I have owned a JD800 since 1991. Apart from having her key-bed replaced in 2009 (under warranty!!) due to the red glue problem, and having accidentally spilled two cups of tea on her and had having been waterlogged when a roof leaked on her during a storm, while she was switched on, she is still the centrepiece of my studio. Still one of the best synths ever made.
@@DNGMaestro I still use its sounds. I have obviously continued to edit and design new patches and have also got some ram cards with extra patches collected over the years. I don’t use it for every project, but it’s great for pads and leads in certain genres. I use it as midi controller as well.
No, I will never be "the 90s", but some of the 90s synths are great tools to create 80s sounds and I will always create 80s sounds no matter what synth I use! ;.-)
The 90s was the best age for digital synths in my opinion. Kawai K5000s, Kurzweil k2000, JD-800, VL-1, Yamaha An1x, Yamaha EX5, Yamaha SY99 (alltough based of the SY77 from 1988), Kawai K5m, Korg Wavestation, Ensoniq VFX, Ensoniq TS-10, Ensoniq Fizmo, Waldorf microwave series, the Waldorf Q, Waldorf Wave, E-mu Morpheus, Yamaha FS1r etc etc.
Espen, I have looked at many demos of this instrument on You tube...I click on your video, and in your hands, there is an instant dialing back to the 80's and the instrument really shines! Well done!👏👏👏
Yes! The king of early digital! I have never gotten better sound out of a digital synth than I have with my JD-800. Wanted one ever since I saw the Grace "Not Over Yet" video. Bought mine broken for $250 in the 2000s, fixed her up, and been in love ever since. The keyboard has the stickiness issue lately however :( The digital filter is still one of the best ever, and you can do a surprisingly convincing JP-8000 SuperSaw/VA with it.
I used to dream of two stacks with 3 keyboards each. One with a Dx7ii, D50 and M1 and other with a JD800, SY85 and Wavestation.. But it remained just a dream.
@@Lamster66 you are a good man to know. I am 47 now so might be about your age or a bit younger. Unfortunately in my part of the world (India) synths were not an open market product, ring fenced with a high 150% custom duty, so we had to depend on expensive imports. A DX7 in the 80s cost equivalent of $4500 with customs and importers margin, and had a huge resale value at inflated prices. It costed almost a household annual income then. So only gigging or touring professionals could afford to buy one, enterprising ones rented them out for about $50 to $80 for 8 hours.
Have you bought that very tasty rack of three Korg modules: WaveState, Modwave, Opsix? Today is so much better than yesterday, I have lived through all the keyboards of the 1960s to today. My new studio just completed last year is all new gear 2014 and newer. ( I lost my vintage studio in a divorce of 2008 :(
This synth has Eric Persing written all over it. Coming from the d50 , this was the next iteration of the perfect synth in the mind of Eric. Which ultimately lead to the creation of Omnisphere, which takes the concept even further
I was one of the first people to play this at a music shop in my home town. It was an amazing and forgiving instrument to play. I could never have afforded it.
Yeah, same here. I remember when it came to the music shop in my Home Town in Norway, it was out of this world expensive, but OH BOY did I want it, badly! Luckily technology has come a long way, and we can pretty much have what we want in a synth today.
Oh boy, same here, I wanted to sell tons of gear I had, just to be able to buy this synth; same, when the Korg M1 came out, in the $3,000 range, totally out of my league; today I have the amazing iM1 on my iPad, for 1% of that value; amazing!
Growing up in the eighties, even though my main jam was rock and metal, I developed some fascination for synths. This was the one I first laid my hands on, for hours... I fell in love with it
I once had to make a choice, back in 2009 or so. Buying a D-50 or a JD-800. I could not find an affordable JD-800 but a really good deal for a D-50. So i picked that one. Can't say i regret my choice (heck i LOVE the D-50 so much!) but i still would love to own one JD-800 as well. Because it just feels like a logical next step of the D-50. Back when Roland built some of the finest most versatile and lovable digital Synthesizer flagships. Sliders on synthesizers are also so much better and more intuitive to use than rotating knobs. I feel so happy for you that you have one of these amazing synths in your setup :)
I remember trying one in music shop during the nineties in Germany. At the time it was possible to stay all days long in the huge shop room loaded with all available models of keyboards testing them as long as you wish. That was the era of M1 and T3 domination, followed by Yamaha's SY series, and Roland was conquering market with their intelligent E series, offering a revolutionary approach of accompaniment much better than the competition by far. This particular model was really a flagship of its producer: a dreamliner for all those musicians who knew the attractivity of Juno and Jupiter models, warmth of their layer sounds, pads and strings, perky brasses etc. It was immediately perfectly clear to me that I was standing in front of extraordinary instrument, at that time unfortunately unaffordable for my budget ( I owned Yamaha V50 and Kawai K4 back then), so later I could purchase only second hand SY77 for a bit more than 2000 bucks and I still have it today, really mighty machine. But there is something special about standing at this JD800, watching at all this pots and knobs, knowing about controlling everything by simple tweaking in real time, and enjoying its splendid tones as we hear in your video, very useful, in line with then the latest standards of pop music production.
