Great job. I normally am not a fan of pyromusicals. But this was amazeballs. The song, product, and choreography, were all so good that I watched it 3 times 👍🏻👍🏻👍🏻👍🏻👍🏻
@James derrick I guess I enjoy the sound of the actual fireworks, even the lifts more. Pyromusicals are often too loud on the music side. But I enjoy watching ones that can hold beats using ground initiated effects. Also enjoy the mascaletas that do the same. Loved this one for that reason. Softer song and beautiful effects and timing. Not just random stuff going off while God bless America blares too loud .
@@leftiluci379 ty for reply. I could hardly hear the music when there. But I can understand if it took away from the fireworks. This was really well done..
This one impacted me so hard that night!! It was the best performance! Blew my mind, they said this guy was an amateur, but it felt the most real out of all 5. Brought tears to my eyes. I just felt the music with the experience of seeing this in person and it was truly beautiful.
bravo. just awesome. There cant be enough said about this show. I keep seeing more of it the more times I watch it. It cant be understated the musical selection accompanied by the excellently timed pyro, without both components, its no where near as impactful.
I've watched this countless times now. For me this might be THE pinnacle of a 1.4/1.4 Pro Pyro Musical, in my eyes you absolutely killed it, and I'm afraid it cannot be outdone. I want it to be outdone, but I don't know how it could be. B-E-A-UTIFUL. This is a tough one to beat and I only wish I was there to witness it in person, incredible display. I'd love to see the shoot list, especially the peony shells that start @ the 1:50 mark, they're so clean. Sub'd and looking forward to more from you.
I just heard you on a podcast talking about pyromusicals and came to check you out... wow! I love your work and really appreciated your thoughts on creating shows. I'm looking to do my first show to music this July with 36 manual cues and consumer cakes. I know it won't be this, but I'm hoping it'll he fun and enjoyable.
Truly awesome! Any chance you could send over any info in terms of how the positions were laid out? I'll have 6 positions for my first true pyromusical this year and trying to think through spacing and placement. Also any idea how many cues this was?
it was 5 positions 60 feet apart and roughly 500 cues. i recommend always having an odd number of positions, not an even number, that way you always have a center position
@@tongpopyro2691 Thank you so much. So 60 feet total right? I'm thinking 5 positions up front like this and then one position centered in the back for larger shells/cakes potentially.
The first one I've seen on you tube that actually had a nice amount of noise and mortar fire for my liking usually majority of them are way to many comets mines and fans that are nice but you gotta shake the audience or it's not a show this was great
Im an amateur and would LOVE to actually see the script and how you time everything if possible. I program everything manually into excel and could definitely benefit to seeing how the pro's do it.
Wow! What an awesome variety of colors in that pyromusical! Loved it. Lots of cues packed into that 2:45! Did you use a variety of vendor's product for this display or were they all from one vendor?
i think it was a comment of yours on fb that said to collapse the pyrolama arch during transportation. if that was you, thanks, i did that and it was a big help
@@dustinbercot8329 i had ten 72m and five 36m out on the field. i prewire most of the stuff into 18s quickplug slats ahead of time. i also had eight 9 arch pyrolamas for my single shot racks.
@TONG PO PYRO thanks! Were you running each position from its own modules? I am adding more 72Ms and slats to my arsenal this year and trying to configure my best layout. New layout is 5, 3, 2, 2 , 1 positions, and using slats everywhere I can that duplicates cues
@@dustinbercot8329 i never link slats together. each position gets its own mods. i use slats so i can prewire ahead of time, so all i have to do on show day is plug the cable to the mod. my opinion on people that run multiple slats off one mod and connect them from position to position, what's the point of having a wireless system if you are going to use long run of cables. if i don't have enough mods, i borrow.
@TONG PO PYRO great point, and the cost of slats and cables is expensive as well, I had to go this way as I don't have any opportunity to borrow, but would much prefer to have mods at every position. Definitely would make it easier
Great job. I normally am not a fan of pyromusicals. But this was amazeballs. The song, product, and choreography, were all so good that I watched it 3 times 👍🏻👍🏻👍🏻👍🏻👍🏻
Why not a fan of pyromusicals? Just curious 🤔
@James derrick I guess I enjoy the sound of the actual fireworks, even the lifts more. Pyromusicals are often too loud on the music side. But I enjoy watching ones that can hold beats using ground initiated effects. Also enjoy the mascaletas that do the same. Loved this one for that reason. Softer song and beautiful effects and timing. Not just random stuff going off while God bless America blares too loud .
@@leftiluci379 ty for reply. I could hardly hear the music when there. But I can understand if it took away from the fireworks. This was really well done..
@@jamesderrick3343it’s gay asf
As someone who was there the entire weekend (and did the boot-camp)... This was probably the best show of them all.
