for me, it's 28mm in Asia, 50mm in North America. 50 never clicked for me until I read this tip from Ming Thein: "if your subject is close, then stop down - it will force you to treat it like a wide angle lens and search for elements of relevant context with which to fill the background; if you’re shooting wide open or with a distant subject, treat it as a telephoto and start looking for layers."
Something about your videos i love. Your the only photographer who’s music choice is perfect. The volume is perfect. Other people’s videos I found the music is to loud and you cant enjoy looking at the pictures. Love from Ireland 🇮🇪
Highly disagree! 85mm or 105mm is tight for a lot of things but there can be lots of scenarios, when somethingy is really far even with a 50mm and you can't do anything about it. Without my Sigma 105mm f/2.8 I couldn't take the shots about the 2 chariots on the Heroe's Square in Budapest the way I did, and this is just one example.
Ivan, I think you have a superhuman ability of making fine videos! So beautifully well made just like your every other video, pure inspiration! As a beginner and learning, I’m comfortable with the 35mm on the X100V but these days I feel that a bit wider would be better as here in my place all the streets are filled with people and life so often I miss shots due to lack of space in the composition. It’s always necessary to change things up to refill our creativity and I can’t wait to see your work with the new focal length.
I can relate with the wide lens big city dilemma. I noticed myself always backing up and trying to get more in the scene with my 50mm in Vietnam but here in Sydney (especially during pandemic times), as I shoot with a 35mm, everything felt a little too far away. Changes in environment definitely warrants a change in focal length.
I love your compositions Ivan. The placement of elements and people all the way through from edge of the frame through to the other side, and strong diagonal placement. Well done.
Damn, this is beautiful. Poetic. Introspective. And I can relate. New York + 28mm was so perfect. Now I find myself going longer because I don't have the same effect/closeness to my subjects.
May I suggest a 40mm? It's the perfect focal length for everything in my opinion, not too wide and not too tight. Paired with a 28mm and you're all set.
I might be late to the game, but I just wanted to say this was beautifully done. I've been on the fence of buying a 28mm for a while now, but this convinced me that I should. Thanks again!
Just started using 28 more heavily this past year I absolutely love it. Definitely feel like it has elevated my work. But as the pandemic continues it is a challenging focal length keeping me open to 35 & 50. Great video Ivan, enjoy the thoughtful content.
Just discovered your channel and I'm really captivated by your work. Your perspective on photography and creating is inspiring. Currently building my collection of vintage glass and I'm so excited to experiment with different 28mm lenses!
Your movies are great! I like content, voice, music and how you answer your different questions - why 28 mm, why Leica, etc.? It’s almost melanchonically but also convincing. Thank you.
I'm a long time 28mm shooter (Contax/Zeiss), it's perfect for street. I picked up a 50mm to stretch myself and I find it's often a challenge due to the very narrow perspective but it's a great companion to have in the bag for impromptu street portraits or close-up shots. The 28/50 combo is a great kit for the streets...
There are difficulties in a city with a lot of space. I remember realising this after living in a very spacious city for most of my life, then traveling to cities like Hong Kong or Seoul, I couldn't believe how much easier street photography was in those cities. The whole time I had been grinding to get better at street photography in my home town, thinking "wow this is a really difficult", but I hadn't considered that the actual subjects themself were playing a bigger role than I thought. I like the idea you bring up about, perhaps the need to change the lens we see things through. I hope you find what you are looking for in your new home :)
Good to see some people putting respect on the 28mm name! 28mm is photography on hard mode, but the results are always worth it when you get something.
