The last three minutes of this song is as close to proof that a heaven exists as I have ever seen. The guitarist is only 16 in this video, which is mind-blowing to me. She is in the guitar pantheon of Steve Vai, Prince, Stevie Ray Vaughn, and Jimi Hendrix, yet she is only 16. This video should have 1 million views by now. Just a truly amazing trio.
One of the greatest guitar solo's I've ever heard. I'm an old man and I've heard a lot of great solo's. Jimi's Voodoo Child, Eddie's Eruption live, etc etc.
Incredibly good ! These Japanese musicians start playing together at a very young age. That's why at 16 or 17 years old they already sound like best-coordinated and experienced bands. The music of Asterism sounds very grown-up. These people are the future of rock/metal. I hope also soon in the West ...
I discovered Asterism a few months ago, and I love everything they do, but I keep coming back to this performance. It's not even about how they are so good, so young. Give me that music and tell me nothing about the people making it, and I would still say that this is my favourite instrumental rock band.
From France: I was born with rock (and yes, in the 50s!...). It was played in cellars or garages and the sound was rotten, but there was the joy of living rock & roll, atmosphere and fun... ASTERISM really reminds me of those years (the sixties, then the seventies and even the heighties...) with an incredible talent, worthy of the greatest... and it's been a long time since I've heard a band so impactful. The rock revival certainly comes from Japan (Lovebites, Band-Maid, Aldious, Ningen Isu, Babymetal, Sokoninaru, Trident, Wagakki Band, Stereopony, Nemophila, Bredear and so many others...). Long live ASTERISM... And thank you again for your videos about this band! [Je suis né avec le rock (et oui, dans les années 50 !...). Ça se jouait dans des caves ou des garages et le son était pourri, mais il y avait la joie de vivre le rock&roll, de l'ambiance et du fun... ASTERISM me rappelle vraiment ces années-là (les sixties, puis les seventies et même les heighties...) avec en plus un talent incroyable, digne des plus grands... et il y a longtemps que je n'avais pas entendu un groupe si percutant. Le renouveau du rock vient assurément du Japon (Lovebites, Band-Maid, Aldious, Ningen Isu, Babymetal, Sokoninaru, Trident, Wagakki Band, Stereopony, Nemophila, Bredear et tant d'autres...). Longue vie à ASTERISM... Et merci encore pour tes vidéos concernant ce groupe !]
It is truly amazing that this "Dawn" was composed, arranged it as one song, and was able to perform it by a junior high school students of Japan who were only 14 or 15 years old. Everyone notices that they have advanced playing skills at a young age, but what really should be appreciated the most is that they have acquired compositional skills, including the ability to arrange music, at this age. Moreover, the range of emotional expression and the wide descriptive power of the composition give the impression of a genius inspiration. It's amazing that not only HAL-CA, but all three of them have the ability to compose in three different ways, and they can arranging and playing songs at the age of only teenagers. The variety of songs they compose is wide-ranging, and to us it is as diverse as if we were looking at the 70-year history of Western music. It covers all elements of the UK, US, European and Japan music of the 50s, 60s, 70s, 80s and 90s, and is integrated and played with the sensibilities of today's teenagers. How could they have done this in such a short period of time? Perhaps it all started when the three of them grew up in an environment where their parents liked Western music and listened to songs at home as a hobby, and their parents gave children musical instruments to try out. The period when they learned the instrument was probably linked to the brain growth process in the growth period from child to adult. I guess the adults around them were stunned, because they absorbed and grew at an incredible rate. However, it will be unclear whether their songwriting ability came out with because they were growing children, or whether they originally had genius songwriting ability, unless we look at them in the future.
