One of the best ever singer Ever! BRAVO to be remerembing Her forever from Hollywood History, BRAVO. Merci beaucoup for this Golden Age Movie! Emmanuel from Paris
To me the funniest part of this is the "Hey, hey! Hey, hey!" as they go up the steps of the set, only to suddenly yell out "HEY!" in surprise and panic as it splits in half.
Jesus Christ on a bicycle do I love the Ritz Brothers! Beyond their unique gift I am astounded at how unknown they are. I suppose most of the great comedic talent is forgotten or ignored today, but I'm 60 and few of my contemporaries know of them. That one little hands flutter Harry does after wandering into the distance is worth the price of admission.
You are absolutely right,. Society had changed by the 1940s, and the comedians from that period were extremely popular, especially Abbott and Costello, whose pictures saved Universal Studios from bankruptcy. It is also true that the short subject, in which the comedians from the 1930s were so brilliant, was falling out of favor, and studios concentrated more on full-length pictures in which the story was of primary importance, with comic interludes being secondary. Your points are well taken.
Interesting sociological commentary...by the late '30s the phemomenon known as "Cafe Society" was emerging. One author described Cafe Society as the democritization of old Northeastern society (think Edith Wharton) grown bored with Newport, unwilling/unable to entertain as lavishly as their parents and grandparents, and economically squeezed by the depression begin associating with the newly rich and/or merely famous. This musical number pretty much echoes that, doesn't it?
Big-time 1937 Depression vibe here. Sociologically rich routine. Cafe society observation rings true. Ritz Brothers, essentially nightclub performers Zanuck grafted onto movies from about 1936-40, are at their best in these kinds of number.
Here (in Seinfeld) we find Harlequin in full flower in the character of Kramer, with signature hair, clothing and physicality. Also special note to Sid Ceasar, Dick Van Dyke, Joan Davis, Lucille Ball, and many others whose connection to the classic (not to mention funnier) traditions of comedy were thankfully kept alive in America. The French can continue to adore Jerry Lewis.
Comedy in Hollywood began a nosedive around this period, reaching its lowest point ever during the 1940s, with the likes of Bob Hope, Abbott and Costello, and the Ritz Brothers. Chaplin, Keaton, Laurel and Hardy, W.C. Fields, and the Marx Brothers put the comedians of this period to shame. It's no wonder that comedies of the 1940s were so heavily padded with musical numbers, given the dearth of talent.
Different time period, different tastes - I wouldn't write off completely Bob Hope, Abbott and Costello, and the Ritz Brothers (and you may put Red Skelton and Danny Kaye on that list too) as comedic talents. They were very funny and worthy of the success and adulation they received. But to compare them with Keaton, Chaplin, Laurel/Hardy, etc is not completely fair - these guys were a different class of comedic geniuses and were able to create their own material (with help of gag writers) but that shouldn't take away the talents of those that followed. Yeah, they may not be in the same league but not everyone can be (Christ- look at what we have now, for example). The comedians of the late 30s and 40s still had that special something and were able to take the material given to them and could weave gold! Its all in the interpretation. A&C never wrote a single word of their routines but they way they performed them and able to wring out every possible laugh is where true magic was.
"recent movies have been simply horrid" I thought these were funny and unformulaic: Big Stan 2007 Hot Rod 2007 Smiley Face 2007 Forgetting Sarah Marshall 2008 Sex Drive 2008 Tropic Thunder 2008 Lower Learning 2008 Fired Up 2009 Dinner For Schmucks 2010 Easy A 2010 The Other Guys 2010 Crazy Stupid Love 2011 Wanderlust 2012 This Is The End 2013 We're The Millers 2013
It (the connection to Comm Del Arte) in much of the comedy of early television. Ed Norton (Art Carney) is an obvious Harelquin down to the costume (vest, tee-shirt, hat), as well as Gleason's characters including Ralph Kramden. Then, the formulas took over TV as well, leaving us with the deadness and bland stupidity of the comedy of the mid-to late sixties through today. One exception, among others, of course, was Seinfeld. (continued)
Losun, No doubt that M. Sadoul was correct TO A DEGREE. The Ritz Brothers are an exception perhaps not known to him, and Bob Hope's early comedic acting was superb. Hollywood became formula driven by the 1940's so much of the comedy is this bland, predictable, flavorless gunk. When INDIVIDUALS are left to create, unhindered by studio dictates, the product is so much better. But the connection to Commedia Del' Arte never completely disappeared. (continued)
They were physical comedians without par. Tap barefoot and doing coordinated dance on a narrow set. The leap on to the split stage? genius. long takes. You just have to appreciate the form their work was among the very best. Solid movie. Solid dance, Great cast all around.
