It's so cool when you hear one of your favorite artist go back in time and play one of their earlier works. Just to see how they approach it after so many years of development. This Joshua Redman approaches this tune different than Joshua Redman on the Freedom in The Groove album. I wish more instrumentalist did this... pop and R&B singers do it all the time.
It might also have something to do with a setup change that Joshua made from that FITG album to the time of this performance. Back then he used an Otto Link Super Tone Master metal mouthpiece and its default ligature, and here he seems to use a Early Babbit Otto Link rubber mouthpiece with the innovative and a little bit more expensive Francois Louis ligature.
My favourite saxophonist ever since, I never get bored of him!!! Lovely and mellow sound, perfect articulation, beautiful solos, incredible rythm and unique!!!
As a drummer I completly understand why his drummer asked to stay in silence just for a little while more otherwise they could have lost or started off time.
These tongue slaps used as sax-bass line are already in the original version ; do you have chronological proofs that James Carter tong-slapped before Joshua Redman ?
NOTE: If the extent of your understanding of jazz sax history only goes back as far as James Carter, I would encourage you to broaden your scope. FYI: Slap tongue has been around long before you, or James, or Joshua were ever born. Where do you think J. Carter got it from? J. Redman, J. Carter, and _most_ saxophonists all grew up and developed their sound listening to the same original players (Ben Webster, Lester Young, John Coltrane, Roland Kirk, Eddie Davis, etc.) and as such have -stole- incorporated many of the same devices that those players also -stole- incorporated from the players before them. If you listen to Illinois Jacquet "1942 Blues" (1944) [UA-cam: _"Illinois Jacquet 1942 Blues. Flying home's second cousin."_ ], you'll hear pretty much everything that you'll hear in a J. Carter solo.
It's so cool when you hear one of your favorite artist go back in time and play one of their earlier works. Just to see how they approach it after so many years of development. This Joshua Redman approaches this tune different than Joshua Redman on the Freedom in The Groove album. I wish more instrumentalist did this... pop and R&B singers do it all the time.
Revisited again in 2018 at GroundUp Festival in Florida with Lionel Loueke!
It might also have something to do with a setup change that Joshua made from that FITG album to the time of this performance. Back then he used an Otto Link Super Tone Master metal mouthpiece and its default ligature, and here he seems to use a Early Babbit Otto Link rubber mouthpiece with the innovative and a little bit more expensive Francois Louis ligature.
My favourite saxophonist ever since, I never get bored of him!!! Lovely and mellow sound, perfect articulation, beautiful solos, incredible rythm and unique!!!
my favorite sax player. done and done.
Mr. Redman is one of the elite saxophonist in my book. Not too many cats can play like this. Yeah man!!!
Joshua : Fils de l’immense saxophoniste Dewey Redman!!!
Amazing, thank you so much! This B natural blues by Joshua really deserves a high place in the "new standards" Olympus Mons
I'm fairness that is quality sax at its finest
In one word marvelous 🤩👑👑👑👑👑
At around 3:09 or 3:11 the crowd claps louder and they’re so behind you can see Joshua Redman hold back a laugh
A great moment of jazz music !!
Just saw him in NYC@Town Hall , dynamic
Monster of the jazzzz😮
Amazing!
Joshua is fantastic, alien !
Parabéns professor 👍
Wow 'kin great!
Outstanding song and musician !
Azzzeeeeepapaooo😮
mestre é mestre , não adianta!!!
Top demais 😎👏👏👏👏👏👏
one Moster!!!! 🎷🎷🎷🎷
Absolutely glorious !
Fantástico!
Alien playing sax !
Fantastic.
WOW, it sounds like string
Just out of this world ammazing
How does he do that thing with his tongue that seems like he's plucking the reed? Its sounds too much like a string! Amazing!
Look up slap tongue
Master in music jazz full
Walt Weiskopf plays the sax so well, he don't need no rhythm section. But it never hurts....
Sorry, this is Joshua Redman, my mistake. They look and play somewhat similarly, in a very great way.
So true, Joshua's sense of time is outstanding
As a drummer I completly understand why his drummer asked to stay in silence just for a little while more otherwise they could have lost or started off time.
Siper
Como se chama essa técnica que ele faz em 1:47 ?
wwwwwwooooooooooaaaaaaaaaaaaaaaaooooooooo !!!!!!!!!!!!!!!!!!!
When the crowd doesn't know how to listen
I mean, MAN, I thought my sense of time was bad
1:12부터 저 봉봉거리는 소리 어떻게 내는 거지
Hyun-Su Kim ㅋㅋㅋㅋㅋㅋㅋㅋㅋㅋㅋㅋㅋㅋㅋㅋㅋㅋ 봉봉
봉봉 둥둥
slap tonguing
MAJSTORČINA
I didn’t know Joshua Bell played bass
僕のベスト3は、Ｄマレイ。Ｇ．アダムス。Ｊ．レッドマン。アダムスの、他界が、今も悔やまれ仕方ない。20年が過ぎただろうか、、。
C'est Eric Judor ?
What is the name of this track and what album is it on? I am new here.
Track : Hide and Seek
Album: Freedom in the Groove
Definitely worth getting. The entire album is fantastic
He is learning to do like James Carter...
These tongue slaps used as sax-bass line are already in the original version ;
do you have chronological proofs that James Carter tong-slapped before Joshua Redman ?
What a stupid comentary... Carter is Carter Redman is Redman.
NOTE: If the extent of your understanding of jazz sax history only goes back as far as James Carter, I would encourage you to broaden your scope.
FYI: Slap tongue has been around long before you, or James, or Joshua were ever born. Where do you think J. Carter got it from? J. Redman, J. Carter, and _most_ saxophonists all grew up and developed their sound listening to the same original players (Ben Webster, Lester Young, John Coltrane, Roland Kirk, Eddie Davis, etc.) and as such have -stole- incorporated many of the same devices that those players also -stole- incorporated from the players before them.
If you listen to Illinois Jacquet "1942 Blues" (1944) [UA-cam: _"Illinois Jacquet 1942 Blues. Flying home's second cousin."_ ], you'll hear pretty much everything that you'll hear in a J. Carter solo.
@@ricardovillar4833 thats precisely because Carter is better
Leo Saxtrom
U
@James Geng lol
Without piano it sounds counterproductive.