Thank you! You know, I'm the sort of person who will rehearse forever and do 30 takes (even if it's not necessarily getting better). Jim prefers far fewer run-throughs and takes because he values the spontaneity. I'm following his lead on this, because I think it's wise. FWIW Tom Waits has the same attitude - among all the songs I recorded with him, almost all are first or second takes. Which is a long-winded way of saying, "We didn't do THAT much hard work." Jim is just really, really frickin' good.
Always a delight when You publish a video, Joe! Such a delicate rendition, made the evening that much sweeter. It's wonderful what a theme can do to chord changes that in a different light wouldn't evoke nearly as much emotion. Greetings from Lithuania!
Absolutely brilliant, like everything Joe Gore does, musically. And Jim? He too, is always wonderful (though I didn’t see his, and my, favorite amp: the Princeton). Thank you both, gentlemen, this piece was an absolute delight to listen too.
Aww, thanks, Brian! Jim is style King of the Princeton - he just likes playing my amp when he’s at my studio. I expect that one of his many Princetons will appear here soon.
The Jim And Joe Show" is already one of my favourite shows - I hope there is more to come. I think you are such a great match and I had never thought there would be a collaboration between you two. Just beautiful! (already postet this under Mr. Campilongo`s channel and happily post it here again)
Awww, thanks! Yes, so far we're super into it, and we've already got more performances in the can. I hope Jim and I get to make a lot of nice things together.
I really appreciate that complement! I'd probably be a far more ego-driven player had I not worked at guitar magazines for years, where I was subjected to a continuous stream of gross, dick-waving guitar music.
So beautiful and delicate. The tune is sublime and you guys made me want to learn it. Thanks again for this videos! And yes, what an amazing filmaker was John Huston.
Lovely to hear this cool version, and I'm kind of blown away to hear that the composer studied under Satie as many years ago for a college course I was taking I was obliged to do an arrangement of a tune of my choosing, and opted for this - which I only knew from Jonathan Richman's cover - done as a kind of Satie pastiche. Serendipity or what?
@@joe_gore 'fraid not - it was done at that point just before everyone had a supercomputer in their home, and I didn't even have a portastudio any more. I might have the manuscript somewhere, though. If I ever find it maybe I will record it.
Jim does clean tones so beautifully, and it's all in his hands. My two favorite tones are clean and disgusting, over the top fuzz. I've never been all that excited about the light-overdrive burn that so many guitarists idealize.
@@joe_gore So do you, vis-a-vis the clean tones. But yeah, I'm the same, I don't go for those hairy clean tones, and it's perfectly possible to get a perfectly clean tone that is somehow also ballsy and full of attitude, and fuzz-splattering tone can also be somehow elegant. Btw, my guitar influences early on came from a surreal mish-mash of things downloaded illegally before I every had a guitar (no one in my country was selling lefthanded guitars): Jeff Buckley, The Doors, Mr. Bungle, Spastic Ink, Uffe Steen, Enekk, Ry Cooder David Torn, Sonic Youth, Gabór Szabó, Hank Marvin, Les Paul, Buckethead, Primus and Tom Waits so you, probably :)
I'm glad you appreciate the sound, but that said, most, if not all the guitarists I love use a less forgiving sound then I do. I do love the intimacy of Joe's guitar and his flourishes sound like icy waterfalls. Thank you - Jim
@@joe_gore Ah, I remember you mentioning switching to "drop-D" at one point, but also was wondering if you'd considered a baritone for this project to expand the overall range of the duo!
Such sweet sorrow!
Yes, that exactly how I hear Auric's tune.
Just breathtaking.
Much appreciated, Ismael!
Thank you for a wonderful exchange between two lovely musicians.
Beautiful in every way~! Especially TONE~!
Just lovely. Please keep making the world a better place by releasing more videos.
That's a lovely sentiment and the cynic in me is silenced. Thank you! - Jim
I second what Jim says.
Pass the cookies please. The more I hear you guy's play, the more I'm convinced song's Don't need Lyric's! Thank you Gentle men. Beautiful
The cookies and coffee nature of this, and how hard you've both worked for this to seem so effortless. Damn you both. Please keep them coming.
Thank you! You know, I'm the sort of person who will rehearse forever and do 30 takes (even if it's not necessarily getting better). Jim prefers far fewer run-throughs and takes because he values the spontaneity. I'm following his lead on this, because I think it's wise. FWIW Tom Waits has the same attitude - among all the songs I recorded with him, almost all are first or second takes. Which is a long-winded way of saying, "We didn't do THAT much hard work." Jim is just really, really frickin' good.
I'm very touched buddy... maybe I shouldn't read these comments. Thank you for all this! @@joe_gore
@@jimcampilongo6469That was excellent. I am also a fan of toploading Telecasters.