I have owned a JD-800 since thirteen years or so and used it for the first time on my album The Age of Deception 2008). I had the aftertouch response improved and the keybed replaced, but the glue problem persisted. Even though it was a failure by Roland's standards, 20,000 instruments were manufactured. In my opinion, it is the most hands on digital synthesizer and capable of producing evolving spacy sounds. The strings card is superb. It is a classic, as your exquisite video demonstrates.
This video of the JD-800 really impressed me with how impeccably it has been maintained, considering its age. Although my background is in classical piano, I've always harbored a great passion for keyboards and synths, venturing into this world with models like the Yamaha SY99, SY77, and the Korg DW8000. I've never owned a JD-800, but my appreciation for this historic piece has always been strong, especially seeing one in such exceptional condition as in your video. The issue of the red glue in the keybed, a known manufacturing defect, doesn't seem to be a problem at all here, a sign of exceptional care and maintenance. Moreover, the fact that the display has been replaced with a modern one only highlights the attention to detail and the desire to best preserve this instrument. I recently discovered your channel, and all the videos I've watched have been interesting. Congratulations on how you've preserved such an important icon of electronic music; seeing and hearing the JD-800 in action is a true joy for an enthusiast like me.
I rediscovered mine a couple of months ago! One of the few synths that actually comes with pretty decent factory patches. Lovely instrument, great for strings, pads and brass!
"One of the few synths that actually comes with pretty decent factory patches" Aside from the return to a knob or slider per function type design that synths from the 70s and early 80s had, this synth sold as well as it did for the same reason a number of other Roland hits have… because of Eric Persing's involvement. His sense of "taste" was first applied to the JX-3P, then the JX-10/MKS-70, then super famously to the D-50. His contribution went beyond sound design to actually influence the design of many Roland products from the late 80s, thru the 1st half of the 90s. In 1994 Eric left Roland Corp US (while maintaining a relationship with Roland Japan) to form his own company Spectrasonics. First they developed and marketed sample libraries before getting into the software instrument field. Today all their VIs are first rate and many would consider Omnisphere 2 to be one of the (if not THE) finest software instrument you can buy.
Mine is still back home while I’m currently serving in the Air Force. I miss it immensely... the flexibility and ease of programming is ridiculous. My Jupiter-XM will have to suffice for now :,(
Thank you for that great look at the JD-800. It was definitely one of the drool worthy synths that I lusted after. I never achieved that dream, but probably have most of the waveforms in other synths that I own, like the XP-60 (including Vintage Synth card) and the XV-5080. There is nothing like having the hands on control of the JD-800 though. Thanks again for starting my Friday morning with great sounds.
The JD800 sound is just as modern in 2024 as it was in 1992. I bought an Ensoniq EPS16+ sampler at the JD-800 time, could not buy both, but I now have a JD-08 and 128poly in the studio, though the shared envelops and size make the experience less than an 800. But it is still the 4layer (Roland 4Partial) sound and design.
Though I use an MC-707 as my workhorse, the ideas and details shown here are highly applicable to the underlying synth architecture in my groove box. Thanks for all that you do, Espen.
Очень удобно, когда все органы управления синтезатором выведены на главную панель и не надо пробираться по бесконечным лабиринтам меню, в поисках нужного тебе параметра! Большое спасибо Espen! Здоровья и творческой энергии! Надеюсь, в ближайшее время выложить свой первый опыт Italodisco, вдохновленный Вашим творчеством! Удачи, Espen!
Great demonstration of perhaps the most sexy 90s synth. Loving the song, punchy and beefy sound design. I should point out for those not reading the description, that you are using the expansion card 03 Rock Drums, so all the favourite sounds are somewhat different from the internal factory sounds. I would have included the 51 Hearts of Space though, as I use it on many songs. 🤪😎
Thanks man, you should know it to since you own it! ;-) I do say I use the "rock drums" in the text overlay during the demo track, but if you watch on the phone it might be too small. ;-)
Yeah I was thinking maybe Espen should mark this one 18+ Adults only, Espen just said he was done with the JD-800 now, but I doubt that goes for the rest of us yet :D
I briefly wanted one of these back in the mid 90s. a local music store had one on display and I'd play it occasionally. I never got that much into the sound, but I thought it was really impressive looking. I think when they came out, they were around $3,000 but the price came down to around $2,200 towards the end of their run. that was about the same as a high end workstation (O1/W, Trinity, etc.) so it wasn't cheap, but not overly expensive either. use to see them all the time for $500 in the 2000s on Harmony Central classifieds.
