5, which -- in my opinion, as a dancer and Afro-Latin percussionist of many, many years -- steers them, the judges, away from understanding the music's spirit on its own terms. It's a problem when the international-style dance judges of the British academy start telling swing dancers how to dance the swing that was invented in the Savoy Ballroom in Harlem, or how to dance Latin dances -- the worst of them can be outright offensive in how they want to impose their constipated uptightness on musics and dances that they really don't connect with. Also, in dance, one can break forward on the 2 or the on the 1, which can add an additional layer of confusion to it all if a person doesn't understand both clave and the pattern of bolero, mambo, salsa, merengue, or cha cha dance steps -- all those types of music are based on clave, either 2 - 3 or 3 - 2, as an underlying ceaseless alteration of compression and relaxation, or vice versa. There are other forms of clave in folkloric music and dance such as rumba -- the rumba form of 2 - 3 and 3 - 2 is, each of them, half a beat different than the 2-3 or 3-2 of the popular non-folkloric music. There is also an extended form of clave in Yambu, another form of rumba. It's simple when you get it correctly, though. In New York in the 40's, according to the bongo great and dancer Jack Costanzo, ALL the dancers broke forward on the 2, including the greats Armando Perazza and Tito Puente, both of them mambo dancers from the days long before salsa was invented. El Manisero, incidentally, is copywrit 1928 -- mambo is a lot older than many people think.
@@vancouverterry9142 You have absolutely no idea about what you're talking about in regards to this tune and its clave direction.The tune is in 2/3 clave not 3/2. If that's the way you learned how to tap clave to El Manisero you're completely wrong as is the drummer and the cowbell player and you've revealed yourself as not knowing anything about clave and Cuban based music. They're all crossed. On top of that this song is son not rumba, which from what you've written I know you nothing about as well. El Manisero is not a mambo, it's son in the pregón style. Mambo doesn't begin developing until the mid 1930s with Arsenio Rodriguez. You're talking a lot and saying nothing. Here is El Manisero in the proper clave direction it is supposed to be played in by the band that first introduced it to U.S. audiences in 1930. ua-cam.com/video/sD5M6HUCZgg/v-deo.html
About the cowbell -- I'd say he does go off clave for a bit when the trombone player quotes from "Brazil" but gets back on after a couple of bars. He looks toward the trombone player when the Brazil quote starts and then goes off clave briefly to my ear. Possibly he wondered if the trombone was going to have a leap of brilliant improvisation into Brazilian agogo pattern feeling, which is usually played on a bell, and went off clave briefly listening to hear if he should support the trombone player with an agogo-ish bell pattern -- but that's just a guess. I play a lot of bell in jams and that's something you listen for when soloists hold forth, although usually they want the bell to stay the same unless they're really taking things elsewhere. On the whole, one can say the whole performance is rather loose at times with respect to clave. I played percussion in a big salsa band and I can imagine my old band leader ranting that the clave underbelly of this performance badly needs tightening up, but myself, being bi-cultural with respect to New Orleans Dixie and Latin mambo/salsa, I see how Dixie looseness can add to it, although that's not the orthodox clave approach. If you haven't seen the performance of this that they do in Havana, check it out -- it's much more together rhythmically.
@@vancouverterry9142 It's not about timing or tempo, it's about playing the proper rhythmic accompaniment for the tune. He's playing a pattern in 3/2 clave and the song is in 2/3 clave. So you have a rhythmic war going on. The pianist, who is Cuban is being gracious about it. That's why he's not even bringing his head up. Once again, you absolutely know nothing of what you're speaking of. Here's another example of the tune properly being played in 2/3 clave where it's supposed to be. ua-cam.com/video/sxygcGzhcEk/v-deo.html
@@jazzandbeyond7549 You don't read too well, do you, Buddy? WHAT UTTER, UTTER MISUNDERSTANDING OF THE EASILY-UNDERSTOOD SENTENCES I WROTE. READ AND THINK ABOUT what I said, you offensive, uneducatable dilettante!!!! Your problem is not with me, 'Dummy -- it's with whatever so-called "educational" system that left you thinking you can read and understand what you've read. SERIOUSLY, FOOL -- READ WHAT I WROTE. And wake up to the fact you're semi-literate and intellectually-incompetent. Wow! How utterly incompetent you are with simple English!!!!
No sé mucho de música, pero esta versión me suena a que le falta sabor
X in y no saves nada de música
no saves nada, p.............
¿saVes? el chiste se cuenta solo 😂😂😂
Te creo que no tienes NI IDEA DE MUSICA ., SOLO POR QUE LOS INSTRUMENTOS NO ESTAN CONETADO A UNA TRAMPOSA MESA DE SONIDO SIGNIFICA QUE LOS MÚSICOS SON DEFICIENTES AL CONTRARIO Y EL ARREGLO MAGNIFICO
Should not have the name 'Preservation' since Percy died.
Q trombon
manisero*