Classical Composer Reacts to To Live Is To Die (Metallica) | The Daily Doug (Episode 281)
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- Опубліковано 7 гру 2021
- #Metallica #MetallicaReaction #ToLiveIsToDie
In this "popup" edition of #TheDailyDoug, we're returning to the music of Metallica. We're listening to To Live Is To Die, another of their classical (mostly) instrumental tracks. This song was the last of their tunes to include a writing credit for original bassist Cliff Burton, who had composed some of the riffs before dying in 1986. This one really impressed me...the clear formal elements of the work provide a compelling narrative. I hope you enjoy! RIP, Cliff!
Reference Video: • To Live Is to Die (Rem...
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Fantastic reaction as a tribute to Cliff Burton. Thanks Doug.
Next option? One of the better, more complex tracks off the album, its title track, "And Justice For All". 😉👍
There’s no strings in the song, is guitars using the volume knob, listen well!
Cliff made Metallica what they were. RIP Cliff
Cliff had nothing to do with To Live is To Die.
@@TheSaintberzerker lmao what world do you live in?
Been listening to Metallica for about 30 years and the middle of this song still gets me every time.
Me too, brother.
I played that at my nanny’s funeral during the eulogy …… like you it get me every time …… but it warms my heart
Been my favourite Metallica song since I first heard it in 89. That solo after the acoustic interlude still punches me in the chest.
Every time, goosebumps.
couldn't agree more.. it gets me too..
It's nice to know that Mikael Akerfeld from Opeth once played the clean riff from the middle section at a concert and then told the audience: "if it wasn't for that lick, Opeth wouldn't be around".
Do you have a link to that concert?
Never heard that, but that makes so much sense
wow that makes so much sense
I find that all of early Metallica’s acoustic/clean parts are incredibly beautiful. To me it’s one of the most important things that sets them apart from so many two- dimensional metal bands of the era.
@@guennille ua-cam.com/video/oKFBn-97_9k/v-deo.html
James and Kirk’s harmonised volume swells were so beautiful that an actual classical composer thought they were strings.
Absolutely right. I do believe they are reversed as well.
It's hilarious that idiots on here think it's Jason. 😂
Exactly right.
"To Live is to Die" is a masterpiece, and further demonstrates why Metallica is so much more than a simple thrash metal, but really conquered the summa bonum of metal
people hated that fact that they didn't stayed in thrash metal because they are evolving as a musician as well. they also ignored the fact that Megadeth, Anthrax, and even Slayer followed the Metallica mainstream footprints lol.
@@eetfuk3571 slayer is not like metallica...
@@eetfuk3571 Slayer stayed pretty thrash I mean listen to the latest album repentless that's pretty thrash
Indeed. Metallica's melodies, harmonies, and compositions were way ahead of the curve. There was a romantic-classical element (Ala Beethoven, Wagner, etc.) that other thrash metal bands didn't have. James Hetfield has a knack for writing melodic riffs, Cliff had a brilliant understanding of harmony, Kirk is drawn towards melody in his solos', and Lars seems disposed towards long, epic arrangements.
Cliff's absence is, to me, painfully clear in the albums following this one. It just isn't as nuanced in sound or feeling. Cliff brought the progressive element to Metallica, which always kept things fresh and interesting. I think this song is a peek at where the band was evolving to with Cliff, and which it really fell short of after his passing. With Cliff= 2 years between albums, without Cliff = 3++++ and it just gets longer and longer. It's way more than going from thrash to demithrash; the creative soul of the band had been ripped out and cannot be replaced. All of course, my opinion. We each are entitled to our own.
It's a masterpiece. I heard this at 17. I had just lost my mother and father to tragedy. This was one of the songs that helped me through it.
Sad to hear that. I hope you're doing well.
I’m so sorry to hear that, hope you’re okay
❤️
stay strong mate
Sad to hear this. God bless you
"They're in E minor" - That's how you know it's Metallica.
Loved the reaction to the beginning of the interlude. More than 30 years later, it still gives me goosebumps.
