Those saying it needs to be louder are missing the point. The traditional Reggae bass tone has always been about that super round, warm sound. All of the string and scrape sound is typically rolled off to support that soft, “behind the beat” feel of the playing. If you’re not listening on good speakers or headphones, you’re missing all of that low end and expecting to hear that high frequency stuff to tell you what the notes are. They’d be doing the style of playing a disservice to have a sharper tone, so please plug in some good headphones and try again. Great video, really!
Rad. You guys should get Don Chandler to do a session. He is not only a great bass instructor, he has a long list of touring and recording credits with Reggae legends!
Would Be great to have Don Chandler on to talk about reggae Bass....He has played and toured for years with the greats of authentic Reggae ...and also has a utube channel..'Donstrumental'..which is definitely worth checking out...Great Reggae bass player...who has a vast knowledge of the music...and excellent teacher
If you want to learn reggae bass I recomend Don Chandler's channel, Reggae bass hub. Reggae is a difficult genre for Berklee professors because they tend to add too many fills and overplay, as it happens towards the end of this video. There are also two videos on youtube by Devon Bradshaw explaining reggae bass ideas. Many educated musicians understimate reggae and cant play it right, because it is simple armonically and repetitive. But in being able to play simple and repetitive, serving the song, not overplaying and having the right rhythm and groove lies the key to good reggae bass. Flabba holt (who is not mentioned in this video) from the roots radics band plays minimalistic bass lines with a lot of space, he is one of my favourite players. The barret brothers are amazing too and Bob Marley is one of the best, but there is much to learn about the reggae genre beyond what is most popular.
Guys… the bass sounds beautiful. The high frequencies are rolled off so you will not hear much on phone speakers, but there is no audio issue with this video. Its a user issue
@@c.a.t.732 I have a mediocre (literally, medium quality) set of headphones and my own hearing is not what it used to be anymore. And I promise everyone: there's nothing wrong with the volume on this bass.
Reggae drummer here from JA and UK with over 45 years experience. One drop is derived from the drums playing on beats 2 & 4 of the bar, it has absolutely nothing to do with the bass guitar.
The meaning of "leaving the one out" for "one drop" seems to be really entrenched, even though it seems that Jamaicans usually use "one drop" to mean that the drums play one "drop" (kick drum + cross-stick) on beat three, whereas "two drop" refers to a beat where kick drum hits on one and snare (often a regular hit istead of cross-stick) hits on three. (I'm referring to the double-time count here, where the guitar/keys skank is on 2 & 4, as this is the way of counting where the "Jamaican" definition of "one drop" makes sense. This seems to be the way most old skoo JA musicians would count the time.)
Time and time I try to explain this too. The one drop is the drop on beat 3 of rim and bass drum and not two and four. 2 and 4 are for the guitar skank.
Sorry but the « jamaican » way to count (and more important to fell) the time is kick+snare on beat 2 & 4. Guitar & piano playing on the « and ». I got this information directly from one of the greatest Jamaican drummers, with whom I had the chance to play.
That seems to be the understood meaning when you ask Europeans or Norht Americans. Jamaicans usually tell that "one drop" literally means one "drop" or kick drum (+ cross-stick) hit per bar, on beat three.
A One Drop has nothing to do with dropping the One and has nothing to do with bass. A One Drop is a drum pattern created in the mid 60's well before Carlton Barrett played it. The song One Drop by Bob Marley has never been viewed by reggae musicians as the song that represents the One Drop style. There are thousands of One Drop style songs where the bass doesn't drop the One.
And forget the rigid rules of theory because that F is an F# what I like to internalize is counting to 6 in 4/4 it's gonna give you an entirely different feel of how to apply placement. Plus contrast is key most of the time when the Drummer grooves or shuffles the bass player follows and that is seldom the case with Carlton and Family man if you listen closely. When one shuffles the other one straightens out and they exchange pockets and fills almost oscillating. It's exactly that contrast or musical autonomy of legitimizing your own path while playing together that authenticates the feel of Playing On time In Time or just With Time.
Guys, please don't embarrass yourselves. The bass volume is super fine, I promise you. Forget about your cellphone speakers (or maybe even cellphone headphones). Try good speakers/headphones before saying anything about the volume of the bass. It's reggae bass. What do you expect?