You really flexed on us with that “this one” intro lol. Nah but for real, I love the look of 28mm but it intimidates me to think how close I’d need to get to fill a frame. 50mm is my comfort zone for now 😄
After doing street photography for five years, I’ve discovered that my favorite three lenses, which are prime. The 18 1.4 Fuji, the 50 F2 and the 90 F2 are my favorite lenses. Remember these are APC. 27 mm, 75 mm and 135 mm. I use them for different reasons, so you’ll have to figure that out on your own. But mostly it’s when there’s fewer people I go to the telephoto and when there’s more people I go to the wide end. Anyway I am working with these three prime now, as I used to work with the zoom lenses. 😉
@@karstenfroemming9664 I just sent away for the 33 mm 1.4 LM. I plan to replace the 50 F2 with this lens. Should be faster auto focus better bokeh and hit the semi-wide to medium telephoto range. And the sharper lens should help let me crop a little easier.
Started with 35mm and recently been experimenting with 28, 50 and even 40.Each focal length has its own character and fun to it, and it’s so fun to switch around and view the world in different ways! I have to say 50mm never felt right for me until I tried the Zeiss Loxia 50 on my A7C. The rangefinder style with a good full manual lens somehow makes 50 a lot more special than expected.
Thank you for making this video. After reading and listening to many street photographers say that 50mm/35mm/28mm is the ideal street photographer lens, your message finally makes me realize that I don't need to look at focal lengths in such an absolute way.
Great story. In my younger days I always travelled with a 57/1.7 and 28/2.8 Minolta, and now it's a 50/1.4 and 28/1.7 Leica. It's a perfect combo for my professional work. Keep on rolling.
Thanks for this inspirational video. You are a very talented story teller. I also love the 28mm and I have the GR3. I use it in crowded places. I also use the 35mm focal length as my do it all lens. It's all about the look you want to have in your photos, and the working distance from your subjects.
Different focal lengths for different towns for sure!! When I was in Hong Kong I pretty much only used my 24mm and felt it was a great FL for HK and I'm sure a 28mm would have also pleased me.
I don’t do very much photography but travel a lot and over the last year pairing my 28 with my 50 has been amazing. they complement each other nicely while still being very different and i can adapt it to pretty much every situation i run into. more a video guy but with my film camera this combo has been really fun to travel around with. highly recommend:) also beautiful video and storytelling!
Great video!! Love the story and journey. I always shied away from 28mm cos it’s the same FL as my iPhone and felt redundant but had a huge quality difference of course. I often go out with a 28/50 combo and mix it up when I’m bored. 28mm is also great for chasing your kids in action close up. Listen to your gut it knows what it wants!!!
Thanks Alan! I think i might start doing a combo set up here. I'm not a fan of changing lenses while shooting but might have to experiment a little with that.
Really like the rhythm of your videos.They are totally calming me down (in a positiv way). The right music, nice voice and interesting story and good pictures. Thanks for sharing, Ivan.
Good video. And very interesting. I have never done street photography, but I got several points from the video that I can use when I try it this summer.
well, it's not just a wonderful focal lenth but also awesome sharpness of the 28mm Ricoh lens. Nothing can be compared to this lens for the immediately fast street, life, documentary, events, protests, and band photography. Ricoh really changed my life as well :-)
My friend Doriyan Coleman told me that 28mm is a “come with me” focal length after his experimentation with it. That truly made everything click since I’ve been a 50mm guy my whole photographic career. Great video, Ivan.
I like your thoughts on how a new city might require a new lens. I live in Los Angeles and there are parts where 50mm gives me the angle of view that seems right. But other parts of the city (Broadway between 3rd and 7th or Hollywood Blvd between Vine and La Brea) that really need a wider angle of view. 28mm has always seemed neither here nor there for me, but lately I’m beginning to think it might have a place in what I’m shooting. I like that you don’t come to any hard conclusion in your video. I like how you see where you have been and how you are now seeing where you are going to.
Had or have a similar struggle. Started with 28mm, moved to 35mm added a 50mm and now I am thinking of adding a 28mm again (locations haven't changed for me btw.). Thus, I believe sticking with these 3 lenses might be ok so that you can switch how ever you feel at the moment ;-) Great video! Always very inspiring!
