I couldn't Solo Over Chord Changes Until I Learned THIS....
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- Опубліковано 5 вер 2024
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👋 Who is Daniel Weiss ?
‘Guitar Idol 2016’ finalist and a Berklee College of Music graduate. His exceptional abilities and unique style led Weiss to be a highly sought-after musician with a rich international career as a guitarist, composer and arranger.
Weiss was featured in Lick Library, Premier Guitar, Guitar Idol, Normans Rare Guitars, and Bass the World to name a few.
🔊 Listen to my Album “Dive”
Spotify: spoti.fi/3NTD9CK
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Have a question?
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Email me at: DanielWeissAcademy@gmail.com
#DanielWeissGuitar #Jazzguitar #guitarlessons
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Great lesson Daniel! Keep up the good work 🙂👍
Jens! So Good to be in touch 🙏🏻🙏🏻🙏🏻 Thank You so much, Really means a lot to me 🙂
Endorsement from Jens himself !!
Both of you guys are my 'go to 'Jazz Guitar Teachers. Great stuff.
Thank you Jens two years ago i started watching your videos, i learned a lot and now i'm able to play a few standards, thanx Master! 🙌🏼
@@jordantolentino5681 That is great to hear 🙂
Nice tribute - what I love about guitar players is the match between devotion to craft/ ability and (egolessness of) character
Amazing how this simple exercise sounds way much cooler than lots of over complicated shredding solos nowadays. Understanding this concept is the key to create music on the spot like speaking a language itself. It's pure nature and freedom. Thanks for sharing this to the world.
Hi Daz, Thanks so much for your comment.
happy to see you here 🙏🏻I'm glad you like it! Stay in touch
Great lesson brother. May these tones guide more players out of frustrating ruts. Keep it up
Thanks brother 🙋🏻♂️💙
Awesome jazz guitar lesson Daniel, thanks for sharing!!!🎸🎶
Thank You Reggie 🙋🏻♂️🎸🙏🏻🎶 Happy you are here
Great playing, excellent teacher too.
This is best lesson... Thank you so much...
You are welcome! Thanks for being here :))
Love your lessons, man!!
Thanks Eddie, So happy to hear that 🙏🏻
Hello I write from Italy I congratulate you for the explanation I am a saxophonist and this lesson also serves me
Davide, Thanks for taking the the time to let me know - Yes, That's awesome! It's a pleasure to have you here, Please let me know if you have any questions or suggestions :) Stay in touch
Another amazing lesson Daniel! Thanks so much for all of these gems
Thanks It is my pleasure🙏🏻
Really cool outlining of the chords, it flows, it's never boring, there is great colour and the music is moving forward. Love it!
Thank you, Patrick! That's right, it's kind of like practicing harmonic momentum, moving forward while outlining the changes and letting those guide your lines. In other words, playing through changes instead of on them. Glad you liked it 🙏🏻
Exactly what I needed ! Thank You Daniel!
Great to hear that, thanks for all the comments 🙏🏻 🙏🏻
This has so much mileage my brain is exploding thank you
Glad you enjoy it Pai - Thanks for being here :) !
Very inspirational, thank you.
Very happy to hear that 🙏🏻Thanks for being here, stay in touch 🙋🏻♂️🎸
Brilliant lesson from brilliant teacher, again!!!
Jan 🙏🏻Thanks so much for the kind words 🙏🏻
The Cm7 reminded me of Jobim’s Ligia. Great lesson
תודה רבה
Liron 🙋🏻♂️Thanks for tuning in 🙏🏻
Jazz and classical musicians are so cerebral, knowledgeable, and highly trained. They may not be a "popular" genre and is buried under the pop culture of the day, but they make the guitar hackers of the pop culture including the classic rock era of the 70's look like a bunch of novice's. A repertoire of lot's of repetitive and rote licks and tricks but all based on the same singular five note simpleton scale and the same handful of basic chords. A chord extension? What does that mean? A Bbm7sus4? huh?
Just listening to Daniel tells me I may as well keep to the blues and classic rock.
Hi John
Thanks so much for your comment,
I appreciate your openness.
My opinion is that each style has its own intelligence, and there's no smarter or dumber, it's all a matter of focus points, so rock and blues are just as intelligent as jazz, just have different mental natures.
Keep doing what you love,
Hope to see you around more often.
Stay in touch
Daniel
Geddy Lee of Rush said he studied Jaco Pastorius, because “even if I barely understood his playing, just getting a little bit of that fairy dust helped my playing immensely..”
Tight logic... thank you.
You're welcome Harold : ) ! Thanks for being here
Hey Daniel, another powerful lesson. Jens Larsen watches you. Wow. Your playing is great so it shows why!
Thank You Friend 🙏🏻🙋🏻♂️Glad you are here
Thank you, very interesting👍
Thanks for tuning in 🙏🏻
Gold! Thanks 🙏🏻 enjoying your content alot
Yes! Glad you liked it, happy to help
So killer sir!!!!
Thanks Bob :D
Great lesson ❣🎸
🙏🏻❤ Thank You
Stunning solo on beginning bro!!!
Thanks Gianluca! there is a full version of that one on my channel. "Cherokee"
@@WeissGuitar my pleasure, I will check!!! I hope to have a little chops for doing something cool as I know I haven't your skills! But is inspiring!!! Cheers!
I just subscribed! Very good information !