Outstanding Hollywood number ever rendering. Thanks a lot from Paris France 👍.
Alice Faye was fantastic!
Alice Faye is fantastic! A great musical number by Irving Berlin. Great dance routine.
Best dancing scene ever! So enjoyable and I love how the 2 classes merge. Alice Faye knocked this one out of the park!
One the best ever in Hollywood historical moments!!!! BRAVO! Emmanuel
The better the material, the better The Ritz Brothers are.
That jump on the the moving walls was actually quite impressive lol if the timing had been wrong we would have a very squished man in drag!
Harry Ritz was sublime. great physical comedian on par with Marceau
YOU CAN SEE THE APPREHENSION IN HARRY'S FACIAL EXPRESSIONS, NOT SAFE AT ALL!!! RESPECTFULLY MICHAEL GERARD KIRSLING CHICAGO
"actually"
The lost art of stagecraft in full display!! Wonderful to see. Marvelous dance number.
One of the best ever singer Ever! BRAVO to be remerembing Her forever from Hollywood History, BRAVO. Merci beaucoup for this Golden Age Movie! Emmanuel from Paris
To me the funniest part of this is the "Hey, hey! Hey, hey!" as they go up the steps of the set, only to suddenly yell out "HEY!" in surprise and panic as it splits in half.
THE BEST EVER MOVIE WITH THE RITZ BROTHERS! BRAVO FOR THIS, GREAT SOUND AND IMAGE RENDITION! MERCI BEAUCOUP FROM Emmanuel from Paris France
Jesus Christ on a bicycle do I love the Ritz Brothers! Beyond their unique gift I am astounded at how unknown they are. I suppose most of the great comedic talent is forgotten or ignored today, but I'm 60 and few of my contemporaries know of them. That one little hands flutter Harry does after wandering into the distance is worth the price of admission.
Irving Berlin, who wrote “Puttin’ On The Ritz”, also wrote this one.
Just great entertainment! We seem to have lost that. I watch more, and more old movies these days
The greatest performers! Family STARS ever! BRAVO, crash CRAZY ever men in reunion! BRAVO bravo bravo! Emmanuel
I agree. I appreciate the (unusually) thoughtful and informative discussion / debates here. Everybody gains.
Anyone notice Joan Davis as the assistant?
The musical numder with Alice was great, a real stage in a movie, can't say much for the rest.
The Ritz brothers were great dancers. Watch it carefully, they are doing great work here.
MUCH better than usual Ritz- they knew enough to keep the parody short and sweet
You are absolutely right,. Society had changed by the 1940s, and the comedians from that period were extremely popular, especially Abbott and Costello, whose pictures saved Universal Studios from bankruptcy. It is also true that the short subject, in which the comedians from the 1930s were so brilliant, was falling out of favor, and studios concentrated more on full-length pictures in which the story was of primary importance, with comic interludes being secondary. Your points are well taken.
Harry was the nucleus
Great set of gams on that gal, hotcha!
Love Alice, Underated"
Interesting sociological commentary...by the late '30s the phemomenon known as "Cafe Society" was emerging. One author described Cafe Society as the democritization of old Northeastern society (think Edith Wharton) grown bored with Newport, unwilling/unable to entertain as lavishly as their parents and grandparents, and economically squeezed by the depression begin associating with the newly rich and/or merely famous. This musical number pretty much echoes that, doesn't it?
Big-time 1937 Depression vibe here. Sociologically rich routine. Cafe society observation rings true. Ritz Brothers, essentially nightclub performers Zanuck grafted onto movies from about 1936-40, are at their best in these kinds of number.
