Transistor Original Soundtrack - In Circles
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- Опубліковано 27 сер 2024
- Get the full OST at: store.supergian...
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Note: We highly recommend playing through the game before listening to the soundtrack, since the soundtrack is deeply connected to the game's story.
Song: "In Circles", from the Transistor Original Soundtrack.
Composed by Darren Korb. Vocals by Ashley Barrett.
More at: www.supergiantg... | @SupergiantGames
Transistor is a trademark of Supergiant Games, LLC. The soundtrack is © 2014 Supergiant Games, LLC. All rights reserved.
I spent like an hour listening this song, while bouncing the ball around with Luna.
+cRaB jUiCe Take that, ball.
+Dakar12 Good girl, Luna!
+rocklee5x
Grrr
Ahaha that seems fun
LMAO
I haven't seen someone comment the lyrics here, here's for the people that like to sing:
I hear you buzzing
A Fly on the wall
In through the window
And up through the hall
Flying in circles just trying to land
I see you hurting i do what i can
But i won't save you
i won't save you
Maybe you are looking for someone to blame
Fighting for air while you circle the drain
Never be sorry for your little time
It's not when you get there
It's always the climb
But i won't save you
I won't save you
I...I...I...I... Won't save you
I won't save you
Interpertation:
I hear you buzzing, a fly on the wall
- She notices a fly buzzing then sees it on a wall.
In through the window, and up through the hall
- It flies off the wall, goes through a window then travels through a hall. While she moniters it.
Flying in circles just trying to land, I see you hurting I do what I can
- Fly is circling trying to land but it's damaged so landing isn't safe. She sees the damage and does something.
But I won't save you, I won't save you
- She will do something but not save it's life.
Maybe you're looking for someone to blame, fighting for air while you circle the drain
- She ends up drowning it to end its misery. The fly doesn't know if they should blame her or the one that injured them first.
Never be sorry for your little time
-She's saying it's their fault they got injured. Little time being the short ammount of time caused from the fly's mistake.
It's not when you get there, it's always the climb
- The fly can't get up there but keeps trying to climb.
But I won't save you, I won't save you.
- She prob is gonna watch it die
I...I...I...I won't save you, I won't save you.
- She's a murderer. Just like us stomping on anthills and smacking spiders with shoes.
Thanks
@@jex-the-notebook-guy1002 I kinda feel like writing again
I'm pretty sure it's not a literal story about a fly and a metaphor for Sybil.
@@jex-the-notebook-guy1002 Deep
Now imagine reaching the boss _without_ knowing you don't die until all your functions overloads, and being at a few pixels of health left. And then the chorus just *hits.*
Shook? Nah, I was probably crying of absolute fear at that point.
Literally that happened to me the first time I played, I was scared that I no longer had a function and that the music got that intense, a very unforgettable moment to tell the truth.
Six years on, this is still one of my favorite songs in the world.
Now seven! This song helped me to get throught difficult times back in school,and i just randomly found this browsning liked videos
Ashley has an amazing voice.
Ten years true!
When you're the team's healer.
That music in the sandbox while looking at the sky... Best thing ever
agreed :) beautiful
L?!
YES!!!
".. Hi Sybil"
I'm sure there are comments about it, but the subtlety, control, and then explosive power of Ashley's vocal performance is incredible
Like, the way the vibrato is placed, and the pronunciation is so ecovative. One example of pronunciation is the final "save you". She sounds like she's writing the listener off for good
the v.a's are absolutely gods/demigods in some sort of disguise and no one can change that opinion
I was excitedly talking to a friend about how powerful a lyric "...but I wont save you" is. It's vastly different than I /can't/ save you. WONT implies that the person is perfectly capable of saving the person, but they actively CHOOSE not to, and that's a heavy notion right there. It pangs of hate. The rest of the lyrics almost suggest pity, but the WONT in "I won't save you" as opposed to "I can't save you" carries a heavy feeling to it. I'm only half way through the game so I can't tell how true this is, but this if the feeling I got when I played the Sybil stage. Not even entirely sure of who isn't saving whom but it's an extremely exciting notion.
except I won't could also mean getting me means nothing, as we'll all lose in the end
I think is more like red cant save sybil from herself, because somethimes people want others to "help" "save" them but they are the only ones who can save themselfs, "I see you hurting, I do what i can... but I wont save you" that part expecificaly implies that the "I wont save you" means that.