I got so caught up in your singing and went right to Bandcamp, I forgot all about this amazing synth. Now after watching you tweak it I want the Wavestation A/D and the JD-800 lol.
In looks: A neat machine from outer space. In Sound: Neat digital sounds. With a few tweaks and wits, it can hold a candle to the analogue counterparts.
Probably the most elegant industrial design Roland has ever had. I tried pricing them to buy one a couple of years ago, and there was just no way. Sounds great though, and if you ever wanted to feel like you're on the bridge of the Enterprise...that's the synth! I enjoyed your song as well!
Great video Espen! Stay safe!!!!! I'm sitting here right now next to my D50 (and others) trying to learn Cubase since I finally hooked everything up!!!! This was a welcome distraction!!!!
Man, I've fallen in love to this channel automatically. The song at the end of the episode is lovely. You're a great musician and synth teacher. Thanks for leading us back to the best era in pop music. Keep up! Hugs!
The way you describe the JD-800 in the intro is probably the best explanation of it I've heard, and why I love my JD-990 so much - even the acoustic instruments have a 'synth' touch to them that you don't really hear from other digital synthesizers; the Korg Trinity and Ensoniq TS-10/12 are the only other ones that give me that sort of vibe, and it's very special ^^ Excellent video as always Espen!
@@EspenKraft Although JD990 seems to be an updated version of JD800. It has no vibe of JD800. But if you have both, than JD990 breathes, otherwise it has no ventilation support :)
I was really looking forward to see this video. This was just awesome! I think seeing Paolo's JD-800 'the 64 classic factory patches' video just got me very excited! The demo song 'Hero' is great!! I will surely listen to that song more in the future. One of the interesting things I find reading through the comment section: The modified color of the display! I also noted that on your D50 where is mine is green and yours is blue too! (I think the blue display looks cooler! lol). I initially thought that was just a cool 'filter effect' using a color mask for example in your editing software. I also noted that on your RX11 which almost seem to have no lighting on the display where's mine is very much kind of blue/green. But again, I initially thought you did this intentionally to get rid of the lighting issues that can occur when filming a display (particularly in rooms that are filled with lights or reflections). Great reference to the Genesis song! These videos are both informative as inspirational so thank you for that! Good to see the videos are sponsored. You put a lot of effort and time in these videos and I hope this will contribute to more time for you to do what you like doing!! Bravo!! -Devin
Thanks Devin! No, no special fx masks or anything here. It has a brand new custom display as has the D-50. Looks extremely cool, even more so live than on this video.
I bought one of these in 92, kept it for 20 years, it was a great synth but i dont think it particularly stood out sonically during its heyday, it was more the interface that gave it an edge during an era where almost no other synths were being made with hands on controls. The 90s and early 2000s were kind of a funny period for synth design as manufacturers were at odds with what people were crying out for, namely new analogue designs, this is what pushed prices of older 70s and 80s analogue synths into astronomical figures, but its kind of nice to think that the digital synths of that era are now becoming classics in their own right.
Yes! Thank you for making this and getting my mind off all the negative news. I wonder if PCBway can remake the JD-800 PCB keyboard membrane. I'd totally buy it. I love that screen upgrade! Take care, Sam.
@@EspenKraft I'd like to know myself about it and I am sure there are at least 100 persons who are ready to buy a new or repaired mint keybed for the JD800 for up to 350-450 bucks.
I totally feel the strong influences of Depeche Mode and The Pet Shop Boys in your music which is cool for me ! nice song ! Cheers from Montreal Quebec Canada .
I'm a low budget bedroom musician that grew up in the 70s-80s and very much miss all the happy music of the 80s. I have a DX7IID that I bought in the early 90s, and just bought a Roland Fantom G8 for the weighted keys. But now feel the Fantom G was a huge waste of money after watching you play that beautiful Korg Wavestation. Think I'm going to get a Wavestation A/D and sell the Fantom. I wanted an all in one work station, but the Fantom G has some really awful limitations. Keep making that beautiful music :)
I had this in another window while working on something else and thought for sure I was hearing a Pet Stop Boys song I'd never heard before. Very nice!
12:56 That was our wedding dance. One of the best piano intros in my book. Also the song has a nice synth intro which I utilized on the wedding as means to draw attention.
Hey Espen. I just updated my Roland Cloud account - haven't been on for months and was stunned when I saw you in there with your amazing Juno-106 Synth-Pop patches. Can I just say how proud I am for you that you're being recognised for your talent, passion and dedication to our favourite period and style of pop music. Thank you so much for all you do. Stay safe, have a happy holiday and New Year. Love from the UK.
