BUY THE SAME PLUGINS TUMAY USES! (and support the channel) SSL E CHANNEL bit.ly/38LfoOf De-esser bit.ly/3yRgDGj Puigchild bit.ly/3wDkjK2 SSL BUS COMP bit.ly/3MJFcc8
don't get suckered into waves 3rd party plugins, just learn how to use all the stock plugins first, and Pro tool subscription based model is trash. Use a flat rate DAW. like logic or Ableton, Cubase Studio One, and if you got the brain power use reaper. buy some courses online instead of learning off UA-cam on how to mix. then once you get the daw down, the routing down, how to record and sing, and learn signal flow, then you can upgrade your studio with higher end interfaces and analog gear. Don't monkey see monkey do because that approach to music will rip your wallet to shreds. unless you got all that money ignore this comment.
There are two flaws in the template you made: 1. You didn’t assign the input of the ‘All Vocals’ aux (no input). 2. You added a mono plugin (Puigchild 660) to a stereo aux, when you should have used 670.
The All Vocals need to have the Input Lead Vocals right ? So the tracked audio goes into Audio Track 1 ( only Autotune) then the signal goes in to Lead Vocal with all the EFX and Send and then to All Vocals and then to print ?
The all vocals input will be the bus named “ all vocals “ on your bus drop down tab. You’ll see it named because you’ve already named it when you made the “ lead vocals and BG vocals “ output
Templates are only good if you know how to mix, and they don’t work on every song so you’ll still need to tweak settings, most of you are looking for a “fix” all type thing which doesn’t exist..just being lazy!
true. I think having templates is so good to just save a lot of time setting up sessions though. even if you cleared out all the plugins shown and added in completely different ones, you save time by having your routing set up properly. and if you're working with your own vocals or someone you always work with, having that foundation helps you move quicker because you're familiar with the sound you or they are looking for
Thats why you tweak and save as template. of course, ever songs will need minor adjustment. but for tge most part, the vocal chain is repetitive. Travis template/track preset, young thug template/track preset. Etc It’ll make you faster and makes mixing a lot easier.
No that’s not the point of why artists need recording templates lol it’s for us to just go & get things going as easy as possible w out the engineer having to do so much AFTER bc he knows what typa sounds you’re going for , or jus wants u to make as much music as possible ATLEAST recorded.
you can create groups for your vocals and instrument busses, and create send tracks (also called return tracks) for your delays, reverbs, etc. I was also confused when I switched over to Logic but creating groups worked so well for me. just make sure you keep an eye on using stereo plugins whenever you're working in the groups bc otherwise the tracks will be in mono
Can any1 explain, why does it need so many tracks? is it so there can be different effects and processors on everything or what? Cuz id guess one phrase of rap vocal should have the same effect as the next phrase, else it would sound wierd
@George T Music what's the advantage of recording the takes on the "tracking" track at the top of the template and then dragging the takes one by one to the correct track, compared to recording directly on the right track?
It’s more of a workflow thing. He’s using that ‘tracking’ track as his ‘live’ track or ‘hot’ track. That’s the one that has the microphone connected to it. For speed and logistic reasons he’ll just use that track to record a take, if he gets a good take he’ll drag it down to one of the numbered tracks below - almost as if he is committing to it. When you’re in a long vocal session you might do 10/20/50 takes of the same line until you get it just right at which point you drag it down and move on. In a lot of modern music vocal lines also overlap, so the advantage of having several tracks to drag takes down on is that it let’s you visually build the vocal arrangement and ensure that no words are getting cut off at the start and end of phrases.
I'm not George T but my reason for dragging down is: your tracking track will almost definitely be louder than any of the other vocal tracks. It's at a level that is comfortable for the artist to hear what they're doing and has a comfortable reverb and compression etc for them to perform to. It will also be panned in the centre. If you're stacking up doubles/triples, BV stacks, etc a big stack of backing vocals will be at a lower level and some of them will be on the left and some on the right etc. If you record on the tracking track, the artist hears what they want to as they sing it, then you drag that good take down onto a track that is set to balance with the music more like the finished record and if it's part of a stack you're dragging it onto a track that is already panned and running through processing that suits that part. Otherwise if you record it onto the BV track, you need to record it, then turn it down and pan that track, maybe then re-route it to the processed bus that was not comfortable to sing through. It's much slower. You basically want a load of tracks that sit in the mix similar to how they will in the final song and then "fill them up" with recordings from the one track that you set to the artist's taste. It takes less time and the artist isn't waiting around. Hope that makes sense.
