Anupama Bhagwat: Raag Puriya

Anupama Bhagwat was the opening artiste at the recently concluded Khayal Rang festival, now in its fourth year.
One of the leading disciples of Pandit Shri Bimalendu Mukherjee, doyen of the Imdadkhani Gharana, Anupama’s style is characterised by scintillating fast taans, mastery of the meditative alaap, and brilliant fluency of melody (raga-bhava), while remaining true to tradition.
She began her recital in Raag Puriya. She was accompanied by Zuheb Khan on the tabla.

[@AnilGovilkar]

"झाला" वाजवताना, एके ठिकाणी, अप्रतिम मांडणी काढलेली, ऐकायला मिळाली. वा....

[@AnilGovilkar]

अतिशय सुंदर. उगीच तुलना वगैरे करणार नाही. आलापी ऐकणे ही वैयक्तिक आवड आणि इथे पुरिया सारख्या रागात तर अधिक खुलून येते. रागाची *बढत* तर बढिया. हळूहळू रागाच्या प्रकृतीनुसार, नाजूक हरकती ऐकायला मजा आली.

[@shivajimane848]

What a marvellous evocation of melancholy mood praying Goddess to dissolve into sublime, serene and tranquil abode forever Thanks Anupamaji Shivaji Mane Bhagya,Devlali

[@ranjitbhattacharji1360]

Very good recording and rendition too.

[@malvicachopra2973]

So spiritual and meditative 🙏🏽

[@prakashchandradev1390]

In this recital it appears that the jawari of ditar needs some well set to augment the opennesd of sitars sounds sound... It's sweetness, otherwise in all your present puriyas presentation issuperb..... Melodious, enthusiastic and decorati g puriyas mood quite well.. Regards

[@tabalaplayerajitkumarbhat6389]

❤❤❤❤❤❤❤❤

[@govindarajulu-kasturi9614]

Beautiful.
Thanks.

[@ajr1247]

Kiya baat hein, Guru ma ji

[@najilang7119]

nice performance!

[@SunilKumar-tz3xe]

Phoolwan ki sej bichau.......

[@srichakrahubli]

Poignant!!!

[@prakashchandradev1390]

Madum gine but sitar voice is ilittle medium.. Needed reverbersting, seems bridge needs to rub a little to open the volume of sweetness....

[@sixthsense66able]

Enjoyed this. Thanks.

[@sujanbose978]

Is the composition in Jhaaptal?

[@yjvyas]

It's Ektaal (12 beat).

[@freeflutistjagannathkoleyj9416]

💐💐💐💐💐💐💐