Oh wow 😂
Here (in Seinfeld) we find Harlequin in full flower in the character of Kramer, with signature hair, clothing and physicality.
Also special note to Sid Ceasar, Dick Van Dyke, Joan Davis, Lucille Ball, and many others whose connection to the classic (not to mention funnier) traditions of comedy were thankfully kept alive in America.
The French can continue to adore Jerry Lewis.
Comedy in Hollywood began a nosedive around this period, reaching its lowest point ever during the 1940s, with the likes of Bob Hope, Abbott and Costello, and the Ritz Brothers. Chaplin, Keaton, Laurel and Hardy, W.C. Fields, and the Marx Brothers put the comedians of this period to shame. It's no wonder that comedies of the 1940s were so heavily padded with musical numbers, given the dearth of talent.
Different time period, different tastes - I wouldn't write off completely Bob Hope, Abbott and Costello, and the Ritz Brothers (and you may put Red Skelton and Danny Kaye on that list too) as comedic talents. They were very funny and worthy of the success and adulation they received. But to compare them with Keaton, Chaplin, Laurel/Hardy, etc is not completely fair - these guys were a different class of comedic geniuses and were able to create their own material (with help of gag writers) but that shouldn't take away the talents of those that followed. Yeah, they may not be in the same league but not everyone can be (Christ- look at what we have now, for example). The comedians of the late 30s and 40s still had that special something and were able to take the material given to them and could weave gold! Its all in the interpretation. A&C never wrote a single word of their routines but they way they performed them and able to wring out every possible laugh is where true magic was.
That secretary was a real honey; even the cracking voice is cute. They had cute, back then, before we did!
They had Harry Ritz, one of the greatest of all at physical comedy
She sure can do a lot in heels.
Great performance however wonder if this is a knock off of "puttin' on the Ritz"?
Both Irving Berlin. Slumming not nearly as complex a tune as Ritz Same idea sort of.
The men are wearing what look like chest waders instead of trousers😅😂
"recent movies have been simply horrid"
I thought these were funny and unformulaic:
Big Stan 2007
Hot Rod 2007
Smiley Face 2007
Forgetting Sarah Marshall 2008
Sex Drive 2008
Tropic Thunder 2008
Lower Learning 2008
Fired Up 2009
Dinner For Schmucks 2010
Easy A 2010
The Other Guys 2010
Crazy Stupid Love 2011
Wanderlust 2012
This Is The End 2013
We're The Millers 2013
NAME OF FILM PLEASE!
On the Avenue 1937
@@whazzat8015 Thanks"
It almost looks like Jimmy and Al are barefoot.
I must say Harry looked good in a dress.
I think Jimmy and Al are barefoot.
@@JoeLibby Yep
Tap barefoot
Only the Ritz brothers could out Ritz the Ritz brothers
It (the connection to Comm Del Arte) in much of the comedy of early television. Ed Norton (Art Carney) is an obvious Harelquin down to the costume (vest, tee-shirt, hat), as well as Gleason's characters including Ralph Kramden. Then, the formulas took over TV as well, leaving us with the deadness and bland stupidity of the comedy of the mid-to late sixties through today. One exception, among others, of course, was Seinfeld. (continued)
The brother in the satin skirt is hot!
Harry Ritz was hot before hot.
That outfit is so bad that it looks better on him than on Alice.
haha! true!
Harry had some legs on him, he did.
Losun,
No doubt that M. Sadoul was correct TO A DEGREE. The Ritz Brothers are an exception perhaps not known to him, and Bob Hope's early comedic acting was superb.
Hollywood became formula driven by the 1940's so much of the comedy is this bland, predictable, flavorless gunk. When INDIVIDUALS are left to create, unhindered by studio dictates, the product is so much better. But the connection to Commedia Del' Arte never completely disappeared. (continued)
fantastic act, but the ritz brothers ? not so much, probably appealed more in the 30's but Alice faye, brilliant!thanks
They were physical comedians without par.
Tap barefoot and doing coordinated dance on a narrow set.
The leap on to the split stage? genius. long takes. You just have to appreciate the form
their work was among the very best. Solid movie. Solid dance, Great cast all around.