Yeah he uses the generic template all mixers do, only determining factor to make songs good is the microphone, room and hardware quality then most of the work is already done for them
why would I want this template ........I don't use the stuff you use........ and I don't want to use the stuff you use.....no waves plugins......never needed waves....I use sonnox hdx plugins......cube tech plugins
BUY THE SAME PLUGINS TUMAY USES! (and support the channel)
SSL E CHANNEL bit.ly/38LfoOf
De-esser bit.ly/3yRgDGj
Puigchild bit.ly/3wDkjK2
SSL BUS COMP bit.ly/3MJFcc8
don't get suckered into waves 3rd party plugins, just learn how to use all the stock plugins first, and Pro tool subscription based model is trash. Use a flat rate DAW. like logic or Ableton, Cubase Studio One, and if you got the brain power use reaper. buy some courses online instead of learning off UA-cam on how to mix. then once you get the daw down, the routing down, how to record and sing, and learn signal flow, then you can upgrade your studio with higher end interfaces and analog gear. Don't monkey see monkey do because that approach to music will rip your wallet to shreds. unless you got all that money ignore this comment.
alex is underrated, most engineers talk equipment, he made his mission to show people that if it soudns good it really doesnt matter what you use
One of the best ones I’ve ever reviewed
I need you to remake this video but on Logic Pro X if you will my good man
yoooooooo
Yo template DOPE tho @Skyjordxn I stillllll use it 2day!
It's good to see him not using a shit ton of plugins just on the recording template. That makes absolutely no sense but so many people still do it.
George, your videos are soooo dope. Thank you for this man.
There are two flaws in the template you made:
1. You didn’t assign the input of the ‘All Vocals’ aux (no input).
2. You added a mono plugin (Puigchild 660) to a stereo aux, when you should have used 670.
The All Vocals need to have the Input Lead Vocals right ?
So the tracked audio goes into Audio Track 1 ( only Autotune) then the signal goes in to Lead Vocal with all the EFX and Send and then to All Vocals and then to print ?
These Auxes goes straight to master bus or to a group first?
what would that input be?
The all vocals input will be the bus named “ all vocals “ on your bus drop down tab.
You’ll see it named because you’ve already named it when you made the “ lead vocals and BG vocals “ output
@@khwezzofficial2842bro u are too clutch
Your channel is so helpful! Appreciate all the attention to detail you put into each video :)
Why does he use the puigchild 670, which is a stereo plug-in, on vocals? Vocals are in mono??
6:50 HE MEANT TO SAY COMMAND SHIFT OPTION CLICK
best yt channel. Learning so much with u!! from brazil 🇧🇷🇧🇷
Happy to hear that!
dang man did you actually screen record and sync your video with AT? you're gonna go down a legend...
He's not going down, he is going up!!!
I transitioned from Logic and this vocal template feels like a whole manual. Great vid tho!
i’m happy i stumbled across this video
so when done w a session would i mix within this template for a full song or start a mew session for the mixing and mastering side?
I know I must be doing something right cuz this is literally what my template looks like plus some other bells and whistles.
Im having trouble getting an output when I drag the vocal down. Can Anyone Help with that?
how can ı do this for fl studio. because ı dont know this daw and ı cant do ıt correctly for fl studio. someone can help me for this
Bruh isnt the print track supposed to be an audio track not an aux track ? For when you actually print
Yes I just made a mistake
@@georgetmusic thanks for replying bro!! I thought i was trippin lol
Templates are only good if you know how to mix, and they don’t work on every song so you’ll still need to tweak settings, most of you are looking for a “fix” all type thing which doesn’t exist..just being lazy!
true. I think having templates is so good to just save a lot of time setting up sessions though. even if you cleared out all the plugins shown and added in completely different ones, you save time by having your routing set up properly. and if you're working with your own vocals or someone you always work with, having that foundation helps you move quicker because you're familiar with the sound you or they are looking for
Thats why you tweak and save as template. of course, ever songs will need minor adjustment. but for tge most part, the vocal chain is repetitive. Travis template/track preset, young thug template/track preset. Etc It’ll make you faster and makes mixing a lot easier.
No that’s not the point of why artists need recording templates lol it’s for us to just go & get things going as easy as possible w out the engineer having to do so much AFTER bc he knows what typa sounds you’re going for , or jus wants u to make as much music as possible ATLEAST recorded.
@@TheRealJuLoso isn’t that what I said in translation?
Its more of getting consistent workflow and results.
Smartest video editing on YT !!!
Appreciate that
George i love ur videos
hey
Thanks for sharing! Need this for FL
You can do this in any daw bro
@@ezurg01 the routing in FL is horrible
you can easily do this in fl 21 now check out quinton bobbits video on it
@@oneebaez thank you! I will watch it
Would you record with input delay compensation on or off?
As an ableton user Im confused on the tracks and the routing? How would this work in ableton?
you can create groups for your vocals and instrument busses, and create send tracks (also called return tracks) for your delays, reverbs, etc. I was also confused when I switched over to Logic but creating groups worked so well for me. just make sure you keep an eye on using stereo plugins whenever you're working in the groups bc otherwise the tracks will be in mono
Can someone make the same template on Logic Pro.
Can you give us a link to download this template? Appreciate you
Make it lmao
Did step by step and I can’t hear my vocals once I drop them down from the tracking to the audio tracks :/
Same
Can any1 explain, why does it need so many tracks? is it so there can be different effects and processors on everything or what? Cuz id guess one phrase of rap vocal should have the same effect as the next phrase, else it would sound wierd
Watch until the end he explains why
Is it possible to make something similar to this in fl studio?
of course
I just remade this template for Logic Pro, lmk if y’all need it
I do. if you wouldn't mind. I use logic pro.