Unfortunately, the current Japan music industry does not have an environment that genius talents like them into stars. The general public doesn't like to listen to this kind of music. If we leave them in Japan like this environment, their talent will only be crushed in minor scenes without ever seeing the light of day in the major scenes. I think "Amuse" is out of hand. They should leave early. They should move quickly to their native field, the Western music market, to meet producers and capitalists who find and interest their talent and abilities. The current Japan music industry will not be able to take advantage of their abilities
You overestimate the American music industry.At least in Japan, they was able to contract with a major management office.Amuse is big major company in japan. If they were america, they wouldn't even have a contract.Because they don't rap and dance like kpop Japan has enough market, and unlike other countries, there are many core rock fans.at least japan not ruled by edm and hiphop
Why talented metal kids bands never debut in america? if that's true? i think there are many metal kids in america too,but never debut, no popularity,WHY? because american music ruled by hiphop or sexy dance At least in Japan, they have a professional contract and they can do live performances they can make album. If they were in America, could you have done the same?i don't think so. like 'they should speak english' 'their english accent is engrish' 'asian can rock?' They are steadily improving their skills in japan
@@novrinkov0053 Thanks for your response. I think it's the same reason why native metal kids can't debut in the US and why Japanese and foreign bands can't get an official contract in the US even if they have talent. It seems like it is because distribution is cut off by one decision of the people who have influence over the release of the industry doing the music business in the US. As an example, Japanese bands have a long negative history of not being able to sign with major labels for about 60 years in all genres, not just rock, and many musicians at all times, no matter how talented or musically gifted, have been virtually rejected by the US market. I guess it all depends on their judgment. I don't think the situation has changed.
The reason why we are now able to talk with people all over the world about bands like ASTERISM is because we now have a means of information tool that is open to the world called "the Internet," where music can be distributed directly on an individual level without the judgment of the music industry in the U.S and other countries. This is because a new route has been created and information has been able to jump over their barriers and spread around the world.
@@brianchar-bow3273 Japanese musicians have never targeted the American market, with the exception of some.Even if there is an overseas orientation, the management office will not spend a lot of money to advertise The Japanese management office has never even conducted serious promotional activities overseas.This is because Japan has the second largest market in the world.In other words, if you succeed domestically, you can make a lot of money.this is both good and bad Korea are small domestically markets, so they have to sell overseas to earn big money.That is the reason why they seriously promoted overseas.Most Japanese musicians do not have their sights set on overseas markets from the beginning.I can't say if it's right or wrong because each person has a different purpose in making music.Well at least now they can connect to the internet like you said People can access them even if they don't have a foreign orientation
This video is what made me a fan of this band. So great for a band so young, and they've only gotten better. This video brings tears to my eyes every time. So great to see them getting the exposure they deserve! Hal-ca is THE guitar goddess for the 21st century.
You guys are getting better (how is that even possible?) with every video I watch. I saw some great groups in my lifetime and the closest I can come to matching what I just watched was Cream (1966-68) with the great Jack Bruce(RIP)/bass and Eric Clapton/guitar and yet I dare say you 2 may have been better than they were based on this presentation. Hal -Ca, watching you smoke that guitar brought back memories of the great Jimi Hendrix who I saw LIVE several times, I am shocked at your talent already and the fact you 3 keep pushing one another to be even better. I can't imagine where you 3 will be in 5 years, but I only hope I am around to see and experience it!!!
Great energy, love that song - thank you for sharing! I'm so happy, that they get all this live experiences under their belt - with this insane technicality AND emotion. I sooooo hope, to see them on the big and international stages, if they want to go that way.
Very cool, awesome performance. They remind me of a band I followed from Richmond, Va. in the 80's and 90's called The Alter Natives. A trio just like Asterism (except all guys) and all instrumentals. A bit more punk. Spent a lot of pit time at their shows, usually opening for Gwar.
That was à very good symphonie métal... i was french old manager INFECTED YOUTH was my band HC/POST PUNK with 2lps 3tapes or totaly underground.... fuck fm...
The last three minutes of this song is as close to proof that a heaven exists as I have ever seen. The guitarist is only 16 in this video, which is mind-blowing to me. She is in the guitar pantheon of Steve Vai, Prince, Stevie Ray Vaughn, and Jimi Hendrix, yet she is only 16. This video should have 1 million views by now. Just a truly amazing trio.
