How To Expose And Colour Grade For Panasonic V-LOG Footage In Premiere Pro 2024 +FREE LUT

In this colour grading Premiere Pro tutorial, I will be showing you my workflow on how I colour grade V-LOG or Panasonic Lumix Log footage in Premiere Pro. I will be showing you my tips and tricks on how you can get the most out of your log footage and get the best colour is possible every single time.
I will be showing you tricks on how to get the best exposure, colour and saturation in your videos.
I will also be showing you how are you can download my free LUT to save on time on your video editing workflow.
Premiere Pro Colour Grading | Episode 6
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[@nick_pascoal]

The most straightforward and helpful tutorial I have found on this topic to date. Thank you very much!

[@boscolitmedia]

Thanks you have helped me now I am doing it just the best colour grading ever. post more.👍👍👍👍👍

[@thesweetcornkid266]

That was so well explained. Thanks!!

[@vincentstock5441]

As a S5M2 user from using DaVinci Resolve, this helped me a lot. Thank you for making this video.

[@wanderway23]

Veryyy good! Thanks Mate!

[@videofeaver]

Thank you too!

[@thefelsch]

This is not a method, it's a strictly empirical approach. Might work with a bunch of snow-covered hills, but try using this with skin tones and you will likely find yourself struggling (I wonder if the candy-like skin tones of the presenter came to happen the same way).

[@derekwilliams9384]

Well done!

[@bj0ernaa]

Love the walkthrough - Just have one question: Since you jump into an already made timeline with clips dropped into them, what color space is your composition compared to the V-log clips you drop on them? Lately, I have had trouble with using V-log clips in premiere and drop them on a Rec 709 timeline - when I add a LUT stuff just acts weird. It looks like it is applied twice. (blown out highlights and crushed blacks) - I've tried using the "intepret " menu in the project panel to add LUTS as well - same thing happens.

[@josuerivera8924]

🔥🔥🔥🔥