focusing on season 1 tracks, i'd give that title to the track i gave the fan name of "Better Than Nothing," since it played in almost every season 1 episode multiple times and has around 8 or 9 different variants, iirc.
It's called a leitmotif. Most, if not all, important characters in a film or TV show have one. It announces their presence musically and follows them around. The "Imperial March" from Star Wars is a famous one. This melody is Olaf's leitmotif, and a variant of it should be expected every time he is onscreen.
@@AvvyDatura i'm aware, though this isn't olaf's leitmotif, his leitmotif has way more variants since they have actual alternate compositions, there's only one composition of this track and its multiple variants are a result of removing or adding instruments. it's why i call it a variant of the track rather than a leitmotif, since it is literally an edit of the same track. this track also only plays in the scenes toward the end of episodes when characters realize he's actually an evil villain, not when he is introduced.
Are there like a million variations of this melody or what?
focusing on season 1 tracks, i'd give that title to the track i gave the fan name of "Better Than Nothing," since it played in almost every season 1 episode multiple times and has around 8 or 9 different variants, iirc.
It's called a leitmotif. Most, if not all, important characters in a film or TV show have one. It announces their presence musically and follows them around. The "Imperial March" from Star Wars is a famous one. This melody is Olaf's leitmotif, and a variant of it should be expected every time he is onscreen.
@@AvvyDatura i'm aware, though this isn't olaf's leitmotif, his leitmotif has way more variants since they have actual alternate compositions, there's only one composition of this track and its multiple variants are a result of removing or adding instruments. it's why i call it a variant of the track rather than a leitmotif, since it is literally an edit of the same track. this track also only plays in the scenes toward the end of episodes when characters realize he's actually an evil villain, not when he is introduced.