I used to hate Reggae, until I did a Reggae gig. They didn't send me a setlist the first day, despite me asking them a billion times, and I thought I did fine, but given the songs were super popular, I kinda bombed 😅 I played at a gospel church for a few years, prior to that gig though, so I was used to hearing the chords and figuring out what number they were and making a bassline, but it DID NOT sound like Reggae 😂 After that day, I INSISTED that they send me the setlist, and only then, did I realize how WRONG everything that I was playing was! Their basslines (and everything else for that matter) are very deliberate and different from what I'm used to. Stir It Up, for example, is a SUPER easy bassline to play, and by itself, sounds kinda boring imo 😅 but with the context of the guitar, and drums, the vocals, etc, all of it together makes this grooooovy song, that I never would've been able to appreciate, prior to being a musician.
Why does the misinformation about the 'one drop' being related to the bass guitar continue to spread? If you're going to teach something, at least get the facts right.
Reggae is in the gumption. The bass and drums are the foundation, everything else is color added to the riddim. Simplicity is it's nature. If you over think it or clutter it with too many notes then it's no longer reggae but soft jazz or fusion.
I don’t like Reggae music, but the groove of it is really cool. I can see how Reggae is at the root of a good many different styles of music that I do enjoy.
Honestly, never heard of this guy. Probably a legend or something, but I gotta be honest..I don't care for his delivery. I love Reggae, he just seemed very..dunno, not someone I would associate Reggae with I guess. I love the content idea though! I think it would have been better to have Ian and Shar noodle and discuss, and then do a follow up when Scott's shoulder is better.
Or any Jamaican pro bassist for that matter? Why get a Berklee professor when you could get someone who is actually steeped in the culture that produced and produces the music and organically involved? I'm sure there are tons of active reggae pros who would have loved to jump on the opportunity.
@@clifftonsfly That's absolutely true, a good point. But there are those who can teach as well. Off the top of my head on UA-cam I've seen Donstrumental and Devon Bradshaw do a better job than what this vid promises. I do understand that this is just an excerpt, but it does not do a very good job as an advertisement for the course IMO. I somehow get the feeling that Mo is being very casual about the line he's supposed to be teaching, not really paying a lot of attention to detail and getting to the nitty gritty. Very different from the general attitude of SBL towards the material they feature. Maybe the lesson these excerpts are from is actually NOT mainly about "One drop" bass line at all, and because of that it seems that the focus of the content is a bit all over the place? 🤔
Why do y‘all try to explain and analyze everything. You‘ll lose the magic this way and you‘ll never come up with your own version. Just feel it and let that develop in you.
I probably cannot play one tenth of what this dude could play. But I don't see what business he has playing double stops above 12th fret in a reggae bass lesson. That's like throwing some Wooten double-thumping into a Delta blues lesson or something.
@Rootzilla, agreed but he's showing the chords using 10ths as a way to actually hear the harmony on bass, he's not saying it's a good way to play the actual song or in any way idiomatic to reggae... It's a just a tool to latch on to the harmony, you have your ears to feel that if you do listen to reggae
@@MrChangeTout I get that. Maybe it was just a really unfortunate thing for the SBL guys to choose as an excerpt for this video. Parrticularly since a) In the beginning, they are using a backing track that has the actual chords to demonstrate the harmony, so why do the same with a very dark bass tone that is not wery well suited for playing chords anyway? and b) The bass line to "One Drop" is almost entirely constructed of those same chord triads so he could have used it to demonstrate how Aston Barret outlined that same harmony in his actual bass line. The purpose of that double stop noodlery is really questionable in this context. Granted, it may make sense in the context of the complete lesson, but as is, this video does not strike me as something that demonstrates real understanding and love of the aesthetic of reggae bass playing. They should have enlisted Donstrumental instead :D Edit to add: If he'd just done it once, I probably would have let it pass. But doing it in more than one position and throwing those double-stop slides in made it look more like he was not happy to just dig into the groove somehow but wanted to do some kind of odd flex there. I don't know. Suffice to say he missed the mark for me.
I agree. The joy and sophistication of roots reggae comes from it's almost complete LACK of music theory. Berkley elite musicologists will never unlearn enough to grasp it
music theory is just a tool, seems like you really are saying this guy because of who HE IS should not ever try to use reggae to teach music. I definitely learn by ear personally, not from him or from teachers even, but once you know music theory you know it, as long as you are still able to feel music and rely mostly on feeling, there is no need to denigrate educated people... He is not playing on a stage after all...But i get that he naturally sounds 'not reggae' pretty quickly, then again it is art who cares?
