Ačiū už labai puikias grynai lietuviška dvasia skambančias dainas.Ačiū už aukštos kokybės garso įrašą.Nesulyginsi su M. mikutavičiaus per nosį marmojančius bliovimus.O jau dabartinių mergšių cypavimai, tik klėtyje pacukus baidyti.Jaunimas imkite pavyzdį!
Beveik visos dainos yra G.Švabienės kūrybos,dabar jau užregistruotos Latgoje...o vestuvių atgrota daug...apie 30 metų... Pats dariau ir vežiojau šį įrašą(dar magnetinėse juostose) po Lietuvą kompanijoms,kurios platino...
for anyone foreign here: This recording is made in kind of 'wedding musicians' style, though performers are just musicians from countryside who weren't particularly performing in weddings. They later made other recordings, but this almost DIY first album has a special kind of aura in it, so I kind of took a liking to it, there are some great tracks. The recording was (probably) made in amateurish studio in local "cultural house', with cheap synthesizer and fully analogue recording. In Lithuania, "Wedding musicians" could be considered a whole subgenre, a spin-off from Lithuanian folk and pop music, incorporating traits from both but being neither. Though wedding musicians themselves still exist and play, they don't really do recordings anymore, and also in 90s style changed to worse (IMHO). So, story goes as follows, I think. This musical movement was born in early to mid 80s, with widespread availability of cassettes and corresponding gear to use them, and wide network of unofficial distribution of both pirated western stuff, and local music which was not available otherwise through C-90 real time recorded cassette format, also reel-to-reel sometimes. These mentioned performers were probably performing quite earlier, but earliest known to me recordings date to early 80s. Since they were completely independent and basically underground, they didn't have to conform to strict requirements imposed by Soviet government towards professional performers who were getting wages for their work and were recorded in official, well-equipped studios, but had no artistic freedom at all. With 'wedding musicians' who made recordings it was vice-versa: they couldn't perform officially or record in official studios, but instead lived off performing in weddings, repertoire consisting of folk-laced pop songs with primitive instrumentation/arrangements, usually they were either modernised old folk songs, newer-contemporary folk songs, or songs written by performers themselves, most often were the latter case. These musicians made recordings in makeshift studios in their homes or other private property, usually everything was at amateur level, though these people really tried to make everything as decent sounding as possible even in these circumstances. Copies of resulting albums were freely given or sold to distributors through whom these recordings made it to appartaments of casual folks. The musicians usually had no financial gain from these albums, but they helped them to become much more popular and widely known, so they could get more appointments to play at wedding parties etc. In mid-90s tradition as it was would be gone, and most of older ensembles also. New wedding ensembles would release their material on cassettes through official labels, but the material from this much inferior in terms of artistic value and listenability, didn't had the feel of "classical" period recordings anymore. Pretty much all of these "classical" as I called them recordings (I'd say the stuff made until early 90s) were never issued officially and probably will never be. The albums made in this style are numerous, but many of them weren't widespread and are hard to locate, and many copies have different sorts of defects in sound or missing tracks. If I find recordings without anything written on them, it's occassionally not possible to find put who is performing, since there are literally no information on this material, even on most famous recordings. No books or articles have been published prior, at least to my current knowledge, so this small unscientific article of mine might the first to write about the usually-neglected style, and definitely first to do so in English, the current lingua franca. Some of known early performers, possible progenitors of this style: Aliukai (possibly the most famous group, though they used the name later to issue official later material, often unrelated, so don't search, you'll be misled) - known material from 1982-3 on Suvalkija - known material from 1984-5 Dzūkija - known material from 1985 Dobilas - known material from 1984 etc
Almost all of the songs are in the works of G.Svabienė, now recorded in Latga ... and a lot of the wedding is revived ... about 30 years ... I did it myself and transported this post (still in reels) to Lithuania for companies that were distributing ... Such times were ...
@@Dainyzz Turbūt tuo metu toks sintezatorius buvo didelė naujovė? 😊, dabar pilna sintezatorių, bet visada yra malonu išgirsti ir tų senųjų sintezatorių skambesį 😊🎹🎛🎚🎤🎙🎼🎵🎶
![Arvydas Vilčinskas ir grupė "Medus" (1989) [pilnas pirmasis albumas]](http://i.ytimg.com/vi/Yc5b_SeFORs/mqdefault.jpg)
![Arvydas Vilčinskas ir grupė "Medus" (1989) [pilnas pirmasis albumas]](/img/tr.png)
Ačiū už labai puikias grynai lietuviška dvasia skambančias dainas.Ačiū už aukštos kokybės garso įrašą.Nesulyginsi su M. mikutavičiaus per nosį marmojančius bliovimus.O jau dabartinių mergšių cypavimai, tik klėtyje pacukus baidyti.Jaunimas imkite pavyzdį!
Prisimenu jaunystę buvo nuostabu klausytis
Susidūręs su šių dienų kOšmaru. Supratau kokios gražios ir prasmingos Lietuviškos dainos.
Turiu ir as ta kasete, bet perrasyta. Zemaitija. Geras, nesitikejau rasti tokiu dainu cia.
