I borrowed Zero Time from a friend of mine 50 years ago, I recorded it on a cassette tape and played it to death in my car, I eventually bought the album, this is the history of my younger life. I never knew the history behind this album until now. Thank you so much for this interesting interview
I totally agree with you. This is an amazing channel and every day it just keeps getting better. Every time I think how will they ever top this, but they do.
Thanks again Anthony for unearthing these incredible pieces of history! Your relationships & contacts throughout the music industry are doing a great service of cataloging historic back stories that may otherwise get lost in time! I absolutely love this channel & your continuing labor of love for music and synthesizer history. Also thanks for enlightening us with musicians we may have never had knowledge of otherwise! Bravo.
Literally the most exciting new UA-cam discovery for me in YEARS, is this channel. Been watching for about a month. So incredible. Please keep the videos coming, I have learned so much and continue to be inspired. Thank you, Anthony.
How the hell did I miss this. I was a huge electronic music fan, still am, I was listening to Larry Fast, Tomita, Carlos, Syrnx, met Moog. Just listened to Head Band. Exquisite. Thanks.
Now I understand what your experiments with the Continuum are all about. MPE and MIDI 2.0 must be the key to continuing the work those three guys started all the way back in 1968.
This is great stuff! I never met Bob but had the fortune to meet Malcom C when he was teaching a bit at Columbia Greene Community College and got to chat with him did the lights for an event he was putting on with his students!
I've had a lifelong love of synthesizers and this was one of the most beautiful interviews I've seen in a really long time. I can't wait to check out the full version. Thank you so much for sharing! 🖤
I was sold on this channel not by title of this video but by the wonderful and concise 1min introduction without cut/edits. Makes it human and non AI. Subbed and looking forward to exploring more of your stuff :-)
WOW! This is such a great story. I enjoyed listening to every minute of it! I had no idea there was "no Minimoog" featured in any of Stevie Wonder's hits from back then, although I do know he used the T O.N T.O on several songs during that time. Thanks for making and sharing this video!
This was so interesting! I know NOTHING about synthesizers but i loved hearing about this little memory he wanted to share with all of us about working with Stevie Wonder, and creating T.O.N.T.O ❤ thank you Anthony! I will be following😊
Zero Time blew away a generation of English Hippies. At the time Stockhausen was popular, Emerson Lake and Palmer were in their early days and Dark Side of the Moon 2 years away. These sounds, this music, were from another dimension entirely and created a mystique all of their own.
I've been following your channel since pretty early on, and I just want to express my gratitude. I'm learning so much and enjoy your videos immensely. Your content is getting better and better! Being a long time Stevie Wonder fan, I've heard so much about TONTO... thanks so much for providing this unique insight into it!
Incredible story... I will see the long vid asap. Thanks Anthony to let us know the details. I need to check all the records you mentioned, it will be an exciting exploration
Through Experience Hendrix, I found out from Eddie Kramer that Hendrix was never in the same room with the Moog that they bought. It sat in the booth at EL Studios and became TONTO before it was moved out.
Liked & subbed.Thank You for a Great interveiw on the history of Tonto .Friend from highschool bought Tonto's expanding Headband in 72.Those were Cosmic Days.
wowsers, an interview with robert margouleff! zero time blew me away when i was younger and digging crates for older synth albums. i could've listened to robert tell stories for hours. anthony, there is a rhythm to interviewing as there is in music. listen more and you'll find the right pace and the correct spots for questions. i do appreciate your enthusiasm and energy as it is the motor that drives this exploratory vessel into the sonic universe of synths! now i have to go and watch the full episode. thanks again for this channel 😊
Great stuff! While watching and listening, as a Dutchman I was vividly recalling compatriot Johan Timman, also standing in front of such a wall of synths. “Trip into the body” …early 80’s 👍🏻
I've seen TONTO in our National Music Centre. It really is a sight to behold, and while I didn't get to hear it in person, it is indeed one heck of an instrument!