Zoe, many thanks for saying! It was a lot of fun to make those patches and maybe there's more to come too... ;-) Love from Norway to you and happy holidays! :)
Really awesome review!. I love the JD despite his terrible keyboard and the red glue problem, I could not believe that such great machine has so sh***ty keys. It´s like being in a starship cockpit when you turn it on and start playing it. It sounds very digital and that bothered me a little bit at first, don´t know why. I´m only a music enthusiast and gear lover but not a musician. It´s the most straight foward synth I know. Love the new blue LCD of your JD !!!
After the D50 and the M1 almost lost interest in digital synths then the JD800. came along ...However, after that it took 20 years for the passion to come back thanks to VST'S / also rediscovering some monster synths such as the Aesis Andromeda etc
I have owned a JD800 since 1991. Apart from having her key-bed replaced in 2009 (under warranty!!) due to the red glue problem, and having accidentally spilled two cups of tea on her and had having been waterlogged when a roof leaked on her during a storm, while she was switched on, she is still the centrepiece of my studio. Still one of the best synths ever made.
Are they still offering that? Ours is completely unusable due to this :/
Casey Baldwin just pay a professional repair man at that point. It is costly but worth it
@@Kobymaru0678 Sadly, I believe not. I think the 'warranty' deal ended a few years back.
Still the centrepiece of your studio, as your midi keyboard or do u still use it’s sounds?
@@DNGMaestro I still use its sounds. I have obviously continued to edit and design new patches and have also got some ram cards with extra patches collected over the years. I don’t use it for every project, but it’s great for pads and leads in certain genres. I use it as midi controller as well.
A 90s synth on Espen Kraft's channel? The world's gone topsy turvy. 😉
Really enjoyed this Espen.
These are strange and confusing times Alex!
@@EspenKraft haha yup. I'm having to move...making a hi-rise and my rental = bye bye..jd800 is one i put up FS on reverb
@@EspenKraft does this mean 'you are the Nineties' as well as the 80s?
No, I will never be "the 90s", but some of the 90s synths are great tools to create 80s sounds and I will always create 80s sounds no matter what synth I use! ;.-)
The 90s was the best age for digital synths in my opinion. Kawai K5000s, Kurzweil k2000, JD-800, VL-1, Yamaha An1x, Yamaha EX5, Yamaha SY99 (alltough based of the SY77 from 1988),
Kawai K5m, Korg Wavestation, Ensoniq VFX, Ensoniq TS-10, Ensoniq Fizmo, Waldorf microwave series, the Waldorf Q, Waldorf Wave,
E-mu Morpheus, Yamaha FS1r etc etc.
This video contains an intro called "Hero by Espen Kraft (2020)".
Espen, I have looked at many demos of this instrument on You tube...I click on your video, and in your hands, there is an instant dialing back to the 80's and the instrument really shines! Well done!👏👏👏
Happy you liked it. :) Cheers
Yes! The king of early digital! I have never gotten better sound out of a digital synth than I have with my JD-800. Wanted one ever since I saw the Grace "Not Over Yet" video. Bought mine broken for $250 in the 2000s, fixed her up, and been in love ever since. The keyboard has the stickiness issue lately however :(
The digital filter is still one of the best ever, and you can do a surprisingly convincing JP-8000 SuperSaw/VA with it.
Legend! Thanks for taking the time to make this video, it brightens our #stayhome days!
Thanks! :)
I used to dream of two stacks with 3 keyboards each. One with a Dx7ii, D50 and M1 and other with a JD800, SY85 and Wavestation.. But it remained just a dream.
@@Lamster66 my mind is still trying to register and absorb all this.. Woaaaw.. Thats some GAS .. Enjoy
@@Lamster66 you are a good man to know. I am 47 now so might be about your age or a bit younger. Unfortunately in my part of the world (India) synths were not an open market product, ring fenced with a high 150% custom duty, so we had to depend on expensive imports. A DX7 in the 80s cost equivalent of $4500 with customs and importers margin, and had a huge resale value at inflated prices. It costed almost a household annual income then. So only gigging or touring professionals could afford to buy one, enterprising ones rented them out for about $50 to $80 for 8 hours.
@@hermeslord That's some interesting info from a time way before I was born. Thanks for sharing!
Have you bought that very tasty rack of three Korg modules: WaveState, Modwave, Opsix? Today is so much better than yesterday, I have lived through all the keyboards of the 1960s to today. My new studio just completed last year is all new gear 2014 and newer. ( I lost my vintage studio in a divorce of 2008 :(
after years of youtube synth videos, the programming in my mind tells me to reply: “because its not analog, it is cold and brittle.”
That piano sample is classic Roland. Another great video Espen, Roland was ahead of their time with this synth.