“YEAAHH E MINOR E MINOR!”
@@larrycardlock5876 love that reference loll
@@larrycardlock5876😪
Everyone talks about the beautiful clean interlude, but no one mentions how powerful/breaking is the harmony before and how it kicks in at 8:34. Those guitars are crying, man.
Finaly somebody intepreted this part as me, it always remind me of crying. Hell, 20 years it gives tears to me eyes, still dont know why, it's just that sad melodic music vibe, I guess...
While my guitar gently weeps.
Exactly. Its a musical interpretation of the emotional journey in having and losing Cliff.
In `87 when they did this part live…. Ohhh man!!!!
Jason started it and the rest joined in.
They sat down on the stairs and the rest turned as an intro for puppets. But this part was the point…
Yes they are.
9:35 that isn’t a violin, that is actually an electric guitar using a technique called a volume swell. where you use vibrato to let a note ring out then turn your volume on a bit. it gives that fade in and out feel as if it were a violin.
I was going to say that!^^
I learned that trick specifically for this song in the early 90s. One of the most feels hitting songs ever.
I love that Kirk used the technique so effectively that he fooled an actual composer.
it was recorded by cliff on bass using volume swell and a bunch of other effects
You can use a pedal also for that
Mike oldfleld use this trick most of the time
The thing is, To live is to Die fades out with this really calming acoustic guitar and it makes you feel all is well but then the album goes right into Dyers Eve which scares the hell out of you. Which it should. You have to listen to the two songs back to back on your own time, it’s great.
I think Dyers Eve would blow Doug's brain out lol. Especially after To Live Is To Die!
great point
+1
Every moment if solace is ended by the pain.
Dyer's Eve is up there with Fight Fire With Fire, Battery and Damage Inc in terms of intensity and complexity
There is something magical when James rips out a solo
Never heard him do so.
@@ScoobieSwisher7413 He plays about 20 or so solos throughout their entire discography.
That interlude arpeggio is the most melancholic melody ever. Play this when you feel like shit and it talks to you, shows empathy to your emotions. As the great Jose Feliciano said, “she just listens to me, her music means more to me from any other woman I had known.”
Facts brother. This riff helps me everytime :')
The ending really needs to be heard in the context of the album where Dyer’s Eve just takes over abruptly (and intensely). Yeah you’re right in noticing that.
Just like Orion goes into Damage Inc and Anesthesia goes into Whiplash.
Frantic not so much into Kutulu
@@mikeanthony6520 oh, yeah!
@Donald Rivers, yes if you listen to each of the pair of songs the blend well with eachother. You should give it a listen and share your opinion.
Oh yeah, your facial expression on the breakdown was priceless.
One hundred percent. I remember when I first listened to "...And Justice For All" when I was 12, I traded my "Black Album" for it. I was just grooving to this song and then BOOM! "Dyer's Eve" just comes in and kicks you in the teeth. It straight-up startled me the first time I heard it. 😂
yeah man I had to go listen to Dyer's Eve afterwards :) du du du du du du
James Hetfield wrote some of the most beautifully composed music to ever be played.
And he is a pretty humble dude. He was in disbelief and just about in tears with emotion when Elton John told him that He thought nothing else matters is one of the greatest songs ever written.
Absolutely! I'm getting "Papa Het" tattoed when he eventually passes :/
@@cripplingdebt224 That was a bummer
you're kidding right
@@Artaxerxes. wym?
Metallicas MOST underrated album. I can’t get enough, start to finish.
Ah stop this "underrated" bullshit already. You're one of those who use that for attention but say nothing.
It's just the bass absence which people often criticize. Everything else is perfect.
I disagree about the underrated aspect. This is my outright favourite Metallica album.
Nope, isnt underrated, is, after RTL and MOP, the best album from Metallica
It’s underrated in the way that it could’ve been their best if produced and mixed in a different way.
