Amazing! It's great to learn new possibilities with stock Logic instruments! Thanks for teaching and share such cool things with us! I apologize for my english! I'm from Minas Gerais - Brasil!
Jono, thank you for passing on your deep Logic knowledge (and sonic savviness). You've taught me and helped me understand many of Logic's features. I really appreciate your work and look forward to continuing to learn from you.
This is very cool, thanks so much! Someday, could you please go into the modulation options in Sculpture’s bottom section: the recordable envelopes, jitter generators and the morph pad? Can they be used comparably to Alchemy’s performance controls to explore presets, like in your intro to Alchemy video?
Absolutely Dan, all that good stuff is on my list as I'm really keen to shed a little more light on the amazing potential of Sculpture. Leave it with me!
I had no idea this even existed. I tend not to use the inbuilt instruments in logic that much (largely thrown off by their out-dated interface) but I’m getting the sense that’s a mistake. Alchemy is quite powerful.
Absolutely, you do have to look beyond the interface sometimes. But in the cases of Sculpture and Alchemy, there are fantastic sonic opportunities (and genuine surprises) lying in wait. Thanks as always Andrew.
Hallo Jono, I recently saw a video by you where you showed how to reduce the reverb when singing and letting it cut through at the end of the word/text, but I can’t find that video anymore. I applied that video content with all the settings of yours to the song I‘m currently working on and got a really great result. I‘ll release that song in a few weeks (having used your side chaining tips with the reverb on the vocal track). Can you tell me the title of that video once again! It’s the way you explained that topic and showed what settings you used with the Logic compressor. That’s what helped me greatly.
I'm so glad it was helpful. I think you mean this video: ua-cam.com/video/cTAmp4t4-Qg/v-deo.html This was from a previous life (!) when I was making Logic videos for MusicTech. I may revisit this theme and other vocal production techniques on this channel in the future. Good luck with the release of your track!
Love this - you have the best in-depth showcases and coverage for Logic. Thank you.
Thank you so much.
Really nice, thank you. Sculpture is a VERY complex instrument, one I've been fascinated by. Adding in Sidechain is just really cool!
It sure is! Unpredictable too, but that’s very much part of its magic. Glad the sidechain option tickled your fancy. Thanks so much.
what an incredible series. I still remember when I first stumbled upon your Guildhall demo of Logic some years ago. Thank you!
Aha, those were the days! Thanks so much. Plenty more to come.
I liked before watching. I was correct.
Kind words, thank you.
Amazing! It's great to learn new possibilities with stock Logic instruments! Thanks for teaching and share such cool things with us! I apologize for my english! I'm from Minas Gerais - Brasil!
No apologies required Ivan - your English is great! And thanks so much for the kind words. I'm really glad the videos are proving useful.
Thanks for your input on this, you made me very curious! Tomorrow I will be experimenting for sure
Great Donnie. Enjoy!
This is awesome and I didn't even know about Sculpture. The timing of this for me is spot on! Thanks Jono!
Great! Enjoy, Sculpture's a rare and unexpected gem.
Jono, thank you for passing on your deep Logic knowledge (and sonic savviness). You've taught me and helped me understand many of Logic's features. I really appreciate your work and look forward to continuing to learn from you.
So glad to hear that, thanks so much. Lots more to come.
A very instructive video! You’re a great teacher, thank you very much!!
Thank you very much too!
Thank you
You're very welcome.
Thank you very much for your work! You light up fascinating areas of music production ❤. That is veeery valuable for me 🙏
Thanks very much for your message. I'm so glad you're enjoying the videos.
This is very cool, thanks so much! Someday, could you please go into the modulation options in Sculpture’s bottom section: the recordable envelopes, jitter generators and the morph pad? Can they be used comparably to Alchemy’s performance controls to explore presets, like in your intro to Alchemy video?
Absolutely Dan, all that good stuff is on my list as I'm really keen to shed a little more light on the amazing potential of Sculpture. Leave it with me!
I had no idea this even existed. I tend not to use the inbuilt instruments in logic that much (largely thrown off by their out-dated interface) but I’m getting the sense that’s a mistake. Alchemy is quite powerful.
Absolutely, you do have to look beyond the interface sometimes. But in the cases of Sculpture and Alchemy, there are fantastic sonic opportunities (and genuine surprises) lying in wait. Thanks as always Andrew.
Hallo Jono, I recently saw a video by you where you showed how to reduce the reverb when singing and letting it cut through at the end of the word/text, but I can’t find that video anymore. I applied that video content with all the settings of yours to the song I‘m currently working on and got a really great result. I‘ll release that song in a few weeks (having used your side chaining tips with the reverb on the vocal track). Can you tell me the title of that video once again! It’s the way you explained that topic and showed what settings you used with the Logic compressor. That’s what helped me greatly.
I'm so glad it was helpful. I think you mean this video: ua-cam.com/video/cTAmp4t4-Qg/v-deo.html This was from a previous life (!) when I was making Logic videos for MusicTech. I may revisit this theme and other vocal production techniques on this channel in the future. Good luck with the release of your track!