@@martinheath5947 that might be a bit of a stretch, mainly because reggae is also an art form evolved from ska. Ska would be the equivalent of a jazz combo or mini big band. Gotta be able to play changes and swing like a big dog. Many of the pioneering musicians were well versed in American jazz, rhythm & blues, soul, and tons of other genres. All you gotta do is scratch through the surface of “reggae” and you will find some killer recordings. I agree with @rootzilla in that Double stops aren’t common, but also not completely left out of the style. The beauty of Fams and Carly is the compositional tools they developed through the wailers, upsetters, hippy boys sound…A beautiful foundation of rhythm, textures, harmony, and overall mastery of music. Its sophistication is easily overlooked-understated by their ability to mask it in the coolest way, simplicity. Anyways, I am new to commenting on here and super down to share recordings as well as personal thoughts on this type of material.
Best bass lesson in reggae is to go to Jamaica,anytime u hear reggae played by Americans it always lacks feel that is totally unique to reggae and and reggae only...
“There’s almost some swing there, like your playing a count bassie tune” OH god. Can we please get some Jamaicans to teach us how to play Jamaican music. Tony Chin, Fully Fullwood, Santa Davis, you guys could find someone. This content is not educational.
Those saying it needs to be louder are missing the point. The traditional Reggae bass tone has always been about that super round, warm sound. All of the string and scrape sound is typically rolled off to support that soft, “behind the beat” feel of the playing.
If you’re not listening on good speakers or headphones, you’re missing all of that low end and expecting to hear that high frequency stuff to tell you what the notes are. They’d be doing the style of playing a disservice to have a sharper tone, so please plug in some good headphones and try again.
Great video, really!
Listening on my Bose headphones and that bass sounds perfect!
Couldn't agree more.
Not when you’re teaching it lol
Rad. You guys should get Don Chandler to do a session.
He is not only a great bass instructor, he has a long list of touring and recording credits with Reggae legends!
Don is the man, he breaks it down so easy, sounds great too!
SWEETNESS!!!! Thank you... there hasn't been enough quality reggae instruction online. ☮💜🎶
🧡🧡🧡
Would Be great to have Don Chandler on to talk about reggae Bass....He has played and toured for years with the greats of authentic Reggae ...and also has a utube channel..'Donstrumental'..which is definitely worth checking out...Great Reggae bass player...who has a vast knowledge of the music...and excellent teacher
I would LOVE to see more sneak peeks from the SBL academy!!!!
So cool to see some love for reggae ❤️💛💚 bless up 🙌🏾
If you want to learn reggae bass I recomend Don Chandler's channel, Reggae bass hub.
Reggae is a difficult genre for Berklee professors because they tend to add too many fills and overplay, as it happens towards the end of this video.
There are also two videos on youtube by Devon Bradshaw explaining reggae bass ideas.
Many educated musicians understimate reggae and cant play it right, because it is simple armonically and repetitive.
But in being able to play simple and repetitive, serving the song, not overplaying and having the right rhythm and groove lies the key to good reggae bass.
Flabba holt (who is not mentioned in this video) from the roots radics band plays minimalistic bass lines with a lot of space, he is one of my favourite players.
The barret brothers are amazing too and Bob Marley is one of the best, but there is much to learn about the reggae genre beyond what is most popular.
Guys… the bass sounds beautiful. The high frequencies are rolled off so you will not hear much on phone speakers, but there is no audio issue with this video. Its a user issue
Then why do other bass videos sound just fine with the same speakers?
@@c.a.t.732 Probably because (here we go again) they are different tones.
@@Igor_Vinicius I've heard basses with all different tones (including acoustic and upright basses) that didn't sound faint like this.
@@c.a.t.732 I have a mediocre (literally, medium quality) set of headphones and my own hearing is not what it used to be anymore. And I promise everyone: there's nothing wrong with the volume on this bass.
The peaceful Danny Mo! Great memories! Thank you so much!
🧡🧡🧡
Well deserved focus on the musicians in Bob Marley's band.
he is sooo perfect on time, it should be illegal
"Drunken placement"
Haha love that‼️❤
Thanks for this. I'll definitely be signing up for this course if I ever graduate from the beginners pathway, haha.