At the moment I can't think of anything other than to say thank you! Now I've to listen to any recording on which TONTO was performed. I wasn't even born when TONTO was born. Of course we know Devo, Stevie W. anyway, but I admittedly haven't listened to a whole album by either of them yet. 🥴
I've often wondered who I saw at Stonehenge 1976, setting up a wardrobe sized bank of knobs, wires and electronica, in the dark. About half an hour before the solstice sunrise quiet ascending and descending sequences were beginning to come out of this marvellous box of tricks. The music was so cool and apt.
Malcolm Cecil moved T.O.N.T.O. to his Laurel Canyon home. It was located in a room unto itself when I was there early ‘90’s. He was a very nice guy, a proper gentleman, and worked on producing LA artists. He opened his studio to accomplishing good music. Think of a musical Gandalf, and you’d be fairly close.
great background information, i have a copy of Zero Time and often wondered weather the machine used was 'bespoke' so interesting to find it was a bunch of production synths all strung together. I used Moogs back in the 80's when they cheaper to buy second hand than at any other time, they all had some sort of faults and the power supplies were a nightmare when adapted to UK power supply. (do a sound check then the audience would arrive, temp and humidity would alter and the moog would decide to make completely different sounds!) I eventually moved to a Yamaha CS30 which i still have and is so reliable in terms of drift (once you have waited 30 minutes for it to stabilise) Of course the Yamaha came out in the late 70's so had the benefit of many years of development. Wondering about control voltages and the problem of some synths having a differing cv range for an octave, was this an issue with TONTO?
What an experience to have someone like Stevie drop by and catapult their dream.
"He went completely bonkers." These stories are great. Best channel on UA-cam right now
Agreed 🤘😃👍
You are creating an archive of electronic music history with these videos! You really leave a legacy behind! Thank you!
I borrowed Zero Time from a friend of mine 50 years ago, I recorded it on a cassette tape and played it to death in my car, I eventually bought the album, this is the history of my younger life. I never knew the history behind this album until now. Thank you so much for this interesting interview
It’s amazing how the custom cases are just as iconic as the synths themselves
Very true. Without that it would be looking and not being interesting just like Klaus Schulze synth studio.
This channel is so important and I am so happy this has been documented.
So much valuable information right here, thanks to everyone involved ❤
I totally agree with you. This is an amazing channel and every day it just keeps getting better.
Every time I think how will they ever top this, but they do.
I love the creative spirit behind TONTO, what an exciting time it must have been for those guys. Great interview!
Thanks again Anthony for unearthing these incredible pieces of history! Your relationships & contacts throughout the music industry are doing a great service of cataloging historic back stories that may otherwise get lost in time! I absolutely love this channel & your continuing labor of love for music and synthesizer history. Also thanks for enlightening us with musicians we may have never had knowledge of otherwise! Bravo.
"There's no Minimoog" 😂 Thanks Anthony!
Who needs a Mini Moog when you have a Maxi Moog?? Long live the Maxi Moog! 😁
😂
I need a Maxi Moog
You can't have too many Moogs, dude.
@@rematerialize9hahahahahahahaha!
😂😂😂
Cecil's work with Gil Scott-Heron is some of my favorite also. Delta Man.
Literally the most exciting new UA-cam discovery for me in YEARS, is this channel. Been watching for about a month. So incredible. Please keep the videos coming, I have learned so much and continue to be inspired. Thank you, Anthony.
How the hell did I miss this. I was a huge electronic music fan, still am, I was listening to Larry Fast, Tomita, Carlos, Syrnx, met Moog. Just listened to Head Band. Exquisite. Thanks.
There's room for so many different kinds of talent, in electronic music. Great interview!
Thanks for the great video Anthony.
Now I understand what your experiments with the Continuum are all about. MPE and MIDI 2.0 must be the key to continuing the work those three guys started all the way back in 1968.
Love that final reinforcement about 'no Minimoog' !
No Minimoog…
There’s
No
Minimoog…!
😂
That’s an amazing orchestra of synths thank you for sharing. Interesting information . Fabulous.❤
I appreciate your love of music and commitment to sharing that love. Great video.
Brilliant entertaining and thought provoking stories, keep em coming
Another one of your videos that's left me with my jaw on the floor. Thank you! This was phenomenal to watch. What an amazing instrument!
What a great conversation. This is great work you're doing here. I love this stuff. He's such a character too.