Nuostabus balsai ir jaunyste primenancios dainos aciu
Beveik visos dainos yra G.Švabienės kūrybos,dabar jau užregistruotos Latgoje...o vestuvių atgrota daug...apie 30 metų...
Pats dariau ir vežiojau šį įrašą(dar magnetinėse juostose) po Lietuvą kompanijoms,kurios platino...
Gal galite daugiau apie šį įrašą papasakoti? Kelintais metais, kur įrašyta?
aga,papasakokit prašau daugiau kai turėsite laiko:)
aš tadu vaikas būdamas stovėdavau Druskynykuose centran prie kasetių kiosko ir klausydavaus jūs dainų:))
for anyone foreign here:
This recording is made in kind of 'wedding musicians' style, though performers are just musicians from countryside who weren't particularly performing in weddings. They later made other recordings, but this almost DIY first album has a special kind of aura in it, so I kind of took a liking to it, there are some great tracks. The recording was (probably) made in amateurish studio in local "cultural house', with cheap synthesizer and fully analogue recording.
In Lithuania, "Wedding musicians" could be considered a whole subgenre, a spin-off from Lithuanian folk and pop music, incorporating traits from both but being neither. Though wedding musicians themselves still exist and play, they don't really do recordings anymore, and also in 90s style changed to worse (IMHO). So, story goes as follows, I think. This musical movement was born in early to mid 80s, with widespread availability of cassettes and corresponding gear to use them, and wide network of unofficial distribution of both pirated western stuff, and local music which was not available otherwise through C-90 real time recorded cassette format, also reel-to-reel sometimes. These mentioned performers were probably performing quite earlier, but earliest known to me recordings date to early 80s. Since they were completely independent and basically underground, they didn't have to conform to strict requirements imposed by Soviet government towards professional performers who were getting wages for their work and were recorded in official, well-equipped studios, but had no artistic freedom at all. With 'wedding musicians' who made recordings it was vice-versa: they couldn't perform officially or record in official studios, but instead lived off performing in weddings, repertoire consisting of folk-laced pop songs with primitive instrumentation/arrangements, usually they were either modernised old folk songs, newer-contemporary folk songs, or songs written by performers themselves, most often were the latter case. These musicians made recordings in makeshift studios in their homes or other private property, usually everything was at amateur level, though these people really tried to make everything as decent sounding as possible even in these circumstances. Copies of resulting albums were freely given or sold to distributors through whom these recordings made it to appartaments of casual folks. The musicians usually had no financial gain from these albums, but they helped them to become much more popular and widely known, so they could get more appointments to play at wedding parties etc. In mid-90s tradition as it was would be gone, and most of older ensembles also. New wedding ensembles would release their material on cassettes through official labels, but the material from this much inferior in terms of artistic value and listenability, didn't had the feel of "classical" period recordings anymore. Pretty much all of these "classical" as I called them recordings (I'd say the stuff made until early 90s) were never issued officially and probably will never be. The albums made in this style are numerous, but many of them weren't widespread and are hard to locate, and many copies have different sorts of defects in sound or missing tracks. If I find recordings without anything written on them, it's occassionally not possible to find put who is performing, since there are literally no information on this material, even on most famous recordings. No books or articles have been published prior, at least to my current knowledge, so this small unscientific article of mine might the first to write about the usually-neglected style, and definitely first to do so in English, the current lingua franca.
Some of known early performers, possible progenitors of this style:
Aliukai (possibly the most famous group, though they used the name later to issue official later material, often unrelated, so don't search, you'll be misled) - known material from 1982-3 on
Suvalkija - known material from 1984-5
Dzūkija - known material from 1985
Dobilas - known material from 1984
etc
Na puikus albumas :) gal parduodat sia kasete?
This truly made me smile, thanks for the upload.
Almost all of the songs are in the works of G.Svabienė, now recorded in Latga ... and a lot of the wedding is revived ... about 30 years ...
I did it myself and transported this post (still in reels) to Lithuania for companies that were distributing ... Such times were ...
o originaliai ant šitos JVC FI90 buvo rašyta, ar vėlesnė kopija nuotraukoj?
šitoje ir buvo tas kas nuripinta
kasetė kaip tik to laikmečio kaip ir albumas
Tai mano mieliausias albumas...
Still have on open-reel tape :)
Noriu
Kokiu sintezatoriumi buvo įgrota? Ačiū!
Ko gero, Yamaha Psr 70, jei neklystu
@@Dainyzz Turbūt tuo metu toks sintezatorius buvo didelė naujovė? 😊, dabar pilna sintezatorių, bet visada yra malonu išgirsti ir tų senųjų sintezatorių skambesį 😊🎹🎛🎚🎤🎙🎼🎵🎶
@@tomasivanauskas4398kad būtent psr 70 tais metais būtų naujovė, nepasakyčiau. Nes įrašas yra 90- tųjų, o Psr 70, jei neklystu, yra 1985 metų gamybos
Lygiai tokią pačią kasetę dar turiu ir aš.Kokios tai buvo dainos-paska.