I interpreted it a little differently. I think there's frustration and sadness in her pity than hate, and it's very related to Sybil as that desperate 'fly.' Red says clearly that she "does what she can," so it's not that she won't - she is doing what she can. It's that what she "can" do "won't" work.
When you see a fly in a room that doesn't want to go outside, can you save that fly? You can't change what it does. Sybil wants to be an insider more than she wants to be a social climber. But Red IS on the inside, and she knows what that's like. She knows what it's like for people to vote for you to be the singer of the week EVERY week, regardless of your vote. She knows that getting there doesn't matter - it's the process (no pun intended) of getting there that takes over your life.
So Red can't save her, but Sybil can't possibly understand that, can't possibly listen to it. She's a climber, a fly on the wall, that's what she IS, and since she's always changing - changing faces, changing groups, changing tactics to get Red - she never changes. So Red isn't telling Sybil she can't save her, because Sybil can't hear that. Red is telling Sybil she WON'T save her - that no matter what Sybil does, Red will not be her magic solution. What Sybil wants does not exist. It's a warning, not a refusal - and that's why it's so damn sad.
I interpret it much more as while capable of saving them on paper, it cannot be done without extreme risk to herself.
"I see you hurting so I do what I can" is my evidence there.
She does what she can to help, but saving isn't a valid option. She will not save 'you.' Not out of hate or malice, but because it's something 'you' must do on your own.
I think that since this song morphs into Sybil's 98% corrupted voice, (See _n C_rcl_s for the corrupted sound) SYBIL is saying that she won't save Red from The Process and/or the Camerata. (Spoilers ahead) Since Sybil was in love with Red and found out she had a boyfriend, (The Transistor), Sybil probably didn't want to save her from it. She WAS the "eyes and ears" of the Camerata, so that's why I think this. (It's so long, sorry for wasting your time with a nonsense reply.)
From what I can tell, Red wrote this song specifically to address Sybil.
*She noticed Sybil's feelings (I hear you buzzing... just trying to land - Sybil wants Red and tries to stay around her)
*Red doesn't return them and feels bad for Sybil (I see you hurting, I do what I can)
*Sybil is in turmoil, but Red is telling her she won't be the one to fulfil her life (I won't save you)
*Sybil blamed Mr. Nobody for Red's distance (maybe you're looking for someone to blame)
*Red tries to let Sybil down gently and reassure her that she'll find someone else (never be sorry for your little time... it's always the climb)
This song is running through Red's head during the boss fight - in spite of everything, she feels some pity for Sybil's horrible condition, but can only put her out of her misery.
And this scenario will loop, recursively, with each iteration of Transistor that you play. Literally, In Circles.
Just my own interpretation but I think it goes even further -- many of the functions' backstories suggested they each had some personal struggle that led them to seek out help, typically from "a group of individuals" (ie the Camerata). Even the Camerata who were trying to help the city have what it wanted before it knew it needed it ("it's not when you get there") required "help" from those acclaimed individuals, but ultimately Red is unable to save any of them. Brilliant foreshadowing.
and you can here Sybil singing along.... theres a version you can listen to of it
there's a distorted version of the song that plays during the boss fight, called _n C_rcl_s which is just 'in circles' without the vowels, and it can be taken as that being sybil remembering that song in her last moments, even while 98% processed, because it had an effect on her. it was essentially a rejection line from red, but that didn't stop sybil from getting attached to the song.
and it is very much implied that sybil had feelings for red so I feel like this was absolutely intended by supergiant games, because in her file it states that she first became infatuated with red's music/talent, then red herself.
Here's an interesting theory about In Circles and _n C_rcl_s. They play during the Sybil boss fight, In Circles being the first stage, _n C_rcl_s being the third, and a halfway point for the second stage. Well during the boss battle I noticed a difference on the elongated "I won't save you.".
But first, some ideas. In Circles is Red "singing" to Sybil. The lyrics do make sense. And _n C_rcl_s is Sybil singing to Red. Since it's processed.
When I listen to _n C_rcl_s I don't hear "but I-I-I-I wo-o-o-o-n't save yo-o-o-o-u" I hear "but I'll save you". The "won't" becomes distorted enough to sound like a part of "I" changing the sentence. So when Sybil sings to Red, she means she'll save her, perhaps Sybil was just trying to use her last string of sanity to take the transistor and absorb Red, saving her from the Process. Or maybe it can refer to Help ().
IDK man, it's just a theory, A THEORY ABOUT A GAME! If only there was an easier way to say that... hm.
