Thank you so much for sharing your infinite knowledge! Your videos are so informative and you have a gift for teaching! I have always wanted to try to move from realism to abstract (as those seem to be the ones that sell) and now I know where to start!
Thanks Dianne! More Quick Tips and a full video concerning this topic - Abstract painting - with the result of a finished painting would be helpful. I am aware that Serie 23 concerning this topic already exist.
Karl, Abstract painting is a broad field as there are multiple approaches to abstracting. Can you tell me specifically what you would like to see addressed.
Karl, with that as your objective, a good thing to do right now is to go to the early 20th century abstract masters - de Kooning, Pollock, Rothko, Still, Motherwell (to name just a few), take them one at a time and study their process. Abstract painting is a huge subject with many approaches, so understanding what the early masters were doing with it can give you a real head start.
Awesome as always. My request is....can you please tell me how to create a semi abstract type painting wherein the painted theme is more identifiable yet abstractish( a sunset/ seascape for example) even to a layman. Thanks 🙏😊
Have you had a look at J. M. W. Turner's paintings and prints? "The Wreck of a Transport Ship", "Sea View", "Burning Ship", "The Fighting Temeraire", "Snow Storm", "The Dark Rigi", and "Whalers" and "Fishermen at Sea" would with this lady's lessons on abstract art would be really helpful. Studying Turner's seascapes in chronological order while focusing on Line, Notan, and Colour in Turner's work would highlight how these could be abstracted. Turner wasn't an abstract painter per se, but he had ongoing eyesight problems in the latter part of his life and this affected his technique, which influenced the impressionists that followed him. Good luck.
Thanks a lot dear master. Great lesson. Now is it possible to develop the abstract painting of level 1 to realism instead of abstract level 2. I understand that to do a painting first we block in an abstract design and then develop it to realism again.
Reza, it's just a good way to begin and assure a unified composition, but there are many ways to begin and accomplish the same thing. I suggest mastering one at a time to find the one that works best for you.
Thank you for this quick tip and the prior one. My personal opinion, Just Experiment. I love that you have foundational information, and that you have the quick tips. However, one just needs to paint. Look at your subject matter, and paint what you see - lights and darks - In abstraction one is getting to the essence of the subject, saying something with the least amount of detail.
Thank you so much for the video. It's one of the best and helpful tip. Something I've been missing really . Do you consider this painting done? If not, how do you continue developing it without loosing it's abstract character. Would more details makes it realistic? Or more like impressionist?
Je suis déçu, car je m'attendais à du figuratif vers l'abstrait. C'est tout le contraire : du général vers de plus en plus de détails, et de plus en plus figuratif, fidèle au modèle. Dommage !
Parce que je suis très intéressé par le sujet : du figuratif vers l'abstrait. Personnellement, je peins un peu, en tant qu'amateur. J'essaie de faire de l'abstrait à partir de paysages. Je vous invite à regarder ces quelques toiles : www.expositionpeinture.com/artiste/yves-fremin-742.html?page=1notamment "Carrée au bord de l'eau". Merci de vos commentaires à venir. Cordialement, Yves
WoW, seeing the reference photo really put the "reality" into the "abstraction". Very interesting. Very helpful.
Wonderful! Thanks for watching.
Thank you so much. Love your sweet input on every lessons. 💕
Always a pleasure.
As always, you’ve enlightened me and taught this old dog something new. Thank you
Great! Always a pleasure.
Thank you so much for sharing your infinite knowledge! Your videos are so informative and you have a gift for teaching! I have always wanted to try to move from realism to abstract (as those seem to be the ones that sell) and now I know where to start!
Have fun with it!
Thank you Dianne. I had no idea on how to start an abstraction and this has inspired me to give it a go.
It's fun to do and can stimulate a lot of ideas.
This was completely new to me. I really appreciate learning this.
Try working it. You will be amazed.
Thank you D.... Finally you taught me how to put order into abstraction...n make sense!
Play with this process and then put your own spin on it.
Excellent. Going to put this into practice. I think this will help me a ton!
Practice will always get it done.
So clearly explained great lady xx
Thanks.😊
Thank u so much ...always lv u...❤
My pleasure, as always.
Thank you. Very helpful!!
Great. Give it a try.
Love this lesson. Got. Lot from it.
Great!
Sharp and sweet!