@@19jobbin86 it already Is their best besides RTL lol the production is perfect raw and polished the perfect garage album this is what st anger could’ve been if it had solos and better mixing plus the drums make the whole mix sound muddy as shit but I still do love st anger for what it is
I know Orion is the shit and Call of Kutulu is haunting but this has always been my favorite instrumental. I always felt it was working the stages of grief. The intro to me always resembled the moments after the news broke of a tragedy....the processing of info, the calm sorrow....then the anger rises, the feeling of betrayal by life, by love, by stealing of your brother in his prime. Then the middle part hits, the lachrimose, the rending of all happiness as the brain finally comprehends that he is gone, it is not a cruel joke someone played, but a bitter reality that left burning gall in the back of the throat. When a man lies, he murders some part of the world,. These are the pale deaths which men miscall there lives, all this I cannot bear to witness any longer, cannot the kingdom of salvation take me home. R.I.P. Cliff
Technically it is not an instrumental.
@@gomiwomi no shit?? I didn't know that
@@blackmetalpaganbushcraft9542 🥱
@@gomiwomibro one spoken sentence does not make classify it as a non instrumental
That song is a masterpiece, and going straight into “Dyers Eve” which is a great album closer!!!
My favourite Metallica song!
@@garettturbettmusic fucking same man, so underrated compared to the hits. All these “new” fans have no idea what a banger Dyers eve is 🤘
Yep.. talk about an abrupt transition!! 🤯 I love AJFA so much. What a masterpiece.
Part of Metallica’s “magic” is the song sequencing on each album. This blasts straight into Dyer’s Eve and you get to hear pure anger from James. Powerful stuff my friend.
Album sequencing has gotten less and less important now. Fans usually get the albums for one or two songs. Used to have to buy the whole thing and listen to it through. A lot of us musicians still sequence their records in the order they work best but only we notice lol
@@inukaboy not always. The new Maiden album flows nicely. Even the new Rob Zombie album does too. Some people are still real musicians and not just UA-cam sensations trying to sell one track online or some crap.
Metalica should of kept their classical influence after Justice, it was such a great combo with their rock sound.
This is probably the most overlooked aspect of Metallica's storytelling style. And Justice for All, in particular, is a poem unto itself. IMO, this album was the last of Metallica's masterpiece suite.
Kind of like Anesthesia (Pulling Teeth) and Whiplash?
And Justice for All is the best metal album of all time IMO. There's not a bad song on that album. And To Live is to Die is an absolute musical masterpiece.
When a song manage to get you emotional without words, it ascends into music Olympus
They literally lost a brother the story kirk tolled of him hearing james yelling and crying outside the hotel at night drunk "cliff where are you cliff" and that making kirk breakdown is one of the most heart wrenching story's I've ever heard.
I never heard that. Heartwrenching loss!
If you listen carefuly, you can hear guitar yelling "Cliff where are you" from 7:01
@@suprchickn7745 I think it's told in Metallica: Behind the Music. I felt that.
@@kamilfingr371damn! I didn’t notice that until you pointed it out. Excellent catch.
“Cannot the kingdom of salvation take me home”-the final lyric-is Cliff’s epitaph.
I never understood why this song made me want to cry until I learned the context of its creation. All the stages of grief encapsulated in it, it all made sense then.
What it is, is a musical masterpiece that portrays the peace, anger, pain and ultimately the resolution of losing a much loved one. Genius.
The slow intro, written in a Spanish style,repeats like an infinite memory - over and over again...
The heavier part:
A symbol for the loss and aggressions they felt.
Solo #1:
Kirk's feelings can be heard in every string he hits.
The slow part:
The slow part which sounds very silent is now including more harmonies - acceptance of the loss and the will to carry on...
Solo #2:
It is a kind of a laid back and more harmonized solo - It's representing how deep the death of Cliff Burton has touched them.
The heavy part again:
They tribute Cliff in doing what Cliff would want from them: To carry on with the music.
The outro:
Exactly the same as the intro - symbolizing that the song (the memory on Cliff) won't ever have an end. The last riff is cut which is symbolizing Cliff's life - cut short at such a young age.
thank you for putting my thoughts in words
Awesome I felt the same...