*Sigh*
A GAME THEORY!
scheve1994
Thanks for watching! XD
FrozenFlesh WELCOME TO THE SUPER AMAZING END CARD TOURNAMENT
this is interesting, but when I listen to _n C_rcl_s, I herd her day I won't save you, so sorry if this ruined your Theory About a Game
heater12176 true, but it shows that their might be a flaw, either my hearing or your theory
When I asked my friend if he listened to this song in game alredy?
He normally replied.
"When I go in the hub area the first thing I do is move to the jukebox and turn the music to in circles."
This game has such amazing music..
+Moggleberries And you have such amazing hairrrr!! @______@
+rocklee5x ands you have such creeppyy faaccee
And you have such smelly cheeeeseeee
I hear you buzzing, a fly on the wall
In through the window and up through the hall
Flying in circles just trying to land
I see you hurting, I do what I can
But I won't save you
I won't save you
Maybe you're looking for someone to blame
Fighting for air while you circle the drain
Never be sorry for your little time
It's not when you get there, it's always the climb
But I won't save you
I won't save you
I won't save you
I won't save you
This is game is absolutely flawless, you guys did a great job making this game.
is this like 5/4 in the verse and 6/4 in the Refrain? this is absolutely great.
Holy shit, a youtube comment with substance.
I learned most notes on guitar (pretty easy) and just replay playing along, nothing feels greater, the first time I heard this song I lost to sybil on purpose so I could hear it again
It's a really interesting piece! Gotta learn it on the drums, it's so cool :3
Jake Hallows its in 6/8 swing if that helps =)
No joke, had those same time signatures in mind while simultaneously listening and reading the comments. Was just about to ask that, but now I know I suppose.
So much emotion in this. The "Processed" Version is by far my favorite. Red and Sybil doing the "duet" has so much emotion. I swear i fall in love with both characters even more whenever i hear this song :)
Oh my gosh... I think I just got it! When the Camerata stole Red's voice, they didn't just steal it. They *used* it. During the Sybil Reisz battle, she was using Red's music and voice to distract her. Maybe this was even Sybil singing with Red's voice... that would explain the content! Sybil was taunting Red with her own voice, telling her over and over again that she was to die on the set after all. The song became warped as "_n C_rcl_s" because, as Sybil was dying due to her injuries and Process takeover, "her" voice began to fail along with her body!
Jeo Fickles
True. I've seen her full file now!
I figured red was just so shocked she lost her voice. I didnt think they literally STOLE it
There's also the possibility that this song was canonically a song written and performed by Red herself before Transistor took place.
@Jeo Fickles i interpreted her obbsesion as love for red, hence why she didnt like unknown(red's boyfriend).
@@lolorainga The sword somehow did it. That's how she had a function of her own inside of it despite not dying.
No idea if anyone is still in this comment section, but I've recently played this game for the first time (loved both Bastion and Hades, so I thought I'd try Transistor too) and Sybil's boss fight will stick with me for a while. I struggled with this more than any other encounter in the game, because of how new I was to the combat system. Half of my functions were gone by the end of this fight in my first playthrough. It's also one of the most powerful parts of the entire story. An encounter with Sybil could've easily been the endboss fight, with how much story there is between her and Red. More so than with any other member of the Camerata. She's responsible for everything that's happened. She picked Red as a target and lied to them that she's going to be alone.
Also, that transition from Red's singing to the distorted version of the song gave me goosebumps. The song as presented in the boss battle perfectly loops around the entirety of Transistor's story; it speaks of the very beginning where Red rejected Sybil's advances, it shows how the entire city gradually got processed and the "I won't save you" line perfectly foreshadows the ending. Her word choice of CAN'T rather than WON'T makes a lot of sense in context of her final decision. Now that I think of it... I think that's why they chose to put this sequence near the start of the game.
Great observations! If you’ve played Hades, Bastion and Transistor you NEED to play Pyre. It’s the most overlooked Supergiant game and it’s so incredible! I highly recommend!
@@joshy1615 I did play through Pyre somewhat recently! While the Rite gameplay wasn't quite my thing, the story was lovely. Had a great time with the characters and the choices I had to make later on were heart-breaking 😭
Battling codependency. Working with my therapist a lot. And finding this song to be yet another cure and motivation. Soooooo addressing the issue of codependency (yes, just like Red and Sybil). Thanks a lot!
I agree, it reminds me of ending a codependent relationship or breaking a trauma bond , especially with “finding someone to blame” instead of saving themselves
This song was so perfect for Red and Sybil's fight. Amazing game with amazing music! 🙌🏾
I just finished it for the first time... There were damned tears in my eyes at the end ...