Simply stellar!!! All jesting aside gorgeous music!
One of the greatest guitar solo's I've ever heard. I'm an old man and I've heard a lot of great solo's. Jimi's Voodoo Child, Eddie's Eruption live, etc etc.
数年前から見てますがこの映像を撮った方にひたすら感謝しかないです。
ありがとうございます。
iPhoneで撮って、この迫力。
ライブは数千倍の感動を味わえます！
世界中の多くの人に、生でその感動を体感したい！と思ってもらえるように撮影しています。
（関係者じゃなくただのファンです😅💦）
@@takako1116 この映像でどれだけの方の感動を得たか・・・。もしかしてtakakoさんてネイビーフロアにいらっしゃった方ですか？（違ったらごめんなさい笑）
@@musiq_jp
ネイビーフロアが分からず調べました🤣💦💦
吉中兄弟を輩出した県の普通のオバチャンです😅
@@takako1116 すみません笑笑 返信ありがとうございます！！
I don't think I have ever seen anyone move their fingers as fast as that lady. Wild!
這需要破千萬觀看
CD買いました。恐ろしくカッコいい！
伝説となるギターリストは、テクニックだけじゃなく、体から湧き出てくるエネルギーのようなのが必要！という事を、この若さで気がついているような感じがする。楽曲も最高！インスト。3ピース。全てがカッコいい！ジミヘンの再来か？
もちろん他のメンバーも負けず劣らず素晴らしいが、顔はやはりこのギタリストでしょう！
この後どうなるのか楽しみ。
全員レベルが高すぎだろ
曲のセンスも凄い
世の中凄い人っているんだなーって思った
The third part of this song, is as good as the best of David Gilmour solos.
Incredibly good ! These Japanese musicians start playing together at a very young age. That's why at 16 or 17 years old they already sound like best-coordinated and experienced bands.
The music of Asterism sounds very grown-up. These people are the future of rock/metal. I hope also soon in the West ...
なんという驚異的なギターソロなのでしょうか？まさに「天馬空を行く」という感じです。天才的な閃きを感じさせるギターソロに鳥肌が立ってしまいました。Jimi HendrixのウッドストックのPurple Hazenのカデンツア即興演奏以来の衝撃的なギターソロです！！
g'damn! those of us witnessing this, are lucky indeed!
I discovered Asterism a few months ago, and I love everything they do, but I keep coming back to this performance. It's not even about how they are so good, so young. Give me that music and tell me nothing about the people making it, and I would still say that this is my favourite instrumental rock band.
From France:
I was born with rock (and yes, in the 50s!...). It was played in cellars or garages and the sound was rotten, but there was the joy of living rock & roll, atmosphere and fun...
ASTERISM really reminds me of those years (the sixties, then the seventies and even the heighties...) with an incredible talent, worthy of the greatest... and it's been a long time since I've heard a band so impactful.
The rock revival certainly comes from Japan (Lovebites, Band-Maid, Aldious, Ningen Isu, Babymetal, Sokoninaru, Trident, Wagakki Band, Stereopony, Nemophila, Bredear and so many others...).
Long live ASTERISM...
And thank you again for your videos about this band!
[Je suis né avec le rock (et oui, dans les années 50 !...). Ça se jouait dans des caves ou des garages et le son était pourri, mais il y avait la joie de vivre le rock&roll, de l'ambiance et du fun...
ASTERISM me rappelle vraiment ces années-là (les sixties, puis les seventies et même les heighties...) avec en plus un talent incroyable, digne des plus grands... et il y a longtemps que je n'avais pas entendu un groupe si percutant.
Le renouveau du rock vient assurément du Japon (Lovebites, Band-Maid, Aldious, Ningen Isu, Babymetal, Sokoninaru, Trident, Wagakki Band, Stereopony, Nemophila, Bredear et tant d'autres...).
