Mozart - Serenade K.361 "Gran Partita" - Vienna / Furtwängler
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- Опубліковано 10 лют 2025
- Wolfgang Amadeus Mozart
Serenade K.361 "Gran Partita"
I. Largo - Allegro molto 0:00
II. Menuetto - Trios I & II 8:26
III. Adagio 16:55
IV. Menuetto. Allegretto - Trios I & II 23:25
V. Romance. Adagio - Allegretto 28:01
VI. Thema. Andante con variazioni 34:58
VII. Rondo. Allegro molto 45:44
Wiener Philharmoniker
Wilhelm Furtwängler
Studio recording, Vienna, 10, 19, 26.XI & 3.XII.1947
Die Wiener Philharmoniker mit Wilhelm Furtwängler und MOZART!..eine göttliche Kombination..das reicht für ALL Ewigkeit! Mein Gott...ein unglaubliches Erlebniss!
I've been listening to many performances for a presentation. This is the most masterful of all of them: every voice clear, every line balanced and true, every lovely melody in all its simplicity. Furtwangler was a great genius.
Oh, yes! But please try this also with a full orchestral setting .. ua-cam.com/video/3ecTdZic2Hc/v-deo.htmlsi=wi9yRgSvqdq8P4bI
The very first chord is already a soul-warming thing. What a master he was.
Yes.
Furtwangler - поднялся в исполнительстве выше всех остальных дирижёров!!!! ОБОЖАЮ ВСЕ ЕГО РАБОТЫ!!!
Wonderful music making, the opening allegro really surprised me (and some of the performers) but once it settled in it was brilliant. I love hearing "performances" where they don't go back and "fix" things. Wonderful.
Wie groß Wilhelm Furtwängler wirklich war, wird deutlich, wenn er Mozart dirigierte. Da ist sein schwerer, von Beethoven und Wagner geprägter Stil, plötzlich leicht, ohne an Gewicht und Ausdruck zu verlieren. Die Phrasierung bleibt vorbildlich, sein Orchesterklang gewinnt der Tragik in Mozarts Musik auch eine unbeschwerte Seite ab, ganz im Sinne des Komponisten. Er lässt die Bläser beredt modellieren und wird nie flüchtig oder stilistisch neutral und nichtssagend, wie man es oft von Dirigenten hört, die zu diesem Komponisten keinen Zugang haben. Furtwängler war auch musikantisch, mit einem untrüglichen Instinkt ausgestattet. Ich gehe nicht so weit zu sagen, dass er Mozart 'am besten konnte' aber es ist ein Wunder, wie meisterhaft er gerade diesen Komponisten zu dirigieren in der Lage war..
Gracias por la música, por la reseña de Wilhelm Furtwängler y por el excelente comentario de Brian Donohue.
*****
It's great, but Bach and Brahms are not in the same league.
Actually, nobody is in Bach's league. Bach, Mozart and Beethoven each stand alone... the best of everyone else doesn't reach their shoes.
+Brian Donohue - it is so refreshing to read a comment which does not rate composers against each other, but instead emphasizes their common greatness. Not to talk about your insight into this Serenade, so enlightening...
THE MASTER FURTWANGLER unlike the other conductors is really ORIGINAL !!!!!!!!!!!
B R A V O ! ! !
I first heard that music in “ Amadeus”, where maestro Salieri,in envy, admires the beauty and simplicity of that melody! Heavenly, but Herr Mozart was never wrong, even his simplest dances are products of genius.
3rd movement: simply sublime, simplemente sublime....
Et ... le dernier mouvement absolument prémonitoire de la Révolution française de 1789 par sa thématique( ressemblance frappante avec certains airs populaires - carmagnole, " ça ira"-), son ironie, son caprice , sa désinvolture etc...
Ascoltare un brano diretto da Furtwaengler è come sentirlo per la prima volta.
Da Vero!
Astonishing. Hearing things I never heard before. Intimate in the studio.
Yes! It all comes clear.
Bravo!
世界の音楽史上、最美の旋律又最良の諧謔精神の所有者ヴォルフガング・アマデウス・モーツァルトの創出した、妙なる美しさの溢れるセレナードです。この曲を聴く事により、人生の荒波を乗り越えるのです。
そして音楽の大いなる花園に、乗り入れるのです。
擱 筆
....great, greater, greatest....what a useless discussion about the genius of various composers. Sit back and listen to perfect harmony and feel the flow...
Mi piace moltissimo
But Herr Mozart was a genius! Unless we ask maestro Salieri. 😁
Exquisite!
Amazing
Thank you !
What a pity for the technical quality of the recording! Maestro Furtwangler offers us the deepest meaning of Mozart's work
.
In effetti qui non si riesce ad apprezzare il meraviglioso impasto timbrico di cui è capace Mozart, messo al servizio della sostanza musicale dei brani, che fa sbiancare persino i grandi orchestratori dell'8-'900, quali Ravel e Stravinskij.
フルトブェングラーは、お顔立ちから、見ても、慈悲的心の寛大さ、優しさ、広さ…。何とも、人間味あふれる、お顔は、その、音楽を聴く前から、きっと素晴らしい演奏だろうと、思うのであった。で、聴くと、案の定、見違えるような素晴らしい演奏であると、わたしは、思う。日本人奏者による、極めて、質の高い、クオリティーのたかぃ演奏も、いいけど、やはり、グランパルティータは、フルトブェングラーか！それにしても、この、ユーチューブは、コマーシャルいれすぎる！
Top of The top. BELLISSIMA. (i'm italiano) "Molto Allegro" is may be a little fast but It is great.
3rd Movement movement MUST be declared "Unesco" humanity patrimonium.It makes me cry. After this, only The Members of Berliner with The Great Karl Leister 1982 performance reach this level. Op bad Furthwangler have Not Karl Leister.
Orpheus Chamber di Aldo a Good work in 1987 but Cannon be compared wit this or with The Berliner execution.
The sound lire 13 solois( Great soloist) but i miss The "Choir" effect. It seems liKe everyone musica is playng his parte for himself And Here And there, i Can hear a " First sight" sensation.
I Bag tour pardon for My poor USA English.
Gioachino. Trumpet Player
Y'all do realize that this Fartwangler was Hitler's favourite conductor and even more than the Nazi party member since 1935 von Karajan made itseem that Naziism was not only normal but uplifitng
Got it! Your analysis is to the point! Very difficult to be that precise in wind ensemble. 👍
@@ordinaryshlepper1193 Not true, if you consult the Nürnberg documents Furtwängler ( Furtwangler) was never NAZI member, and was cleared. He made a naive decision to stay in Berlin, for the sake of music. He was “persuaded” to perform for Hitler a few times, which allowed him to save several Jewish musicians from the death camp.
The story of German artists and musicians during ww2 was repeated many times, many paid with their lives for disobeying Hitler’s orders.
Karl Leister is a brilliant musician. One of my favorite all-time clarinet players
Alfred Prinz superior 🔝
grazie
🙏🙏🙏❤❤❤❤
16:54 is mvt 3 Adagio
Oh, Gran Partita! Sorry, this beautiful and elegant style was not succeeded by and used in the 19th century orchestral music.
As it is not orchestral music, this is chamber music! Predecessor of Beethoven's Septet and Schubert's Octet, Brahm's 2nd Serenade, and a few other works.
10:52 !
至芸
Rather dull stuff, if I may say so.
You may say so, but it seems like most people would disagree. To each his own. Correction: To each his or her own. Correction: To each her or his own. Correction: To each their own. ?? (^0^) Cheers, "irregardless"!
Right definition for your brain content