If anything, I would say that one thing worth looking at is the habit of anticipating the next technique. In the very beginning, the performer leans in for a good second or so before dropping into Iaigoshi dachi (one knee stance)--and in that case, the lean is a pretty obvious indication of what you're trying to do next (which is what you don't want). Another thing: The Kokutsu dachi done here all look nice--but that's just it, they look nice, but they don't appear very structurally stable. I would suggest maybe shortening the Kokutsu a bit. In some areas, it looks like the performer has to force themselves to fully step into the stance, which seems like it could be an indication that they have yet to discover *their own Kokutsu*. The loss of balance that occurs every now and again also supports this theory of mine.
If anything, I would say that one thing worth looking at is the habit of anticipating the next technique. In the very beginning, the performer leans in for a good second or so before dropping into Iaigoshi dachi (one knee stance)--and in that case, the lean is a pretty obvious indication of what you're trying to do next (which is what you don't want).
Another thing: The Kokutsu dachi done here all look nice--but that's just it, they look nice, but they don't appear very structurally stable. I would suggest maybe shortening the Kokutsu a bit. In some areas, it looks like the performer has to force themselves to fully step into the stance, which seems like it could be an indication that they have yet to discover *their own Kokutsu*. The loss of balance that occurs every now and again also supports this theory of mine.
+Zee - HozukiHangetsu I do agree with you, there is a lack of stability in the kata, which is reducing its level... Thank you for the feedback...