How iZotope Ozone 10 ACTUALLY works to make better SOUNDING MASTERS
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- Опубліковано 7 лип 2024
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Hello, I'm Nicholas Di Lorenzo, Studio Owner, Mixing and Mastering engineer at Panorama Studios.
I'm an Italian-Australian born and raised in Melbourne. I've been a creative professional for 10 years managing some pretty awesome projects for artists, labels and producers all around the globe.
What motivates and drives me?
My family,
Good food,
Great coffee.
You can find me on many platforms:
Instagram: / panorama_mastering
Facebook: / panoramamastering
Twitter: / panoramamasters
Kit: kit.co/Panorama_Mastering
Mind blown by the quality of your descriptions and precision in your terminology while also providing pertinent real-life examples. Kudos to you Nick.
Thanks mate! Glad you enjoyed!
This was really good. I just got Ozone 10 and I've watched lots of videos trying to see how to use it and how it changed from version 9 and this was the one where everything really clicked. I love how you explained all of the features before the mastering assistant so when we got to that it was obvious what it was doing and controlling. Well done, cheers!
My pleasure! I've got another 2 interview videos on the channel one with the product manager responsible for overseeing the making of Ozone 10, and another with the principle research scientist at iZotope!
I'm baffled you don't have more subs. This channel is priceless
Thanks mate! Appreciate the love!
One of the best reviews and tutorials on the product. I especially love how you explain the tech specs of what's going on under the hood. Great job!
Glad it was helpful! Thanks for watching!
Been waiting for an in-depth video like this. Cheers!
Glad it was helpful!
Great rundown man! Just updated and lovin the new clipper addition to the Maximizer. I think this might be my new go to limiter/clipper.
Glad you like it! Thanks for watching!
Now I need a comparison the different Clippers. We need this new Ozone Clipper, Standard Clipper, Fire The Clip By Acustica Audio and Newflanged Saturate. This could be a really interesting test to analyze!
Good idea!
I was waiting for your video about it ! thanks man.
Hope you enjoyed it! Thanks for watching!
Excellent breakdown of all the new features. Well done!
Thanks mate! Glad you enjoyed!
Best review on Ozone 10, great job, thanks!
Wow, thanks! Glad you enjoyed it!
Awesome run through!
Glad you enjoyed it!
I bought the upgrade within first 10min of your video! Job well done
Hey Enjoy! If you need any help; always feel free to reach out! I'm using this on the daily!
Excellent video, thanks!
Glad you liked it! Thank you!
Dope video. Well done
Thank you!
Legendary break down bro 🏆💯✅
Thanks mate!!
have. But, your tutorial was amazing and I have made a semi-decent soft. Thanks!
Glad it helped! 😂
Very good video🎉thank you
Thank you for watching!! My pleasure!
Man! Great thumbnail and great video.
Thanks mate! Appreciate it!
Yeah, this thumbnail is otherwordly
Wow man really great video. Is that ‘Impact’ paper available to the public online anywhere ?
Yes it is! - dafx2020.mdw.ac.at/proceedings/papers/DAFx20in22_paper_21.pdf
The way you had StandardClip set up, it was already hard clipping. You can see it in the visualization of the transfer function.
That is a great product presentation from someone who knows.
Thank you mate! Appreciate the support!
Nice!! Been waiting for this one.
Hope you liked it! More to come ! ;)
Thanks, :)
You're welcome!
Im guilty actually of pushin clipper after the limiter.
The reason being is when im working on my own projects,i have a whole mix under my control and clips a bits and pieces of each track and Limiter like proL for me has role of Glueing whole master together and saturating it a litlle bit... and then Newfangled Saturate to do final transparent push.
When im working on someone else single track... than its voodoo magic and sorcery to make it sounding good as possible xD
Do you use a higher sample rate then downsample your master when done?
I like to work at the native sample rate!
Stabilizer mode is more or less like the Gullfoss EQ !
I can see that parallel! I'd say what's happening behind the hood of stabilizer is different; but I'd be curious for users of Gullfoss(Of which I'm currently not) to put this up against it;
The soft clip seems like the biggest win of this update, time to get the wallet out... haha
Mathew Lane Dr MS is a cool plugin to check out, gives you crazy amounts of options to change the L/R and M/S relationship but you can very easily destroy your song too! But someone like yourself would geek out over the flexibility maybe :D
Yeah; it's a great clipper!
