Being honest i thought the first one was farrr better until i heard that Superman speech....goddamnit the last confrontation between Beatrix and Bill has to be the best dialogue i’ve ever seen in an action movie
The last half hour of Kill Bill volume 2 might be my favorite ending to any movie ever. And the fight scene was only about 20 seconds long. The dialogue between Kiddo and Bill and what made it so incredible. The music by RZA was incredible too.
I used to like Vol. 1 better when they came out. But after growing a little bit and seeing movies through a different lense made me appreciate Vol. 2 how it should be. That last half hour with just 20 secs of fighting disappointed me on first viewing. Now it's one of my favorite sequences, it deserves all of the praise it gets. Just great Tarantino dialogue as usual. The conversation is the fight, that's why it's great. Also, there's a version of the movie that only exists on DVD (there is apparently a bootleg version on Blu-ray) that's called The Whole Bloody Affair. It's one 4h movie, including the uncensored Japanese version of the fight against the Crazy 88. That's the way I watch it, just one story, one movie and it's amazing. Cheers from France! 🍻
My favorite piece of dialogue from Quentin has to be O-Ren’s monologue. It established to me not only how ruthless she was, she’s fiercely proud of her heritage and she’s willing to kill anyone who tries to degrade her because of it.
@@mr.dr0bot731 Not really. She decapitates the Yakuza boss because he undermines her authority based on her ethnicity. I'm the right context that could work for a white character.
Every single word written by Tarantino has a purpose. Every time you hear a line that makes you think "what the hell you're talking about?" you will get, sooner or later, why it was there.
That Superman story. Only he... And I know how he does this too. He dives deeper than almost everyone. Man doesn't write characters. He lives with them.
When I was a young teen and first getting into film, Kill Bill was the first Tarantino film that I saw. And kill bill vol. 2's ending taught me early on that scenes with dialogue can be just as engaging if not more so than action scenes when it comes to concluding a story. I love me a good action climax, but Most of the time, simple human drama can be all you need to get the point across. It can pay off to take chances and to do the unexpected thing and not follow the cliches of storytelling
does anyone else get strangely teary eyed of how good this movie is? dialogue is sooo good im literally bored of any other movies but i could watch this over and over and i do. same with pulp fiction and hateful 8
I've felt similar after watching The Whole Bloody Affair, the 4h piece. I could watch any of his movies on repeat, that's what I did after each movie was released on digital. Or as I did with Django, saw it several times in the theater. That said, I'm not bored of any other movies. Some have similar rewatch value but not that many. Cheers from France! 🍻
Like I was editing a scene in Kill Bill for a project but then accidentally ended up watching the entire movie... Truly keeps you hooked great job Tarantino 👏
Wow has time flown. When I watched Kill Bill I had no children, now I have two daughters and I can't stop tearing up. It says I'm a bit of a masochist I'm going to now have to watch Kill Bill again. This film is to good.
There’s something about Tarantino dialogue that just hooks me, his films are the only ones that I can sit and watch without doing anything else, just sitting watching the TV with nothing else, it’s wonderful
Brad Pitt's speech in Inglorious Bastards is pure music "a Word of Warning to all you Would-be Warriors" "the Disemboweled, Dismembered, Disfigured Bodies of their Brothers we leave Behind us"
Kill Bill 1 & 2 are without a doubt my favorite Tarantino movies. Really the only movie he’s made I didn’t enjoy was Reservoir Dogs... just thought it was so fuckin boring
Y’all have truly gave me the confidence to write long dialogue scenes, as I’ve always been full of words and expression in life and when I’ve written, but now you guys have broken down the necessary process to making this move efficient! God bless y’all! Killing the cinema education game!
Tarantino’s structure for dialog is sometimes repetitive and unnatural. It can be very flowery and all his characters speak and sound like him. They all adhere to that same structure. Like at times too detailed. But I love about 80% of it. A true gem.
that past keeps creaping up "films are with . . .",uhmm mm uhm they see the comments here and they see clips "cheeks are soft",Hell on Earth no repeats,Goth.
The Bride and Gogo. BK: Gogo, right? GG: Bingo. And you're Black Mamba. BK: Our reputations precede us. GG: Don't they? BK: Gogo, I know you feel you must protect your mistress. But I beg you, walk away. GG: You call that begging? GG: You can beg better than that. Short, sweet, to the point. A masterclass in writing... in 39 words.
- Any good with the shotgun? - Not that I have to be at this range, but I'm a fucking surgeon with the shotgun! Karen Kim simultaneously disrespecting Vernita Green and surgeons in the process.