Frickin same, dude. I cried.
Same story here! :'(
This was the first game I ever cried at
Why tf did she kill herself 😭😭
I can't believe I held off on getting this game. Worst mistake of my life i rectified as quickly as possible. As good as if not better than Bastion!
+TheRashy2 It's a great game, but I think Bastion is still far superior
+月食 Storywise: Completely personal taste.
Gameplay: Transistor is much better because of the plan view.
Content: Bastion, alot more stuff to do.
***** Honestly, I'd say Planning() is different, but not necessarily better. Bastion's lack of it keeps the action frantic, and encourages (me, anyway) to select my weapons based on what enemies I'm facing. I usually used the rifle and machete, but I would also switch it up with the pike.
Transistor is cool because I like finding how I can do the most damage in one turn, usually using a combination of Mask() and Void(), going for backstabs. I also like to take utilize Jaunt(), Switch(), or a combination of the two.
Transistor has combinations Bastion doesn't, but Bastion is more face paced, IMO.
*shrug*
Different games for different people.
fuck off undermemer
I remember it being free once for ps+. I kept it in the library and after maybe a year, more or less, I growing bored of what i was playing and decided to give it a try. Even now it's just stuck in my mind, always keeping me thinking about how it all ended and what a thrill the experience was
This whole soundtrack puts me in awe, but this one in particular made me get goosebumps. So good!
I've never played Transistor but this song sounds like it's sung by the villain. Specifically a villain that's infiltrated the protagonist's camp and they don't know it until they're in peril, and this villain shows their true colours. This song is that exact moment when they walk away leaving the protagonist at the cliff to fall, smiling.
You’re close. This is the theme that plays during a boss fight with a villain named Sybil as she’s been assimilated into a robotic hive mind called the Process. She was once a fashion designer that held an alter ego as part of the city’s secret government. She liked the protagonist in probably a romantic way but she ended up conspiring to kill her and put her inside the Transistor though this ultimately failed.
What'll really bake your noodle: this can be read as the protagonist singing to the boss, or the boss singing to the protagonist.
It's sung by the protagonist towards one of the villains, but there's also an alternative version called _n C_rcl_s that's sung by the villain. The boss fight alternates between them as you go through the phases, which makes for an incredible experience.
@@astrea4020 I think she more took the Chance of the camarata wanting her in the transistor to kill her boyfriend so she can "have Red for herself"
This and Paper Boats are easily my favorites from this game. Such a good soundtrack, I love Ashley's voice!
She’s a very underrated singer. She deserves a lot more. She deserves it. She’s a VERY GREAT singer. And very cute too.
The deed was done, trapped in blade,
Never to release, no hope and prayed.
Turn in circle for an easy solution,
But tragic find the only conclusion.
Matter to restore the soulful trap,
Who blame the deeds, ambition strap.
Deceit so sweet to carry them on,
For the final, ending, gone.
Hello again, Scorch. Nice to see you here.
Grant Kendrall
Granted, Mr. Kendrall, granted.
Beautiful poem
Darren Korb, it's so nice to hear your music once again
This song brings up some really, really bad memories.
But hey, atleast it sounds amazing.
MisterBlaargh Right?? I get really emotional when the memories hit, not sure why this song triggers it
Should you find yourself in a position where you're depressed, and feel like a girlfriend/boyfriend will be the magic solution, remember this song.
WE HAD YOU.WE HAD YOU.WE HAD YOU!!!!
DaphneSyM55 GIVE IT BACK. GIVE IT BACK. GIVE IT BACK.
alone Alone ALONE THEY TOLD ME YOU'D BE ALONE!!!
HELP US HELP US WE ONLY WANTED YOUR HELP
This is one of the best songs I've heard all year. Absolutely amazing.
I get chills from the "I won't save you" part. It's beautiful.
Still one of my favorite games of all time. This song during this encounter breaks my heart every time.
This song is associated with a winter evening to me... I just bought Transistor on a Christmas sale and it fits the time so much.
Your games and your OST's are just masterpieces «3 Thank you so much for existing. Been around since Bastion and it's just magical «3
the feels... I played transistor for the first time years ago right after a breakup. always loved this track, the lyrics meant something because of that relationship. still love the track, but it's bittersweet
I haven't listened to this song in a couple of years (to keep it fresh) and IT'S STILL INCREDIBLE!!!! (obviously!!) It's so good I'm sad it's over!!!! Man, that was amazing!!!!!!
