If you like these lessons, definitely check out www.zombieguitar.com/ It is a one-of-a-kind site dedicated to helping guitarists to understand the fretboard and create their own music. You will love it!!
Minor Arpeggio Shape 1: 5:13 Minor Arpeggio Shape 2: 6:30 Minor Arpeggio Shape 3: 7:43 Major Arpeggio Shape 1: 9:13 Major Arpeggio Shape 2: 9:59 Major Arpeggio Shape 3: 10:34
Brian You have the talent that’s rare in good players which is to explain what You are explaining in a calm and concise manner . You are helping a lot of people , Myself included . Thank You Sir .
After playing around with arpeggios for a while I found on of the easiest coolest sounding things to practice where spaghetti western style riffs in each box as they are nice and slow and you can really map out the neck .... Thanks Brian 👍🏼
I just recently discovered your videos, and man have I been missing out. Your instruction is so clear and concise, that those of us without formal musical training can easily understand the concepts. I'm looking forward to practicing these patterns, and I'll be checking out your web site as well. Thanks for all you do!
Been learning the triads, which led into arpeggios. Your explanation definitely connected the dots putting arpeggios together. Took a bit to see the patterns but they are all there. The key is the root. Thinking of using a looper for cords to play with, so I can work at a slow pace to hear the cords and notes coordinated. Thank you! Great job! 👍👍👏👏👏
I've been schooled !!! Thank you Brian... My guitar teacher told me to learn the patterns, emphasized they are "important", but he never connected the dots (so to speak).... "Chasing the Chords" could be the name of this lesson :-)
Brian your MIND set is all relevant to my everyday Baldwin Piano progress . , it sounds like your axe! ....dude your getting me through this Global crisis. Your older content new again. I am a new student evolving fast. Eternal thanks Jon Nagy
This was super helpful for me, since I already knew the arpeggio shapes but really just used them for sweeping. This helps me apply them for chord tones, thanks Brian!
Jake Forrest yup, I remember when I was first taught these shapes from a buddy of mine many years ago. We didn't know they were called arpeggios. We just called them "sweeps" :). Arpeggios change everything though. Enjoy!
you're a badass. Rick Beato should watch your videos to see what a real teacher looks like versus someone who just flies through the fretboard without explaining anything to those who are eager to learn. you are unique. thanks man
Thanks, Brian. Was just on your website, about to buy the PDF of the arpeggios, scales and so on (if I can find out where the Paypal link is!). I wanted to contribute in some way because I have got a lot out of your lessons. Just downloaded it - I think it will keep me busy for the rest of my life!
hey man, i ply music. have videos on the tube. been playing gigs for 20 years. first few videos of yours hooked me dude and im learning and growing up guitar. thanks
Hi Brian! I'm a big fan of yours. Just wondering if you could recommend a sequence of your videos to better learn everything. I dont want to just jump to videos over videos without knowing what should I learn first. Sorry for bad english. I hope you get my point. Thanks!
Hi Brian I just had little hint of a break through watching this .... I understand you were outlining the chords with a sweet notes of that cord moving before miving to the next chord ...can you tell me this using caged system what your actually learning is not only chords in different shapes but notes of that cord in different areas which could then allow you to fill between chord transitions? ...or it might be that I'm going into the relms of fantasy ?
chris cullen yes exactly! These arpeggio shapes that I show here in this lesson are also CAGED shapes (the C-shape, E-shape, and A-shape to be specific). Chord tone targeting, arpeggios, CAGED shapes...it's all the same thing!
Dude all I know is pentatonic scales and diatonic scales and blue scale but other than that I don’t know anything else would I be okay with playing with just these scales?
Those are the absolute most important scales to know, so you can do a ton just with what you know now. One day though... you will reach a point where you want your lead playing to sound more connected with the underlying chords...and this is where arpeggios and chord tone targeting will become your main focus 😁
I am still left wondering why I should remember these single note positions when I could just grab the whole chord in that position and pick the relevant strings for that arpeggio based melody that I want. (I have not bothered to learn the entire CAGED system, as I find the C and G shapes impossible as a barre chord, so I use the E major , Am ( and D ) shapes as the foundation, with the , 6th, 7th, m7th, M7th and all other extensions as variation of the basic EM and Am (or AM7) barre chords positions , often played as rootless chords with a half barre to make it easier. Then I know where my root notes are because of the inbuilt power chords (Root 5th Oct) in the barre chord, and where the 3rd (or minor 3rd) is, and so by grabbing the chord for a note, or a note for a chord, I'm in position where both sound ok. and I tend to prefer to play up and down a single string than jump across strings, each string being considered to be a separate voice in the 'choir'. All of this also helps me to think slide guitar.)
