Accademia Bizantina, Alessandro Tampieri - Concerto RV273 in E minor, Allegro - A. Vivaldi
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- Опубліковано 2 лют 2025
- A. Vivaldi / Concerto RV273 in E minor, Allegro
Performed by:
OTTAVIO DANTONE - conductor and harpischord
ALESSANDRO TAMPIERI - solo violin
ACCADEMIA BIZANTINA
Maria Grokhotova, Paolo Zinzani, Sara Meloni - violins I
Ana Liz Ojeda, Mauro Massa, Heriberto Delgado - violins II
Diego Mecca, Alice Bisanti - altos
Emmanuel Jacques, Giulio Padoin - cellos
Giovanni Valgimigli - double bass
Tiziano Bagnati - archlute
Francesco Zanotto Strumenti - harpsichord and organ
Fabio Framba - Recording producer, sound engineer, editing, mixing and mastering
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«The last document attesting to Vivaldi’s presence in Vienna, dating from June 28, 1741, that is to say exactly one month before his death on July 28, 1741, is a receipt signed by himself for the sum of 12 Hungarian ducats, equivalent to 192 Venetian lira, for the supply of an unspecified quantity of music to Count Vinciguerra Tommaso Collalto (1710-69)»
* *
A Film by Daniele Quadrelli
Creative Director: Luca Ragazzini
Art Director: Sabrina Poli
Styling: Fabio Mercurio
Camera: Saverio Femia
AC: Federico Capellini
Calligrapher: Barbara Calzolari
Social media management: Roberta Romagnoli
Production coordinator: Stefania Fabbri
Administration: Laura Crippa
Musicologist: Cesare Fertonani
Location: Palazzo Milzetti - Faenza (RA) / Palazzo Folicaldi - Bagnacavallo (RA)
Vivaldi Edition / Naïve
Accademia Bizantina's new recording - Concerti per violino VII “Per il castello” - was released on November 15th, 2019 on label Naïve Classique / The Vivaldi Edition.
Un crack! Congrats, Mr. Tampieri. Extended to the fine Accademia Bizantina!
Superb rendition of this graceful piece. Bravo!
Divina música, divinos intérpretes.❤️
Five Stars 🌟🌟🌟🌟🌟
Viva Vivaldi!
Wonderfully well done! Original and beautiful. A great piece, expertly and passionately played.
Zio tusei molto carino come zio ti vo glio bene tanto bene zio tusei angelo custode ama tuti
Bravo! 👏👏👏👏
excellent !!!
Divine.... 💓
Splendide !
The baroque violin, Guarneri's model, made by Marco Minnozzi in 2014.
Bravi !!!!!!!
😍
👏👏👏
Seems that Alessandro is using a contemporary instrument. Does anybody know who made the violin?
It is a baroque violin, Guarneri's model made by Marco Minnozzi in 2014
@@AccademiaBizantina Thank you
@@violinpassion91
Andreas Guarnerius fecit Cremonæ
Joseph Guarnerius filius Andreæ
Petrus Guarnerius Cremonensis fecit
Joseph Guarnerius fecit Cremonę IHS
Petrus Guarnerius filius Joseph Cremonenfis fecit Venetijs
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All these cool guys were luthiers and made violins. But each of them did it differently. Very differently.
You are a very gullible person.
And who is sitting on the other side? Do you know this?
I always check the answer even if it was Alessandro Tampieri himself. So ... just in case.
@@violinpassion91 And also, an authentic Baroque violin has the strings that should be made from the intestines of 7-8 month old lambs.
2:15 I'm not sure for the two black dyed strings.
But maybe I'm too judgmental, hypercritical coxcomb!?
В барочну добу музичні твори містили так звані "добрі" ноти і "погані" ноти. Музичні інструменти були в змозі їх відтворити. А музики мали хист їх відтворювати. І залюбки це робили.
Я не почув "поганих" нот у виконанні Alessandro Tampieri.
Може Concerto RV273 in E minor створений вже після барочної доби, ближче до сучасності? Коли музику створювали вже люди? Людям не до снаги створювати такий ступінь гармонії, тому "погані" ноти щезли з музичних творів.
Ті ноти завжди зворушують слухачів, відмовитися від їх вжитку за часів бароко було неможливо. І навіщо?
È il terzo movimento per chi se lo chiedesse.
eccellente grandissimo suono, grandissima interpretazione.
ma appunto per questo si potevano evitare i jeans.
un grande musicista deve avere un abito:
non può buttarsi nella contemporaneità per dover compiacere.
rispetto comunque