This one impacted me so hard that night!! It was the best performance! Blew my mind, they said this guy was an amateur, but it felt the most real out of all 5. Brought tears to my eyes. I just felt the music with the experience of seeing this in person and it was truly beautiful.
Sure there are bigger and over the top shows,but this display brought the emotion,perfect display,this one I’ll remember forever,thanks!
bravo. just awesome. There cant be enough said about this show. I keep seeing more of it the more times I watch it. It cant be understated the musical selection accompanied by the excellently timed pyro, without both components, its no where near as impactful.
Impressive product knowledge for a fantastic show. Very well done Elery
I've watched this countless times now. For me this might be THE pinnacle of a 1.4/1.4 Pro Pyro Musical, in my eyes you absolutely killed it, and I'm afraid it cannot be outdone. I want it to be outdone, but I don't know how it could be. B-E-A-UTIFUL. This is a tough one to beat and I only wish I was there to witness it in person, incredible display. I'd love to see the shoot list, especially the peony shells that start @ the 1:50 mark, they're so clean. Sub'd and looking forward to more from you.
Really nice, Great Job! I enjoyed watching it, Keep up the good work!
This is astonishingly beautiful I had a tear or joy come down my face
👍👍👍 Fantastic job, the choice of song was great too.
Simply Stunning man you knocked it out the park
It’s like everytime I see this I’m in a dream I can’t get over how beautiful this is
One of the best pyro musicals I have ever seen.
I just heard you on a podcast talking about pyromusicals and came to check you out... wow! I love your work and really appreciated your thoughts on creating shows. I'm looking to do my first show to music this July with 36 manual cues and consumer cakes. I know it won't be this, but I'm hoping it'll he fun and enjoyable.
That was just perfect colorful for the song
Fine job as always sir!
wonderful.. 👌🏻
Awsome !!
Well done! It was better in person, trust me!
Awesome show, Ellery! (As usual!)
That was great!
Awesome show! I had to snack on some candy after watching this 😂
That was top notch stuff.
Perfection
VERY nicely done my dude!
NICE!!!
very nice!
World class.
Truly awesome! Any chance you could send over any info in terms of how the positions were laid out? I'll have 6 positions for my first true pyromusical this year and trying to think through spacing and placement. Also any idea how many cues this was?
it was 5 positions 60 feet apart and roughly 500 cues. i recommend always having an odd number of positions, not an even number, that way you always have a center position
@@tongpopyro2691 Thank you so much. So 60 feet total right? I'm thinking 5 positions up front like this and then one position centered in the back for larger shells/cakes potentially.
@@olkeventertainment60 feet between each position, so 240 feet between the two outermost positions
The first one I've seen on you tube that actually had a nice amount of noise and mortar fire for my liking usually majority of them are way to many comets mines and fans that are nice but you gotta shake the audience or it's not a show this was great
that was good
What song version is this? Thank you, this was amazing to watch
Im an amateur and would LOVE to actually see the script and how you time everything if possible. I program everything manually into excel and could definitely benefit to seeing how the pro's do it.
ua-cam.com/video/VNY4Ak_ctoE/v-deo.html
Wow! What an awesome variety of colors in that pyromusical! Loved it. Lots of cues packed into that 2:45! Did you use a variety of vendor's product for this display or were they all from one vendor?
almost all from Casabella, prob 70% wizard and 30% dominator
i think it was a comment of yours on fb that said to collapse the pyrolama arch during transportation. if that was you, thanks, i did that and it was a big help
Excellent work! How many feet were you using between stations?
5 positions 60ft apart
How many cues, mods, slats etc?? Incredible show!!
found your other video, thank you for sharing!:
ua-cam.com/video/VNY4Ak_ctoE/v-deo.html
@@dustinbercot8329 i had ten 72m and five 36m out on the field. i prewire most of the stuff into 18s quickplug slats ahead of time. i also had eight 9 arch pyrolamas for my single shot racks.
@TONG PO PYRO thanks! Were you running each position from its own modules? I am adding more 72Ms and slats to my arsenal this year and trying to configure my best layout. New layout is 5, 3, 2, 2 , 1 positions, and using slats everywhere I can that duplicates cues
@@dustinbercot8329 i never link slats together. each position gets its own mods. i use slats so i can prewire ahead of time, so all i have to do on show day is plug the cable to the mod. my opinion on people that run multiple slats off one mod and connect them from position to position, what's the point of having a wireless system if you are going to use long run of cables. if i don't have enough mods, i borrow.
@TONG PO PYRO great point, and the cost of slats and cables is expensive as well, I had to go this way as I don't have any opportunity to borrow, but would much prefer to have mods at every position. Definitely would make it easier
Nice! Is that all 1.4 pro?
all 1.4 pro and consumer 1.4