1:22 "I can tell, I can feel, _you_ _are_ *_love,_* _you_ _are_ *_real..."_* Whoa, that line gripped my heart. It felt so authentic, so real, like an outburst of realization of his love... raw emotion. I've never heard this song before, but you present it exquisitely. Great job!
i have never genuinely cried while listening to a piece. this brought me to tears while singing along with the bass part. truly an amazing performance.
UA-cam legit said to me tonight: "Yo fam you need to be serenaded before bed." This arrangement works great as a lullaby, but I can also imagine this in a Square Enix game
idk why everyone seems like they suddenly have a degree in music and have the grounds to offer criticism, even as a voice major myself that was a stellar tune. Great work homie edit: I was here very early and saw weird backhanded comments but i don't anymore. Apologies! but great cover
That's such a weird statement, why do you now need a degree in something to criticize music? Out of all the things you could say that for, music is about as low on the argument to authority list as you can get, and this is coming from a guy who majors in music. We don't really have legs to stand on with that kind of hilarious elitism, our degrees don't even do anything for us in our own industry lmao
@@Ace-in8qr you don't need a degree. but if i didn't play piano and someone posted a video of them playing piano, i probably wouldn't tell them how to play piano. not trying to be elitist, just logical. but it seems like since i posted this a lot of the weirdly critical comments have been filtered out by support
@@michaellampson7085 I was wondering about that, I scrolled through and couldn't find anything other than "too many effects". I see a lot of stuff like I posted so I assumed. My apologies.
I mean, I got a bachelor's and a master's in music. I think it sounds absolutely lovely. However, you don't need a degree to criticize. If you don't know how to cook spaghetti, you can still say whether or not it tastes good.
mate, i did the same thing just now, tbh i feel this guy got tim wauricks audio, tuned it up slightly and then filmed himself not singing it.i say this because its far to similar for a seperate singer, also the faces he pulled while singing was odd. i mean credit to him if its real but im not bying it, ya know what i mean
@@baxterferguson2532 Were you looking for the differences? Some of them show that this rendition is distinct from Tim Waurick's. At 2:28, he begins the final "love" phrase, and while the top voice sustains the word "love", at 2:34, the lower three voices clearly take a breath and restate the words "your love" again, to deliver the penultimate and ultimate chords of the piece. Meanwhile, in the version by @TimWaurickMusic, he only sings the word "love" once, and does not restate it. It's one continuous word. This clearly makes the version by @shawnboomermusic definitively distinct from @TimWaurickMusic.
getting into barbershop stuff (just spectating) and I LOVE how consistently majestic your voice is, especially in the higher voicings, you perfectly avoid that nasaly redundant kinda timbre I’ve had make me less enjoy many otherwise great barbershop performances. Beautiful
Nice! Difficult song to pull off, do justice to, I’ve listened to a few versions performed in this style, you definitely nailed it. I always preferred Roy Hamiltons version the best, cheers from Canada!😊
Great rendition of the piece; I love the harmonies of this song, and you're nailing them! The one thing I just don't understand about this song/arrangement is the dissonance on "peace" in the phrase "I'm at peace in the web of your love". The chord at that point suggests anything BUT peace, as the Bari and Bass notes are in conflict.
I kinda like your version more than Tim’s. I think some chords blend better here, maybe it’s just subtle imperfection creating a pleasant wobbling chorus effect? Beautiful!
Absolutely stunningly beautiful! One question - how do you manage to stay so perfectly on time with your multitracking, through all those tempo changes and fermatas? Whenever I'm multitracking, I need to stick to a metronome, which clearly wouldn't work here, and yet all of your entrances and note changes are perfectly synchronised between the voices!
I have tried starting with a video "conductor" track to try to keep the parts together. That has helped, but I suspect you need to get a firm sense of how you want the rubato to work, and then be able to stick to that - much like you would need if performing live with a group. (A good audio engineer doesn't hurt, either.)
@@oldguydoesstuff120 I've been pondering that! I wasn't able to figure out for myself whether that would actually work. One potential issue I imagine there might be is that the conductor isn't able to react to the musicians? I'm used to playing mainly with groups without a conductor, where the musicians instead react to one another, which is obviously not possible when multitracking, and without visual cues. I'll try the conductor trick, thanks!
I normally have a click track or myself playing an instrument of the part in my ear to help me out. It takes awhile due to recording the song twice, but I’m still learning with everything song.
@tbiggy03 Maybe take some English lessons instead? ^”Coming from a classical pianist who hasn’t taken voice lessons” is not a sentence, genius.🙄🤡🤦♂️💩🤷♂️
This song does not work well in 4 part harmony. You have a lovely voice. I know this is a slow song but this almost like slow motion. Maybe it gets better but I don't have half an hour to wait for the next verse.
I saw Tim Waurick sing this too and you guys are both amazing
1:22 "I can tell, I can feel, _you_ _are_ *_love,_* _you_ _are_ *_real..."_* Whoa, that line gripped my heart. It felt so authentic, so real, like an outburst of realization of his love... raw emotion. I've never heard this song before, but you present it exquisitely. Great job!
