1939 Horace Heidt - Tomorrow Night (The Heidtlites, vocal)
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- Опубліковано 12 вер 2024
- Influential jazz and blues guitarist/singer Lonnie Johnson is most closely identified with this tune through his million-selling recording for King records in the 1940s ( • 1948 HITS ARCHIVE: Tom... ). Back in 1939, though, it was pretty much just another pleasant ballad that came and went.
Of some note to collectors: Columbia record number 35203 was only the third numbered release for the brand new red-label Columbia brand following a two-year hiatus since the last (blue label) pop series Columbias were issued.
From 78rpm Columbia 35203 - Tomorrow Night (Coslow-Grosz) by Horace Heidt & His Musical Knights, vocal by the Heidtlites, recorded August 9, 1939 .
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One of my favorites from this era. I love the American and UK big band & pop (for lack of a better term) sound from the late 20's thru the 30's but it seemed to lose it's magic in the 1940's with a very few exceptions. The German (also the French, Belgium, Dutch & Scandinavian) tango band & pop (once again for lack of a better term) sound from the 30's thru the 40's was also full of enchanting and haunting melodies with endless hits being produced during that period. I'm a late Gen X'er and I can honestly attest that there was phenomenal, great consistent music produced from the 1920's thru the early to mid 1990's but since then new music has been DEAD. And it's not the old cliche of "the older generation always complains that the new generations' music is horrible" because much of the music after the early to mid 90's WAS being produced by my generation plus the music of the 1920's thru the 1970's was before my time by 1, 2 and 3 generations (I was born in the late 70's) and it is listened to by millions to this very day, especially the music of the 60's through the 80's. It's just like Beethoven and Mozart have stood the test of time well so will most of the music of the 1960's, 70's and 80's although it seems that there aren't too many fans of the 1920's thru the 1950's left however that doesn't change how dynamic the music was from those decades.
This song would later became an R&B hit for Lonnie Johnson in 1948, and again in 1955 by Lavern Baker when it was also the B-side to her classic “Tweedlee Dee”.
can that Hiatus be assumed to be part of the A.R.C.'s management of the label before it's collapse?
The old Columbia had collapsed in 1934. That's when ARC bought it, but for them Brunswick and Vocalion were their prime record lines. They'd mostly bought Columbia to upgrade ARC's recording equipment and some record pressing facilities. ARC didn't release many new pop titles on Columbia; they mainly used it for imported classical items and ethnic material. (ARC wound down Okeh in 1935.)
Many ARC Columbia items were also released on Brunswick (Fred Astaire, Glenn Miller to name two) at the same time or very shortly after they appeared on Columbia.
The last six ARC Columbia pop records (3171-D to 3176-D) were an album set released in the wake of the death of blues singer Bessie Smith in 1937, reissuing some of her most popular recordings.
@@royalpemberton8724 I wish I had known this info a few months ago. Thanks anyways. What else ARC do you know? For the whole Perfect area, I know pretty much everything on.
Is that Alvino Rey on steel guitar?
Yes. Great Guy.