@@Wowserscannot everyone in the comments is saying that it was hard and i was assuming they were brass or wind players bc the strings parts are easy and i dont think winds and brass like repeating triplets over and over
@@zeps_ its a lot harder for winds and brass to play a lot of repeated notes bc they have to articulate every note clearly with the same sound quality for half the piece
Very few people know that this piece originally had title Serbian-Russian Marsh. This composition was inspired by the events of the Serbian-Turkish War of 1876. It was created at the request of a close friend of Tchaikovsky's, Nikolai Rubinstein, director of Musical Society, to write a work that would be performed at a charity concert of the Red Cross for the Russians wounded in this war. Tchaikovsky agreed and wrote this work in five days. At first, the composer intended to write a symphonic fantasy, but nevertheless decided that the elements of three Serbian folk songs: "The bright sun, you do not shine equally @, "This is the doorstep of Serbia" and "Powder dust" (the second part of the song "Gladly goes Serb in soldiers" @, merged into one composition. He found the melodies in the collection of Cornelius Stankovic's "Serbian Folk Melodies", printed in Vienna in 1862, for which the Serbian composer was awarded the Russian Order of St. Stanislaus by royal decree. At the end of the composition, he used the melody of the Russian anthem "God, Guard the Tzar". The first part of this composition describes the suffering of Serbs under Turkish occupation and war crimes in the Balkans, in which Tchaikovsky used two Serbian folk songs (with characteristic Serbian scale with augmented second). Then, followed by the second part describing the uprising of the Serbs and the gathering of Russian volunteers ready to come to the aid of their brothers. General Mikhail Chernyayev came to Serbia with several thousand volunteers, where he received Serbian citizenship and became the commander-in-chief of the Serbian army on the Moravian Front. In the battles around Aleksinac, great sacrifice was shown by Serbian soldiers. Colonel Rajevski (the prototype of Vronsky in Tolstoy's novel Anna Karenina) was killed in the battle near Adrovac. His body was buried in the gate of the monastery of St. Roman in Junis The third part causes the greatest emotions of the listener because it shows the death, withdrawal and anguish of the wounded Serbia. The last, most lively part is the march of Russian volunteers! The premiere of the Serbian-Russian Marsh was held on November 5th 1876 at the Bolshoi Theater in Moscow, under the conductor Nikolai Rubinstein and caused the real sensation, which grew into a patriotic event. The conductor had to repeat the work as a whole. Three days later, on November 8, 1876, Tchaikovsky wrote a letter to his sister A.I. Davidova (to which he was very attached): "Last Saturday, my Serbian-Russian March played here, which produced a storm of patriotic mood." "All the audience got up, many jumped out of the chairs, and cheered bravely mixed with the screams." Until then, Tchaikovsky was considered a good composer and not a very successful conductor (because of his shyness, he was visibly dull on the stage), but his Serbian-Russian march, as he always called him, definitely made him a celebrity. After a fantastic success in Moscow, this work will undergo a huge success under his conductor's stick in Europe and be included in his constant repertoire. He also performed it at the opening of the Carnegie Hall in New York. In the first, original print, there is a title "Serbian-Russian March" and under that name this work was performed from the very beginning, but on the next Jurgenson Edition (Peter Jurgenson) as the title of the composition it says "Slavonic Marsh" and under that name, Marsh became known all over the world. It is not known for what reason this change occurred ... Perhaps because of the fear of resistance from listeners in Europe? In any case, we can only guess. Translation by Google Translate. If there are mistakes Google is to be blamed.
this is so fun to play as a violinist. i feel so bad for all the brass players who had to suffer through all those triplets tho
It's not that hard
@@Wowserscannot everyone in the comments is saying that it was hard and i was assuming they were brass or wind players bc the strings parts are easy and i dont think winds and brass like repeating triplets over and over
It can be, especially if you are in second violin, so you don't always have the melody
Cellos also have triplets, it's not that hard
@@zeps_ its a lot harder for winds and brass to play a lot of repeated notes bc they have to articulate every note clearly with the same sound quality for half the piece
playing the real thing was torture, but it was absolutely amazing!!