Wow
That was very beautiful . I teared up reading it
Best description everrr !
This song honestly might be the most underrated masterpiece in modern music history. It transcends genre and time, and evokes the rawest of emotions in the most epic, yet accessible of ways. At the very least it’s the greatest tragic song I’ve ever heard.
I couldn’t agree more. Well said😀
I remember the first time I heard that middle section around the 4:29 mark (is the song not this video) as an emotionally fueled teenager it actually made me cry. One of my favorite quotes by James Hetfield “it means a lot to me that my darkness can connect with your darkness, and make it ok”
Who grew up just staring at the album cover from front to back when you listening to awesome music and let your mind take away?
Metallica has 1 more true instrumental called “Suicide And Redemption” if you’re interested in capping off the 4 Metallica instrumentals. It even features a solo by James just like this one which is rare! Great tune!
I love the bass tone and the riff Rob is playing at the beginning...I'm trying to learn it for weeks now on my bass
And I usually lump My Friend of Misery and Bleeding Me into the "instrumental" songs.
@@KJF-ny i have problems playing the intro and solos lol
Anesthesia, off of their first album.
There is 5. Anesthesia also. Too bad my friend of misrey didn't stay instrumental
9:02 everybody's face, hearing that break... 😲 🤟😁
"To live is to die" is a total masterpiece,,, RIP Cliff ☦ 🎸 🎶 ☦
I love watching this guy discover the power in metallica. You can just see it in his eyes and face.
Hands down the best song by Metallica. So many feels. This is a masterpiece.
The Metallica instrumentals really start with Anesthesia (Pulling Teeth) from Kill'em all. It is pure Cliff.
This song blew my mind taught me that a bass was as cool or cooler than a 6string
The death of my wife at a fatal car crash was very much a shock too. This song encapsulates many of those same feelings that I have now, about a month after the incident. These songs I would listen as a teenager and young adult, come back to me with whole new meanings.
So sorry to hear that
So sorry for your loss.
One of the most forgotten songs by them. When i was 13 I wore this out in the cassette player. Lol
Idk who you've been talking to, but this is far from forgotten.
I also wore this out on the tape.
LOL??? What, exactly, were you 'laughing at loud' at? Are you 12?
@@alcalu chill out gramps take your meds
@SpaZap , was that supposed to be funny? Make a stupid comment and that makes you right? Your parents/teachers MUST be proud of you.
Beautiful
And Justice for All is my favorite Metallica album. Very underrated.
Best thrash metal album ever
This song is so special. You can really feel the sadness, anger, and lament they felt at his death. He was a very special musician, and I’m guessing an amazing friend and band mate. I can only speculate, but you really can’t write such amazing, emotionally connected music unless that person was pretty damn special. This song really hits me in the feels when I listen to it. I’m glad you like and appreciate their music! And this arguably one of their best ❤️
The “strings” are a guitar technic called "violoning".
It`s frequently named "volume swells"
When you think about it, guitars also have strings, so he's still technically correct? And according to Futurama's Central Bureaucracy, that's the best kind of correct!
To me it sounds more like a reverse reverb on a guitar
@@Alexander.ZubarevNot sure about the studio version, but during the live performance Rob played it using a volume swell on bass and I heard somewhere that in studio it was bass with swell and some other effects as well
@Jay Rock AK works better with hammer-ons for that segment
Cliff Burton is the main reason I started playing guitar, when I first heard anesthesia I thought it was electric guitar not bass and was blown away that he could create such sound as compared to Hendrix or EVH.
He was definitely beyond his time as far as skill, speed and creativity.
Gone too soon 😔
RIP
Had he lived, I think he would have changed the band's trajectory if not metal music. His interest and knowledge of a variety of genres that would have been incorporated.
That cut to the classical in the middle brings me to fricken tears every time.
this song really tells a story of pain, suffering and sadness. it starts off with the clean guitars kind of like he said just everything is as it should be, then out of nowhere everything changes. then around the end of the solo i notice it feels like trying to fight off the sadness and keep the rage and anger alive to keep from being sad but as the second part of clean guitars comes in, that’s when the wall falls. that’s when everything comes caving in and sadness emerges. but it got back up and ended as it started. learning to get through the grief and go on as things were.
