The Spoken Word: William S Burroughs and Brion Gysin

William S Burroughs and Brion Gysin read their works from the CD The Spoken Word--
Track listing:
The beginning is also the end (excerpt) -William S. Burroughs
Reading at the Centre Hotel -William S. Burroughs
Liverpool -William S. Burroughs
Cut-ups self-explained -Brion Gysin
I am this painter -Brion Gysin
Pistol poem -Brion Gysin
I've come to free the words -Brion Gysin
No poets don't own words -Brion Gysin
Calling all reactive agents -Brion Gysin
Junk is no good baby -Brion Gysin
Kick that habit man -Brion Gysin
I am that I am -Brion Gysin
Invisible art (three versions) -William S. Burroughs
'Silky supple mirrors to be folded...' -Brion Gysin
American writer William S. Burroughs and British-born artist Brion Gysin, the man Burroughs credited with the invention of the 'cut-up' technique. It features a complete, previously unissued 42-minute recording of Burroughs reading live in Liverpool in 1982, plus performances by Gysin of a selection of his 'permutated poems', and previously unheard home recordings made by the pair in Paris in 1970.
Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.

[@robertafierro5592]

I love this guy! I passed his home on the Bowery. It looked like a powerful.old bank perched right on the corner. It was dark out that night. It was winter in 1978. I was walking down the street with who I thought was the first love of my life. He called himself a film maker. Forty years later he became a woman. But he still stands the same way.

[@jimmy_junk]

I can tell you are aspiring to be a writer. Keep up the flow. A little advice. Make it a little more raw. Describe to cold and the darkness and then the light and warm of the relationship.
…or fuck it!

[@elizabethhann4028]

I love Bill and Brion more than I can say. I I love them 'cause they *aren't* lovable. I wouldn't be a poet without them. And I am a poet; a poet [who] don't own know words/don't know own words, et cetera.

[@perceptionmanagement2116]

Ok, that's a pretty cool post Miss Hann 😎

[@ericwolfe2455]

William was a collaborator amazing artist ...
Period. My biggest influence.

[@elizabethhann4028]

He's one of my biggest influences too. Are you a poet? I am; and I wouldn't be a poet if I hadn't read Burroughs and taken him to heart.

[@ericwolfe7673]

Painter writer musician

[@robertafierro5592]

This IS poetry!

[@maxinemckenzie6076]

Surely the 1970 recording would've been recorded in London rather than Paris. Burroughs and Gysin split Paris for Picadilly Circus in 1966.

[@maxinemckenzie6076]

I stand corrected. William and Brion returned to Paris, for a spell, so to speak, in march 1970. This is a great collection of recordings. The "Place of Dead roads" material is darkly comic. Brion's permutation Poems are mind breaking. Thanks for sharing.

[@oliverkalamata2753]

*I AM THE TABLE*

[@uncannybeachboys]

Thanks for uploading! One of my favorite Burroughs/Gysin releases.

[@funkcuntize]

Thank you, a fan

[@elizabethhann4028]

My favorite of all these pieces is probably "[I've] Come To Free The Words." I don't know why - I know perfectly well it wasn't intended - but the more Brion carries on, like "Come to thee *free* , words,/Come to thee words *free* ..." the more it reminds me of (of all the silly old things!) that old 1959 doo-wop ditty "Come Softly To Me", by the Fleetwoods (see here: ua-cam.com/video/9b-a23beORk/v-deo.html).

[@lautaroromero2311]

thanks for sharing!

[@elizabethhann4028]

@@lautaroromero2311 Well, I'm glad you liked it. Say, haven't I seen you around on this ol' site before? Do you like the Gun Club? Or Mouse & The Traps?

[@the_birthday_skeleton]

good grief a
d alas.

[@frankandstern8803]

Gysin in his ridiculous exercise . Pointless and pretentious.

[@spotzav5830]

Look who's pretentious trying to define what the approach to art is

[@maxinemckenzie6076]

Pointless for you, certainly.

[@frankandstern8803]

@@maxinemckenzie6076 not certainly but absolutely.

[@noimpostura]

@@frankandstern8803 Keep on studying Robert Frost. At least you could learn to be a nice person.

[@frankandstern8803]

@@noimpostura Truth over feelings any day and every day. Nice person. Give me a break Let's not miss the point.

[@sexobscura]

*I am THE ATTIC*

[@thesoulservice]

Lou Reed, is that you?

[@JoseEchoes378]

I AM THE TABLE