JAPANESE PROGRESSIVE ROCK by KENJI SHIONO 【Japanese Progressive Rock】
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- Опубліковано 9 лют 2025
- Japanese Progressive Rock by KENJI SHIONO
from Album No /kenji shiono(Victor Entertainment VICL743)
1996
Percussion, Drum Kit : Hitoshi Kusunoki
Percussion, Voice : Ikuo Kakehashi
Fretless Bass : Kenji Takamizu
Fretless Bass, Sitar Bass, Acoustic Bass : Koh Morota
Fretless Bass, Acoustic Bass, Cello : Takeharu Hayakawa
Fretless Bass, Acoustic Bass, 6-Strings Bass,
Bouzouki, Mandoline, Mandolo-Cello : Hitoshi Watanabe
Eleuctric Guitars, Acoustic Guitar : "Jeff Beck"Hiroshi Imaizumi
Synthesizer, Acoustic Piano : Kazufumi O-hama
Synthesizer, S.E. Sampring,
Background Vocal : Kazutoshi Yokoyama
Bandneon, Piano Accordion,
Chromatic Accordion : Hirofumi Mizuno
Vocal, Blues-Harp, Sitar, Hamond Organ, Psalter,
Dulcimer, Chromatic Harp, 12-Strings Guitar,
Acoustic Guitar, Steel Guitar, Programming : Kenji Shiono
Lyric & Song Written by Kenji Shiono
Produced & Arranged by Kenji Shiono
Recording Directors : J. Tanaka, Takefumi Muraki, Yoshito Kubota
Mixing Engineers : Hirohito Fujishima, Koniyang
Yasuaki"V"Shindo, Hitoshi Hiruma
Recording Engineers : Koniyang, Hirohito Fujishima,
Hitoshi Hiruma, Shinichi Ishizuka, Shigetoshi Naito,
Tsukasa Okamoto, Takahiro Uchida, Akira Fueki,
Takashi Aonuma, Katsumi Moriya, Naoki Kikuchi,
Hisashi Aoki
Assistant Recording Engineers :
Kenichi Arai, Hiroshi Tanigawa, Akinori Kaizaki, Kouichi Misawa,
Kanao Miyanishi, Meiji Takamatsu, Tsutomu Okada,
Masanobu Murakami, Keizo Awano, Kaori Yoneda,
Takeshi Hakamata, Atsushi Imai, Genta Tamai, Kenji Igarashi,
Koji Watanabe, Yuya Suzuki, Masaho Takeda
Mastering Engineer : Kazushige Yamazaki
Recording Studios :
Victor Aoyama Studio 201, 202, 203, 301, 302, 303&401,
Sound Sky Nakano, Power House Studio,
Inning Recording Hosterly, Studio Jive, Key-Stone Studio,
Studio Sound Valley, Studio Sound Dali, Studio Nest
April, 1994 - November, 1995
Mixing Studios : Sound Sky Nakano, Landmark Studio
Mastering Studio : Victor Aoyama Studio 209
Musicians Co-ordination : Fumio Takano, Yasuyuki Ohbuchi
Supervisor : Takafumi Muraki, Hideki Okuno
Artist Management : K. DASH
Illustration : Shinsaku Fujita
犬猫の殺処分や動物実験反対の歌の動画を視聴していて偶然この曲と出会いました。
私は昔の日本のプログレ(NOVELA、SOPHIA、RUSHEL等)が大好きでよく聴いています。
今回、日本にこんな素晴らしい曲があったのを知り感激しました❗
(何だか天国の可愛い動物ちゃん達からの贈り物って気がしてきて嬉しくなりました☺️✨✨)
Still good
I'm from the old prog school. But your music is Wonderful!
Thank you for your comment.
I am very happy.
thank you.
so good
Thank you.
Love the accordion and bandoneon, cannot tell apart. Love this prog! another jewl to the bag!
I am very pleased with your comment.
Thank you for listening to this song.
@@starwavemoonguitar1219 Love the song. Do they have more albums?
Also, by any chance do you know where I could learn more about them?
Wonderful piece.
Many memories of this
Thank you for uploading
Thank you for listening to the song.
Thank you for your comments.
¡Brutal!
It's different but I like it.
Amazing music...
Thank you for listening.
Thank you for the comments.
Thank you for complimenting me.
I am very happy.
After 3 years of listening I am still happy with this music
Thank you very much.
I'm really thankful to you.
Interesting mix and arrangements, too many sounds involved. A nice piece of art.
Thank you for a nice comment.
It was a song that aimed at the limit of Japanese recording technology.
The recording track list was like the timetable of the railroad.
¿too many sounds involved? pero por favor, es la cosa mas estúpida e irracional que escuché en mi vida. Saludos.
I like the song at 21min. thank you
Thank you for listening.
Thank you for the comments.
What is the name of the track at 33:00?
Thank you for listening to this song.
It is one song in 46 minutes 10 seconds.
The song title is "Here, always ...".
Where is mandoloncello part?
Thank you for listening.
It is a bass melody that can be heard from 5 :16.
It overlaps the same melody with electric guitar.
sigan progresando aun les falta un buen trecho que recorrer.para estar a un nivel aceptable....ah.y sean mas personales en su estilo.
Me escuchar mis canciones, gracias.
Gracias por el comentario que.
Puesto que el español no puede leer, se utiliza la traducción automática.
ok.ok.ok....
¿Quien lo dice? Un perfecto desconocido y maleducado e irrespetuoso. Saluti.
Wilbor Oswaldo Carvallo Nunura no merece respuesta semejante estupidéz de comentario, pero a veces un estüpido necesita que le digan las cosas como son, su comentario vale una mierda, viene de un don nadie que ni tiene donde caer muerto. Al que le falta un buen trecho en humanidad es al gran snob de este comentario.