This one for sure us my all time fave Tarantino scene, which is why I clicked on it fast. A close second is the opening interrogation scene from inglorious basterds. Just magical
@Christian Tompkins oh absolutely. The analysis he has of Kiddo is dead on, again I however don't believe Superman views the human race as weak......I wonder if he wrote for the DCCU before he had his heart exploded 😂
I guess the idea was imply these two are kind of elite, and alien, from all the little people. Plus Superman had his costume right from being a baby, and spent his whole life trying to fit in, so I can't think of a more suitable comic book character for his anecdote. As you say, seeing humans as weak, is merely Bill's take on it, which adds something to his characterisation.
@chubbyurma Eh, I disagree. Clark dresses like a nerd so that he's a far cry from what people expect of Superman, which allows him to maintain his Superman status as a secret. If he walked around in clothes that showed off his huge muscles, and didn't wear those goofy big glasses, it'd be tougher to justify why people don't immediately clock who he is. It's really nothing to do with how he sees the average person; he raised by, and grew up with, "average humans". For all intents and purposes, aside from how his body reacts to the yellow sun, he pretty much IS human himself.
🧐 That is way too much intellectualisation for Tarantino, I’m sure. That is not how he works. He is much more intuitive than that. He just puts his characters in a situation, let them talk and have them revile the outcome. And that’s how I do it to.
But how to become intuitive? either; 1. read/watch and write a lot until it clicks through trial and error until mastery 2. start with a formula (based on what others have made = read/watch) and imitate and adapt it until mastery
@@Ruylopez778 Tarantino did both I assume . On UA-cam Tarantino says he was in acting class and filled in the blanks with original Tarantino dialogue for scenes from movies that he couldn't accurately remember . And Tarantino is a movie film nerd who reuses tons of famous shots from movies. So I conclude qt did both of your points to become a movie genius
I love Tarantino films but in kill bill there were many scenes that are "out of logic" and many mistakes but he hides them with his raw style making and strong screenplay, Eg: That Fight between crazy 88 (Wow..What a Women.. Ahh wait a minute Wtf ?) My Reaction while watching those scenes but I loved all the characters. Any Relatable Reaction Guys..😅
And I just finished binge watching all of Studiobinder's videos! Feel like I have accomplished something... gained so much knowledge... (even though I do not sound like Tarantino :-P )
We talk about Tarantino's amazing dialogues and we forget to mention that he was initially writing dialogues with Roger Avary. Which has totally determine his style.
Love the dialogue in Once Upon A Time In Hollywood.....Don’t cry in front of the Mexicans, The three Georges Peppard, Maharis and Chakiris, YOUR’E THE BLIND ONE!!!!
But you know it's QT shoehorning in comic book references. At some point, QT's dialogue being unpredictable and seemingly random, makes it predictable.
Kill Bill was Tarantino's first movie I watched as a child, then you have to imagine how violent that movie was for a 7-years-old kid like me. Actually, I saw this movie with my entire family even though you don't believe.
I will say that adding stakes is not necessary. I am not talking about Tarantino, am talking about extended dialogues. Take an example of Seinfeld. They are generally talking and talking, but there is nothing at stake there. Like the pulp fiction Mac n Cheese dialogues, Seinfeld writes about the watch, the pen, parking lot, chinese restaurant and more. I know the example which am using is very far from Tarantino, but am solely talking about extended dialogues and how it keeps you hooked.
It's important to note that Seinfeld and Tarantino films are drastically different genres. One is a TV sitcom and the other is a vibrant, gritty, and violent cinematic experience. Creating stakes in a Seinfeld conversation scene would be disingenuous to the show's style and tone. Whereas, in a Tarantino film, the stakes are set high and are inherent occurrences in the storyline due to Tarantino's direction. Not sure where you're going with this comparison. Thanks for watching though! Hope you like our other content 😊✌🏻🎬
@@StudioBinder No, no am sorry if I offended you. I did not mean that, I was not actually comparing, I am just saying that it happened in Seinfeld too. So, I meant stakes need not be very high, but yes, Tarantino films are different. I love your content. Thank you and again sorry.
I think Tarantino uses dialogues correctly, they are narrative tools, like a camera movement, or a shot. The content of the dialogue doesn't really matter as much as its context in the narrative.