Thanks for the sub! So glad you are enjoying it! Stay in touch :)
Wow! Why didn’t I start with jazz guitar when I was younger?! So amazing but so way over my head and knowledge of music theory! Overwhelmed with how to start and path to follow to increase my knowledge of music theory to enhance my playing… Daniel do you have any elementary music theory lessons to help us finger style guitarists? Best! Jorden Weiss
Sure , email me at dweiss2112@gmail.com
play metal = no knowledge of music ! that is why
Gran lección y grandes recursos. Gracias
Gracias 🙏🏻🙏🏻🙏🏻😊
Nice playing on the intro man
Thank You🙏🏻 Its part if the Cherokee video I uploaded recently - check it out here ua-cam.com/video/j61ICHBHCy8/v-deo.html
my friend you are blazing
Thanks Rick! So happy you are here, stay in touch. and feel free to offer ideas for videos 🙋♂️
Hi Daniel,
Can you talk about your setup, what you run your guitar through etc. Your tone is excellent.
Hi Alexander,
I wave1 usb condenser mic for the talking head videos, Going through a compressor.
The guitar is an es335 with 011 elixir strings and I use chicken picks 'badazz' 3.2mm - I think the tone has to do with those amazing picks!
When I record myself playing direct
(like at the intro here )
I use a bogner ecstasy blue pedal into my 2i2 scarlet sound card and apply cla2 wave compressor on it into a guitar rig roland amp modulator (my daw is logic pro)
I have an old video of my setup on the channel, I should do a new one 🙋🏻♂️ I keep upgrading.
Thanks for being here 🙏🏻
P.s
New video tomorrow
Great content, Daniel! Love this one
Bjorn, Thank You 🙏🏻 glad to hear that
Wtf amazing one! Finally i found this after stucking days
So happy to help, thanks for being here :) stay in touch
Great video!
Thanks Noam 🙋🏻♂️🙏🏻
I would love to understand this stuff but it just seems so daunting. I don’t know where to start😩
Start here 🙋🏻♂️🎸 weissguitar.com/course-galactic-modern-guitar/
This is an extremely significant offer - consider the cost to graduate from Berklee…
Thank you! 😃
thanks for sharing))) sorry - didnt get it on 00:55 - what are some additional notes ringing except B-G
There Is another guitar channel comping so you can hear the line over the harmony 🙂
@@WeissGuitar thank you for yr time)
@@SuperBromberg anytime! stay in touch :)
Thanks v helpful! Why is your target note always rising? I get it's voice leading - Is it an exercise approach to open the neck? Pls do a couple more videos on guide tones!
Good question, think of it as going to the next note available while ascending. Almost like playing a scale through a tune, changing notes/modes/keys/colors/functions as you go.
@@WeissGuitar Nice. Definitely like this idea and any more video examples would be awesome! For example Stella by Starlight? Ive been trying targeting on that standard it's quite tough for me
At least it's better than descending, right? ;)
@@yzimsx lol , both are fantastic and fun to practice
@@WeissGuitar Actually I was quite serious about that - monotonously descending lines are kind of dangerous. It's like an infinite ending. I might be wrong, but I think it's like the Doppler effect of something going away from you, it's the opposite of threatening. "There's no danger, you can go to sleep now." Good interesting lines have ups and downs in some mixture, to keep it interesting.
One of the most insightful lessons I've seen and an absolute pleasure to see how a great jazz players mind works. I would love to be able to rip through jazz lines like this because I think they're really beautiful to listen to but Jesus Christmas, all of this analysis does not seem like much fun... I mean how do you have time to check out the hot chicks in the audience if you have to think about all of this stuff? I guess once a dopey rock player, always a dopey rock player 🤷🏻♂️
Thanks Frank, I had my fair days of rock'nroll but things change, you know how it is.. :) Thanks for being here, please stay in touch. Daniel
Daniel, I think that if any instructor could show me the "light", you are the man! 😉 👍🎸
I just spent two minutes trying to see your eyes by pushing the picture down
Always think I’m gonna learn some secret trick but at the end of the day you need to know theory and be a master of triads and arpeggios! You lost me at 2nd inversion of E flat diminished 😅 time to study! Morale of the story there’s no shortcuts
Hi Kane,
In my Galactic Modern Guitar Series, I cover Triads, Arpeggios, and strengthening your harmonic/melodic grasp, check it out.
Feel free to email me if you have questions
Details are in the description
I'm glad you're here :)
Stay in touch
Charlie Parker on guitar in the beginning?
Yes : ) quick quote on Ab7b5 , From his legendary solo on Cherokee
How I get the backing track for pratic?
How is b13 one naturally thinks of as a guide tone?
alteration over dominant chords, check out my altered scale in 30sec lesson :)
@@WeissGuitar if b13 is a natural goto guide tone then what would make a note an unnatural guide tone?
How I would love to grasp this.I am like a dog watching a guy build a computer.Even though I hear and see everything you are doing my mind takes a shit on contact and bursts into smoke :>( Rats.
what would be your approach to CmAmAbG13?
Sounds like a fun turnaround (with a twist) to me. Try building ascending/descending guide lines using :
C melodic minor, A aeolian, Ablydian to A H/W
And then embellish them using the diatonic structures I talk about in this video. (As well as all the fundamentals I show on Galactic Modern Guitar, on my website weissguitar.com)
At first just use eighth notes
When that feels good -
Introduce some triplets.
Have Fun!!
@@WeissGuitar I’ve tried, sounds very academic:), would like to sub or superimpose for colors. Thanks!
@@yakovest try making it sound like storytelling
@@WeissGuitar when you have a sec, please check this out, different progression but same concept?
ua-cam.com/video/6QVeqVr1j-Y/v-deo.html
Do you do Skype type lessons?
Yes, still a few spots available - feel free to email me danielweissacademy@gmail.com