Thanks for watching.
Thanks so much my honourable sir
You bet.
this is. real good. tituriol. nice painting. thank you. ,
My pleasure.
Well, I'll be. That was superb, as was #166!
A bit of reinforcement there.😊
Thanks Dianne! More Quick Tips and a full video concerning this topic - Abstract painting - with the result of a finished painting would be helpful. I am aware that Serie 23 concerning this topic already exist.
Karl, Abstract painting is a broad field as there are multiple approaches to abstracting. Can you tell me specifically what you would like to see addressed.
I want to learn the "multiple approaches" to abstracting to get an abstract painting.
This Quick tip an Serie 23 are a very good start.
Karl, with that as your objective, a good thing to do right now is to go to the early 20th century abstract masters - de Kooning, Pollock, Rothko, Still, Motherwell (to name just a few), take them one at a time and study their process. Abstract painting is a huge subject with many approaches, so understanding what the early masters were doing with it can give you a real head start.
thankyou mam. i can understand a little
Thanks for watching.
So glad you changed the last light shape.. reminded me of a bird and that bothered me until you changed it.
😊
Excellent, as usual! Can you do a quick tip on Keying ? I tend to key too dark and lwould like to know how to key appropriately. Thank you.
That's an interesting one. I'll put keying on our schedule.
Awesome as always. My request is....can you please tell me how to create a semi abstract type painting wherein the painted theme is more identifiable yet abstractish( a sunset/ seascape for example) even to a layman. Thanks 🙏😊
Have you had a look at J. M. W. Turner's paintings and prints? "The Wreck of a Transport Ship", "Sea View", "Burning Ship", "The Fighting Temeraire", "Snow Storm", "The Dark Rigi", and "Whalers" and "Fishermen at Sea" would with this lady's lessons on abstract art would be really helpful. Studying Turner's seascapes in chronological order while focusing on Line, Notan, and Colour in Turner's work would highlight how these could be abstracted. Turner wasn't an abstract painter per se, but he had ongoing eyesight problems in the latter part of his life and this affected his technique, which influenced the impressionists that followed him. Good luck.
Thanks so much, Dianne, great video. Could you do the same using watercolour?
Oh yes! You can use this principle with any color medium.
🌹🌹🌹❤️❤️
Thanks a lot dear master. Great lesson. Now is it possible to develop the abstract painting of level 1 to realism instead of abstract level 2. I understand that to do a painting first we block in an abstract design and then develop it to realism again.
Reza, it's just a good way to begin and assure a unified composition, but there are many ways to begin and accomplish the same thing. I suggest mastering one at a time to find the one that works best for you.
Thank you for this quick tip and the prior one.
My personal opinion, Just Experiment.
I love that you have foundational information, and that you have the quick tips.
However, one just needs to paint. Look at your subject matter, and paint what you see - lights and darks -
In abstraction one is getting to the essence of the subject, saying something with the least amount of detail.
Yep.
Thank you for this class of abstract.Is it the second part is the final painting of the same. . thank you so much.
Yes, it is. Thanks for watching.
Thank you Dianne. Can you continue this into a demonstration of painting alla prima general to specific?
I'm not sure there's time in a Quick Tip to do that. Perhaps I could show how it would work with a single shape. I'll put that idea on our schedule.
Thank you so much for the video. It's one of the best and helpful tip. Something I've been missing really .
Do you consider this painting done?
If not, how do you continue developing it without loosing it's abstract character. Would more details makes it realistic? Or more like impressionist?
"LEAVE that right there..." heh
🙂
Great lesson. But the intro music is somewhat boring.
It is what it is to the ear that hears it 😊
Je suis déçu, car je m'attendais à du figuratif vers l'abstrait. C'est tout le contraire : du général vers de plus en plus de détails, et de plus en plus figuratif, fidèle au modèle. Dommage !
Dommage! Pourquoi? Dites-moi plus, s'il vous plait.
Parce que je suis très intéressé par le sujet : du figuratif vers l'abstrait. Personnellement, je peins un peu, en tant qu'amateur. J'essaie de faire de l'abstrait à partir de paysages. Je vous invite à regarder ces quelques toiles : www.expositionpeinture.com/artiste/yves-fremin-742.html?page=1notamment "Carrée au bord de l'eau". Merci de vos commentaires à venir. Cordialement, Yves