@@rondrotoskeyboardimprov9453 Thanks! I am trying to think of this song in terms of the Barry Harris method. He could use the borrowing technique to make Maj7 chords, or would use either the Maj6 diminished scale (on the maj7) or the Min6 Diminished Scale (on the relative minor of the Maj7b5). I hope that makes sense to you! Your channel is very helpful.
The tension inherent in the Maj7th chords sounds better on this tune than Major 6ths. Major 6th chord substitutions tend to mellow out Major 7th chords particularly tonic chords, but this tune is all about urgency (pun unintended) and tension and those Maj7ths are absolutely essential to get inside the excitement this tune is supposed elicit from the listener.
I was lucky enough to see Joe Henderson in person at Yoshi’s Jack London Square in Oakland. Even got to tell him in the parking lot after how much I enjoyed his playing.
I really liked the ending before you even mentioned The Who. I am going to steal that idea. Very interesting to hear you ease into the melody from an improve! Mulgrew Miller actually has a very energetic piano version of this that you can find on UA-cam.
I really like this series, your commentary, your demeanor, your playing. Your background is extremely helpful and uncommon.
Thanks whoahdude! I'm have in a great time with these videos, and I'm glad you're enjoying them.
Could you substitute a major 6 in place of these major 7 chords? Or the major 6 b5 in place of the major 7 b5's?
Yes, although it would be more typical to add the 6th (along with a 9th) to the 7th chords, to make major 13th chords.
@@rondrotoskeyboardimprov9453 Thanks! I am trying to think of this song in terms of the Barry Harris method. He could use the borrowing technique to make Maj7 chords, or would use either the Maj6 diminished scale (on the maj7) or the Min6 Diminished Scale (on the relative minor of the Maj7b5). I hope that makes sense to you! Your channel is very helpful.
The tension inherent in the Maj7th chords sounds better on this tune than Major 6ths. Major 6th chord substitutions tend to mellow out Major 7th chords particularly tonic chords, but this tune is all about urgency (pun unintended) and tension and those Maj7ths are absolutely essential to get inside the excitement this tune is supposed elicit from the listener.
@@SalimSivaad Excellent points!
@@jameserenberger3425 If it works for you, go for it!
Brother tune that great instrument eh
I didn't expect it to work well on piano, but I really like it on piano now.
Yeah, they can all work on piano, once we find the way.
I was lucky enough to see Joe Henderson in person at Yoshi’s Jack London Square in Oakland. Even got to tell him in the parking lot after how much I enjoyed his playing.
Wow - what a great experience! I've never heard him live.
This was exceptionally helpful
Good luck and have fun :)
I really liked the ending before you even mentioned The Who. I am going to steal that idea. Very interesting to hear you ease into the melody from an improve! Mulgrew Miller actually has a very energetic piano version of this that you can find on UA-cam.
Yes, please use the ending too!
Bravo!
Thanks Cheryl!
very helpful - thank you!
I challenge you to actually play the head at tempo. I don’t think you nailed the last eight bars of the head in your return to the melody
I think you're right! I used to have it perfectly but found that I need to practice it again :)