Thanks! :)
A-HA & Depeche Mode meet Pet Shop Boys. Fabulous tune!
Thanks!
Looking at your channel more than often results in a temporary sweet and exquisite time travel back to the 1980s.
Awesome! :)
This synth has Eric Persing written all over it. Coming from the d50 , this was the next iteration of the perfect synth in the mind of Eric. Which ultimately lead to the creation of Omnisphere, which takes the concept even further
Great synth, and great display MOD, Espen ;-))) the PAD of 9:20 min is fantastic.
Thanks! :)
I was one of the first people to play this at a music shop in my home town. It was an amazing and forgiving instrument to play. I could never have afforded it.
Yeah, same here. I remember when it came to the music shop in my Home Town in Norway, it was out of this world expensive, but OH BOY did I want it, badly! Luckily technology has come a long way, and we can pretty much have what we want in a synth today.
Oh boy, same here, I wanted to sell tons of gear I had, just to be able to buy this synth; same, when the Korg M1 came out, in the $3,000 range, totally out of my league; today I have the amazing iM1 on my iPad, for 1% of that value; amazing!
Thank you Espen - brilliant video and the first one that really shows off the beauty of sound of that machine.
THX
Sweet! :)
Growing up in the eighties, even though my main jam was rock and metal, I developed some fascination for synths.
This was the one I first laid my hands on, for hours... I fell in love with it
I once had to make a choice, back in 2009 or so. Buying a D-50 or a JD-800. I could not find an affordable JD-800 but a really good deal for a D-50. So i picked that one. Can't say i regret my choice (heck i LOVE the D-50 so much!) but i still would love to own one JD-800 as well. Because it just feels like a logical next step of the D-50. Back when Roland built some of the finest most versatile and lovable digital Synthesizer flagships. Sliders on synthesizers are also so much better and more intuitive to use than rotating knobs. I feel so happy for you that you have one of these amazing synths in your setup :)
Thanks Espen, another great video about a legendary synth. You bring out the best in these beloved instruments. 👊
Many thanks man! It's a lot of fun using only sounds from one synth to make a demo like this.
I remember trying one in music shop during the nineties in Germany. At the time it was possible to stay all days long in the huge shop room loaded with all available models of keyboards testing them as long as you wish. That was the era of M1 and T3 domination, followed by Yamaha's SY series, and Roland was conquering market with their intelligent E series, offering a revolutionary approach of accompaniment much better than the competition by far. This particular model was really a flagship of its producer: a dreamliner for all those musicians who knew the attractivity of Juno and Jupiter models, warmth of their layer sounds, pads and strings, perky brasses etc. It was immediately perfectly clear to me that I was standing in front of extraordinary instrument, at that time unfortunately unaffordable for my budget ( I owned Yamaha V50 and Kawai K4 back then), so later I could purchase only second hand SY77 for a bit more than 2000 bucks and I still have it today, really mighty machine. But there is something special about standing at this JD800, watching at all this pots and knobs, knowing about controlling everything by simple tweaking in real time, and enjoying its splendid tones as we hear in your video, very useful, in line with then the latest standards of pop music production.
Very nice track and demo as usual. I'm so excited for the new boutique version of this coming out soon.
I loved your song at the start! Great video, and I'm already looking forward to watch your JD 990 video! Cheers!
Thanks! :)
Beautiful condition, I just bought the boutique version, in love with the sounds.
at the 9:31 mark a trance vibe out from a JD800.... here we go Espen.... thanks! I did not know the potential of this "spaceship" of synth...
Cheers!
I have owned a JD-800 since thirteen years or so and used it for the first time on my album The Age of Deception 2008). I had the aftertouch response improved and the keybed replaced, but the glue problem persisted. Even though it was a failure by Roland's standards, 20,000 instruments were manufactured. In my opinion, it is the most hands on digital synthesizer and capable of producing evolving spacy sounds. The strings card is superb. It is a classic, as your exquisite video demonstrates.
JD800 and Yamaha EX5 - two of the most industrial digital synths among all for me. Both machines create a unique atmosphere
Really miss my JD800, should never have sold it :(
This video of the JD-800 really impressed me with how impeccably it has been maintained, considering its age. Although my background is in classical piano, I've always harbored a great passion for keyboards and synths, venturing into this world with models like the Yamaha SY99, SY77, and the Korg DW8000. I've never owned a JD-800, but my appreciation for this historic piece has always been strong, especially seeing one in such exceptional condition as in your video. The issue of the red glue in the keybed, a known manufacturing defect, doesn't seem to be a problem at all here, a sign of exceptional care and maintenance. Moreover, the fact that the display has been replaced with a modern one only highlights the attention to detail and the desire to best preserve this instrument. I recently discovered your channel, and all the videos I've watched have been interesting. Congratulations on how you've preserved such an important icon of electronic music; seeing and hearing the JD-800 in action is a true joy for an enthusiast like me.
