You could but you would have to have a pretty basic set reusing sounds alot! I use two so I can load a new project file to the one not currently playing and there is no awkward silence
@@AlexFainDj you habe a dedicated play button for each midi channel instance and when you push play it syncs to the master clock on the next 1st downbeat the next bar
Hi mate, thanks for watching. Yes I used the ERM multiclock to sync and play. Just pressing play and doing a DJ type sync mix was unreliable I felt, for a long form mix anyway. Was expensive but it's a nice tool for all my gear.
Really stoked see more people using two of them. I've been mixing jungle and breakbeat hardcore on two of them but not midi syncd.....gonna look into that clock for my setup. Any chance how you can explain how your using it trigger the project/track? I normally do it hot style and have to use tempo to nudge em a lil but would like to find an alternative to this method that still allows for creative triggering (doubling up n cutting across tracks that aren't being cued on the 1)
Hey mate, it plays on the next count of 4 basically on the 1, so I press the play button on the allocated midi clock track and it just syncs then. I believe you can change the settings of it to make it play and cue differently but this is all I need for now. Love your jungle live sets by the way! ❤
Hello =) Great Bassline after 46 min. Where does the sound come from are there samples or do they sequence an analog somehow? Been wondering if a tracker can sequence an analog ...
Hey mate, it's a raw waveform saw I think that was doubled on a resample with a parallel sample playing a bit detuned, then it is just played through the internal sampling LFO and envelopes. For this live set everything is one shot samples. I do make stuff where I program my other hardware using the tracker sequencer you can check an example here aduaine.bandcamp.com/album/telepathic-dissociatives
I felt it was necessary because only one tracker can be master and one the slave for midi. Also if it is important for the sound to never stop, even if you were able to just connect the two trackers together and use one as a midi clock source, you would always have to reset the clock when you open a new project
@sleepunderwriter thank you for answer. For me only one groovebox its fine because i have some sequencers and external samplers for my setup running always, i think one tracker can be helpful for play long melodies, what do you think?
so goooooood
This is tasty 🤤 Dope set!
Excellent set this! Thanks for sharing 👏
Cheers Rich thanks for listening
Dope!
Neat!
Bravo!
This is amazing. Nice work!!
can you not have under the same unit and play with patterns and performances instead of using two polyendTrackers? great work by the way!
You could but you would have to have a pretty basic set reusing sounds alot! I use two so I can load a new project file to the one not currently playing and there is no awkward silence
@@sleepunderwriter nice one! I'll try and see what happens. Thanks for the valuable info ;)
Nice ❤
How do you sync the start point when upload a project?
I used an ERM multiclock, it acts as a master clock that has four channels that can be switched on and off in sync
@@sleepunderwriterthe Multiclock gives also the star pattern in sync?
@@AlexFainDj you habe a dedicated play button for each midi channel instance and when you push play it syncs to the master clock on the next 1st downbeat the next bar
Wow i have two trackers as well.. glad to see someone have pair of tracker! Btw did you trigger any external gears with tracker as well?
Hi mate, thanks for watching. Yes I used the ERM multiclock to sync and play. Just pressing play and doing a DJ type sync mix was unreliable I felt, for a long form mix anyway. Was expensive but it's a nice tool for all my gear.
Really stoked see more people using two of them. I've been mixing jungle and breakbeat hardcore on two of them but not midi syncd.....gonna look into that clock for my setup.
Any chance how you can explain how your using it trigger the project/track? I normally do it hot style and have to use tempo to nudge em a lil but would like to find an alternative to this method that still allows for creative triggering (doubling up n cutting across tracks that aren't being cued on the 1)
Hey mate, it plays on the next count of 4 basically on the 1, so I press the play button on the allocated midi clock track and it just syncs then. I believe you can change the settings of it to make it play and cue differently but this is all I need for now. Love your jungle live sets by the way! ❤
Hello =) Great Bassline after 46 min. Where does the sound come from are there samples or do they sequence an analog somehow? Been wondering if a tracker can sequence an analog ...
Hey mate, it's a raw waveform saw I think that was doubled on a resample with a parallel sample playing a bit detuned, then it is just played through the internal sampling LFO and envelopes. For this live set everything is one shot samples. I do make stuff where I program my other hardware using the tracker sequencer you can check an example here aduaine.bandcamp.com/album/telepathic-dissociatives
Hi. i see you have ERM multiclock, is that necessary for live set? i mean maybe you can load projects and synchronised both without the ERM?
I felt it was necessary because only one tracker can be master and one the slave for midi. Also if it is important for the sound to never stop, even if you were able to just connect the two trackers together and use one as a midi clock source, you would always have to reset the clock when you open a new project
@sleepunderwriter thank you for answer. For me only one groovebox its fine because i have some sequencers and external samplers for my setup running always, i think one tracker can be helpful for play long melodies, what do you think?
Very nice tracks but what really struck me is the video, all i can say is wow, its like watching a young Tarantino at work minus all the plagiarisms.
More David Lynch surrealist in my view, but thanks for the comment