Hindemith: Complete Sonatas for Wind Instruments and Piano
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- Опубліковано 9 лют 2025
- The first complete recorded collection of Hindemith’s Wind Sonatas: a gallery in sound of sketches and portraits from the turbulent decades of the mid-20th-century.
Composer: Paul Hindemith
Artists: Claudia Giottoli (flute), Simone Frondini (oboe), Luca Franceschelli (bassoon), Simone Simonelli (clarinet) & Filippo Farinelli (piano)
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Paul Hindemith’s (1895-1963) systematic approach to composition, his Haydn-like industry and invention, produced no fewer than 10 sonatas for wind instruments between 1936 and 1955. Even in the years prior to these sonatas, Hindemith had proved to be a highly versatile musician: apart from being a virtuoso violist, an excellent violinist and pianist, he could also hold his own on bassoon, cello and a range of percussion instruments. It is hardly surprising that so versatile and resourceful a musician should have composed the singularly rich and unusual collection of works to which the two CDs of this recording are devoted.
Considered as a body of work, the Wind Sonatas demonstrate Hindemith’s original tonal idiom and his gift for new and personal melodies; his structural invention within inherited sonata forms; his renewal of the instrumental tradition of the 18th and 19th centuries; his skill and sympathy in handling the specific features of each instrument. Hindemith continually has a surprise up his sleeve - such as the finale of the Trumpet Sonata, which opens in grand heroic style but winds up in mournful meditation on a Lutheran chorale, ‘Alle Menschen müssen sterben’. Even more original is the argument of the Saxophone Sonata’s finale, prefaced in the score by an imaginary dialogue in which the pianist begs the saxophonist to search for ‘Silence, Sense and Form’ - brought to life by the soloist’s liquid reflections over the top of the pianist’s noisy whirlwind.
This video is the latest in a series featuring the pianist Filippo Farinelli accompanying fellow-Italian musicians in major collections of song and chamber music by 20th-century composers: among them the complete songs of Berg (95549), Dallapiccola (95202), Jolivet (9220) and Ravel (94743) and the first collection on disc of Charles Koechlin’s output for saxophone (9266), featuring the soloist on this recording, David Brutti. Reviewing the Dallapiccola, Tim Ashley in Gramophone remarked: ‘This is a hugely important issue… The set’s star is its pianist, Filippo Farinelli, whose playing is impeccably lapidary and pointillistic throughout.’
The tracklist can be found in the pinned comment!
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#Hindemith #Complete #Sonatas #Wind #Instruments #Piano #ClassicalMusic #BrilliantClassics
Thank you for watching, we hope you enjoyed the video! Don't forget to like and share the video, and subscribe to our channel! Tracklist:
Sonata for Flute and Piano:
0:00:00 I. Heiter Bewegt
0:05:47 II. Sehr langsam
0:10:37 III. Sehr lebhaft - Marsch
Sonata for Oboe and Piano:
0:15:24 I. Munter
0:19:24 II. Sehr langsam-Lebhaft-Sehr langsam-Wieder Lebhaft
Sonata for Bassoon and Piano:
0:27:38 I. Leicht bewegt
0:29:52 II. Langsam-Marsch-Beschulss, Pastorale. Ruhig
Sonata for Clarinet and Piano:
0:36:03 I. Mäßig bewegt - Sehr ruhig
0:40:55 II. Lebhaft
0:44:03 III. Sehr langsam-Ein wenig Fließender-Wie am Anfang
0:50:25 IV. Kleines Rondo, gemächlich
Sonata for Horn and Piano:
0:53:08 I. Mäßig bewegt-Frisch-Lebhaft
0:59:20 II. Ruhig bewegt
1:04:00 III. Lebhaft-Langsam-Wie vorher-Koda. Etwas breiter
Sonata for Trumpet and Piano:
1:11:35 I. Mit Kraft-Breit-Wie vorher
1:17:02 II. Mäßig bewegt-Lebhaft-Wie zuerst-Wie vorher
1:19:32 III. Trauermusik. Sehr Langsam-Ruhig bewegt - Wie am Anfang-Sehr ruhig
Sonata for English Horn and Piano:
1:27:40 I. Slow
1:30:45 II. Allegro pesante
1:32:19 III. Moderate
1:34:21 IV. Scherzo, fast
1:35:06 V. Moderate
1:37:45 VI. Allegro pesante
Sonata for Trombone and Piano:
1:39:21 I. Allegro moderato maestoso
1:42:13 II. Allegretto grazioso
1:45:02 III. Allegro pesante
1:46:57 IV. Allegro moderato maestoso
Sonata for Alto Saxophone and Piano:
1:49:40 I. Ruhig bewegt
1:51:38 II. Lebhaft
1:55:32 III. Sehr langsam
1:57:55 Das Posthorn, Zwiegespräch
1:58:57 IV. Lebhaft
Sonata for Tuba and Piano:
2:01:52 I. Allegro pesante-Poco lento
2:05:08 II. Allegro assai
2:06:38 III. Variationen. Moderato, commodo-Scherzando, l’istesso tempo-Lento-Allegro-Lento-Wie am Anfang des Satzes
2:13:06 Echo for Flute and Piano
ヒンデミットは、内省的で節度があり、計算し尽くされたようでアドリブ的な要素にも魅力があって面白く、若い頃には数多く聴きました。今は懐かしく振り返っています。アップに感謝。
Thanks for posting !!! Viva la musica!!
thank U 4 introducing me 2 H. He was basically a contemporary of Poulenc...1899-1963...