No violins...it's a guitar swell. You hit the note with the volume low and turn it up to get the swell sound. This song hits me every time. RIP Cliff.♥️
To Live is to Die has always been my favorite Metallica song. Glad you gave it a listen.
I’ve got to say that I’ve heard this song over a thousand times in the past 30 plus years, and your interpretation of what it means hit me in the feels tonight. Thank you.
I love how primal and simple the main riff is, it just feels like raw emotion. Edit: is it possible you could do an analysis of pantera’s cemetery gates? It’s a beautiful ballad with some great parts, I think you might enjoy listening to it.
If he sees this, Doug please get the full song and not the video version!
One of the most underrated songs of Metallica
No
Literally not underrated in the slightest by anyone.
James' solo in the middle is, in my humble opinion, pretty much the best (in terms of emotiveness) solo ever.
James’ solo is giving me goosebumps every time I listen to it. Been listening to ‘tallica for 35 years. And still.
This song is a songwriting masterpeice.
Those strings are actually guitars, faded in (probably with volume knob or pedal)
Similar to Cliff's beginning of Damage, Inc. A fitting tribute.
Its a volume pedal Dude
Probably not the knob. Its too smooth for the knob
Never mind i was confused by what you meant. It is the volume knob definitely. Also used on outlaw torn
@@brunobredow3433 it’s a knob
The “strings” are guitars (bass actually*) where you turn up the volume on each note by hand after the note is plucked.
It’s actually a bass! The only time it’s really audible on the album
@@frfoljek68 its audible in and justice for all (the song)
@@bored7772 and blackened, eye of the beholder, shortest straw, one, frayed ends of sanity, dyers eve, harvester of sorrow and as the original commenter said to live is to die
Volume swells.
Could have sworn I read years ago that this was Kirk doing the vol swells on his guitar. When I do it on guitar it sounds pretty much like the album. They are some funky intervals, two notes per swell.
9:01 This part gives me chills every time. Such an amazing range of emotions conveyed just through the music. Love your analyses btw! Great channel!
When Cliff died, I was devastated. Your interpretation of this song breathes new life into it for me. Now, I must play along on my Les Paul with it and learn
Great example of heavy use of guitar harmonies throughout the song, it's something that Cliff introduced to the band when he joined. And damn that china sounds so musical compared to later years of Lars' recordings.
I first listening to this album when I was about 10. I didn't have any of the musical knowledge, I just coped with metal a lot through my younger years. This song just always had this profound effect on me that could just make me cry, but a healing sort of cry and I never knew why. This album was one of the only possessions I had and I remember every bit of every song. I even remember the specific drum fills for each track. Its such a strange thing that now I can watch someone else react to such an intimate thing to me personally and watch them have their version of a profound feeling to it like I did.
Music is so beautiful and I feel honored that it gives me the chance to have these moments, even with strangers on the internet.
"Cannot the kingdom of salvation take me home." - Makes my hairs stand on end everytime.
You have to do Dyer's Eve next. Those are the rules.
My favourite Metallica song!
Haha, that´s right!
Agreed
Also Blackened,One,And justice for all,Eye of the beholder,and Harvester or Sorrow
That classical guitar intro and outro is one of the most beautiful and sad melodies ever composed in my opinion. Been listening to Metallica since mid eighties. That very melody always touches me deeply.
couldn't agree more
I love your perspective. Makes me feel like I listen to metal correctly. I've always listened beyond the head banging and appreciated the musicianship.
For ove 30 years, I have said this is one of the most emotional songs ever written. Not just Metallica, but overall. And it was only 10 years ago I learned this was a tribute to Cliff. This song has brought tears to my eyes.
for the riff that mimics violin, it's actually guitars but with a volume pedal or volume knob being cut in and off softly.
