during that old days, metal string is not a popular choice in traditional Chinese music. Mr Lui in this piece was my pipa teacher in 1972 amd the strings that we used were mainly good quality fishing lines made in th US. Metal strings require strong sound box construction than those sound boxes targeting silk or nylon strings.
@@KLLam Wow, really? Just naked nylon fishing line such as I use on my yueqin? Do you think he was using the nylon fishing line as early as 1959, when this recording was made?
Mr. Cheng Quangui (程全归), the son of Cheng Wujia (程午嘉), is credited with having tried the first metal-wrapped strings (apparently cello strings) on pipa in 1959, while a student in Beijing. Up to the early 1970s when the nylon-wrapped steel strings were developed (based on European concert harp strings), I believe silk-wrapped steel strings were also used by many pipa players.
@@dbadagna Frankly, I didn't have to chance to ask or verify, however from the sound of the pipa in the record, the sound effect is similar to the nylon strings I used back in 1972 to about 1985. Afterwards I turned to use those metal inside nylon wrap type of string. As a matter of fact, they sound very differently. Each types of strings have their own characteristics. and purposes. Yueqin, in particular those used in old days, strings are relatively shorter therefore nylon strings can serve well. In recent years, steel and silver strings are in common place, for Yueqin and other plucked Chinese musical instruments.
一蕭一琵琶,簡簡單單就奏出天籟樂章,真大師級數
還有機會在這裏聽到傳統含蓄的演奏,無限唏噓啊!
當你聆聽音樂時,彷彿見到冷冷的月光映照在春江上,流水潺潺,波光閃閃;旋律之中,流露出豐富的感情。這種像新雨般清新的感受,不是任何一首曲子可以取代的。
霧月夜抱泣落紅, 險些破碎了燈釵夢, 喚魂句, 頻頻喚句卿須記取再重逢, 嘆病染芳軀不禁搖動, 重似望夫山半倚帶病容, 千般話猶在未語中, 心驚燕好皆變空👏👏👏👏💐💐💐❤️🌹🤗
一代洞蕭演奏家黃呈權醫生。演奏每一音符皆傳神動聽。個人認為现今難有如此優秀洞蕭演奏家。
從小喜歡聼民族音樂,百聽不厭。我下載了很多曲子存在移動小音響裏。一邊走,一邊聽。心情好極了。
清晰的夜景及優美的音樂,好好聽
樂韻柔揚,悅耳動聽!❤
久違了。。。平實又優雅,沒有半點買弄❤
黄呈權醫生。有蕭王之稱。黃醫生吹奏南蕭登入化境。今難有此奇才蕭音韻。可惜六十年代後期。一次在家中練習曲時。對自己蕭韻音律要求高。多次練来不感满意。突感不適。就此乘鹤西歸。一代蕭王就!
純樸,扎實,比現在-大堆的方式來得舒暢,怡情,這種就是從小每天早上6時在香港的電台播的那種味道!
真是有春江花月夜的感覺 令人 耳目一新 心曠神怡
穿越时空遇见你,用同一首乐曲,串起所有时代所有人的情感,神奇的一刻~
黄呈權洞蕭是古韻央然。江南韻味
多謝上傳網上 此動真動聽 動人心靈 此曲才是真正 原曲原味
繞樑三日不絕於耳!有幸此生還能聽到原版!
向大師致敬! 能聽到是福份,感恩啊~
“春江潮水连海平 海上明月共潮生 滟滟随波千万里 何处春江无月明 江流宛转绕芳甸 月下花林皆似霰 空里流霜不觉飞 汀上白沙看不见 江天一色无纤尘 皎皎空中孤月轮 江畔何人初见月 江月何年初照人”
前人61年前的錄音,真難得!珍惜
這幾位演奏者都是當年香港中國音樂界的領軍人物。我老師呂培原更是在無數卲氏製作的電影中演奏。任劍輝白雪仙很多的粵劇中的琵琶也是呂培原所奏。他的音樂風格默默的走進了無數當年香港人的記憶中。
原來林老師真的是呂大師的高足,怪不得琵琶造詣如此了得。請問,呂大師是何年移民的?是為了九七問題嗎?