My brain read the title as “E double flat” since I forgot ebb is a real word. But coincidentally, the key signature is D (Ebb) major
I didnt even realize that, thanks bro!
Well, the sheet music anyway… 😂
i have never genuinely cried while listening to a piece. this brought me to tears while singing along with the bass part. truly an amazing performance.
I just love how the song is called Ebb Tide and it's in D major
Freddies original arrangement was in C.
@@Yardslaveyeah surprisingly not everyone can hit a low c
well Ebb is a D because its a double flat
UA-cam legit said to me tonight: "Yo fam you need to be serenaded before bed." This arrangement works great as a lullaby, but I can also imagine this in a Square Enix game
The harmonizing on the "more" was so wonderful! This is so awesome
0:28 if anyone's wondering
idk why everyone seems like they suddenly have a degree in music and have the grounds to offer criticism, even as a voice major myself that was a stellar tune. Great work homie
edit: I was here very early and saw weird backhanded comments but i don't anymore. Apologies! but great cover
That's such a weird statement, why do you now need a degree in something to criticize music? Out of all the things you could say that for, music is about as low on the argument to authority list as you can get, and this is coming from a guy who majors in music. We don't really have legs to stand on with that kind of hilarious elitism, our degrees don't even do anything for us in our own industry lmao
@@Ace-in8qr you don't need a degree. but if i didn't play piano and someone posted a video of them playing piano, i probably wouldn't tell them how to play piano. not trying to be elitist, just logical. but it seems like since i posted this a lot of the weirdly critical comments have been filtered out by support
@@michaellampson7085 I was wondering about that, I scrolled through and couldn't find anything other than "too many effects". I see a lot of stuff like I posted so I assumed. My apologies.
@@Ace-in8qr you're all good homie :) glad we reached this point with maturity and grace
I mean, I got a bachelor's and a master's in music. I think it sounds absolutely lovely. However, you don't need a degree to criticize. If you don't know how to cook spaghetti, you can still say whether or not it tastes good.
i was able to time both your and tim waurick's versions to play a the same time and it was beautiful such a beautiful version you've done aswell
mate, i did the same thing just now, tbh i feel this guy got tim wauricks audio, tuned it up slightly and then filmed himself not singing it.i say this because its far to similar for a seperate singer, also the faces he pulled while singing was odd. i mean credit to him if its real but im not bying it, ya know what i mean
@@baxterferguson2532 Were you looking for the differences? Some of them show that this rendition is distinct from Tim Waurick's. At 2:28, he begins the final "love" phrase, and while the top voice sustains the word "love", at 2:34, the lower three voices clearly take a breath and restate the words "your love" again, to deliver the penultimate and ultimate chords of the piece. Meanwhile, in the version by @TimWaurickMusic, he only sings the word "love" once, and does not restate it. It's one continuous word. This clearly makes the version by @shawnboomermusic definitively distinct from @TimWaurickMusic.
@dylaneatsbeans1786 That was a brilliant idea! I thoroughly enjoyed that experience. THANK YOU!
It’s funny how two different people can sing the same song and make them both sound the same
The harmony is so amazing on this arrangement! Great job on this I loved everything especially the ending resolution!
This harmony is Love - all the way. I’m so moved. What a performance! It’s perfect, so timeless.
Love the smoothness of this
getting into barbershop stuff (just spectating) and I LOVE how consistently majestic your voice is, especially in the higher voicings, you perfectly avoid that nasaly redundant kinda timbre I’ve had make me less enjoy many otherwise great barbershop performances. Beautiful
LOVE THIS!!!! Fantastic rendition!!!
this is so amazing i feel my breath was completely stolen 10/10 harmonies
What a masterpiece!
Both music and performance!
fantastic! wonderful performance!
Jacob Collier is been real silent since this dropped
well the music has already been written in notation so he probably won't make a video on it
Oh my god, this is the best performance of Ebb Tide I’ve ever heard!
This is simply amazing, adore your talent, man!
Awesome love this rendition.❤️❤️❤️❤️❤️❤️❤️
One of my favorite tags and you NAILED it dude! Nicely done
Thank you for doing this. I sent this to my new sweetheart. It can help us a lot as we wait to reunite.
Beautiful tone quality dude! I can tell you've had training/practice!
Nice! Difficult song to pull off, do justice to, I’ve listened to a few versions performed in this style, you definitely nailed it. I always preferred Roy Hamiltons version the best, cheers from Canada!😊
Beautifully done
so beautiful!! happy to be your 500th sub :)
Great rendition of the piece; I love the harmonies of this song, and you're nailing them! The one thing I just don't understand about this song/arrangement is the dissonance on "peace" in the phrase "I'm at peace in the web of your love". The chord at that point suggests anything BUT peace, as the Bari and Bass notes are in conflict.
You sang that really well, especially the tag at the end. I love that tag 😀
A little heavy on the effects but still sounds good. I'll actually sing this to myself sometimes at work. Love this piece.
This is amazing!! You should do more!
i love this so much this is so good
the way the chord changes were just hit so hard
it was so good
Beautiful!