Danny Mo is The Man!!
💯💯💯
I miss the SBL content from the past. Scott's old lessons are what got me hooked. 😊
Ska Bass is so much fun
Yow, mi nah lie, mi prefer fi hear from og rude boy dan di big scholar professor, seen? Di man just realer, straight up!
Very nice, thanks for the sneak peek chaps !
Great. It's ride the lightning
Great and smooth playing. But I can smell those strings from here.
Before there was Dilla time there was the Barrett brothers… fantastic insight.
Sneak peaks are great!
This was a great lesson!!! Love me some reggae bass! I would like to see a slap sneak peak of the bass academy. Thanks 😊
D-Mo is the GOAT! Still chasing your tone and sound, my friend!
Great stuff. Great document. All the nuance in the rythm are very well written down.
There is however a typo at measure 27. Chord should be Am.
Sounding good Nate!
Love Danny mo’s tone
😍😍😍
D MO!! 🙌🙌
I'm listening through some crap, kids' bluetooth headphones, and there is nothing wrong with that bass mix. Sounds like some real reggae to me.
The Barrett brothers had THE PHATTEST groove in reggae. Thick, tasty sweet... they were the best.
This sounds like Bilal 'Home'.
One of my fav songs!
Yes, more sneak peeks please.
Reggae drummer here from JA and UK with over 45 years experience.
One drop is derived from the drums playing on beats 2 & 4 of the bar, it has absolutely nothing to do with the bass guitar.
The meaning of "leaving the one out" for "one drop" seems to be really entrenched, even though it seems that Jamaicans usually use "one drop" to mean that the drums play one "drop" (kick drum + cross-stick) on beat three, whereas "two drop" refers to a beat where kick drum hits on one and snare (often a regular hit istead of cross-stick) hits on three. (I'm referring to the double-time count here, where the guitar/keys skank is on 2 & 4, as this is the way of counting where the "Jamaican" definition of "one drop" makes sense. This seems to be the way most old skoo JA musicians would count the time.)
Time and time I try to explain this too. The one drop is the drop on beat 3 of rim and bass drum and not two and four. 2 and 4 are for the guitar skank.
Sorry but the « jamaican » way to count (and more important to fell) the time is kick+snare on beat 2 & 4. Guitar & piano playing on the « and ». I got this information directly from one of the greatest Jamaican drummers, with whom I had the chance to play.
Everyone complaining about the volume...are you listening on your phone speaker?
If so, you shouldn't be playing bass 😂
exactly what i tought too buddy 😂
I'm listening on the same speakers I always use and don't have this volume problem with.
Its cool to have bass player here but i would like an episode one day with a bass maker.Explaining how to upgrade your bass,take care of it etc...
Funky course would be sweet 🤞🏻
We have an entire Funk pathway over in the SBL Academy!
Riddim up❤
Sweet 🫠 thanks
That's what the "one drop" style is. Dropping the 1
That seems to be the understood meaning when you ask Europeans or Norht Americans. Jamaicans usually tell that "one drop" literally means one "drop" or kick drum (+ cross-stick) hit per bar, on beat three.
@@Rootzilla oh cool thanks!
A One Drop has nothing to do with dropping the One and has nothing to do with bass. A One Drop is a drum pattern created in the mid 60's well before Carlton Barrett played it. The song One Drop by Bob Marley has never been viewed by reggae musicians as the song that represents the One Drop style. There are thousands of One Drop style songs where the bass doesn't drop the One.
@@donstrumental1 Thank you! Said the same thing, but am so happy to hear someone with some authority as an expert in the genre say it.
@@donstrumental1there he is!!! 👏🏽
This was sooo cool, ty ❤
🧡🧡🧡
supernice!
TURN THE BASS UP!
weak monitors/headphones?
You're watching a bass channel, you need to listen on something that can handle low frequencies.
@@RefactoringRyan I was just watching a live Rush video... Geddy's bass was loud and proud. It's not the speakers with this video.
@@c.a.t.732different styles, different bass tones. This bass sounds perfect.
@@Unit27 Different volumes, as many have noted.
So checking this out. I have to admit to struggling to find the one initially.
And forget the rigid rules of theory because that F is an F# what I like to internalize is counting to 6 in 4/4 it's gonna give you an entirely different feel of how to apply placement.