I bought mine circa 1992 and it's still as new in it's box, having stashed it in my attic over 20 years ago! I must bring it down...
Hi, if you don’t use it, would you be interested by selling it ?
Vinz.
One of my favorite Synths ever!
Nicely done video, and a fair and balanced assessment of one of my favourite Roland synths.
Thanks man! :)
I rediscovered mine a couple of months ago! One of the few synths that actually comes with pretty decent factory patches. Lovely instrument, great for strings, pads and brass!
"One of the few synths that actually comes with pretty decent factory patches"
Aside from the return to a knob or slider per function type design that synths from the 70s and early 80s had, this synth sold as well as it did for the same reason a number of other Roland hits have… because of Eric Persing's involvement. His sense of "taste" was first applied to the JX-3P, then the JX-10/MKS-70, then super famously to the D-50. His contribution went beyond sound design to actually influence the design of many Roland products from the late 80s, thru the 1st half of the 90s. In 1994 Eric left Roland Corp US (while maintaining a relationship with Roland Japan) to form his own company Spectrasonics. First they developed and marketed sample libraries before getting into the software instrument field. Today all their VIs are first rate and many would consider Omnisphere 2 to be one of the (if not THE) finest software instrument you can buy.
Robert44444444 That too!
Mine is still back home while I’m currently serving in the Air Force. I miss it immensely... the flexibility and ease of programming is ridiculous. My Jupiter-XM will have to suffice for now :,(
Thank you for that great look at the JD-800. It was definitely one of the drool worthy synths that I lusted after. I never achieved that dream, but probably have most of the waveforms in other synths that I own, like the XP-60 (including Vintage Synth card) and the XV-5080. There is nothing like having the hands on control of the JD-800 though. Thanks again for starting my Friday morning with great sounds.
My pleasure Stuart! :)
Congratulations on getting a sponsor. That is a great accomplishment. This is a good song.
Many thanks! :)
Another excellent and informative vid Espen. Can't wait until the next one to see what the JD990 I have is capable of...
Thanks Andy, 990 coming very soon!
It's like a D-50 with a built in PG-1000. Amazing machine, beautiful tones
As much as I love the sounds of the D-50, the JD-800 takes the cake for me. I know a lot of people disagree, but I just love this thing.
The JD800 sound is just as modern in 2024 as it was in 1992. I bought an Ensoniq EPS16+ sampler at the JD-800 time, could not buy both, but I now have a JD-08 and 128poly in the studio, though the shared envelops and size make the experience less than an 800. But it is still the 4layer (Roland 4Partial) sound and design.
Though I use an MC-707 as my workhorse, the ideas and details shown here are highly applicable to the underlying synth architecture in my groove box. Thanks for all that you do, Espen.
Cheers!
Such an awesome song!
amazing video as usual Mr.!
Thanks! :)
Очень удобно, когда все органы управления синтезатором выведены на главную панель и не надо пробираться по бесконечным лабиринтам меню, в поисках нужного тебе параметра! Большое спасибо Espen! Здоровья и творческой энергии! Надеюсь, в ближайшее время выложить свой первый опыт Italodisco, вдохновленный Вашим творчеством! Удачи, Espen!
Sweet man, bring it on! :)
Great song! Nice synth review too.
Thanks!
Good tune bud. I love how modern/retro your songs sound. Cheers Espen Kraft!
Thanks for the feedback! :)
Love what you are doing, refreshing and unique perspective
Many thanks for saying! :)
Some of the coolest Pad sounds I've heard come from the JD-800! Thanks for the rundown, makes me want to pull mine out!
Do it! Thanks! :)
You know Mr. Espen Kraft , you are master prof for using those music gears to bring the masterpieces which I didn't explore before....
You're so kind Ahmed. Thanks! :)
Great demonstration of perhaps the most sexy 90s synth. Loving the song, punchy and beefy sound design. I should point out for those not reading the description, that you are using the expansion card 03 Rock Drums, so all the favourite sounds are somewhat different from the internal factory sounds.
I would have included the 51 Hearts of Space though, as I use it on many songs. 🤪😎
Maybe Espen can demo the 51 patch now.
Thanks man, you should know it to since you own it! ;-) I do say I use the "rock drums" in the text overlay during the demo track, but if you watch on the phone it might be too small. ;-)
I'm done with the JD-800 now. ;)
Maybe not.
Yeah I was thinking maybe Espen should mark this one 18+ Adults only, Espen just said he was done with the JD-800 now, but I doubt that goes for the rest of us yet :D
This keyboard is immortal. It still works on today's music ❤
Great video Espen! So many recognisable sounds! Looking forward to your next video!