“That must go in to the next song” - and it does. UUUGHH how it does. It allways blows my mind \m/ It is like 2 songs in one for me.
I absolutely love this song. Always been one of my favorite songs by Metallica. Thank you for reacting to it.
I've been obsessed with that little throwaway chromatic bluesly riff they just casually throw in a couple of times in this song for my entire life.
THIS song, along with "Orion," out of all of them, is the distilled, concentrated essence of What "Metallica" Is.
And thank you for being able to understand the music just by listening to it.
the 2 3 2 5 2 3 2 5?
@@yessir6427 In this video it first appears at 6:37 it's just a short breakdown, only a couple of bars each time, but the jarring change in tempo and groove just grabs me. That riff would be an entire Pantera song in their hands, but for Metallica it's just a throwaway.
Great tribute to the great cliff. Thank you a lot man, really appreciated.
Now it only remains the Kill 'Em All instrumental "Anesthesia (pulling teeth)" from Cliff. I think you could also appreciate "the outlaw torn"
Pulling teeth and to live is to die are like bookends, running right into the next song. Amazing
Would love for him to do outlaw torn...I can listen to that song over and over.
You're forgetting about suicide and redemption
@@zacharyhusk4649 yeah I know that.. I left it on reason because it's more a heavy song and maybe "less" melodic, except for the middle part.. I think it has less interesting melodies than the other two songs that I mentioned
@@davidecipriano8046 just because you don't think it's "melodic" doesn't mean you can just leave it out as an instrumental
I shed some tears watching your reaction. You legitimately pin point every single aspect of the song. You got the whole thing. Wow
You’re easily impressed.
This is the first video of yours that I am seeing. You are a lovely man. Your genuine enthusiasm and your expressions coupled with your descriptive notes it's a sweet package that takes us on a journey.
My favorite Metallica song. I remember the first time I heard that melodic breakdown in the middle, I felt like my whole life was being summed up in that 10 seconds lol. So cool to see someone with musical knowledge talk about this song.
1. The slow introduction: it symbolizes the feeling of aggression and loss that the band suffers due to their loss.
2. Solo #1: represents the whole feeling of anger of Kirk Hammett.
3. The interlude (slow part of the intro): it represents the acceptance of the loss of the 3 remaining members, and the going forward in their honor.
4. Solo # 2: represents how deeply the death of Cliff Burton has affected them.
5. On the return of the heavy part, they pay tribute to Cliff by reading the poem, his last composition, and continue with the tribute doing just what Cliff would have expected of them, to move forward with the music.
6. Upon reaching the end, the song returns to the classic style of the introduction, symbolizing the memory of Cliff, which will never end. The final riff is suddenly interrupted, symbolizing the end of Cliff's life, cut short by death at such a young age.
P.S. thanks to the autor of this comment
This is such a wonderful tribute to Cliff. On of my faves of theirs.
5. Only the last two lines are Cliff's
Adding your own interpretation and passing it off as the intent of the musicians is disingenuous and foolish. Nowhere, at any time, has any of this been said except in your comment.
@@JungleLarry it has been said a lot actually. Just by no one except the same people that read too much into marvel movies...
@Bugs Bunny No. If you can't produce the evidence it's from a movie then stfu.
@@timmarshall2491 The line, "These are the pale deaths which men miscall their lives" comes from the book Lord Foul's Bane, Book One of the series "The Chronicles of Thomas Covenant the Unbeliever" by Stephen R. Donaldson. In the book, the main character decides to write a poem to amuse himself. The full poem is as follows:
These are the pale deaths
which men miscall their lives:
for all the scents of green things growing, each breath is but an exhalation of the grave
Bodies jerk like puppet corpses,
and hell walks laughing
This song going directly to Dyers Eve is absolutely mesmerizing. Love AJFA.
Thank you, Doug. I have appreciated so much your reaction and your interpretation. It felt like listening to a song I love with a friend.
