Anja Harteros singing "Tu che le vanità" from DON CARLO
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- Опубліковано 4 бер 2012
- Anja Harteros (Elisabetta di Valois) singing "Tu che le vanità" from Giuseppe Verdi's DON CARLO
The Bavarian State Orchestra
Musical direction: Asher Fisch
Production, sets, costumes and lighting design: Jürgen Rose
Recorded live on January 22, 2012 at the Bavarian State Opera, Munich
Thanks for posting this amazing aria with Anja Harteros - the most beautiful for me of Don CArlo...
She is not only perfect singer, but very good actress. You forget that all this is going on stage, just belive her, and that's it.
Ich finde diese Arie unglaublich eindrucksvoll und zutieftst gefühlvoll interpretiert, mit fundiertem Wissen und natürlichem Instinkt für den dramatischen Aufbau. Sie berührt mich sehr! Brava!
Une voix merveilleuse.
La cantatrice et sa voix font passer des frissons mais les mises en scène, parfois, empêchent de goûter pleinement le spectacle !
la amo, es una artista maravillosa, expresa belleza, honestidad, virtuosismo, muy en el temperamento de elizabetta
at last a very good verdi voice ! Brava Harteros !
Meravigliosa!!!! una voce bella e potente, con degli acuti perfetti, così come le note basse una grande cantante. Peccato per la scengrafia che non c'entra una mazza
Great conducting!
I saw her perform last night at Covent Garden and it was simply the best singing I have seen in a long time. True artistry at its beat.
Sopranos like Harteros come along once in a lifetime. Extraordinary! Thanks for posting! Now for a DVD of the entire amazing performance of this Don Carlo!
Besides her wonderful singing I always enjoy Verdi‘s orchestral introduction to this, one of his greatest soprano arias. Hearing the intro always reminds of some of the epic film scores from Alfred Newman who consciously or unconsciously remembered his Verdi when writing his own scores. I see the resemblance between the two especially in this aria’s orchestral prelude & certainly I am not trying to denigrate Verdi in any way by comparing him to a ˋmere’ movie composer. One example of Newman‘s (perhaps?) unintentional homage to Verdi in this aria is some of the music from Newman‘s score for CAPTAIN FROM THE CASTILE.
Super
Es una gran Diva.
Tutto aperto, di gola, calante
YOU should have to learn that the great Tiana Lemnitz (which you mention as having a relative kind of timbre to Harteros) has often sung Verdi's Desdemona, Leonora in Trovatore, Elvira in Ernani, Aida (yes, Aida) AND Elisabetta in Don Carlos.
It is also interesting to hear Maria Callas' comment "Callas' observation about voices" on UA-cam.
Prachtig
Excellent singing by Harteros. A pity about the stage direction and poor production.
Difficile fare confronti con il passato o presente* unica nel suo genere di canto 'brava brava
Sehr berührend, schon bevor sie den ersten Ton gesungen hat. An Callas erinnert höchstens das Make up. Bewundernswert, wie ihre flutende Stimme am Anfang mit dem zähen Tempo klarkommt. Schade nur, dass ihr der Schlusston etwas zu tief rutscht. So wünsche ich mir eine Elisabetta!
Totally agree! A study of psychopathological profiles based on UA-cam comments would be of great interest... (maybe it already exists?)
Is the complete performance available, or only this extract?
Nein, sie presst die tiefen Töne nicht "into the chest", vielleicht forciert sie manchmal etwas zu stark, das tun viele, die diese Partie singen (Ausnahme: Cotrubas und Caballé)
Ich habe übrigens 16 verschiedene Sängerinnen in dieser Partie gehört. In Zürich war die Harteros in dieser Partie herausragend - also: "She is technically equipped to sing this aria
I was there too! It was amazing. The male singers were also incredible. What a night!
Brava Anja you're the best...
Absolutely glorious performance; the voice is lush, beautiful and at the service of the music. I cannot imagine the aria being sung any more beautifully. From the lyric Wagner roles to the great Verdi heroines; she fills a desparate need. First off Munich Opera should mount a Meistersinger with Pape, Kaufmann and Harteros.A Sachs mein freund!
Esta es la que yo no alcanzo a explicarme como fue la voz de este siglo XXL
You probably had at least 6 different versions of this aria playing at the same time in your browser.
Hehe "Bellisimo"
Best Verdi soprano, so sad that she cancels so much....what is the real reason....her husband's health? I wish her well, she is amazing!
silvana kampa ,brava Anja!!!!
Anja singt das objektiv sehr schön, voice is lush and beautiful, stimmt, aber das Ganze läßt mich total kalt. Sie ist weder eine Liebende noch eine Königin, sondern eine begabte Sängerin, die eine Rolle bewußt einstudiert hat. Selten langweilige Interpretation einer genialen Arie!