Always a delight when You publish a video, Joe! Such a delicate rendition, made the evening that much sweeter. It's wonderful what a theme can do to chord changes that in a different light wouldn't evoke nearly as much emotion. Greetings from Lithuania!
Thank you! - Jim
Beautiful
Another beautiful duet, guys! Thank you!!!
Aw, thanks, Maggie. Much appreciated. I hope you’re doing well.
Absolutely brilliant, like everything Joe Gore does, musically. And Jim? He too, is always wonderful (though I didn’t see his, and my, favorite amp: the Princeton). Thank you both, gentlemen, this piece was an absolute delight to listen too.
Aww, thanks, Brian! Jim is style King of the Princeton - he just likes playing my amp when he’s at my studio. I expect that one of his many Princetons will appear here soon.
Two maestros!
Beautiful!
Wonderful, beautiful playing.. but I was SHOCKED when Joe spoke at the end !! Totally unexpected after watching so many Voice Less videos.
Hee hee.As I said elsewhere, the irony is, I'm generally a blabbermouth who never knows when to shut up.
The Jim And Joe Show" is already one of my favourite shows - I hope there is more to come.
I think you are such a great match and I had never thought there would be a collaboration between you two.
Just beautiful!
(already postet this under Mr. Campilongo`s channel and happily post it here again)
Awww, thanks! Yes, so far we're super into it, and we've already got more performances in the can. I hope Jim and I get to make a lot of nice things together.
@@joe_gore I am really looking forward to it!
A match made in heaven
I am really frickin' lucky.
Excellent gents
This was sublime. I loved the solo too.
Right?!
It’s wonderful! Sometimes perfection is the enemy of beauty. Glad you convinced him to share it :)
When Joe Gore speaks... I listen! - Jim
@@jimcampilongo6469 As do I! Thank you both 🙏
That was some serious no BS/Ego Guitar playing. Feelings, nothing more than feelings.
I really appreciate that complement! I'd probably be a far more ego-driven player had I not worked at guitar magazines for years, where I was subjected to a continuous stream of gross, dick-waving guitar music.
Always great playing and great tone!
So beautiful and delicate. The tune is sublime and you guys made me want to learn it. Thanks again for this videos! And yes, what an amazing filmaker was John Huston.
Thanks! I'm such a Huston fan myself.
Lovely to hear this cool version, and I'm kind of blown away to hear that the composer studied under Satie as many years ago for a college course I was taking I was obliged to do an arrangement of a tune of my choosing, and opted for this - which I only knew from Jonathan Richman's cover - done as a kind of Satie pastiche. Serendipity or what?
Indeed! Wow, I had NO idea that my Richman recorded that, though I just checked it out. Thanks for that. Do you have a recording of your version?
@@joe_gore 'fraid not - it was done at that point just before everyone had a supercomputer in their home, and I didn't even have a portastudio any more.
I might have the manuscript somewhere, though. If I ever find it maybe I will record it.
Great playing and everything, sure-sure-sure 👌🤘👍👏👏👏 but that aside: THESE ARE THE CLEAN TONES I WANT!!!
Jim does clean tones so beautifully, and it's all in his hands. My two favorite tones are clean and disgusting, over the top fuzz. I've never been all that excited about the light-overdrive burn that so many guitarists idealize.
@@joe_gore So do you, vis-a-vis the clean tones. But yeah, I'm the same, I don't go for those hairy clean tones, and it's perfectly possible to get a perfectly clean tone that is somehow also ballsy and full of attitude, and fuzz-splattering tone can also be somehow elegant.
Btw, my guitar influences early on came from a surreal mish-mash of things downloaded illegally before I every had a guitar (no one in my country was selling lefthanded guitars): Jeff Buckley, The Doors, Mr. Bungle, Spastic Ink, Uffe Steen, Enekk, Ry Cooder David Torn, Sonic Youth, Gabór Szabó, Hank Marvin, Les Paul, Buckethead, Primus and Tom Waits so you, probably :)
I'm glad you appreciate the sound, but that said, most, if not all the guitarists I love use a less forgiving sound then I do. I do love the intimacy of Joe's guitar and his flourishes sound like icy waterfalls. Thank you - Jim
Good stuff. Joe, are you using E standard tuning for this project?
Gosh, thank you! I lower the low E string to D 95% of the time. But otherwise standard pitches.
@@joe_gore Ah, I remember you mentioning switching to "drop-D" at one point, but also was wondering if you'd considered a baritone for this project to expand the overall range of the duo!
Gents! That was very sweet. More! (Speaking of Satie... how about Gnossiennes ?)
Cool suggestion! Thanks!
Yes- I'm on board with that. - Jim
Joe explains the origin of this theme at the end, very interesting 🤔.