Thanks for the suggestion on the Dr MS Tool too! Will check it out!
N.
does it has oversampling please?
4x on the Softclipper!
how much of an improvement is this over Ozone 8 advanced?
The master assistant is a MAJOR upgrade;
But referring to the specific modules;
The one think I'm using almost all the time which is different from Ozone 8 is the soft clipping module in the maximizer;
@@panorama_mastering thanks - I think the mastering assistant in 8 was already good but if this new one is even better than great. the 8 also doesn't natively support M1 silicon which is not ideal and they are not upgrading it I think
Can this work with the FB filter L2 or is it designed to replace it?
Are we referring to the IRC module?
@@panorama_mastering hello, no I mean the limiting plug-in on the ozone , the maximiser I think, is this a direct replacement for using a limiter such as the L2?
@@kafkakos3618 Yes; for certain use cases definitely; I find it best for managing louder masters where the dynamic composition varies from section to section as it can intelligently manipualte the time-domain parameters to minimize/avoid distortions;
“Soft” clipper? For metal, I always go hard. Pun sort of intended
haha pun worked!
Fk, now we need an IRC tutorial 🤣
Haha filming today!
@@panorama_mastering legend!
Great video but the clicks were pretty distracticing when looping audio sections, would recomend setting a clean loop point for demonstration purposes next time :)
Hey Jason! Thanks for the recommendation; that's good advice to improve on for the future vids!
Much appreciated;
I have a fast computer with no latency... until I put ozone 10 on the master channel and l later went back to edit/record a midi part and the latency was like 2 steps late off the bars. you have to delete the plugin instance as powering it off makes no difference... what a hog Ozone 10 is... Great for mastering but be aware it F's your timing up!
Does your DAW have delay compensation ???
I use multiple instances of the modules in Ozone 10 throughout a mix no sweat; and my iMac is from 2015!
@@panorama_mastering Yes if I choose delay comp in Logic 10.7.4 I get transitional clicks when selecting different lanes - 2021 M1Pro Mac here. manual latency adjustment does nothing either. Maybe its a U2B apple silicon issue?
Possibly so; you should flag this with the izotope team; they're exceptionally responsive on taking aboard user feedback; especially when it's objectively voiced and directly to them;;
Because I can guarantee; my CPU is not even half as powerful as an M1 PRO... I have a quadcore i7 from 2015... not powerful at ALL!
he speaks really fast!...
I don't like the new skin, I like the old green and black style. I wish they just improved on that
Old SKool Ozone 4 represent!
I don't think Oz10 is an improvement over 9. The 2 modules are not that impressive. Stabilizer is basically Gullfoss which I have and use on my master buss before going to Ozone for mastering and I didn't see any use for the Impact module. It didn't have a positive "impact" on my material. Plus the fact that they didn't include a standalone version really ticked me off. It's a shame...
Fair observation!
Some say stand alone version has gone. 😖
That's correct. iZotope in their infinite stupidity dropped the standalone due to what their tech support said was a lack of usage and they didn't see putting the resources into updating it. Sucks big time.
@@musicman8942 Sorry about that guys, were there any features of the standalone app that you will really miss?
I never used the standalone version; so it wasn't something that crossed my mind; thanks for flagging this!
@@billpodolak7754 The simple answer is being able to use Ozone without having to work in one's daw. Combine that with being able to host a third party plugin in the standalone version. iZotope messed up big time with this.
@@musicman8942 yeah I actually made that decision 😅 really sorry to take that away. It was challenging from a development perspective to maintain the standalone app, so we decided to put all of our efforts into the plug-ins
Why all reviewers are making demonstrations on mad people music? There is no music for normal people anymore? Or mad people music became normal?
Not all the songs used in my demo's were aggressive...
Is this a paid-for video? Did Izotope compensate you in any way for this video?
Nope not one bit, i am never fiscally compensated for any of my video’s and I will only ever do a video on tools I thorouy use in sessions/actually use in my day to day practice
fabfilter bundle to master vs Izotope bundle ????? fight of titans
Cool concept! I don't hold a great deal of FabFilter Plugins, only the EQ, Limiter and MB comp