Longue vie à ASTERISM...
Et merci encore pour tes vidéos concernant ce groupe !]
It is truly amazing that this "Dawn" was composed, arranged it as one song, and was able to perform it by a junior high school students of Japan who were only 14 or 15 years old. Everyone notices that they have advanced playing skills at a young age, but what really should be appreciated the most is that they have acquired compositional skills, including the ability to arrange music, at this age. Moreover, the range of emotional expression and the wide descriptive power of the composition give the impression of a genius inspiration.
It's amazing that not only HAL-CA, but all three of them have the ability to compose in three different ways, and they can arranging and playing songs at the age of only teenagers.
The variety of songs they compose is wide-ranging, and to us it is as diverse as if we were looking at the 70-year history of Western music. It covers all elements of the UK, US, European and Japan music of the 50s, 60s, 70s, 80s and 90s, and is integrated and played with the sensibilities of today's teenagers.
How could they have done this in such a short period of time?
Perhaps it all started when the three of them grew up in an environment where their parents liked Western music and listened to songs at home as a hobby, and their parents gave children musical instruments to try out.
The period when they learned the instrument was probably linked to the brain growth process in the growth period from child to adult. I guess the adults around them were stunned, because they absorbed and grew at an incredible rate.
However, it will be unclear whether their songwriting ability came out with because they were growing children, or whether they originally had genius songwriting ability, unless we look at them in the future.
Unfortunately, the current Japan music industry does not have an environment that genius talents like them into stars. The general public doesn't like to listen to this kind of music.
If we leave them in Japan like this environment, their talent will only be crushed in minor scenes without ever seeing the light of day in the major scenes.
I think "Amuse" is out of hand. They should leave early.
They should move quickly to their native field, the Western music market, to meet producers and capitalists who find and interest their talent and abilities. The current Japan music industry will not be able to take advantage of their abilities
If they came to the American music scene, they'd be forced to produce mindless drivel to get any backing.
You overestimate the American music industry.At least in Japan, they was able to contract with a major management office.Amuse is big major company in japan.
If they were america, they wouldn't even have a contract.Because they don't rap and dance like kpop
Japan has enough market, and unlike other countries, there are many core rock fans.at least japan not ruled by edm and hiphop
Why talented metal kids bands never debut in america? if that's true?
i think there are many metal kids in america too,but never debut, no popularity,WHY?
because american music ruled by hiphop or sexy dance
At least in Japan, they have a professional contract and they can do live performances they can make album.
If they were in America, could you have done the same?i don't think so.
like 'they should speak english' 'their english accent is engrish' 'asian can rock?'
They are steadily improving their skills in japan
@@novrinkov0053
Thanks for your response.
I think it's the same reason why native metal kids can't debut in the US and
why Japanese and foreign bands can't get an official contract in the US even if they have talent.
It seems like it is because distribution is
cut off by one decision of the people who have influence over the release of the industry doing the music business in the US.
As an example, Japanese bands have a long negative history of not being able to sign with major labels for about 60 years in all genres, not just rock, and many musicians at all times, no matter how talented or musically gifted, have been virtually rejected by the US market.
I guess it all depends on their judgment.
I don't think the situation has changed.
The reason why we are now able to talk with people all over the world about bands like ASTERISM is because we now have a means of information tool that is open to the world called "the Internet,"
where music can be distributed directly on an individual level without the judgment of the music industry in the U.S and other countries.
This is because a new route has been created and information has been able to jump over their barriers
and spread around the world.
@@brianchar-bow3273
Japanese musicians have never targeted the American market, with the exception of some.Even if there is an overseas orientation, the management office will not spend a lot of money to advertise The Japanese management office has never even conducted serious promotional activities overseas.This is because Japan has the second largest market in the world.In other words, if you succeed domestically, you can make a lot of money.this is both good and bad
Korea are small domestically markets, so they have to sell overseas to earn big money.That is the reason why they seriously promoted overseas.Most Japanese musicians do not have their sights set on overseas markets from the beginning.I can't say if it's right or wrong because each person has a different purpose in making music.Well at least now they can connect to the internet like you said
People can access them even if they don't have a foreign orientation
Love how fast her fingers fly. Amazing.