I always struggle with putting people out of their misery in games. And as she crawled toward me after our fight, Sybil was no different.
It been few weeks i finished this game but i keep listening Red's Songs, its hard to fill the emptiness a good game with good romance, fitting atmospheric music, story and gameplay basicly its perfect. There is not enough romance in games, even i am just ok with it being a subplot.
honestly the voice actress for this game is amazing and it wouldn't be the same at all without her, what i feel from these songs brings me to tears
I would love to hear a cover of this song by Muse. I imagine Matt´s voice would fit perfectly.
I bought the game on the ps4. Beat it 2 times.
Today I bought it on the Nintendo Switch with Bastion. I like to support developers that have passion for what they do and Supergiant games clearly have. Can't wait for the next game.
You guys... You fucked up my day... And i love you all
Hits differently without Cybil trying to impale me on an oversized umbrella.
I love this song. Words can't quite capture what is so awesome about it, I just love it.
I dunno if it's sad that I have actually connected to this song beyond the game, or if it's a good thing. This song puts me in a dark place that feels familiar and comfortable, but at the same time dangerous and cold. It reminds me... of a bad time...
I would love to see a video of Barrett performing this like you did with 'mother I'm here' +'Setting Sail, Coming Home'.
Beat Transistor last night. Wow. I'd already watched a whole play through of it, but playing it for yourself really gets you engaged.
Felt like this resonated with my life. "I won't save you" .. not like I can't save someone. But hell, I won't.
One of THE best games i have ever played in my 20+ decades long gaming "career". So beautiful
Such a beautiful piece, it really adds that much more to an already cool battle. Seriously, I was looking forward to fighting this boss again on Recursive... although I had to hold back big time to try and enjoy it as much as the first go around.
Спасибо за прекрасную песню в прекрасной игре!! ;)
This song is so fucking deep, and the performance is just amazing, thanks for Transistor SuperGiant Games
I shit my pants on a daily basis
@@citricdemon very cool
Screw it. Just want to say, that this game and this soundtrack shattered my toxic masculinity into smallest splinters.
This thing legit made me cry. A lot. What a journey.
Wtf??
Thank you, dear Supergiant games for Transistor and for your other games! You are awesome! Special thanks to Ashley Barret and Darrel Korb for an awesome music.
With love and respect from gamers!
Endy Duffrane Well said!
Valeu void
Sim
Bought the soundtrack at last. At least I can say TY for all this great music and incredible vocals
I heard this song for the first time while tripping and it blew my mind. Love it so much :)
Can't get this song outa my head!
One of my absolute favorite songs from any medium!
getting this game while it was free on the epic games store was probably the best idea i've ever had
Finished the game and can't stop listening to this song.
I bought this game 2 days ago and when I reached the ending, I literally cried for 30 minutes... It was just so sweet as sad... Couldn't deal at all.
Song is about going through the pain and not jumping to the next chapter of your life. You have to do it by yourself, "It's not when you get there, It's always the climb." The main point is that your experience is what matters most. Not cheat codes and getting everything you wanted from someone. Maybe you'll see someone struggling in life and you are trying to help them, but won't save them, because they have to experience it, they have to go through the pain, because when they get there again they'll know what to do. Besides, without knowing the path they can't help others. They need to know how to do it._ I'll help you, but I won't save you. You have to do it by yourself, you have to learn, so you can always be awake, so you can help others too.
No it is literraly about killing a fly by drowning it
Note: We highly recommend playing through the game before listening to the soundtrack, since the soundtrack is deeply connected to the game's story.
But honestly, I think not much ppl get the story :(.. including me after finish the game for twice..
People have their theories.
I thought it was rather straight forwards? Maybe im just good at piecing together story ideas quickly. They might be wrong
I only just realised this is in 5/4. I'm still early in the game, hopefully I stick with it this time...
Even better - it's 6/8 swing during the chorus, too.
So amazing! Thank you Darren!
Wow, what a great voice!
Man, I have already finished two playthroughs, completed all Steam achievements, and reached max level but this soundtrack still makes me want to play the game more. Superb work Darren Korb and Ashley Barrett and just an all around excellent accomplishment Supergiant Games!
I love this game a lot and it sort of has a lot of depth if you look at it in a new perspective
Thanks a lot Supergiant Games, I've beaten the game through the recursive mode. I thoroughly enjoyed the experience you delivered. As for this song; Darren and Ashley as always beautiful delivery. One other thing I must say, I really think this particular song should get a record for the sexiest sounding boss theme EVER.
