How To Expose And Colour Grade For Panasonic V-LOG Footage In Premiere Pro 2024 +FREE LUT
Вставка
- Опубліковано 28 лис 2023
- In this colour grading Premiere Pro tutorial, I will be showing you my workflow on how I colour grade V-LOG or Panasonic Lumix Log footage in Premiere Pro. I will be showing you my tips and tricks on how you can get the most out of your log footage and get the best colour is possible every single time.
I will be showing you tricks on how to get the best exposure, colour and saturation in your videos.
I will also be showing you how are you can download my free LUT to save on time on your video editing workflow.
Premiere Pro Colour Grading | Episode 6
I hope this video helps and don't forget to subscribe for more awesome videos just like this :)
LINKS:
📸 Cool Blues LUT Link:
drive.google.c...
🌇 Filmmaking LUTs & Lightroom Presets Shop:
www.photograph...
🔗 Trade In Your Gear With MPB:
prf.hn/l/8j82km8
🔗 Gear I Use To Film:
Canon EOS R5: prf.hn/l/A3QRDYY
Canon EOS C70: prf.hn/l/WJm00Ao
Sigma 24mm F/1.4 Art: prf.hn/l/ZYo55Gb
Rode PodMic: prf.hn/l/gxLlEL3
DJI Mavic 3 Cine: prf.hn/l/wzylbme
👕 Official Merchandise
teespring.com/...
🌐 Website
photographybyf...
📺 Instagram @photo.feaver
/ photo.feaver
📺 Get to Know Me! @James.feaver
/ james.feaver - Фільми й анімація
The most straightforward and helpful tutorial I have found on this topic to date. Thank you very much!
Thanks you have helped me now I am doing it just the best colour grading ever. post more.👍👍👍👍👍
That was so well explained. Thanks!!
As a S5M2 user from using DaVinci Resolve, this helped me a lot. Thank you for making this video.
Veryyy good! Thanks Mate!
Thank you too!
This is not a method, it's a strictly empirical approach. Might work with a bunch of snow-covered hills, but try using this with skin tones and you will likely find yourself struggling (I wonder if the candy-like skin tones of the presenter came to happen the same way).
Well done!
Love the walkthrough - Just have one question: Since you jump into an already made timeline with clips dropped into them, what color space is your composition compared to the V-log clips you drop on them? Lately, I have had trouble with using V-log clips in premiere and drop them on a Rec 709 timeline - when I add a LUT stuff just acts weird. It looks like it is applied twice. (blown out highlights and crushed blacks) - I've tried using the "intepret " menu in the project panel to add LUTS as well - same thing happens.
🔥🔥🔥🔥