I would argue that 28mm is great for learning as well. I recently got the 28mm Elmarit Asph. and it forced me to come closer to the subject compared to my 50mm and allowed me to learn zone focusing. While I still love 50mm lenses and they fill the most natural to me, 28 has such a distinctive look and just feels “street”
Wow, that feeling it's so true, i moved to Lisbon recently. In Chile i always shoot in 35mm but here, the things are different, idk what will be my focal, but the feeling of your video could help to what im looking.
Having used primes most of my life, I am finally getting into variable focal length lenses for certain situations. A 35-70 Minolta zoom macro for close range street stuff, especially in these days of Covid in 2021 where getting too close to strangers is a no-no. Unfortunately zooms won't work with RF cameras.
I’ve been doing street photography for 30 years coming from a commercial photography background. I also love a 28 and a 50 as that’s all I really need, but then I usually carry a 21 and a 90 just to play it safe if I’m traveling. My 28mm is a summilux - I also purchased a 24 mm Elmar as a smaller and lighter option without duplicating another focal length. Yeah, I’m still looking at a 28mm Buogon as a whole different render and close focus. I also live in Hong Kong half the year and it’s a street photographers paradise.
I wish I had someone to look at me like Chow looks at his 28mm.
haha awesome
lmao
we all do.
Lol.
for me, it's 28mm in Asia, 50mm in North America.
50 never clicked for me until I read this tip from Ming Thein: "if your subject is close, then stop down - it will force you to treat it like a wide angle lens and search for elements of relevant context with which to fill the background; if you’re shooting wide open or with a distant subject, treat it as a telephoto and start looking for layers."
never heard that one, thanks for sharing!
1200 mm in Los Angeles!
@@TheVFXbyArt What are you shooting? The streets of San Diego?
@jae seung lee I've never visited so I'm not sure. I'd love to go one day
@@TheVFXbyArt 💯😂
Something about your videos i love. Your the only photographer who’s music choice is perfect. The volume is perfect. Other people’s videos I found the music is to loud and you cant enjoy looking at the pictures. Love from Ireland 🇮🇪
Wow. What a gorgeous and thoughtful video. Cinematic.
28mm and 50mm are all a streetphotographer needs
Agreed!
Highly disagree! 85mm or 105mm is tight for a lot of things but there can be lots of scenarios, when somethingy is really far even with a 50mm and you can't do anything about it. Without my Sigma 105mm f/2.8 I couldn't take the shots about the 2 chariots on the Heroe's Square in Budapest the way I did, and this is just one example.
28mm - my favourite too.
Beautifully narrated. And makes feel the sudden sadness of your parting. Hope you found the new love.
When you see a certain look for so long, the creative mind will always strive for different.... can't wait for your new favorite FL!
For sure, it's going to be hard to see in a different focal length
What an awesome documentary on a Man and his passion for street photography with an 28mm lens.
Love the sense of space the 28 gives. 35mm is like a wide normal and 28 is like a normal wide. 24 gets wonky for me easily.
Beautiful presentation. Thank you for sharing your thoughts and images. I have a 28mm lens and now I see it in a different light.
Ivan, I think you have a superhuman ability of making fine videos! So beautifully well made just like your every other video, pure inspiration!
As a beginner and learning, I’m comfortable with the 35mm on the X100V but these days I feel that a bit wider would be better as here in my place all the streets are filled with people and life so often I miss shots due to lack of space in the composition. It’s always necessary to change things up to refill our creativity and I can’t wait to see your work with the new focal length.
thanks man! the perfect weapon: a zoom lens haha
I can relate with the wide lens big city dilemma. I noticed myself always backing up and trying to get more in the scene with my 50mm in Vietnam but here in Sydney (especially during pandemic times), as I shoot with a 35mm, everything felt a little too far away. Changes in environment definitely warrants a change in focal length.
I also noticed that I keep backing up into people and things when i shoot with a 50mm. Pisses off more people than a 28 haha
Great documentary with soul and inspiration for a lens !!! Bravo
Thanks!
A true love story. Nice vid!