Absolutely love everything about this channel! Thanks for all of this Anthony.
This is great stuff! I never met Bob but had the fortune to meet Malcom C when he was teaching a bit at Columbia Greene Community College and got to chat with him did the lights for an event he was putting on with his students!
Super!!! Thank You!! The long version is very interesting too! You rock, guys!
I've had a lifelong love of synthesizers and this was one of the most beautiful interviews I've seen in a really long time. I can't wait to check out the full version. Thank you so much for sharing! 🖤
Fantastic overview, Thanks
I was sold on this channel not by title of this video but by the wonderful and concise 1min introduction without cut/edits. Makes it human and non AI. Subbed and looking forward to exploring more of your stuff :-)
I loved this. I'm going to have to watch the full video.
WOW! This is such a great story. I enjoyed listening to every minute of it! I had no idea there was "no Minimoog" featured in any of Stevie Wonder's hits from back then, although I do know he used the T O.N T.O on several songs during that time.
Thanks for making and sharing this video!
Thank Anthony to bring and share that beautiful music history of synthesizer pioneers, I love watch your videos always learn❤
What a great video preserving history. Anthony great job on an awesome video.
One video after another! truly captivating. Thank you Anthony.
That was really enjoyable to watch!
Thank you, Malcolm & Robert you were such an inspiration to this Wookiee.
This was so interesting! I know NOTHING about synthesizers but i loved hearing about this little memory he wanted to share with all of us about working with Stevie Wonder, and creating T.O.N.T.O ❤ thank you Anthony! I will be following😊
Incredible interview!
Such an enlightening interview and another deep dive into this fascinating world of synths and people.
Thanks a lot Anthony
That was exciting as!!!! Falling off my chair over here.
Zero Time blew away a generation of English Hippies.
At the time Stockhausen was popular,
Emerson Lake and Palmer were in their early days and Dark Side of the Moon 2 years away.
These sounds, this music, were from another dimension entirely and created a mystique all of their own.
Even today listening to it still blows my mind. Still sounds fresh.
I've been following your channel since pretty early on, and I just want to express my gratitude. I'm learning so much and enjoy your videos immensely. Your content is getting better and better! Being a long time Stevie Wonder fan, I've heard so much about TONTO... thanks so much for providing this unique insight into it!
That was so so wonderful!!! Thank you.
Incredible story... I will see the long vid asap. Thanks Anthony to let us know the details. I need to check all the records you mentioned, it will be an exciting exploration
Through Experience Hendrix, I found out from Eddie Kramer that Hendrix was never in the same room with the Moog that they bought. It sat in the booth at EL Studios and became TONTO before it was moved out.
Superb.
Thank you !
Liked & subbed.Thank You for a Great interveiw on the history of Tonto .Friend from highschool bought Tonto's expanding Headband in 72.Those were Cosmic Days.
Just wonderful! What a vibe.
Amazing Synth story! Thanks you for that video!
Your stuff is soooooooooooo good. Keep it coming we love it
God I love this stuff. It’s so amazing to get this… like historical texture.
I saw Malcolm perform with Tonto in Venice, CA. 1982 maybe. Took up a truck. I still have the LP he autographed for me.
my dad had tontos expanding headband on LP .. really loved it as a 90s kit i was into my techno so loved this link to my fathers genre of classic rock
Loved the Mutron. A buddy of mine had one and I was always using it with my Rhodes. Awesome.
Thank you for sharing. These are amazing historical learnings.
This was truly awesome. Thank you.
What an AMAZING story 😮
Thanks for posting this bit of music history!
Thanks for your work sharing these important and amazing stories from the history of Synthesizers. 💜
Excellent content, Mr. Marinelli!
I have a copy of the Zero Time album myself. Great fun!
wowsers, an interview with robert margouleff! zero time blew me away when i was younger and digging crates for older synth albums. i could've listened to robert tell stories for hours. anthony, there is a rhythm to interviewing as there is in music. listen more and you'll find the right pace and the correct spots for questions. i do appreciate your enthusiasm and energy as it is the motor that drives this exploratory vessel into the sonic universe of synths! now i have to go and watch the full episode. thanks again for this channel 😊
This video was entertaining and informative, thanks
Priceless. Love that time machine. Greetings from Poland!