Thanks! Always something new coming your way in terms of videos. ;-)
@@EspenKraft Much appreciated!
oh man the sound brings me back
I briefly wanted one of these back in the mid 90s. a local music store had one on display and I'd play it occasionally. I never got that much into the sound, but I thought it was really impressive looking. I think when they came out, they were around $3,000 but the price came down to around $2,200 towards the end of their run. that was about the same as a high end workstation (O1/W, Trinity, etc.) so it wasn't cheap, but not overly expensive either. use to see them all the time for $500 in the 2000s on Harmony Central classifieds.
I got so caught up in your singing and went right to Bandcamp, I forgot all about this amazing synth. Now after watching you tweak it I want the Wavestation A/D and the JD-800 lol.
Just you wait until the video I release on Friday! ;-)
Great overwiew of this master piece
Cheers!
In looks: A neat machine from outer space.
In Sound: Neat digital sounds. With a few tweaks and wits, it can hold a candle to the analogue counterparts.
Great video ! Love the Atari ST in the background, it definitely has its place in the studio full of 80s synths ! :)
Thanks! I still use the ST's to make music. I have videos on here showing just that. ;-)
Thanks for sharing :-)) I'm so fortunate to have 2 of these beauties, and a JD-990 :-)) February 2022 the JD-08 Boutique will be available !
Amazing track!!! It's a very excellent representation of Early 1990s features!!!!
Thanks! :)
Probably the most elegant industrial design Roland has ever had. I tried pricing them to buy one a couple of years ago, and there was just no way. Sounds great though, and if you ever wanted to feel like you're on the bridge of the Enterprise...that's the synth! I enjoyed your song as well!
The design is great. Thanks! :)
Great video Espen! Stay safe!!!!! I'm sitting here right now next to my D50 (and others) trying to learn Cubase since I finally hooked everything up!!!! This was a welcome distraction!!!!
Sweet Robert! Get it all hooked up and make some music! :)
Волшебный синтезатор. Спасибо за отличную демонстрацию
Many thanks! :)
Man, I've fallen in love to this channel automatically. The song at the end of the episode is lovely. You're a great musician and synth teacher. Thanks for leading us back to the best era in pop music. Keep up! Hugs!
Many thank for saying! :)
Love the song. Love the synth. I am lucky enough to have one. Great stuff.
Cheers!
The way you describe the JD-800 in the intro is probably the best explanation of it I've heard, and why I love my JD-990 so much - even the acoustic instruments have a 'synth' touch to them that you don't really hear from other digital synthesizers; the Korg Trinity and Ensoniq TS-10/12 are the only other ones that give me that sort of vibe, and it's very special ^^
Excellent video as always Espen!
Thanks for saying! :)
I have both JD-800 and TS-12. There is no real substitute for those instruments and never will...
That's why their prices have been soaring.
Beautiful workmanship!
Sweet! :)
@@EspenKraft Although JD990 seems to be an updated version of JD800. It has no vibe of JD800. But if you have both, than JD990 breathes, otherwise it has no ventilation support :)
Epic synth! Thanks for your review!
Looking forward to the JD-990 video! I own one incl. vintage expansion board. Have to use it a lot more! Fantastic synth!
If you had been born 40 years before you really were, you’d have been an 80s superstar Espen.
Thanks! I should have done some other moves in the mid 80s than what I actually did, but that's pilt milk under the bridge.. ;-)
What a beast! Amazing demo as well 👌
Thanks Chris! :)
thanks Espen.. great demo ..those patches 😊
Thanks Nik!
I was really looking forward to see this video. This was just awesome! I think seeing Paolo's JD-800 'the 64 classic factory patches' video just got me very excited!
The demo song 'Hero' is great!! I will surely listen to that song more in the future. One of the interesting things I find reading through the comment section: The modified color of the display! I also noted that on your D50 where is mine is green and yours is blue too! (I think the blue display looks cooler! lol). I initially thought that was just a cool 'filter effect' using a color mask for example in your editing software. I also noted that on your RX11 which almost seem to have no lighting on the display where's mine is very much kind of blue/green. But again, I initially thought you did this intentionally to get rid of the lighting issues that can occur when filming a display (particularly in rooms that are filled with lights or reflections). Great reference to the Genesis song! These videos are both informative as inspirational so thank you for that! Good to see the videos are sponsored. You put a lot of effort and time in these videos and I hope this will contribute to more time for you to do what you like doing!! Bravo!! -Devin
Thanks Devin! No, no special fx masks or anything here. It has a brand new custom display as has the D-50. Looks extremely cool, even more so live than on this video.
The go-to synth for wire-type sounds. Nothing else touches it.
You really make some great videos!!!!!
