Для всех, кто хочет записать видео для аккордеона... есть Chanel "Quinone Bob", которые загружают классическую музыку. Если пролистать в Шанель вниз, то можно найти работы Золотарёва, Чайкина, Колмикова, Зубицкого.
Lipps is my favorite classical Bayanist. His use of both the Stradella and Free Bass. I also play Bayan, but played a piano-accordion for more than 50 years, before changing to the B-system Bayan (the Russian system.). I have two Bayans, both made in Italy. Italian Bayans are the world quality standard. Lipps is playing a PIGINI. One of my Bayans is also a PIGINI. My other is a BUGARI/ARMANDO. Semyonov also plays a PIGINI. But it is still the talent that matters. LIPPS is still great!!
@@sebastianbravo8829 You are both right, but just a minute. To my knowledge the only models where that was the case was with the Mythos- only 33 made, and they where the most expensive bayan/accordion in the world at he time (the 90's). In fact, I seriously don't think that the instrument here is a Pigini (I have one- 1986, one of the first built, and played by Christine Rossi, who won the World Title in 1986). The instrument here is certainly not a Jupiter (obviously), but the right hand register switches are certainly NOT Italian- in fact they're typically Russian. But at the end of the day, what counts is WHO plays it. Maestro Lipps is a grand Master. Heaven alone knows how many Western accordionists he taught, but his heritage carries on.
I think you ought to make a pilgrimage to Casterfidardo to better understand accordion making. The "Italian" instruments are superb, but I'm not sure you know what you're talking about 100%. I also had played the piano accordion for decades, and decided to go on to button (C system, as it happens). I would tend to agree that the Italian instruments are now the finest, but the unique SOUND of the Russian bayan has NEVER NEVER been reproduced. Pigini did make an model, the Mythos (see my comment below), only 33 made- Italian know-how and technology, and Russian hand-made reeds. What you have to know is that the were highly renowned reed makers in Moscow, but they didn't work for just anybody; you had to be recommended (concert artist level minimum) and be recommended personally by a famous Russian artist. ALL Russian instruments (including the Pigini/Russia collaboration) were very high maintenance-they had to be tuned at least once a month by a Russian master- that was in the purchase contract- a budget of 15/20,000$ a year minimum. Many of us make the mistake in thinking that, because we "own" a bayan- Russian or otherwise- we can play like them. FORGET IT. This is a century and a half national heritage that cannot be copied. Good luck with yours. Heaven has blessed me with complete set of the F Lipps Anthology- minus one missing volume. A lifetime's work at over sixty!!!
Браво,браво,браво!!!
Огромное спасибо за публикацию!!!
Спасибо огромное, Фридрих Робертович!!!
Отличный музыкант !
Невероятно.
Большое спасибо за публикацию. Очень понравилось.
Хорошее произведение,на 1 курсе училища играл его на экзамене,но липс его по моему загоняет.
Для всех, кто хочет записать видео для аккордеона... есть Chanel "Quinone Bob", которые загружают классическую музыку. Если пролистать в Шанель вниз, то можно найти работы Золотарёва, Чайкина, Колмикова, Зубицкого.
Vielen Dank für die Veröffentlichung dieses Videos
Lipps is my favorite classical Bayanist. His use of both the Stradella and Free Bass. I also play Bayan, but played a piano-accordion for more than 50 years, before changing to the B-system Bayan (the Russian system.). I have two Bayans, both made in Italy. Italian Bayans are the world quality standard. Lipps is playing a PIGINI. One of my Bayans is also a PIGINI. My other is a BUGARI/ARMANDO. Semyonov also plays a PIGINI. But it is still the talent that matters. LIPPS is still great!!
but the reeds on his Pigini are Russian-made. It's because italian mechanics are way better, but bayan reeds needs to be single-plate
@@sebastianbravo8829 You are both right, but just a minute. To my knowledge the only models where that was the case was with the Mythos- only 33 made, and they where the most expensive bayan/accordion in the world at he time (the 90's). In fact, I seriously don't think that the instrument here is a Pigini (I have one- 1986, one of the first built, and played by Christine Rossi, who won the World Title in 1986). The instrument here is certainly not a Jupiter (obviously), but the right hand register switches are certainly NOT Italian- in fact they're typically Russian. But at the end of the day, what counts is WHO plays it. Maestro Lipps is a grand Master. Heaven alone knows how many Western accordionists he taught, but his heritage carries on.
I think you ought to make a pilgrimage to Casterfidardo to better understand accordion making. The "Italian" instruments are superb, but I'm not sure you know what you're talking about 100%. I also had played the piano accordion for decades, and decided to go on to button (C system, as it happens). I would tend to agree that the Italian instruments are now the finest, but the unique SOUND of the Russian bayan has NEVER NEVER been reproduced. Pigini did make an model, the Mythos (see my comment below), only 33 made- Italian know-how and technology, and Russian hand-made reeds. What you have to know is that the were highly renowned reed makers in Moscow, but they didn't work for just anybody; you had to be recommended (concert artist level minimum) and be recommended personally by a famous Russian artist. ALL Russian instruments (including the Pigini/Russia collaboration) were very high maintenance-they had to be tuned at least once a month by a Russian master- that was in the purchase contract- a budget of 15/20,000$ a year minimum.
Many of us make the mistake in thinking that, because we "own" a bayan- Russian or otherwise- we can play like them. FORGET IT. This is a century and a half national heritage that cannot be copied. Good luck with yours. Heaven has blessed me with complete set of the F Lipps Anthology- minus one missing volume. A lifetime's work at over sixty!!!
In the video he’s not playing a pigini. This a jupiter.
Bravo!
Wspaniale. Bravo
Зачем так мех дёргать при смене?
Рваное исполнение. Ровность меховедения отсутствует и вместе с этим звукоизвелечение страдает местами.
Яйки курей…
Do dupy ten ruski, gra jakby nie umiał równo zagrać trioli