Hindemith always surprises. 😊
Me too! He's like visiting an old relative you haven't seen in a while and not sure if he/she's the same person you used to know.
Hindemith always keeps me coming back, but sometimes not for the same reasons.
I really loved the thumbnail of the contemporary painting . And the flute playing was clear and clean. The piano accompaniment was in great harmony with the flute and other wind instruments .Very good.
The contemporary painting is Mondrian.
@@brian5154 Mondrian was the first art I loved, in the fifties...My interest took me to the Art Institute, Chicago to see more, and, the rest is history. Studying elementary art history at U Wisc, Madison was a delight.
It is a unique thumbnail. My thumbs are text-less, but this one inspires!
Great discovery !!! Thank you so much for sharing with all of us...😊
Our pleasure!
@@BrilliantClassics Thanks Brilliant Classics and Brilliant Friends, too...
Música para el bienestar con el recuerdo de cosas buenas, maravillosas... Gracias por compartir. 🇻🇪🇪🇸😍
Sonata for English Horn is my favorite Hindemith sonata.
The English Horn is my all-time favorite orchestral instrument... and I'm a clarinet player (was a collage major). If I could go back in time... the EH would be it for me. ❤️
@@angelicambience28 I have similar story, but I would still choose the clarinet :)
Diese Musik klingt fröhlich, ( ist auch schön) Hindemith lerne ich gerade kennen,danke.
Gracias una vez más !!!
Thank you so much, this is brilliant!
Wunderschöne und detaillierte Interpretation dieser zehn kompakten doch perfekt komponierten Sonaten in verschiedenen Tempi mit milden doch gut phrasierten Tönen verschiedener Holzblasinstrumente und klar artikuliertem doch zugleich elegantem Klang des Klaviers. Die Virtuosität aller Spieler ist wahrlich eindrucksvoll. Alles ist wunderbar!
❤️🇩🇪
great
Música....música ....gracias
Wonderful collection of wind and piano sonatas by the great composer Paul Hindemith. I've only ever explored the string or solo piano sonatas. I am very intrigued with this album. I'm curious why Hindemith chose to include spoken word before the finale of the Alto Sax sonata. Apparently each player is to speak a few lines of poetry. I would love to try this one out. 1:57:55 "The Posthorn (Dialogue) Horn Player: Is not the sounding of a horn to our busy souls (even as the scent of blossoms wilted long ago, or the discolored folds of musty tapestry, or crumbling leaves of ancient yellowed tomes) like a sonorous visit from those ages which counted speed by straining horses' gallop, and not by lightning prisoned up in cables; and when to live and learn they ranged the countryside, not just the closely printed pages? The cornucopia's gift calls forth in us a pallid yearning, melancholy longing.
Pianist: The old is good not just because it's past, nor is the new supreme because we live with it, and never yet a man felt greater joy than he could bear or truly comprehend. Your task it is amid confusion, rush, and noise to grasp the lasting calm, meaningful, and finding it anew, to hold and treasure it."
I like a lot Hindemith’s work…..why is he not more popular ? Kraftwerk we’re definitely listening.
Perfect and rare find! Thenk you! Maybe somebody have his sonatas for France horn? I can't find it any places. Please shere. It's wonderful!
the sonata for (french) horn begins at 0:53:08.
@@abilialibi O, really! Thenk you very much! 🙏
Genial !!!
日常!!!
Listening to this makes me wonder if Yuji Nomi took inspiration from Hindemith's pieces to compose the soundtrack for the show...
Wow, that very first piece starts with a melody that is almost identical to the main melody for Karftwerk song "Tour de France" ... I wonder if they lifted it
I agree
Wouldn’t surprise me at all
👏👏👏
Greetings - was this recording just released? I was certain I already had a set of the complete wind sonatas.. If I’m incorrect well I will need to buy this glorious survey asap - I only wish my collection wasn’t as large as my apt!
Hi! This album was released in May 2021. Check out this link for online purchasing and streaming: brilliant-classics.lnk.to/HindemithCompleteSonatasBC
@@BrilliantClassics Thank you for the info! I typically buy physical copies of your releases (and most other labels, obsessive collector here..) but I’m going to switch over to lossless files whenever possible. -Kind regards
Gratidão.
Acil Yayınları :(
⭐
I love these pieces, and am glad when they are recorded, but honest to God (in my opinion) the obosit and the clarinetist have some of the worst tone quality I have ever heard on a professional recording. It is just horrible, utterly unlistenable. There are other, better recordings for those sonatas at least.
THIRD CLASS MUSIC. MUSIC????
Each to their own. I actually enjoyed this.
Hindemith was not third class in anything.
My aibo robo-dog finds this music very meditative.
infantile music... thrown sounds