How to paint thick impasto in oil paint while keeping it realistic demo by Aleksey Vaynshteyn
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- Опубліковано 22 чер 2020
- In this video I paint some clementines in a dark brown ceramic bowl. I develop the overall drawing and define values first before going into applying thick impasto paint to create texture and volume.
See my available painting: www.etsy.com/shop/AlexboxArt
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Music: Acoustic Guitar, Minor With Cricket, Minstrel, Running waters, Serenity, and Acoustic mediatetion by Audionautix is licensed under a Creative Commons Attribution license (creativecommons.org/licenses/...)
Artist: audionautix.com/
Piece of work Aleksey, excellent !!!.
awesome !!
I love it
Aleksey, as usual with such impressive work of art. Love the music background! Relaxing and soothing. I admire your work and when I’m down, it is a great way to lift myself up every time I watch your videos. Great composition and the colors with such harmony invites to just pick one and eat it! Thanks so much! Take care.
Thank you. I’m glad my videos can cheer you up. We all need that these days.
Wow. I really like how those oranges glisten. Excellent painting here.
Glad you like them!
Another excellent Aleksey video. Adding the blue reflections and light to the background and the highlights to the oranges really made it realistic in an abstract way.
Thank you. Glad you approve.
I’ve been checking your paintings online. You have T A L E N T !!!
Thank you!
Lovin it.
Awesome!!
excellent art work...very impressive..very talented.
Thank you! Cheers!
Excellent ! !! From France
You are amazing!!!
So beautiful .....🌷
Stunning
Thank you! 😊
Maravilhoso!! Deus abençoou seu dom. Parabéns.💚💛💙🇧🇷😍👍👍💐💐
Thanks a lot
Perfect 👌
Thanks 😄
magnifique bravo j'adore
Thank you so much!!
Love texture in the skin
Bellissimo 🤗
Great job. I love impasto and you clearly no how to utilize this technique very well. What medium are you using if any? The fluidity of the paint is exciting to see. Thanks for this video!🎨🖼😍
Thanks! I use linseed oil to make the paint more fluid, and for impasto, just pure paint in most cases.
Nice job thank you very much,
No problem 👍
Love it but why the sharp rough edge to the bottom of the bowl and the left orange fruit bleeding over the edge of the bowl. This must have been deliberate. Why?
Excellent ! What colors are you using please?
It's my usual palate:
Titanium white
Cadmium Yellow
Yellow Ochre
Cadmium Orange
Cadmium Red
Alizarin Crimson
Burnt Siena
Burnt Uber
Chromium Oxide
Ultramarine Blue
the impasto made the clementines so real, touchable. Do you use some impasto medium to achieve the consistence? Thank you for sharing this video.
No, just paint. Thanks for the kind words.
Can I see you do this In portrait painting pls ... I'm thinking about this approach in my portraits and wondering if to use impastor for the underpainting and another impasto layer on top for the actual colouring then glazes on top for the detail. What do u think about this approach or do u think the impasto texture should be done just once like u did here where the underpainting is flat. Pls let me know
Rembrandt did like this!
당신은 정말대단하군요
❤❤❤❤❤👍👍👍👍
Gracias in Brasil
👍
Hermosas naranjas.
What are the colors did you use it?
No hay nada mejor que el efecto que se consigue con una pincelada gruesa
Yep
👏👏👏👏👏👏👍👍👍👍👍👍
🙏🙏🙏
Прекрасно! Прекрасно! Было бы ещё лучше, если бы было видно палитру.
Good point. I have the palate visible in a few of my recent paintings. Check out my channel.
Спасибо ! Учусь у вас ...
👍
Que bonito yo es toy a Prendiendo SENOTA la esperencia?? Un saludo.
😀😀😀💚💚💚
👍
Мандарин и чашка почти на одном уровне, белые блики на мандаринах?
И почему нет?
Justo lo que necesitaba xde me puedes saludar en un video?
👋👋👋
Классика живописи
🇲🇽👌👌✔️🙋♂️🍀😷
Can I see you do this In portrait painting pls ... I'm thinking about this approach in my portraits and wondering if to use impastor for the underpainting and another impasto layer on top for the actual colouring then glazes on top for the detail. What do u think about this approach or do u think the impasto texture should be done just once like u did here where the underpainting is flat. Pls let me know
I haven’t painted a portrait in a while. When I do, I’ll post it. I paint alla prima(in one sitting). When you’re painting in multiple layers, usually you’d build the initial layer with some thick impasto in the lights, and thinner paint in the shadows. Then, in the subsequent layers, you would paint in translucent glazes for the most part, except in the lights, where you’d use thicker paint and perhaps some impasto. That said, there is no one right way to paint. You should try different things and adapt what works for you.
@@alekseyvaynshteyn thank you for your response
No hay nada mejor que el efecto que se consigue con una pincelada gruesa
agreed
@@alekseyvaynshteyn looks good😔👌 porque pintas solo naturalezas muertas?