Plus contrast is key most of the time when the Drummer grooves or shuffles the bass player follows and that is seldom the case with Carlton and Family man if you listen closely.
When one shuffles the other one straightens out and they exchange pockets and fills almost oscillating.
It's exactly that contrast or musical autonomy of legitimizing your own path while playing together that authenticates the feel of Playing On time In Time or just With Time.
you guys should definitely get Philip Chuah on one day
Someone plug this man's bass into an amp!
that 40" woofer behind him?
Sound great on my headphones
Big warm and awesome
Has the bass level been altered?
Currently the level is fine for me.
I dislike blurred and boomy bass.
Guys, please don't embarrass yourselves. The bass volume is super fine, I promise you. Forget about your cellphone speakers (or maybe even cellphone headphones).
Try good speakers/headphones before saying anything about the volume of the bass.
It's reggae bass. What do you expect?
To me I imagine the beat as punching in the air for a beat.
Ah it was the wailers and family man that did the beats and rhythm. Any Jamaican knows this.
I used to hate Reggae, until I did a Reggae gig. They didn't send me a setlist the first day, despite me asking them a billion times, and I thought I did fine, but given the songs were super popular, I kinda bombed 😅 I played at a gospel church for a few years, prior to that gig though, so I was used to hearing the chords and figuring out what number they were and making a bassline, but it DID NOT sound like Reggae 😂
After that day, I INSISTED that they send me the setlist, and only then, did I realize how WRONG everything that I was playing was! Their basslines (and everything else for that matter) are very deliberate and different from what I'm used to. Stir It Up, for example, is a SUPER easy bassline to play, and by itself, sounds kinda boring imo 😅 but with the context of the guitar, and drums, the vocals, etc, all of it together makes this grooooovy song, that I never would've been able to appreciate, prior to being a musician.
Why does the misinformation about the 'one drop' being related to the bass guitar continue to spread? If you're going to teach something, at least get the facts right.
Explain please, never heard of ot before now
The bass isn't loud enough scott
it never is...
probably your monitors are not good in low end register cause i hear bass very good in mine
You're watching a bass channel, you need to listen on something that can handle low frequencies.
Earpiece will help, man. The bass is full and round. As it should be.
It’s always Danny Mo Morris’ videos. Every. Single. One. He’s always too low.
Reggae is in the gumption.
The bass and drums are the foundation, everything else is color added to the riddim.
Simplicity is it's nature.
If you over think it or clutter it with too many notes then it's no longer reggae but soft jazz or fusion.
I don't think they can fix that in post.
You have to hear bass for it to help
I don’t like Reggae music, but the groove of it is really cool. I can see how Reggae is at the root of a good many different styles of music that I do enjoy.
As it was once said,
in the presence of Bob Marley,
“ come out the studio, you can’t play bass” 😂
Drummer: Nathan Sabanayagam
www.youtube.com/@nayarecords
ua-cam.com/video/HRMIRpRDzkc/v-deo.html
Fix sound and reupload please. So hard to hear the bass.
Did you use a good headphone? Or decent monitor speakers? Sounds great to me.
Honestly, never heard of this guy. Probably a legend or something, but I gotta be honest..I don't care for his delivery. I love Reggae, he just seemed very..dunno, not someone I would associate Reggae with I guess.
I love the content idea though! I think it would have been better to have Ian and Shar noodle and discuss, and then do a follow up when Scott's shoulder is better.
Playing Bass 101... CLOSE your mouth when you play bass. Lesson adjourned.
Why not just have Ashton Barrett Jr (the original bass player’s son) come on and explain reggae techniques????
Or any Jamaican pro bassist for that matter? Why get a Berklee professor when you could get someone who is actually steeped in the culture that produced and produces the music and organically involved? I'm sure there are tons of active reggae pros who would have loved to jump on the opportunity.
@@Rootzilla Being a great player, doesn't make you a great teacher.
@@clifftonsfly That's absolutely true, a good point. But there are those who can teach as well. Off the top of my head on UA-cam I've seen Donstrumental and Devon Bradshaw do a better job than what this vid promises. I do understand that this is just an excerpt, but it does not do a very good job as an advertisement for the course IMO. I somehow get the feeling that Mo is being very casual about the line he's supposed to be teaching, not really paying a lot of attention to detail and getting to the nitty gritty. Very different from the general attitude of SBL towards the material they feature. Maybe the lesson these excerpts are from is actually NOT mainly about "One drop" bass line at all, and because of that it seems that the focus of the content is a bit all over the place? 🤔
He died this year in February
@@mcoffeecation2153 they're referring to his son. Aston Barret Jr.
