Wunderschöne Interpretation dieser kompakten und fein komponierten Klaviersonate im gut analysierten Tempo mit klarem doch warmherzigem Klang des historischen Fortepianos und mit möglichst effektiver Dynamik. Der Kontrast zwischen den beiden Sätze ist auch eindrucksvoll. Wahrlich intelligente und geniale Musikerin!
1809 : le concerto 5 et la quatuor 10 , ses 2 ouvres les plus solaires , les sonates 24 et 25 ,, des feuilles qui dansent dans le vent du lied opus 83 n°3...
Hello Bartje Bartmans, first of all, thank you for this uploading. I was wondering, is there any mean to contact to discuss with you (mail ?). Thank you.
Bless the editors and people copying this stuff over... Those treble cleffs... The fact he doesnt add the sharps in every line as he should.... The durations not always lining up correctly.... Like wow..
The type of notion you are familiar with is of a modern 21st style. The durations don’t to line up exactly...we can early see what is being dictated. To suggest an autograph score of Beethoven is somewhat wrong is beyond me
@@matthewwhitehouse301 Well in my music school they get mad if our durations dont line up when composing, so.... Thats what Ive been taught, I assumed that Beethoven would also do that as he is one of the big names of course.
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Wow Beethoven hand writing is actually great in this one.
Because he's in love xD
Well, I did the same when I'm fallen 😂
idk about great. It's legible that's about it lol
The fortepiano is lovely ... it is always like a shock of sun-dappled water on a hot day! I see why this was among Beethoven's own favorites now!
Wunderschöne Interpretation dieser kompakten und fein komponierten Klaviersonate im gut analysierten Tempo mit klarem doch warmherzigem Klang des historischen Fortepianos und mit möglichst effektiver Dynamik. Der Kontrast zwischen den beiden Sätze ist auch eindrucksvoll. Wahrlich intelligente und geniale Musikerin!
Danke für dieses wunderbare Stück und den Autographen.
Love that fortepiano sound.
This is got to be the most uncommon key Beethoven ever implied as the home key for his piano sonatas.
Very very beautiful work
1809 : le concerto 5 et la quatuor 10 , ses 2 ouvres les plus solaires , les sonates 24 et 25 ,, des feuilles qui dansent dans le vent du lied opus 83 n°3...
These piano sonatas sound different then his earlier ones. Still is beautiful though!!
Hello Bartje Bartmans, first of all, thank you for this uploading. I was wondering, is there any mean to contact to discuss with you (mail ?). Thank you.
Here is my email address: jvmozart6@gmail.com
Bless the editors and people copying this stuff over... Those treble cleffs... The fact he doesnt add the sharps in every line as he should.... The durations not always lining up correctly.... Like wow..
It seems to me you are not familiar with manuscript scores.
@@bartjebartmans -- Me neither! Does that mean the score ABOVE is a DIFFERENT kind of score? Amazing!
The type of notion you are familiar with is of a modern 21st style. The durations don’t to line up exactly...we can early see what is being dictated. To suggest an autograph score of Beethoven is somewhat wrong is beyond me
@@bartjebartmans I mean Ive seen some before, but I never truly tried to read them. How did Beethoven even read and play his own works?
@@matthewwhitehouse301 Well in my music school they get mad if our durations dont line up when composing, so.... Thats what Ive been taught, I assumed that Beethoven would also do that as he is one of the big names of course.
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Allegro ma non troppo?
Yes