I lover the videos you've been putting out. Thanks Anthony!
Amazing interview, thank you!
Great video man , love it
Thankyou for your great video content Anthony !
Interesting, thanks as usual Anthony :)
Absolutely fascinating!❤😮
hippies created the most amazing synthesizers in history
Great stuff, facinating stories
I live a couple hours drive from TONTOs home. One day, I plan to visit and get some play time.
Is that a thing? You just go and play it?
@@funkingitup1805 Gotta schedule play time, but yes essentially. It’s at the National Music Centre in Calgary.
@@funkingitup1805 It's in a museum. You can look at it. You won't get to play it
@@funkingitup1805no lol😂
Absolutely facilitating!❤ thank you!
This is so amazing. Great history of a great instrument.
Great stuff! While watching and listening, as a Dutchman I was vividly recalling compatriot Johan Timman, also standing in front of such a wall of synths. “Trip into the body” …early 80’s 👍🏻
Love this channel. Thank you.
This was great, Thank you!
I love your musical theme at the beginning and the end of this video.
Massive learning- praise given.
Thanks for this content
Wow. Thank you for this interesting interview!
Kind regards
Anders
Sweden
I've seen TONTO in our National Music Centre. It really is a sight to behold, and while I didn't get to hear it in person, it is indeed one heck of an instrument!
Calgary right? I heard they have Tonto there..if true I gotta see it. I have loved that set up since I watched Phantom of the Paradise
@@SwanDigEnt yes indeed. Studio Bell.
@@Devo_gx Guess where I am going next time I am in town. lol
Thank you!!!
Great document! Thanks! Got to meet Malcolm at Mark Mothersbaugh's house and stupidly only talked to him about his work with Steve Hillage!
What a great story! Love it!
Great interview!
Grazie mille per il video! 🇮🇹
As always very informative!
Great stuff , how interesting, I got the Tonto album when it came out , I played it a school dance the people not impressed.
At the moment I can't think of anything other than to say thank you! Now I've to listen to any recording on which TONTO was performed. I wasn't even born when TONTO was born. Of course we know Devo, Stevie W. anyway, but I admittedly haven't listened to a whole album by either of them yet. 🥴
Great Video! Listen to Steve Hillage " Motivation Radio" .
You can hear Malcolm Cecil playing TONTO!
I've often wondered who I saw at Stonehenge 1976, setting up a wardrobe sized bank of knobs, wires and electronica, in the dark. About half an hour before the solstice sunrise quiet ascending and descending sequences were beginning to come out of this marvellous box of tricks. The music was so cool and apt.
What a great story! And I finally can put a face behind the name!
Anthony, you need to get in touch with synth historian Tom Rhea and interview him.
I've spent many hours with Tonto, in the basement of Mark's studio on Sunset Blvd. I've absolutely got to find my pics!!!
Malcolm Cecil moved T.O.N.T.O. to his Laurel Canyon home. It was located in a room unto itself when I was there early ‘90’s. He was a very nice guy, a proper gentleman, and worked on producing LA artists. He opened his studio to accomplishing good music. Think of a musical Gandalf, and you’d be fairly close.
501 ... I listened to every minute of the long version... thanks so much you are awesome
Awesome Watch!
wow, what a beautiful story
awesome video thank you
😍😍😍😍😍😍😍😍😍😍😍😍 THANKS!! AMAZING VIDEO
great background information, i have a copy of Zero Time and often wondered weather the machine used was 'bespoke' so interesting to find it was a bunch of production synths all strung together. I used Moogs back in the 80's when they cheaper to buy second hand than at any other time, they all had some sort of faults and the power supplies were a nightmare when adapted to UK power supply. (do a sound check then the audience would arrive, temp and humidity would alter and the moog would decide to make completely different sounds!) I eventually moved to a Yamaha CS30 which i still have and is so reliable in terms of drift (once you have waited 30 minutes for it to stabilise) Of course the Yamaha came out in the late 70's so had the benefit of many years of development. Wondering about control voltages and the problem of some synths having a differing cv range for an octave, was this an issue with TONTO?