1973年。他給我最後一課時,家中已開始執拾行裝。其兄已早在美國。把中國音樂帶到美國是好事。
希望老师能多回中国交流。中国这几年回头重视传统文化传统音乐。。。很需要老师这样的精英。
中国国內精英很多。能夠在這裏與大家分享音乐十分高兴。
翻墙的中国大陆人太少了,主要还是留学生吧。我以前认识到传统乐器都是在古装电视剧中,也许我小时候出身农村吧,周围都没钱学这些,就算是读了大学,大学里学传统乐器的还是少数,大多数还是学钢琴吉他。不过这几年看电视,微博上,才发现很多古筝笛子琵琶的人,但是大部分也是女孩子。希望老师能多和国内联系,交流,回国演出。国内喜欢传统乐器的不在少数,但是这方面的精英相对还是少的。
春江花月照人生无穷 弦音流转听山河如梦
古韵悠然
感谢上传,真的好听,稳重典雅。
還記得1968年中文大學的校外課,林樂陪先生曾播過一首《憶友人黄呈權醫生》是林先生把黄醫生的香江花月夜錄音配器而成的作品,尋遍網上都找不到了。
簫王吹奏洞簫的音色,不僅讓我驚豔,耳目一新,同時還讓我享受到洞簫另一種吹奏的魅力。而這首《春江花月夜》古曲四重奏更是精彩到了極點。
吹簫的人必須擁有充足的氣,才能使音色飽滿悅耳。簫王身體強壯,中氣十足,能狗把此曲吹到出神入化的最高境界,又被譽為一代簫王,便是拜他的氣量所賜。
施行 49
「吹簫(笛)的人必須擁有充足的氣」,所以我今生都只能坐著聆聽名家的演繹😂😂
Hermosa melodia 👏👏👏👍👍❤
👍👍
听到这首歌总是对我有好处
KL Lam閣下,
大約在1977年,那個仍在使用錄音機和卡式帶聽音樂的年代,我買得了一輯尊師
呂培源大師的作品,標題隱約記得是“夜深沉”。當中固然精彩紛陳,盡是佳作;惟在下最為陶醉的仍是夜深沉一曲。事隔多年,那卷音樂帶早已不丟失了。直至近年有了4G手機,可以上網看UA-cam ,我一直在找尋
尊師該作。可惜總是向隅,而且其他的版本未有發現可相比擬的。若得萬幸, 閣下有這一曲的錄音,或能上載,甚是功德無量。謝謝。
ua-cam.com/video/MSuJ_wuo01c/v-deo.html
@@KLLam 十分感謝!
元老级的作品很难听到
春江花月夜!紅塵樂喧天!
經典名曲,由香港音樂家演奏,更覺親切。
是音樂方面,還是人物方面呢?
greenleaves363 精彩的演繹!
另一方面,舊錄音的傳真度和細緻度不高,給人帶來了類似粵語長片劇樂的感覺,對於香港人來說,也是一種非比尋常的親切感!
無論是音樂與人物,都很有親切感。五十年代我還未出生,但相信那時此曲在香港已很流行。例如唐滌生撰的《紫釵記》,便用此作主題曲《劍合釵圓》。「霧月夜抱泣落紅,險些破碎了燈釵夢」,即使從來不聽粵曲的人,也有很多能哼上三兩句。對香港人而言,親切感僅次於《香夭》。
就人物而言,即使像我這樣,對蕭笛、琵琶的認識很淺,孤陋寡聞,但呂大師的名號總也聽過。可惜他後來移居外國,已有很多年沒有他的消息。看過林老師的幾段視頻(例如「下出輪」的示範),直覺判斷,林老師跟呂大師應該是有點淵源的。
Viol 所言,令我想起卡式錄音機的年代,藝聲唱片公司所出的國樂磁帶。我曾買過幾盒,如《弓舞》之類的。音質之差,現今的人恐怕無法想像,簡直就是山寨廠出品,直接用唱片自己翻錄似的。聽那類雜音極多的錄音帶,一定要用「水皮」錄音機,不能用好音響,「細緻度不高」,否則夠你難受的。
很分明的几种乐器,都很好听。
有沒有黃醫生吹奏的雙聲恨,黃醫生此曲非常感人。
抱歉!我沒有呢。
上好!
多謝分享如此好曲。
好嘢
琵琶乃五音階,非人為不協自然之十二平均律,今已難得一見.
en çok sevdiğim çin müziği parçası
👋👏👏👏👍💐🌙🌙🌙
可惜无视频片段看!
中间居然插入广告,严重影响听感。
可惜不是会动的视频,否则可欣赏到高手的表演。
2/20/2023
南箫演奏的,比较少见。
😇
me aquece o amâgo do coração
Very nice! Was this really recorded in 1959?
黄医生于1967年一月,因中风而病逝。
不其然唱起紫釵記的劍合釵圓
乘龙升东,
远胜:驾鹤西归
Does anyone know if Mr. Lui was using silk or metal pipa strings for this recording?
during that old days, metal string is not a popular choice in traditional Chinese music. Mr Lui in this piece was my pipa teacher in 1972 amd the strings that we used were mainly good quality fishing lines made in th US. Metal strings require strong sound box construction than those sound boxes targeting silk or nylon strings.
@@KLLam Wow, really? Just naked nylon fishing line such as I use on my yueqin? Do you think he was using the nylon fishing line as early as 1959, when this recording was made?
Mr. Cheng Quangui (程全归), the son of Cheng Wujia (程午嘉), is credited with having tried the first metal-wrapped strings (apparently cello strings) on pipa in 1959, while a student in Beijing. Up to the early 1970s when the nylon-wrapped steel strings were developed (based on European concert harp strings), I believe silk-wrapped steel strings were also used by many pipa players.
@@dbadagna Frankly, I didn't have to chance to ask or verify, however from the sound of the pipa in the record, the sound effect is similar to the nylon strings I used back in 1972 to about 1985. Afterwards I turned to use those metal inside nylon wrap type of string. As a matter of fact, they sound very differently. Each types of strings have their own characteristics. and purposes. Yueqin, in particular those used in old days, strings are relatively shorter therefore nylon strings can serve well. In recent years, steel and silver strings are in common place, for Yueqin and other plucked Chinese musical instruments.
@@dbadagna Thank you for letting us know.
二胡的声音最不和谐。。。
David Henry 那个似乎不是二胡,更像是广东民间传统的“椰胡”,椰胡常见于粤乐。
我也覺得不必配二胡!很多時蓋了簫聲!破了美感!
好像是高胡吧!