The ultimate goal is just to have the chord tones "light up" for you, no matter where you are at on the fretboard. Whether you are aiming to land on just a single note, play full chord shapes, or just play little "pieces" of a chord shapes...just being able to see this stuff no matter where you are at on the neck is the ultimate goal (at least that is my ultimate goal).
@@zombieguitar Yes, however we approach it, we must still see where the notes lie. My chord book clearly explains which strings fulfills which position in the chords so I am always learning something, trying to add it to my path of the way I am learning. Your comment and awesome lessons are much appreciated. I am a newcomer to the channel so I am watching one video per day. :-)
It doesn't. Try superimposing the diagram onto the 8th fret. The 12th fret on the A string is where the pinky lands on the A note. Then moving upwards to the D string, the next note is on 10th fret, which is C, not C#. Also the C on the E string on 8th fret.
If you like these lessons, definitely check out www.zombieguitar.com/
It is a one-of-a-kind site dedicated to helping guitarists to understand the fretboard and create their own music. You will love it!!
Of all the UA-cam arpeggio tutorials out there, your technique is the ONLY ONE that I truly understand! I get it now. Thanks so much for sharing.
Minor Arpeggio Shape 1: 5:13
Minor Arpeggio Shape 2: 6:30
Minor Arpeggio Shape 3: 7:43
Major Arpeggio Shape 1: 9:13
Major Arpeggio Shape 2: 9:59
Major Arpeggio Shape 3: 10:34
Brian You have the talent that’s rare in good players which is to explain what You are explaining in a calm and concise manner . You are helping a lot of people , Myself included . Thank You Sir .
Dude! You are a theory beast!! Thank you soo much! I've been sharing as much as I can! Again thank you!!
Awesome thanks man!
After playing around with arpeggios for a while I found on of the easiest coolest sounding things to practice where spaghetti western style riffs in each box as they are nice and slow and you can really map out the neck .... Thanks Brian 👍🏼
great lesson! helped me a lot with adding melodic ideas into my improvisation
I just recently discovered your videos, and man have I been missing out. Your instruction is so clear and concise, that those of us without formal musical training can easily understand the concepts. I'm looking forward to practicing these patterns, and I'll be checking out your web site as well. Thanks for all you do!
Great lesson, having the shapes makes it a good way to practice and learn the notes. Thanks again. 🎸👍
Hi, thank you so much! This is the best ever arpeggio demo/explanation on youtube so far. Pretty practical, and also logic, and ,and...
Another excellent lesson Brian. Keep going !
Been learning the triads, which led into arpeggios. Your explanation definitely connected the dots putting arpeggios together. Took a bit to see the patterns but they are all there. The key is the root. Thinking of using a looper for cords to play with, so I can work at a slow pace to hear the cords and notes coordinated. Thank you! Great job! 👍👍👏👏👏
One the best REAL teachers on UA-cam! Hands down!
i dont normally leave comments but this was great. I'm going through all of your vids trying to learn as much as possible
This guy is the best musical tutor ive worked with....patiece and professionalism.
Thanks Brian! Awesome work on the lesson.
Another excellent lesson Brian Kelly!
U ,just opened up my world of hidden insight into playing lead solos Thanks Brian FAN 4 life also bought ur Course .
Thanks so much Robin!! 😀
I've been schooled !!! Thank you Brian... My guitar teacher told me to learn the patterns, emphasized they are "important", but he never connected the dots (so to speak).... "Chasing the Chords" could be the name of this lesson :-)
Great lesson as always, Brian!
great work brian. you're a talented teacher
Brian your MIND set is all relevant to my everyday Baldwin Piano progress . , it sounds like your axe! ....dude your getting me through this Global crisis. Your older content new again. I am a new student evolving fast. Eternal thanks Jon Nagy
Hi Brian this is superb thank you so much I have expanded my knowledge watching your videos on chord tones and this was a revelation
bowtalk great to hear! Arpeggios and chord tones are what will take your “scalar playing” to the next level!
This was super helpful for me, since I already knew the arpeggio shapes but really just used them for sweeping. This helps me apply them for chord tones, thanks Brian!
Jake Forrest yup, I remember when I was first taught these shapes from a buddy of mine many years ago. We didn't know they were called arpeggios. We just called them "sweeps" :). Arpeggios change everything though. Enjoy!
You have it all.....God bless you.... and you're giving generously....thanks again...
Hey thanks so much for following my channel!! 😁
you're a badass. Rick Beato should watch your videos to see what a real teacher looks like versus someone who just flies through the fretboard without explaining anything to those who are eager to learn. you are unique. thanks man
I appreciate you checking out my vids. Thank you! 😀🎸
Thank you for this fantastic lesson.