This game should be more famous than it is, the music is just perfect.
I just start the game like three days ago, and the music make feel like that world is real, like you are already there.
When I played the game, I thought the line was "I'm my own savior" instead of " I won't save you."
Frankly, fighting Sybil is the only boss battle that Supergiants managed to paint a very beautiful picture with its music, voice acting and the use of grim and dark color.
That said, I nearly couldn't recall there was any other "boss" battle in transistor that produced as much emotional impact. The spine was not related to the story. The minions were uninspiring and non-interactive. The last boss, Royce, was not a very developed character and he is purely a uninteresting nihilist whose story didn't even cross with Red before all this shit.
Sybil was the only antagonist that had some tragic elements, which makes fighting her so memorable.
***** Well you didn't fight them did you? Boss fights are so important in RPG gamings because the game tends to build up to a climax in a boss encounter. It's what gives meaning to fighting boring minions repeatedly. But here the players climbs up like a million stories to the top expecting a legendary fight, only to meet the two dead camerata members. I don't care about the main storyline. This just isn't a very good set-up from a gameplay perspective.
Well I guess we have to agree to disagree then. Anyway this is one of my favorite game and my critics are there just because I love the game. The graphics, musics and color use is just plain great, though not that great when compared to its predecessor.
Cheers.
The spine was indeed a part of the story because when mr nobody was having trouble speaking, red (through an OVC terminal) told him that shevwas "going to find whatever is doing this to" him. And then she'd "crush its heart". And frankly, thats exactly what happens after the boss battle
+Nick Wertz The Spine's red corruption is also a very interesting story element; it makes mr nobody blurt out things he normally wouldn't, and shows a much deeper insight into both him and his relationship with Red. The Spine boss battle was a woman fighting to destroy something that was hurting her lover.
Royce only hit me because he was the only other character to wield a Transistor in-game, he was, in gameplay, the only enemy to be able to use Turn(), and he holds and wields the Transistor in such a different manner, animation-wise.
I also like his voice and manner of speech but otherwise, he isn't very memorable.
can't stop playing this song on repeat since unlocking it
I FINALLY got this game. I fucking love it and the music
Ya know what's weird, loving a game and the music and able to love them separately themselves.
Like, "In Circles" didn't need to be in this game and would still be amazing.
Goddamn awesome work on this game guys. Soundtrack blows me away. Keep owning!
I bought the game four days ago, not knowing what I was getting into.
When the first boss fight arrived I was like "Oh. Boss fight. Let's do th--" Then the music kicked in and I was like "Okay. Fight or hum the song. One has to choose..." And I apparently chose to hum the song over fighting since I kept dashing away from Sybil
Absolutely Beautiful.
one of the best games i ever played
Just come back to play Transistor again after 2 years (which I completed 100% achievements). Damn, it still touches my soul like the first time. Such a simple game - yet so brilliant.
Thanks for this great game.
(Yep that's all)
Am I only one who loves _n C_rcl_s more?
I've had this on a loop for hours. This game is one of my favorites. I love the dark-ish story, the gameplay and the message. And the music is so good. I'm so hyped to try out Hades soon, too. Once I saved enough money to buy it haha
Beautiful game. Feels were real
This song is the best song in the soundtrack, hands down.
Favorite song fr the game
fuck off undermemer
+interrobangings No
+interrobangings Why ya gotta be a dick? The world would be so much happier and healthier if we respected eachother. I mean Im not innocent but hell... We all matter.
+Gabriel Lumbag All I did was say this was my favorite song of the game and you go and freak out like that.
LA Gamer 1304.8 I was talking to the other guy. The one that told you to fuck off.
Que increíble trabajo hicieron con este juego, cada canción te llega al corazón, sinceramente, el mejor juego que pude disfrutar en esta vida, gracias por tanto y sigan por mas SuperGiant !!!
Favorite song in the game 10/10
Supergiant makes some of the best game osts
Was looking for sunny day real estate, was reminded of this hidden gem of a game instead. I should really go and play it again
One of the best games ever
Supergiant how do you keep having such incredible soundtracks in your games. Some of the few video game soundtracks I have bought and listened to outside of the game regularly.
i love ashley barret voice...
Came back here after playing Hades. Amazing soundtrack on that game as well, but this remains my favorite Darren Korb song
this song is beautiful
my favorite track of this game
and also best fight