Ikr
its not torture for trombone 🙂
Why no people like it?
It's great!!!
Very few people know that this piece originally had title Serbian-Russian Marsh. This composition was inspired by the events of the Serbian-Turkish War of 1876. It was created at the request of a close friend of Tchaikovsky's, Nikolai Rubinstein, director of Musical Society, to write a work that would be performed at a charity concert of the Red Cross for the Russians wounded in this war. Tchaikovsky agreed and wrote this work in five days.
At first, the composer intended to write a symphonic fantasy, but nevertheless decided that the elements of three Serbian folk songs: "The bright sun, you do not shine equally @, "This is the doorstep of Serbia" and "Powder dust" (the second part of the song "Gladly goes Serb in soldiers" @, merged into one composition. He found the melodies in the collection of Cornelius Stankovic's "Serbian Folk Melodies", printed in Vienna in 1862, for which the Serbian composer was awarded the Russian Order of St. Stanislaus by royal decree. At the end of the composition, he used the melody of the Russian anthem "God, Guard the Tzar".
The first part of this composition describes the suffering of Serbs under Turkish occupation and war crimes in the Balkans, in which Tchaikovsky used two Serbian folk songs (with characteristic Serbian scale with augmented second). Then, followed by the second part describing the uprising of the Serbs and the gathering of Russian volunteers ready to come to the aid of their brothers. General Mikhail Chernyayev came to Serbia with several thousand volunteers, where he received Serbian citizenship and became the commander-in-chief of the Serbian army on the Moravian Front. In the battles around Aleksinac, great sacrifice was shown by Serbian soldiers. Colonel Rajevski (the prototype of Vronsky in Tolstoy's novel Anna Karenina) was killed in the battle near Adrovac. His body was buried in the gate of the monastery of St. Roman in Junis The third part causes the greatest emotions of the listener because it shows the death, withdrawal and anguish of the wounded Serbia. The last, most lively part is the march of Russian volunteers!
The premiere of the Serbian-Russian Marsh was held on November 5th 1876 at the Bolshoi Theater in Moscow, under the conductor Nikolai Rubinstein and caused the real sensation, which grew into a patriotic event. The conductor had to repeat the work as a whole.
Three days later, on November 8, 1876, Tchaikovsky wrote a letter to his sister A.I. Davidova (to which he was very attached): "Last Saturday, my Serbian-Russian March played here, which produced a storm of patriotic mood." "All the audience got up, many jumped out of the chairs, and cheered bravely mixed with the screams."
Until then, Tchaikovsky was considered a good composer and not a very successful conductor (because of his shyness, he was visibly dull on the stage), but his Serbian-Russian march, as he always called him, definitely made him a celebrity. After a fantastic success in Moscow, this work will undergo a huge success under his conductor's stick in Europe and be included in his constant repertoire. He also performed it at the opening of the Carnegie Hall in New York.
In the first, original print, there is a title "Serbian-Russian March" and under that name this work was performed from the very beginning, but on the next Jurgenson Edition (Peter Jurgenson) as the title of the composition it says "Slavonic Marsh" and under that name, Marsh became known all over the world. It is not known for what reason this change occurred ... Perhaps because of the fear of resistance from listeners in Europe? In any case, we can only guess.
Translation by Google Translate. If there are mistakes Google is to be blamed.
I am playing this peice right now, and its one of my favorites i have ever played. The cello part is a little difficult, but not too hard.
You should check out Carrie Lane Gruselle's arrangement for String Orchestra.
bless my poor lips after playing this
as a bassoonist its a PAIN to play this song, but it sounds so good and is fun to play
Does anyone know the tempo this is?
96 bpm