Thank you
Love the slow pace of this video.
I love your compositions Ivan. The placement of elements and people all the way through from edge of the frame through to the other side, and strong diagonal placement. Well done.
Damn, this is beautiful. Poetic. Introspective. And I can relate. New York + 28mm was so perfect. Now I find myself going longer because I don't have the same effect/closeness to my subjects.
Thanks Aram!
What a beautiful and inspiring video. I adore the feel it left me with.
Love how there a longer/better message in your vids then title suggests. you're an inspiration
😌 appreciate it man
May I suggest a 40mm? It's the perfect focal length for everything in my opinion, not too wide and not too tight. Paired with a 28mm and you're all set.
Tried that for a while when I first got my Leica CL film camera. I liked it
@@ivunchow Voigtlander has an excellent & fast Nokton 40 mm F/1.2 (and very affordable - in Leica terms) price. Give it a try and good luck.
@@jaapjandevries I have this lens and it may be my favorite.
28 on a crop sensor has almost the same equivalent field of view
I might be late to the game, but I just wanted to say this was beautifully done. I've been on the fence of buying a 28mm for a while now, but this convinced me that I should. Thanks again!
Beautifully written and shot
35mm to me is where it's at. Tried everything and this is the one that gets the very best out of me.
All the best with the new start, my man!
I love the way you talk about photography and growing as a good photographer
Thank you! A never ending journey 🙂
Just started using 28 more heavily this past year I absolutely love it. Definitely feel like it has elevated my work. But as the pandemic continues it is a challenging focal length keeping me open to 35 & 50.
Great video Ivan, enjoy the thoughtful content.
thanks man!
Just discovered your channel and I'm really captivated by your work. Your perspective on photography and creating is inspiring. Currently building my collection of vintage glass and I'm so excited to experiment with different 28mm lenses!
Your movies are great! I like content, voice, music and how you answer your different questions - why 28 mm, why Leica, etc.? It’s almost melanchonically but also convincing. Thank you.
Your documentary film skills are 🔥🔥🔥 Now I’m binge watching all your content
Thank you!
28mm is the best lens for street photography. You've made an excellent video, Ivan! Thank you. Regards from Baku.
Love the production of this video
I don’t have the right words to describe how much I love the 28mm focal range…it just fits ME!!! 🤷🏾♂️
I'm a long time 28mm shooter (Contax/Zeiss), it's perfect for street. I picked up a 50mm to stretch myself and I find it's often a challenge due to the very narrow perspective but it's a great companion to have in the bag for impromptu street portraits or close-up shots. The 28/50 combo is a great kit for the streets...
There are difficulties in a city with a lot of space. I remember realising this after living in a very spacious city for most of my life, then traveling to cities like Hong Kong or Seoul, I couldn't believe how much easier street photography was in those cities.
The whole time I had been grinding to get better at street photography in my home town, thinking "wow this is a really difficult", but I hadn't considered that the actual subjects themself were playing a bigger role than I thought.
I like the idea you bring up about, perhaps the need to change the lens we see things through. I hope you find what you are looking for in your new home :)
Very Nice video. I liked the pictures, the music and the sadness of your voice.
Your videos like this are always so thoughtful
Good to see some people putting respect on the 28mm name! 28mm is photography on hard mode, but the results are always worth it when you get something.
What a lovely video. Enchanted! Thank you so much!
Amazing content from an amazing creator. Thank you for sharing this piece and keep going!!!
Thanks! I will 🙏🏻
You really flexed on us with that “this one” intro lol. Nah but for real, I love the look of 28mm but it intimidates me to think how close I’d need to get to fill a frame. 50mm is my comfort zone for now 😄
After doing street photography for five years, I’ve discovered that my favorite three lenses, which are prime. The 18 1.4 Fuji, the 50 F2 and the 90 F2 are my favorite lenses. Remember these are APC. 27 mm, 75 mm and 135 mm.