Another great lesson, thank you
Thank you, Brian. That was a fantastic lesson.
Thanks, Brian. Was just on your website, about to buy the PDF of the arpeggios, scales and so on (if I can find out where the Paypal link is!). I wanted to contribute in some way because I have got a lot out of your lessons. Just downloaded it - I think it will keep me busy for the rest of my life!
Great lesson again Brian! Aged 57 and finally beginning to understand!
hey man, i ply music. have videos on the tube. been playing gigs for 20 years. first few videos of yours hooked me dude and im learning and growing up guitar. thanks
love it !
hehe love you choice of thumb for this one.
Very good. Thanks.
Awesome lesson
Top man-thanks
Normal brilliant standard lesson ..... thanks Brian!!!
Phil James thanks for the nice comments as always Phil!
Very nice lesson
Hi Brian! I'm a big fan of yours. Just wondering if you could recommend a sequence of your videos to better learn everything. I dont want to just jump to videos over videos without knowing what should I learn first. Sorry for bad english. I hope you get my point. Thanks!
Thank you!
You're welcome!
best teacher on youtube hands down....ima get that arp and modes book
full stack thanks bud!
Thanks Brian, this takes me beyond improvising with scales, I learned something new.
This dudes the best, f$&@ the rest - I’ll be buying your intermediate course to help you recoup the value you give away for free. Thank you Brian
Thanks Tom! Much appreciated 😀
What do do with inversions of the chords? Because the sounds get different when inverted
Brian quick question... can I just learn 1 minor arpeggio and 1 major from this lesson ? Will that still be good enough? Cheers
matinee310 sure, that's okay. Start by learning small chunks at a time, then gradually build on that!
Hi Brian I just had little hint of a break through watching this ....
I understand you were outlining the chords with a sweet notes of that cord moving before miving to the next chord ...can you tell me this using caged system what your actually learning is not only chords in different shapes but notes of that cord in different areas which could then allow you to fill between chord transitions? ...or it might be that I'm going into the relms of fantasy ?
chris cullen yes exactly! These arpeggio shapes that I show here in this lesson are also CAGED shapes (the C-shape, E-shape, and A-shape to be specific). Chord tone targeting, arpeggios, CAGED shapes...it's all the same thing!
@@zombieguitar thank you I really get it now thank you Brian !
Dude all I know is pentatonic scales and diatonic scales and blue scale but other than that I don’t know anything else would I be okay with playing with just these scales?
Those are the absolute most important scales to know, so you can do a ton just with what you know now. One day though... you will reach a point where you want your lead playing to sound more connected with the underlying chords...and this is where arpeggios and chord tone targeting will become your main focus 😁
Do you have to play them in any particular order
Tracy Laven nope any order!
I am still left wondering why I should remember these single note positions when I could just grab the whole chord in that position and pick the relevant strings for that arpeggio based melody that I want.
(I have not bothered to learn the entire CAGED system, as I find the C and G shapes impossible as a barre chord, so I use the E major , Am ( and D ) shapes as the foundation, with the , 6th, 7th, m7th, M7th and all other extensions as variation of the basic EM and Am (or AM7) barre chords positions , often played as rootless chords with a half barre to make it easier. Then I know where my root notes are because of the inbuilt power chords (Root 5th Oct) in the barre chord, and where the 3rd (or minor 3rd) is, and so by grabbing the chord for a note, or a note for a chord, I'm in position where both sound ok. and I tend to prefer to play up and down a single string than jump across strings, each string being considered to be a separate voice in the 'choir'. All of this also helps me to think slide guitar.)
The ultimate goal is just to have the chord tones "light up" for you, no matter where you are at on the fretboard. Whether you are aiming to land on just a single note, play full chord shapes, or just play little "pieces" of a chord shapes...just being able to see this stuff no matter where you are at on the neck is the ultimate goal (at least that is my ultimate goal).
@@zombieguitar Yes, however we approach it, we must still see where the notes lie. My chord book clearly explains which strings fulfills which position in the chords so I am always learning something, trying to add it to my path of the way I am learning. Your comment and awesome lessons are much appreciated. I am a newcomer to the channel so I am watching one video per day. :-)
@@jeremyacton4569 hey I appreciate the words. Thanks for following my stuff! 😁
Why does the first minor shape have a C#??
It doesn't. Try superimposing the diagram onto the 8th fret. The 12th fret on the A string is where the pinky lands on the A note. Then moving upwards to the D string, the next note is on 10th fret, which is C, not C#. Also the C on the E string on 8th fret.
Banyak omong
You look like Adam Sandler bro.alah hu akbar