I love the beginning of Reservoir Dogs. There seems to be an odd pointlessness to that scene in the restaurant and the truth is if you remove it, it wont make the difference to the story. However, I think there are four purposes to the scene. First it introduces us the characters in style. Second, its sets the tone of the story. It allows us to make up our minds about how we feel about them. Here's how I feel about the characters. I like the father and son because they consider paying a tip to the waitress almost a duty. The son collects the tips and the father checks the total. So even though they are thieves, they still have principals that I respect. The babbling idiot who is speaking nonsense and who is inconsequential to the mini plot of the scene is oddly enough, Quentin's character. It will mirror his pointlessness in the overall story. Even when he speaks here he seems to be ignored. The one that ratted out Mr Pink when the old man asked who didnt tip, is the overall rat in the story. The one that I hate is the man who is stealing his money rather than earning it but is not generous enough to leave a tip. Mr White's ability to confiscate the old man's book and still live to tell the tale shows that the old man has heart is a father figure to most of these people. Other than Pink everyone else has heart and compassion. However the fourth purpose is subversion of expectation. Even though we are being shown that they are nice people, what happens afterwards, spins our opinion of them on its head. Awesome opening.
Someone help me explain this. I heard that dialogue is about context. For the scene in Pulp Fiction about the Royale with Cheese scene. Despite it not having to do with the context of the following moment, why is it still memorable?
Kind of a late reply, but I think it has to do with the fact that it introduces the characters as humans, having a very fun and interesting conversation before they go into character to get a job done later. It's also funny because you can see that the 2 guys are obviously killers but they're talking about burgers... which so happens there's a half-eaten burger in the next scene that Jules takes a bite off. It's just amazing how it all ties up and gets us hooked.
It's like the the tip scene at the start of reservoir dogs. I forget the exact name but it's like an introduction to the characters even though it doesn't relate much to the story it's just a way for authors to show us the characters and even foreshadow events that happen in the movie with benign little things in the character introduction scene that turn into on second reading or viewing oh this character did this in the intro that's why in he told or is shrewd or whatever the charavters personality type is later on in the movie This is a long winded way of saying the character introduction scene is about showing their personality and linking those actions in the intro scene to later critical events in the story
I understood the gold watch was all but roger averys, but Tarantino injected his own pacing and some changes to it, in order to have the final pulp fiction section?? I could be wrong. Could you possibly do a Tarantino/Avery dialogue analysis.. to see how we got the final product of pulp fiction, as to be fair to Avery he rarely gets any notice at all. Thanks for this video. Very good.
This is not necessarily accurate saying act one is physical should be replaced with act 1 is responsible for hooking you and show you in a loud defining way the types of characters your dealing with 2 uses the hook to explain the character and grows the cobversation throughout the scene 3 is the culmination of the argument/conversation and follow under that structure an air of conflict that ypu wont understand how to implement if you dont specifically study it in films or any other story based medium. Act 1 show the characters act 2 explain the characters act 3 decipate the inter character conflict. I've never made a screenplay or film so........ Do with that what you will
You cant have a particuler structure in mind while writting, its just how you hook them and you can do it by practicing and trying to develop your own style instead of following someone
I honestly loved the dialogue of Kill Bill more than the action. It's so raw, so savage, I wish I could talk like Beatrix.
If you wanna talk like her you have to be a born killer 😁
Being honest i thought the first one was farrr better until i heard that Superman speech....goddamnit the last confrontation between Beatrix and Bill has to be the best dialogue i’ve ever seen in an action movie
Characters will work if we could connect with the character and see part of us in them or even wish to be like them. Characters!!
SAME!
@@jdrc1233 Nah
The last half hour of Kill Bill volume 2 might be my favorite ending to any movie ever. And the fight scene was only about 20 seconds long. The dialogue between Kiddo and Bill and what made it so incredible. The music by RZA was incredible too.
Bill's dialogue about Superman...masterful
I used to like Vol. 1 better when they came out.
But after growing a little bit and seeing movies through a different lense made me appreciate Vol. 2 how it should be.
That last half hour with just 20 secs of fighting disappointed me on first viewing. Now it's one of my favorite sequences, it deserves all of the praise it gets.
Just great Tarantino dialogue as usual.
The conversation is the fight, that's why it's great.
Also, there's a version of the movie that only exists on DVD (there is apparently a bootleg version on Blu-ray) that's called The Whole Bloody Affair.
It's one 4h movie, including the uncensored Japanese version of the fight against the Crazy 88.
That's the way I watch it, just one story, one movie and it's amazing.
Cheers from France! 🍻
hell yeah
My favorite piece of dialogue from Quentin has to be O-Ren’s monologue. It established to me not only how ruthless she was, she’s fiercely proud of her heritage and she’s willing to kill anyone who tries to degrade her because of it.