I use them for different reasons, so you’ll have to figure that out on your own. But mostly it’s when there’s fewer people I go to the telephoto and when there’s more people I go to the wide end.
Anyway I am working with these three prime now, as I used to work with the zoom lenses. 😉
Nice combination! I’m in something similar, 35, 56, and 75mm.
@@karstenfroemming9664
I just sent away for the 33 mm 1.4 LM. I plan to replace the 50 F2 with this lens. Should be faster auto focus better bokeh and hit the semi-wide to medium telephoto range. And the sharper lens should help let me crop a little easier.
18mm f1.4 is my favorite from Fuji
Incredibly insightful & thought provoking.
Started with 35mm and recently been experimenting with 28, 50 and even 40.Each focal length has its own character and fun to it, and it’s so fun to switch around and view the world in different ways!
I have to say 50mm never felt right for me until I tried the Zeiss Loxia 50 on my A7C. The rangefinder style with a good full manual lens somehow makes 50 a lot more special than expected.
I love to shoot manual lenses on my A7c too! I currently have a m rokkor 40mm mounted.
This video was so well made. I wasn't prepared for how moving it was going to be.
Thank you!
Thank you for making this video. After reading and listening to many street photographers say that 50mm/35mm/28mm is the ideal street photographer lens, your message finally makes me realize that I don't need to look at focal lengths in such an absolute way.
Thanks for checking the video out! Lenses are just tools, different tools work in different situations/environments. Nothing really is ideal.
Great story. In my younger days I always travelled with a 57/1.7 and 28/2.8 Minolta, and now it's a 50/1.4 and 28/1.7 Leica. It's a perfect combo for my professional work. Keep on rolling.
Damn, wish I had that setup!
Like the way you settle yourself and your work. And hope you will keep going.
Thanks for this inspirational video. You are a very talented story teller.
I also love the 28mm and I have the GR3. I use it in crowded places.
I also use the 35mm focal length as my do it all lens.
It's all about the look you want to have in your photos, and the working distance from your subjects.
Different focal lengths for different towns for sure!! When I was in Hong Kong I pretty much only used my 24mm and felt it was a great FL for HK and I'm sure a 28mm would have also pleased me.
I don’t do very much photography but travel a lot and over the last year pairing my 28 with my 50 has been amazing. they complement each other nicely while still being very different and i can adapt it to pretty much every situation i run into.
more a video guy but with my film camera this combo has been really fun to travel around with.
highly recommend:)
also beautiful video and storytelling!
Loved it! Gives me much bigger hope with my Leica Q 😎👍🏼
Great video!! Love the story and journey. I always shied away from 28mm cos it’s the same FL as my iPhone and felt redundant but had a huge quality difference of course. I often go out with a 28/50 combo and mix it up when I’m bored. 28mm is also great for chasing your kids in action close up. Listen to your gut it knows what it wants!!!
Thanks Alan! I think i might start doing a combo set up here. I'm not a fan of changing lenses while shooting but might have to experiment a little with that.
Beautiful and touching video!
such an informative and well made video, thank you Ivan!
My recently acquired 28 Elmarit is in the box awaiting its mate, the M-D 262, arriving tomorrow. Can’t wait. Thanks for the thoughtful video.
You'll love the M-D 262! It really is the closest thing in digital photography to shooting an analog film camera. Happy shooting!
Have fun, I love that combo
Wow this is so well put together. Thank you for sharing your journey
Thanks!
Really enjoyed this film Ivan. Found it really inspiring. Thank you
Thanks!
Bravo! Absolutely awesome video!
Your videos are seriously the best out there
Appreciate it! THANKS
Great story sharing, I also started fell in love with 28mm since I gotten Fujifilm X70, please keep it... You will need it for sure!
Really like the rhythm of your videos.They are totally calming me down (in a positiv way). The right music, nice voice and interesting story and good pictures. Thanks for sharing, Ivan.
Love this. Great job. Great and inspirational storytelling.
Great titel!