Emotional
Awesome 3 piece band , loving the guitar work
That ending gave me chills.
This video is what made me a fan of this band. So great for a band so young, and they've only gotten better. This video brings tears to my eyes every time. So great to see them getting the exposure they deserve! Hal-ca is THE guitar goddess for the 21st century.
keep coming back to it. just keep coming back.
The Dawn of Asterism! Masterpiece!
This is so beautiful, I cried the entire video.
Absolute masterpiece for me.
This raw sound strikes me. What a musicianship!
What a passion!
凄いBANDは知らないだけでまだまだあると幸せを噛締めています
You guys are getting better (how is that even possible?) with every video I watch. I saw some great groups in my lifetime and the closest I can come to matching what I just watched was Cream (1966-68) with the great Jack Bruce(RIP)/bass and Eric Clapton/guitar and yet I dare say you 2 may have been better than they were based on this presentation. Hal -Ca, watching you smoke that guitar brought back memories of the great Jimi Hendrix who I saw LIVE several times, I am shocked at your talent already and the fact you 3 keep pushing one another to be even better. I can't imagine where you 3 will be in 5 years, but I only hope I am around to see and experience it!!!
I’m impressed by all the musical influences combined in your music
I watch this video often. Gives me chills still. My favorite Asterism song, and I'm always amazed at their talent.
うわー！ Steve VaiからRobert Fripp、Adrian BelewからJimi Hendrixまで、あなたたちは私の青春の音楽をあなた自身のものにしました。 あなたたちはアメリカで離陸しようとしています。
Estão a altura dos velhos guitarrista,tem energia
Heavy and beautiful music. Very nice 👍
Hal-Ca at 16! This musician is in a class of her own! Mad respect!
genius. ohhh mi good
wicked!
Love this band. Love this song.
Great energy, love that song - thank you for sharing! I'm so happy, that they get all this live experiences under their belt - with this insane technicality AND emotion. I sooooo hope, to see them on the big and international stages, if they want to go that way.
Wow😮 mind fully blown away. 😃😃😃😃😃👍👍👍👍👍
ua-cam.com/video/xjXoIwOFyYc/v-deo.html
This is criminal that many more people dont already know these guys!
Lost for words!
This is a band that can challenge anyone
Very cool, awesome performance. They remind me of a band I followed from Richmond, Va. in the 80's and 90's called The Alter Natives. A trio just like Asterism (except all guys) and all instrumentals. A bit more punk. Spent a lot of pit time at their shows, usually opening for Gwar.
WHAT??!!! 3:30 - ridiculous - and solid SMH - great great player skillz!
I like D Drive, but this song is better than anything I've heard by them - well done!
Madness!!!! ohh my god!!
Watching from Philippines peter alob
Amazing 😎🎸👌
Thank you for uploading !!
Brilliant
Can't stop watching
Tears of joy
😎👏👏
Seperti ini anda seharusnya bermain musik!
HaL-Ca is a Ca Deadly Shredder better than most , she's a female version of Dimebag of Pantera 🎸🎸 🎸🇺🇸 🇺🇸🇺🇸
I just like the fact that the guy is playing a six string bass guitar.
Wrong. Seven strings ;)
Brasil Paraná Ribeirão do Pinhal,welcome
That was à very good symphonie métal... i was french old manager INFECTED YOUTH was my band HC/POST PUNK with 2lps 3tapes or totaly underground.... fuck fm...
Ingie vai Satriani estão substituídos
💋💋
Wah... sekali bunyi Arab Egipt le...🕋✝️ 🤭🤒😒🤔
🩷
ボーカルは入れないのかな？ スラッシュメタル・・・こういう形だと自己満足で終わっちゃうから勿体ないね。