I had asked kshmr to make a psytrance kick and bassline tutorial. Looks like he has answered through krunk. Thank you splice. I'm a FL studio user. This tutorial was useful for me. However, few techniques used in Ableton confuses me to imply in FL studio. Anyways great tuturial. Thumbs up! 👍
@@laxyamusic8162 How does the utility work in fl studio? I'm confused about it, since the day he used it on explaining how to make a powerful drop. And i also wanna know about the stereo effect on the bassline
Fruity Stereo Enhancer (let's call it FSE) in FL Studio is a plugin congruent to Utility in Ableton. Similar to Utility, you can control the width from the Stereo Width knob in FSE. Left for wideness, right for mono. About the Haas Effect on the bassline, it can be achieved from the same plugin FSE in FL. The middle knob (phase offset) in FSE allows delaying either the right or the left side by a few milliseconds to achieve the Stereoish effect. For knowing if the sound is in phase or not, download this free plugin Voxengo MSED which shows the correlation in the bottom. Keep the meter on the right side of the middle point and experiment with the phase offset in FSE. Happy Producing!
@@laxyamusic8162 Thank you very much. I need to know more about phase cancellation too. Can you please help me on that? I tried to make a pluck similar to animals (martin garrix). It sounded pretty good in speakers and headphones. But it sounded muddy in my mobile speakers. Also i think that there happened phase cancellation between bigroom kick and pluck. How can this be improved?
Phase cancellation is just two waves adding up and amounting to 0 or lesser sound. For Sub bass, to avoid phase cancellation, keep it in mono. Pretty simple ha! Muddiness generally arises around the 100-250Hz area because of different elements clashing with each other. Totally depends on the sounds you have. In your case, pay attention to the amount of sidechain and the frequencies occupied by both the elements. EQ them properly to make sure they occupy their own space in the mix. As always, Happy Producing!
Only idiots do. It's so horrible if you just want to replace one specific sample. Also the Project looks horrible. Pitch Automations in any way like a build up or so are also nearly impossible. And you can't play the drums live with a drum pad. If you want to copy a part to an other, you have to delete the other part first, which often messes up the automations. Otherwise you'd end up with unwanted samples in this part, because they just get added, not replaced like a midi clip. The only benefit I know is the warp mode. But who needs this for one shot drum samples? For loops, reverses, fills and longer samples you can still use audiotracks. Change my mind.
Widening bass... of course you gonna have phasing issues. Biggest no-go producing 101. I never believe that mono utility in ableton because it does not give an accurate mono sound.
Who's heard EXHALE yet?!
Listen here: bit.ly/2wdiRO3
Dharma Worldwide me I love it
🔥 Fire 🔥
It’s awesome!
Next should be Jetfire ❤️
Finally, some insight from Krunk!
Kshmr should explain Opa
Keanan Jacobs what part?
Psytrace🙏 Krunk 🙌🙌🔥🔥
Dude Krunk is mad chill. Thanks bro.
thenk u kshmr for makeing this possabull thenk u krunk for being krunk
I had asked kshmr to make a psytrance kick and bassline tutorial. Looks like he has answered through krunk. Thank you splice. I'm a FL studio user. This tutorial was useful for me. However, few techniques used in Ableton confuses me to imply in FL studio. Anyways great tuturial. Thumbs up! 👍
Everything he said can be implemented in FL studio. Have any confusions? Post here i'll help you out.
@@laxyamusic8162 How does the utility work in fl studio? I'm confused about it, since the day he used it on explaining how to make a powerful drop. And i also wanna know about the stereo effect on the bassline
Fruity Stereo Enhancer (let's call it FSE) in FL Studio is a plugin congruent to Utility in Ableton.
Similar to Utility, you can control the width from the Stereo Width knob in FSE. Left for wideness, right for mono.
About the Haas Effect on the bassline, it can be achieved from the same plugin FSE in FL. The middle knob (phase offset) in FSE allows delaying either the right or the left side by a few milliseconds to achieve the Stereoish effect.
For knowing if the sound is in phase or not, download this free plugin Voxengo MSED which shows the correlation in the bottom. Keep the meter on the right side of the middle point and experiment with the phase offset in FSE.
Happy Producing!
@@laxyamusic8162 Thank you very much. I need to know more about phase cancellation too. Can you please help me on that? I tried to make a pluck similar to animals (martin garrix). It sounded pretty good in speakers and headphones. But it sounded muddy in my mobile speakers. Also i think that there happened phase cancellation between bigroom kick and pluck. How can this be improved?
Phase cancellation is just two waves adding up and amounting to 0 or lesser sound. For Sub bass, to avoid phase cancellation, keep it in mono. Pretty simple ha!
Muddiness generally arises around the 100-250Hz area because of different elements clashing with each other. Totally depends on the sounds you have. In your case, pay attention to the amount of sidechain and the frequencies occupied by both the elements. EQ them properly to make sure they occupy their own space in the mix.
As always, Happy Producing!
The basslines were Phasing because there were frequencies below 100 hz.
this was great tutorial about low end!!
his voice has a lot of high end
Real good tutorial. Thank you KRUNK
Cool!
Many more videos on the way! Stay tuned
Well done! :)
Very awesome
Enjoy!
good moring krunk
Nice one Christos (Y)
Would be great if he explain the guitar in the drop of Exhale! :)
Is this Ableton live 10? :|
Does everyone lay their kick and snare samples straight on the track like that instead of using drum-rack?
Only idiots do.
It's so horrible if you just want to replace one specific sample. Also the Project looks horrible. Pitch Automations in any way like a build up or so are also nearly impossible. And you can't play the drums live with a drum pad. If you want to copy a part to an other, you have to delete the other part first, which often messes up the automations. Otherwise you'd end up with unwanted samples in this part, because they just get added, not replaced like a midi clip.
The only benefit I know is the warp mode. But who needs this for one shot drum samples? For loops, reverses, fills and longer samples you can still use audiotracks.
Change my mind.
Next OPA please
Who would ever put some stereo effect in something like a PsyTrance bass that has a big sub bass??? Like... wonder were you get that phase issue
it's good in theory if he would highcut the bass higher then layer with a dedicated sub patch.
He had a sub + lowcut psytrance bass. Watch the video
will sparks next
Krunk is a big Goku fan I guess..😂
Primero en llegar🔊👍
Widening bass... of course you gonna have phasing issues. Biggest no-go producing 101. I never believe that mono utility in ableton because it does not give an accurate mono sound.
That kick isnt good :(
Like your mom! XDDDDDD
Chill bro JK! ❤️
Soumik Das xdddd but the sub of the kick isnt fitting the transient
Its not KSHMR. We want KSHMR. We don’t know Krunk or shit
Fuck you