Thanks! :)
I bought one of these in 92, kept it for 20 years, it was a great synth but i dont think it particularly stood out sonically during its heyday, it was more the interface that gave it an edge during an era where almost no other synths were being made with hands on controls. The 90s and early 2000s were kind of a funny period for synth design as manufacturers were at odds with what people were crying out for, namely new analogue designs, this is what pushed prices of older 70s and 80s analogue synths into astronomical figures, but its kind of nice to think that the digital synths of that era are now becoming classics in their own right.
Thanks again Espen.
Best HOUSE/TECHNO machine i ever had !
So amazing and Awesome!
Sweet!
here we go again.... love it!
Thanks!
I remember pairing my beloved jd800 with the dj70mk2 sampler... golden days of music for me
Yes! Thank you for making this and getting my mind off all the negative news. I wonder if PCBway can remake the JD-800 PCB keyboard membrane. I'd totally buy it. I love that screen upgrade! Take care, Sam.
Thanks Sam! I would definitely check with them, my understanding is they can make almost anything to order. :)
@@EspenKraft I'd like to know myself about it and I am sure there are at least 100 persons who are ready to buy a new or repaired mint keybed for the JD800 for up to 350-450 bucks.
Used to own one(paid $300) and miss it BUT they are big and take up alot of studio space. One of Rolands best synths from the 90s bar none.
I totally feel the strong influences of Depeche Mode and The Pet Shop Boys in your music which is cool for me ! nice song ! Cheers from Montreal Quebec Canada .
Thanks! I'm definitely inspired by many of the 80s acts in the genre. ;-)
I'm a low budget bedroom musician that grew up in the 70s-80s and very much miss all the happy music of the 80s. I have a
DX7IID that I bought in the early 90s, and just bought a Roland Fantom G8 for the weighted keys. But now feel the Fantom G was a huge waste of money after watching you play that beautiful Korg Wavestation. Think I'm going to get a Wavestation A/D and sell the Fantom. I wanted an all in one work station, but the Fantom G has some really awful limitations.
Keep making that beautiful music :)
Superb as always Espen!! Thank you :-)
Thanks Vaughn! :)
I had this in another window while working on something else and thought for sure I was hearing a Pet Stop Boys song I'd never heard before. Very nice!
Thanks! :)
I am holding on to my JD800! Fixed the red glue problem which a lot of these synths suffer from
Great video Espen.
Thanks! :)
You're awesome!
Sweet!
You really know how to write some catchy keyboard lines, Espen!
I do what I can, thanks for saying! :)
Another absolutely GREAT song !
Cheers!
Oh I absolutely love this track its brilliant! And great vocals!
Cheers!
12:56 That was our wedding dance. One of the best piano intros in my book. Also the song has a nice synth intro which I utilized on the wedding as means to draw attention.
It was always winner back in the day whenever I played through weddings.
@@EspenKraft Well, I'm not that old, my wedding was 6 years ago :D but 80s are probably my fav era for pop songs.
Hey Espen. I just updated my Roland Cloud account - haven't been on for months and was stunned when I saw you in there with your amazing Juno-106 Synth-Pop patches. Can I just say how proud I am for you that you're being recognised for your talent, passion and dedication to our favourite period and style of pop music. Thank you so much for all you do. Stay safe, have a happy holiday and New Year. Love from the UK.
Zoe, many thanks for saying! It was a lot of fun to make those patches and maybe there's more to come too... ;-)
Love from Norway to you and happy holidays! :)
They just added the Jd-800 ! I have a Jupiter X ! Do you have patches on the Roland cloud for it ?
Really awesome review!. I love the JD despite his terrible keyboard and the red glue problem, I could not believe that such great machine has so sh***ty keys. It´s like being in a starship cockpit when you turn it on and start playing it. It sounds very digital and that bothered me a little bit at first, don´t know why. I´m only a music enthusiast and gear lover but not a musician. It´s the most straight foward synth I know. Love the new blue LCD of your JD !!!
Many thanks! Cheers from Norway
Cheezbord smorgasbord huh ?
I remember seeing that in the store when it came out, very intimidating, lol. Looking back it was a great idea that anticipated virtual analog.
Another great one, thanks for the review 👍
Keep safe!
Thanks, you too! :)
After the D50 and the M1 almost lost interest in digital synths then the JD800. came along ...However, after that it took 20 years for the passion to come back
thanks to VST'S / also rediscovering some monster synths such as the Aesis Andromeda etc
Always wanted one never gonna give that dream up. Great song
Thanks man!
Great tune and excellent vocals to match the song style.
Cheers!
Железо от Роланд и их хиты - это навсегда, никакой Софт не заменит магию и полноценность фантастического звука легендарных синтезаторов !
One of the synths i sold i regret most.