Spanish Renaissance music - Luys Milán - Fantasias I - VI from El Maestro Vihuela
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- Опубліковано 25 чер 2018
- Luys Milán (1500-1561) Luis de Milan
Music of the Spanish Renaissance performed on the Vihuela, a popular instrument of the time.
Fantasias I - VI from the great collection El Maestro (Libro de música de vihuela de mano intitulado El maestro), the first collection of vihuela music in history.
Performed on Renaissance Vihuela by Polivios
Vihuela built by Barbara Ferloni www.apizzico.de
I have recently been encouraged to start offering lessons via Skype, especially for advanced classical guitar students or classical guitarists who want to segue to historical or ethnic instruments (lute, vihuela, baroque guitar, oud, etc). For more info: www.polivios.net/teach
www.polivios.net
Beautiful!!
Excelente apresentação com instrumento de época, parabéns maestro.ABS Antonio Guedes
Thank you excellent recital.
I have just come into possession of one of these instruments and am so excited to learn. It's a tall mountain.
Do you know how to do chords?
Exquisitely executed! As always Maestro!
Wow! Absolutely gorgeous! Such excellent Vihuela playing. I would love to play with you one day!
preciosa música, el sonido del instrumento formidable, la interpretacion muy buena, un regalo para los sentidos.
Beautiful! The finest rendition I know! Could listen forever.
Todo un descubrimiento. Un sonido encantador.
Magnificent!
Masterful!
Espléndido!
Super! Toll!
Bravo!
Maravilloso
Bravo maestro
What a difference between this rendition and those played on either a Lute or a guitar. I am surprised by the sweetness of the upper register and the richness of the lower notes. Having this recording offers insights into how I might play this fantasia on a classical guitar.
The difference would be greater if the performer played with 16th century technique and style, and not modern classical guitar technique and aesthetic.
No estoy de acuerdo con esa apreciación, la música no está en la técnica, la música está por encima de todo asique si la obra es bien interpretada es suficiente.
Pensar que una técnica es mejor que otra para un determinado estilo es algo pequeño en comparación a lo que realmente importa que es la música.
@@taylordiclemente5163 You'r right. It's always difficult for former guitarist to learn a new position for the right hand and play without nails, but it's worth the effort for the quality and the difference in sound.
ua-cam.com/video/DtNXOEMtRtA/v-deo.html
@@jean-francoisbedel8916the nail is actually something that was used by lutenist and such in the 16th century and prior, there are paintings of musicians with and without nails, if i remember correctly in northen italy was more common with nail and in france without
@Timopeo But this is not a lute, but a vihuela, and in order to obtain that sweet and delicate touch it is mandatory to use the proper technique: figueta castellana. The thumb under, not over the other fingers.
Perfecto y ordenado acorde con el ritmo. ¡Olé!
OLE SOLO ES PARA FLAMENCO
@@SpainMusicWorld Los españoles que no somos flamencos llevamos generaciones usando esta palabra (posiblemente milenios) Otra cosa es que en su afán de imitar y perfeccionar el fandango español muchos flamencos la usen desde el XIX sobre todo en lo relativo a música y baile. Y en Andalucía noble digas a un andaluz que no la use.... je je
Tañes e interpretas muy bien el instrumento. La hermosa Bihuela.
I 0:07
II 1:34
III 3:10
IV 4:59
V 6:11
VI 8:02
Crack!
Hello. Fantastic playing, congrats. Do you recorded a CD? I would love to have one. Thank you.
Am familiar with the vihuela de mano, although I don't know how to play it. How did you learn to play it so well?!!
And at such a young age?
I want that vihuela. But I'm afraid my vihuela would kill me for cheating on her. There is no fury like a vihuela scorned.
I like your playing, sound of your RG is amazing, Who is your Lutiher?
Beautifull bearclaw top ! Also beautifull sides ! Who made the instrument?
Her name and website are in the description
Viva España
Viva la austera Castilla
No
Hard to imagine it was that instrument that was the basis for all modern guitars.
That is not entirely accurate. The vihuela de mano faded out by the end of the 16th century. Meanwhile the four-course guitar got bigger and lower-pitched and gained a fifth course in the 17th century, then gained a sixth course in the 18th and switched from double to single courses. From that point on it kept growing until it reached the present Torres shape.
It's possible, however, that, while this evolution was happening in Spain and Europe, that an instrument like the Italian cousin of the vihuela de mano, the viola da mano, reached the new world, as the tres puertorriqueño bears the same distinctive shape.
So is it tuned just like a 12 string? Doesn't sound like it. Why wouldn't it be? What's the purpose of the double strings?
It's a re-entrant tuning in fourths, depending on the region / composer they didn't have the 440 tuning we have nowadays, they tuned them according to their needs or the capacity of the instrument. However the fourths relationship between the notes is preserved and it's a vestige of the Arabian tunings were it is derived from. The purpose of the double string is to give it stronger sound (they used gut strings) and to introduce a pleasant dissonance, that's why some of the strings are octave pairs rather than unison.
What would be the G course on a 12-string guitar, is an F# course here (relative tuning, not absolute -- vihuelas might have G or A as their lowest string instead of E). The same strings that would be octave pairs on a 12-string are octave pairs here too, but in the opposite order. If you strum from lowest to highest, on the 12-string guitar you'll hit the higher string of each pair first, but on this vihuela, you'll hit the lower string of each pair first. The point of the octave pairs is to help the lower gut strings sound louder -- low gut strings aren't as "bright" as and have less sustain than low metal strings or even the low metal-wound nylon strings on a classical guitar, so the high string helps them ring more.
w o w
4th 4th 3rd 4th 4th. Mark is correct.
Beautiful playing, but the editing is very distracting.
Please show all of both hands all the time. Can't see how picking different runs. You'll get mire subscribers and views!
For my taste too robotic.
I´m with you
What you hear as robotic, I hear as clarity and precision. No need for name-calling; taste is individual.
@@cfcasey.guitars-ukuleles Fred, you're dictator.
El propio Milán, en su libro, invita al tañedor de vihuela a "tañer de gala", más que a"servir compás". Creo que eso resuelve la polemica
@@pascualodoghertycarame40 ?