As one of those who commented on that video (and Orion's as well) suggesting this song, thank you, thank you very much indeed. I'm not into "reaction videos", but somehow a while ago UA-cam suggested me your channel and, well, it's not the same when the guy (that's you) talking knows what's he's talking about. Thank you.
As a MetallicA fan, I have to say there's one instrumental left most people forget about and that's "Suicide & Redemption" from "Death Magnetic" back in 2008. All I can say without spoiling it for you is that it's a totally different animal (it's 20 years after the song in this video, even a few years more since "Orion" and "Ktulu") and I think you would need more letters than a, b and c to tell its sections apart. Again, it has nothing to do with this "classical trio" of instrumentals but it is, to me, an unexpected gem, as it's their only instrumental for the last 33 years.
Again, thank you.
"Suicide and redemption" is their latest instrumental so far.
I love how kurt cobain chris cornell chester bennington did that idea
Delete that ...after justice metallica was done ime
@@alienmenace5205 LMAO
@@adamdevo7179 *thrash
@@adamdevo7179 *THRASH*
The ending was abrupt but it doesn't segue into the next song. It's supposed to end completely abruptly, likely as a metaphor for Cliff's life ending too quickly. The next song is Dyer's Eve and it completely interrupts the flow on purpose.
Oh it goes into the next song, alright! I would've loved to see Doug's reaction to that.
Actually, the VERY ending of To Live Is To Die can be heard at the VERY start of Dyer's Eve, for literally a split second. It's extremely subtle, but the two tracks ARE interlinked by, like, a tenth of a second. Give it a few listens, you'll never be able to unhear it. Technically, there is a segue, but you're right that they don't really flow, and that abrupt change is intentional.
I would argue the opposite, the fact that the abrupt transition is intentional is what makes it a segue.
@@jakemertz2660 Maybe describing it as an abrupt segue or an abrupt transition solves it. In any case, I think they should be listened to together.
@@somethingbl I said it doesn't Segue into the next song. The melody isn't built into the next, it's just sliced right next to it.
Doug, you not only analyse music as a muscian, but as an overall artist that appreciates all the sides a song may have, it is wonderful. From a metal fan with respect and appreciation :)
This song is an amalgamation of emotions, I was going to go into this big long thing but as I was typing it out he said exactly what I was typing..
So many emotions, so many feelings and reactions. Who knew a song without words could speak to you in so many ways.
I love the return to the intro for the outro . What really makes it effective is the guitar is now playing alone, whereas the intro had drums and guitar. It really sells the isolation and loneliness of grieving.
although I've never been a fan of this track as a whole, that middle section is the most beautiful piece of music the band has done. Just audible bliss. Wish there was more like it. In saying that, the rarity is what makes it stand out.
Out of curiosity, any idea why you never cared much for this song?
You're not wrong
I think it’s a masterpiece as a whole, but that middle section is definitely the best part.
Totally agree. The middle section is great. But I find the heavy section to be a bit too repetitive, not interesting enough to justify those repeats (and the same also applies to the intro - it's cool but there isn't enough development to justify its length). I also find the transitions between the sections to be a bit awkward. It kind of feels like 3 separate songs instead of a single continuous piece of music.
But yes, the middle section is great - definitely one of their best melodies.
I found this channel yesterday, and I've been bingeing. This is like a music appreciation masterclass.
You're explanations to the flow of music is why I like your reaction videos. I never thought about how the flow of the music is a reflection of what the guys where going through. On tour having fun, to the abrupt change during the accident, to the slow grieving process, then back to the tour life. Makes me appreciate MetallicA's music even more. Thank you! 🤘
Oddly, this is actually my favorite track on Justice.
It's not odd at all. It's the best track for many.
I feel so sad and peaceful at the same time when I am listening to this song. Also the short poetic lyrics in the middle are so powerful. This is a masterpiece
I love how you work to interpret the context and look for the message and the emotion delivered by every key in the song
Your reaction made me think about this song in a deeper way than ever before, especially how Cliff's passing effected the band. Thank you so much for this, liked and subbed!