The more gunk on the strings and neck the better
Hmmm
That was fun. But I gotta add to the other comments that it is REALLY hard to hear the bass.
You can't hear the bass.
YOU can't hear the bass. I can.
Why do y‘all try to explain and analyze everything. You‘ll lose the magic this way and you‘ll never come up with your own version. Just feel it and let that develop in you.
Some of those bass notes were well late.
I probably cannot play one tenth of what this dude could play. But I don't see what business he has playing double stops above 12th fret in a reggae bass lesson. That's like throwing some Wooten double-thumping into a Delta blues lesson or something.
@Rootzilla, agreed but he's showing the chords using 10ths as a way to actually hear the harmony on bass, he's not saying it's a good way to play the actual song or in any way idiomatic to reggae... It's a just a tool to latch on to the harmony, you have your ears to feel that if you do listen to reggae
@@MrChangeTout I get that. Maybe it was just a really unfortunate thing for the SBL guys to choose as an excerpt for this video. Parrticularly since
a) In the beginning, they are using a backing track that has the actual chords to demonstrate the harmony, so why do the same with a very dark bass tone that is not wery well suited for playing chords anyway?
and
b) The bass line to "One Drop" is almost entirely constructed of those same chord triads so he could have used it to demonstrate how Aston Barret outlined that same harmony in his actual bass line.
The purpose of that double stop noodlery is really questionable in this context. Granted, it may make sense in the context of the complete lesson, but as is, this video does not strike me as something that demonstrates real understanding and love of the aesthetic of reggae bass playing. They should have enlisted Donstrumental instead :D
Edit to add: If he'd just done it once, I probably would have let it pass. But doing it in more than one position and throwing those double-stop slides in made it look more like he was not happy to just dig into the groove somehow but wanted to do some kind of odd flex there. I don't know. Suffice to say he missed the mark for me.
I agree. The joy and sophistication of roots reggae comes from it's almost complete LACK of music theory. Berkley elite musicologists will never unlearn enough to grasp it
music theory is just a tool, seems like you really are saying this guy because of who HE IS should not ever try to use reggae to teach music. I definitely learn by ear personally, not from him or from teachers even, but once you know music theory you know it, as long as you are still able to feel music and rely mostly on feeling, there is no need to denigrate educated people... He is not playing on a stage after all...But i get that he naturally sounds 'not reggae' pretty quickly, then again it is art who cares?
@@martinheath5947 that might be a bit of a stretch, mainly because reggae is also an art form evolved from ska. Ska would be the equivalent of a jazz combo or mini big band. Gotta be able to play changes and swing like a big dog. Many of the pioneering musicians were well versed in American jazz, rhythm & blues, soul, and tons of other genres.
All you gotta do is scratch through the surface of “reggae” and you will find some killer recordings.
I agree with @rootzilla in that Double stops aren’t common, but also not completely left out of the style.
The beauty of Fams and Carly is the compositional tools they developed through the wailers, upsetters, hippy boys sound…A beautiful foundation of rhythm, textures, harmony, and overall mastery of music.
Its sophistication is easily overlooked-understated by their ability to mask it in the coolest way, simplicity.
Anyways, I am new to commenting on here and super down to share recordings as well as personal thoughts on this type of material.
How to miss the point 101
Berkley, eh? the anti Lukather uni xD
Best bass lesson in reggae is to go to Jamaica,anytime u hear reggae played by Americans it always lacks feel that is totally unique to reggae and and reggae only...
Интересно, но очень много воды
The number one trick to reggae bass is clearly to make it inaudible.
Way too much complicated music theory. Just feel it.
I can't even hear the bass
Alright for a bass lesson it's just not loud enough
“There’s almost some swing there, like your playing a count bassie tune” OH god. Can we please get some Jamaicans to teach us how to play Jamaican music. Tony Chin, Fully Fullwood, Santa Davis, you guys could find someone. This content is not educational.
Less is more
Cant hear that s**it
The slight saturation of that amp is delicious... Anybody know which amp that is that he is using? 🪩
@devinebass 😇
Danny was using an Ampeg SVT classic for this session!