28 and 50 ist a tremendous combination - i cot it on my analog canon and could not ask for more
Good video. And very interesting. I have never done street photography, but I got several points from the video that I can use when I try it this summer.
I found your channel today. I really love your narration and storytelling skills. I will follow your career with great interest.
Wow what style you have!
Almost started crying at 09:00min. Thank you for the inspirational video
🙏🏻🙏🏻
Such a beautiful video!
well, it's not just a wonderful focal lenth but also awesome sharpness of the 28mm Ricoh lens. Nothing can be compared to this lens for the immediately fast street, life, documentary, events, protests, and band photography. Ricoh really changed my life as well :-)
One of the best cameras I've ever owned!
Lovely story-telling!!
Thank you!
My friend Doriyan Coleman told me that 28mm is a “come with me” focal length after his experimentation with it. That truly made everything click since I’ve been a 50mm guy my whole photographic career. Great video, Ivan.
Your videos are a masterpiece
🙏🏻🙏🏻🙏🏻
Great content, Ivan. You make me want to shoot. Thank you.
Thank you, and great story.
such a serene and well put together video...ty
thanks!
Nice pictures , great eye !
what a well done video wow!
Loved your doc, partner. I appreciate what you do.
thank you!
Wow this was beautiful. This was so much more than a review video which I was expecting. Amazing.
Thanks!
Awesome video ! Thank you !
Awesome story, great video 💪🏻
Keep going. It may just be that I still have an untrained eye, but these shots are really beautiful. Love your work.
28mm is my new favourite lens! It's never off my sony for day and nightscape images
I like your thoughts on how a new city might require a new lens. I live in Los Angeles and there are parts where 50mm gives me the angle of view that seems right. But other parts of the city (Broadway between 3rd and 7th or Hollywood Blvd between Vine and La Brea) that really need a wider angle of view. 28mm has always seemed neither here nor there for me, but lately I’m beginning to think it might have a place in what I’m shooting. I like that you don’t come to any hard conclusion in your video. I like how you see where you have been and how you are now seeing where you are going to.
Great documentary!
Good luck with the 50mm bro! Really enjoy watching your videos and love your photography👍🏽
Thank you!
Beautifully melancholic
Had or have a similar struggle. Started with 28mm, moved to 35mm added a 50mm and now I am thinking of adding a 28mm again (locations haven't changed for me btw.). Thus, I believe sticking with these 3 lenses might be ok so that you can switch how ever you feel at the moment ;-)
Great video! Always very inspiring!
very poetic :) thx
I would argue that 28mm is great for learning as well. I recently got the 28mm Elmarit Asph. and it forced me to come closer to the subject compared to my 50mm and allowed me to learn zone focusing. While I still love 50mm lenses and they fill the most natural to me, 28 has such a distinctive look and just feels “street”
Wow, that feeling it's so true, i moved to Lisbon recently. In Chile i always shoot in 35mm but here, the things are different, idk what will be my focal, but the feeling of your video could help to what im looking.
Very nicely done video.👍🌟🌟🌟
I really like your video style, wish you all the best about your adventure and new life in Canada.
Thank you!
Having used primes most of my life, I am finally getting into variable focal length lenses for certain situations. A 35-70 Minolta zoom macro for close range street stuff, especially in these days of Covid in 2021 where getting too close to strangers is a no-no. Unfortunately zooms won't work with RF cameras.
I’ve been doing street photography for 30 years coming from a commercial photography background. I also love a 28 and a 50 as that’s all I really need, but then I usually carry a 21 and a 90 just to play it safe if I’m traveling. My 28mm is a summilux - I also purchased a 24 mm Elmar as a smaller and lighter option without duplicating another focal length. Yeah, I’m still looking at a 28mm Buogon as a whole different render and close focus.
I also live in Hong Kong half the year and it’s a street photographers paradise.
great as always
thanks!
Beautiful.
I love my Nikkor 28mm f/1.4 for environmental portraits here in Chicago where I live.
28mm is my wild angle. It feels you are there.