Omggg i clicked the second I saw the notification. This is my all time favourite Metallica song! The gentle section in the middle never fails to give me goosebumps. I'd only consider myself an average Metallica fan but this is their masterpiece in my opinion. Your videos really are a treat, Doug!
Edit: The original mix is more brittle sounding, similar to that you weren't so keen on in your Blackened reaction video. This 2018 mix i would argue is more thunderous but less harsh to the ears. The only thing i do prefer about the original mix is that the ending during the soft acoustic reprise cuts off completely abruptly to silence out of nowhere, rather than a rapid fade out and it really makes you say "Woah!".
Nice avatar. Would be great to see this guy cover one of their songs.
Doug, you would appreciate Megadeth's "Conquer Or Die" as an instrumental. I honestly think you'll be pleasantly surprised.
I second this. It would be really interesting to see your reaction to it.
@@ghostroaster410 I honestly think it would blow him away. Especially Kiko's intro. Wow!
I'm curious on how doug would analyze Kiko Loureiro. he is classically trained adterall
Dude already reacted to megadeth and pretty much said they suck. Lol watch his review of Holy wars one of the best metal songs of all time. He said he was not impressed.
@@abebrazil4309 but holy wars was with Marty Friedman
Great!! This is one of my favorite songs by Metallica. It's emotional... like you said.
Thank you for including it in your channel!!
I’ve never listened to that song this way but wow it makes sense and knowing James, this is exactly the meaning of this instrumental!
I absolutely love this channel!! You do such an incredible job of bringing the music community together!!
Most reactors don't do their homework before hand . . You clearly do.
Best reactor out there . . Thank you.
\m/😎\m/
I've been a fan of this song since 1988. Nice to see a breakdown/appreciation of it.
To me instrumentals, especially long instrumentals, can get very boring very fast, but the tracks from Metallica's first four are phenomenal, and this one is the king. My God the way it just drops out right in the middle of the song is just magic.
This song is an amazing tribute to Cliff. One other instrumental that gets overlooked a lot is Suicide and Redemption from Death Magnetic, it is structured similarly to this song.
Saw Metallica for the first time in 1986 for Master of Puppets tour in Brussels Belgium…..haven’t stopped to adore them since!!!
The middle part is really breathtaking!!!!🤟
The most emotional Metallica song ever. They literally played this at Cliffs funeral.
I thought they played "Orion"
This song wasn't even written then.
I'm 49, been listening to these guys since I was around 13. Thank you for bringing details to my attention! At this point, I didn't think there was anything more to hear
Love this tune, Newsted is incredibly underrated and of course Cliff is a legend.
Too bad you can't hear him in the mix on this album though😅
@@drumfeck5970 he managed too well the thing, i would have quit the band inmediatly if they did that to me, totally disrespectul even if you get payed for that, playing to not being heard at all.. but well, theres clausules you have to complete, so i guess thats why he had time to not resent on that.
Justice for Jason
@@felipegiraldo8100 dude Jason just copied what James played on his guitar the album would sound like ass if they added bass
@@felipegiraldo8100 James would literally turn away so jason couldn't copy and James told Jason from the start to do his own thing to contribute to the album even though it's not the reason it's just Lars being arrogant I still see it as a potential reason
I had the rare occasion to see them play this song live. The plucked part is played by James with his wah pedal wide open and the "violin part" is played by Kirk on guitar while opening and closing the volume knobs on his guitar. It may be that in the studio version he used a volume pedal though... Anyways, thanks for your video and comments on this epic piece!
It is considered as a true tribute to Cliff Burton.
You’re a liar, it’s never been played live in full
@@ThePinkfloyd8686 yes it has, in 2011
DIscovered this channel today, damn I loved your reaction.
It's amazing how this song shows exactly the 5 steps of grief the band went through after Cliff's passing!
Been a metallica fan for 20+ years, their music means a lot to me for lots of different reasons, it's so great to see others discovering and discussing it to the extent that you do. Keep up the good work 👍
This is fantastic Doug !! One I’ve wanted you to do for a while. Hope you enjoyed this 👏 😊