Hey bro I need it. Can you hook it up please? 🙏🏽
Would be awesome! You want my discord or something?
Where can I get it
yo brodie, do you think I can get a hold of the Logic version that you made? bless🙏
GREAT video bro
CANN u make a template 4 thiss?>
Anybody know the use of the print track?
In the video he says smt like "Here you can mix sh*t and add plugins like compressor"
I noticed the lead vocals action wasn’t explained 😢
No download link?
Be grateful bruh god damn it’s a gift your able to even see this
It doesn't take long to make, honestly. It's also good practice to do so.
What did he say at 1:42 about the solo and auxes??
Solo safe aux which mean even when you press solo on something you can still hear the effects/aux
@@YEOTTI Oh thanks.
u re my professor !!!
Alex Tumay !
So is he printing his background vocals from the bus? I see stereo vocals in the beginning of the vid
He is printing the entire mix
thank you !
I can’t even move the lead you not telling us all the steps
I got FL thoe :/
Big G!
What acts as the master fader with this template or do we not always need one when recording and mix n mastering
Don’t need one but the print acts as a mater for Alex
Me I think each song or artist need it different
Pls someone make for Logic Pro
its the same shit for logic... the daw doesnt matter
@@BeattapeFactory yeah I know bro, I just tryna save some time 🤣🙏💫
@@gera6511 lol stop being lazy, I’ll recreate it for you
@@JiiNxMusic 🤣🙏
@@JiiNxMusic when u got it done… lmk
@George T Music what's the advantage of recording the takes on the "tracking" track at the top of the template and then dragging the takes one by one to the correct track, compared to recording directly on the right track?
This way you are recording completely dry vocals and add the effects when you drag it down.
It’s more of a workflow thing. He’s using that ‘tracking’ track as his ‘live’ track or ‘hot’ track. That’s the one that has the microphone connected to it. For speed and logistic reasons he’ll just use that track to record a take, if he gets a good take he’ll drag it down to one of the numbered tracks below - almost as if he is committing to it.
When you’re in a long vocal session you might do 10/20/50 takes of the same line until you get it just right at which point you drag it down and move on.
In a lot of modern music vocal lines also overlap, so the advantage of having several tracks to drag takes down on is that it let’s you visually build the vocal arrangement and ensure that no words are getting cut off at the start and end of phrases.
This is industry standard. Any major engineer I worked with drags takes down
Cause you want to be able to change the effects after right? Lmaoooo
I'm not George T but my reason for dragging down is: your tracking track will almost definitely be louder than any of the other vocal tracks. It's at a level that is comfortable for the artist to hear what they're doing and has a comfortable reverb and compression etc for them to perform to. It will also be panned in the centre. If you're stacking up doubles/triples, BV stacks, etc a big stack of backing vocals will be at a lower level and some of them will be on the left and some on the right etc. If you record on the tracking track, the artist hears what they want to as they sing it, then you drag that good take down onto a track that is set to balance with the music more like the finished record and if it's part of a stack you're dragging it onto a track that is already panned and running through processing that suits that part. Otherwise if you record it onto the BV track, you need to record it, then turn it down and pan that track, maybe then re-route it to the processed bus that was not comfortable to sing through. It's much slower. You basically want a load of tracks that sit in the mix similar to how they will in the final song and then "fill them up" with recordings from the one track that you set to the artist's taste. It takes less time and the artist isn't waiting around. Hope that makes sense.
theres no link for downloading this for free? it would be a big time savor and more efficient
facts lol im making a fl and pro tools version
@@kaiirosarchive bro i appreciate your efforts, please be kind to share link with us ✨
@@kaiirosarchive drop da fl version gang😇
Drop the logic pro if you can
@@kaiirosarchive Can you send the fl version to me if you ever get it done, I'm confused on how to translate what's being done on pro tools to fl
do you sell more templates like this? I saw your chrisbrown one is that like this just more detail?
The chris brown template is different from this one. Its a replica of the one Teezio uses to record chris brown
Fye
Tumay used puigchild 670 and you used the 660, why is that ?
It was a mistake on my end. I was just trying to show the settings mainly
@@georgetmusic kool
love the intro music its so avengers
Wait so no master track?
The print acts as a master
Why you lookin thru my soul in that thumbnail bruh
Your the GOAT 🐐
Yeah he uses the generic template all mixers do, only determining factor to make songs good is the microphone, room and hardware quality then most of the work is already done for them
Yes my template and what I teach is basically the same !
😊😊😊😊
why would I want this template ........I don't use the stuff you use........ and I don't want to use the stuff you use.....no waves plugins......never needed waves....I use sonnox hdx plugins......cube tech plugins
you can apply the same bussing template with any plugins
Me I think each song or artist need it different