Ich habe Don Carlo von den Salzburger Festspielen angesehen, ( ich habe die DVD ) , Faszination pur, es war für mich spannender als ein Krimi. Anja hat wundervoll gesungen und auch ihre Rolle meisterhaft gespielt, Anja und Jonas sind für mich ein Traumpaar. Diese Oper hat so viele und so wunderschöne Arien.
Absolut beglückend. Oper bewegt oder erschüttert durch große und inspirierte Sänger/Musiker in einer authentisch, gerne auch modern, erzählten Geschichte. Macht endlich Schluß mit dem pseudointellektuellen Regietheater-Geschwurbsel, das krampfhaft gegen Musik und Libretto gestellt wird. Um in meinen Kindern das Opernfeuer zu entzünden, gehe ich in den Don Carlo und nicht in den unsäglichen Lohengrin.
Vero, vero. A lovely singer, really an enchanting Mimi, but here simply in over her head. Elisabetta di Valois used to be sung by Tomowa-Sintow, Arroyo, Orlandi-Malaspina - i.e. Italian dramatic voices. You can see and hear how much (too much) she has to force to make the sound necessary to fill out these phrases. Her "fans" who cheer this performances to the echo, are not her friends. Her true friends would tell her the truth: she is a superb and gifted singer, but not in this repertory.
her voice is very "Germanic" or rather her sound concept...it's not the right instrument for Verdi! I totally agree with you !
Some opera stages are lately so "dark" and evil and cold..it seems scary...what happened to classical decor...
She would have been a great Eboli
Eboli pour une mezzo . Mme Harteros est une soprano.
I don't know many singers able to do it much better. TODAY! Not 20 or 30 or 50 years ago.
too fast,hurry up, Anja
Un'interpretazione interessante
''il pianto miA '' ?! ...
vocalità poco adatta à questo personaggio .
questa è la mia modesta opinione .
She's only about a million times better than Pat Racette, one of the supposed reigning queens of the new Met.
She is one of the best Sopranos at the time.
I find her very beautiful too and suited for this part.
calante .
una volta di cantare giusto ci insegnavano nella scuola media ....
She is sharp by 1/4 - 1/2 of a note throughout! And the tempo way too fast to achieve Verdi's intended dramatic effect.
+Pe Callahan Thank you. I agree, she is just wonderful, and at times it seemed to me as if she was channeling Callas especially those final notes.
I wonder if your problem is ignorance or ear. Maybe both.
Sorry, Verdi is NOT for her. She makes a mess of his work.
I am so thankful that you don’t have to decide at all what’s for her.
The singing is gorgeous, but she has always the same expresion, the same face expresion for every Rol, how its posible? Opera is not only singing, and i really don’t believe her any Role, she is always ms. Harteros, and this Callas Pose, sorry.....
Please listen to soprano Kasondra Kazanjian
pathetic and amateurish… but what else would one expect from the bayerische staatsoper?
We are looking forward to your achievements on the opera stage!
I hear at least six different voices, her intonation is not good, she presses the bottom notes into the chest (crudaaal) and yells the top ones (her B flats are open-throated screeches). Very "German." No, I can't do it better and the audience's response ist mir wurscht, although she deserves to be lauded for the sheer willpower to make it through an aria she is technically not equipped to sing.
She’s a lyric. Not even a spinto...
This role is written for a dramatic soprano.
But Freni and Caballé sang it?
Yes they did, and they were better singers especially Caballé.
Both had much bigger high notes.
Harteros should sing Countess, Fiordiligi, Marguerite, Mimi and maybe Marschallin.
Not Verdi or Wagner.
You sound like an asshole!
@@drew8127
When you could learn something, instead you choose to be rude...
@@draganvidic2039 Not being rude, just being honest, I have seen many of your comments over the years, and most of them are not educational, just ridiculous,...I'm sorry my dear, but NO!
@@drew8127 You just appreciate worse singer than I do so...
@@draganvidic2039 I have heard Harteros live in two performances of Simon Boccanegra at San Diego Opera in 2005. Her voice is very big. This is a true spinto sound, not lyric. Her voice does not record well. It sounds much lusher and more creamy live than on recordings.
I could not disagree with you more. This is the best. Meine Meinung ist ganz in gegenteil.
See the newest critics from ROH telling you something else. And I think you are really bad educated.
I generally like Anja Harteros in most roles I heard her, but in this particular role/aria her voice is a little thin, and lacking in richness and support in the middle and lower registers. Also her phrasing is not great and the vocal colouring somewhat bland and monochrome. I don't think this is the best role for her.
No me gustó. Desafinó en el principio del Aria. Lo siento. Su voz no me gusta para el roll
Terrible expression.