Love it. Regards from Brazil.
Nicely done!
Got bored and played this version at the same time as Tim Waurick's. Very nice.
This is EASILY the best cover of this song. Great work!! You deserve more recognition for SURE.
Bravo! Wonderful performance!
Beautiful vocals, I admire your breath capacity!
Amazing work! Thank you, Shawn. 😊
Wow! that was fun.
Great! It sounds wonderful 🎉
Hi yes this made me and my girlfriend sob. Excellent work. I wasn't expecting to be so touched by this
🤦♂️🤦♂️🤡💩💩💩🤷♂️
My brain said: E double-flat Tide
good job i approve
absolutely beautiful
oh my god the overtones are so clear
this was beutiful
I kinda like your version more than Tim’s. I think some chords blend better here, maybe it’s just subtle imperfection creating a pleasant wobbling chorus effect? Beautiful!
Solid work my friend. From a fellow musician, I love those juicy chords - well done!
Can there be tides with no moon?
Why yes, each time Shawn begins to croon
Then like waves lapping the shore
His dulcet tones our silent souls restore
And though we’re no longer lost at sea
But adrift on wondrous waves of harmony
If we should never chance to see dry land again
We would count ourselves among the most fortunate of men
© 2023
What is this?
@@hypergeo_ It’s bullshyt presented as something beautiful, a barely polished turd.
sounds great. 15/10 rubato
The sore is in D major but he is singing in D flat major
Nice job! I love this!
Niice. Sounding good
this is actually really nice! well done bro
Nice one! Hopefully we'll see more from you in the future 🙂
Ebb - like E double flat, AKA Dmajor the key this is in
honestly i prefer this one to Tim's. This is just truley lovely.Brilliantly done
Me too actually.
Great transposition! One note though, the voices sound like they’re a semitone lower than transcribed (i.e., in D flat major)
I looked into this and yep! First note is an A flat, mayyyybe a few cents sharp.
Marvelous
Underrated
Yo are you planning to go to any of the upcoming barbershop brigades? My first (and only one so far) was NCHB 2023 but I don't think I met you.
R E V E R B
play this at my funeral is my opinion on this song
I love deep voice - my own is a bit lower than average - and this is just like dark chocolate hot fudge made into a song.
lit af
Do you play clarinet? Or any other Bb instrument?
Amazing
Absolutely stunningly beautiful! One question - how do you manage to stay so perfectly on time with your multitracking, through all those tempo changes and fermatas? Whenever I'm multitracking, I need to stick to a metronome, which clearly wouldn't work here, and yet all of your entrances and note changes are perfectly synchronised between the voices!
I have tried starting with a video "conductor" track to try to keep the parts together. That has helped, but I suspect you need to get a firm sense of how you want the rubato to work, and then be able to stick to that - much like you would need if performing live with a group. (A good audio engineer doesn't hurt, either.)
@@oldguydoesstuff120 I've been pondering that! I wasn't able to figure out for myself whether that would actually work. One potential issue I imagine there might be is that the conductor isn't able to react to the musicians? I'm used to playing mainly with groups without a conductor, where the musicians instead react to one another, which is obviously not possible when multitracking, and without visual cues. I'll try the conductor trick, thanks!
Nice!
If Deftones were a vocal ensemble
gotta learn how to do this
So much better than OK.
How do you sync the pauses and rubato across the four recordings?
I normally have a click track or myself playing an instrument of the part in my ear to help me out. It takes awhile due to recording the song twice, but I’m still learning with everything song.
@@shawnboomermusic I see, good luck in your future recordings
That's definitely not D major, it's D-flat major
I think it’s in Db not D major
Good job!
Yeah Alright great but give credit, it's the same thing😅
That is mainly "Misty" a jazz standard written in 1954 by pianist Erroll Garner famously performed by Johnny Mathis.
how
Hi Boomer 😁
Nice job. note: The treble staff notes are written an octave above the actual sound.
The treble clef should have an 8 below to stay in its close-knit harmony, right?
correct.
Really lovely! Get a bit of melodic movement in there and it’ll be really special
Wow. This is beautiful. Coming from a classical pianist who hasn’t taken voice lessons
@tbiggy03 Maybe take some English lessons instead? ^”Coming from a classical pianist who hasn’t taken voice lessons” is not a sentence, genius.🙄🤡🤦♂️💩🤷♂️
I prefer Tim's more but you still did an outstanding job here.
One of my favourite songs, well done. I think you'd be on another level if you turn the autotune off.
Don’t think the key is correct…
Sorry, I did sing it a semitone down from this score 😬
@@shawnboomermusic that would make sense 👍
Eb become Ebb. ;-)
@@richardbloemenkamp8532 clever
The original arrangement by Fred King is in C.
So much autotune that turns the audio into garbage.... Come on, shut that thing off
This song does not work well in 4 part harmony. You have a lovely voice. I know this is a slow song but this almost like slow motion. Maybe it gets better but I don't have half an hour to wait for the next verse.
This is obviously autotune. I’m not impressed. Let’s hear his real voice.
beautiful
Thank you UA-cam algorithm 🙏
Beautiful