My favorite act/ dialogue is the Japan scene where Hattori Hanzo makes her sword. It's so sacred and beautiful
@@JayInDecent yes exactly the music is kicking in and people are getting emotional breaking 28 year old vows because of their students' mistakes
But, her dialogue only works because she isn't white. Her being poc is why it works. If she were white she would literally just be a Nazi.
@@mr.dr0bot731 Not really. She decapitates the Yakuza boss because he undermines her authority based on her ethnicity. I'm the right context that could work for a white character.
NOWS THE FUCKING TIME!!!!
Every single word written by Tarantino has a purpose. Every time you hear a line that makes you think "what the hell you're talking about?" you will get, sooner or later, why it was there.
I was off shrooms watching kill bill and it blew my mind how all the dialogue adds up nothing is irrelevant
That Superman story. Only he... And I know how he does this too. He dives deeper than almost everyone. Man doesn't write characters. He lives with them.
I'm glad they did kill bill this time around. They normally use Inglorious Bastards.
It's the borest dialogue until they spam the bullet to the floor
@@aenix Yikes
Inglourious Basterds is much better than Kill Bill
i guess I'm quite randomly asking but does anyone know a good site to stream newly released tv shows online ?
@Jaime Benedict i would suggest FlixZone. You can find it by googling =)
When I was a young teen and first getting into film, Kill Bill was the first Tarantino film that I saw. And kill bill vol. 2's ending taught me early on that scenes with dialogue can be just as engaging if not more so than action scenes when it comes to concluding a story. I love me a good action climax, but Most of the time, simple human drama can be all you need to get the point across. It can pay off to take chances and to do the unexpected thing and not follow the cliches of storytelling
"purse",a Bible has 3 4 thousand words in it no repeats,"Gothic Cathredal"
that's forearm t
Same here. Kill Bill is definitely my favorite of his.
Dialogues are much better, powerful and impactful compared to an action sequence to conclude something.
does anyone else get strangely teary eyed of how good this movie is? dialogue is sooo good im literally bored of any other movies but i could watch this over and over and i do. same with pulp fiction and hateful 8
Sucks for you that you cant enjoy other stuff lmfao. I love all film
I've felt similar after watching The Whole Bloody Affair, the 4h piece.
I could watch any of his movies on repeat, that's what I did after each movie was released on digital.
Or as I did with Django, saw it several times in the theater.
That said, I'm not bored of any other movies. Some have similar rewatch value but not that many.
Cheers from France! 🍻
Like I was editing a scene in Kill Bill for a project but then accidentally ended up watching the entire movie... Truly keeps you hooked great job Tarantino 👏
Wow has time flown. When I watched Kill Bill I had no children, now I have two daughters and I can't stop tearing up. It says I'm a bit of a masochist I'm going to now have to watch Kill Bill again. This film is to good.
QT is a master at hiding exposition within the dialogue. Jackie Brown is 2 hours of exposition and you barely notice.
I never thought Pulp Fiction was that violent; it was never explicit and most of the film was just great dialogue.
Great dialogue, and a little bit of brain matter too 😂
Tell that to Marvin
@@metzger5850 if you're not getting accidentally shot in the head that is
There’s something about Tarantino dialogue that just hooks me, his films are the only ones that I can sit and watch without doing anything else, just sitting watching the TV with nothing else, it’s wonderful
Tarantino’s dialogues deserve a genre of their own
Brad Pitt's speech in Inglorious Bastards is pure music "a Word of Warning to all you Would-be Warriors" "the Disemboweled, Dismembered, Disfigured Bodies of their Brothers we leave Behind us"
Kill Bill films are extremely underrated terantino films.
They're underrated? I thought everyone liked them.
Nah, I think it gets the love it deserves
@@fakecubed when they talk about best of his film they mention inglorious basterds and pulp fiction .
@@q_q123 when they talk about best of his film they mention inglorious basterds and pulp fiction.
Kill Bill 1 & 2 are without a doubt my favorite Tarantino movies. Really the only movie he’s made I didn’t enjoy was Reservoir Dogs... just thought it was so fuckin boring
Studio Binder: Cool videos with amazing voices.
Man RIP Bill the "Snake Charmer".
Each and every dialogues from tarantino films will push us deep into the film. And tarantino 😍🔥a gem of a director.
StudioBinder is killing it with content quality 👏👍👏👌
Y’all have truly gave me the confidence to write long dialogue scenes, as I’ve always been full of words and expression in life and when I’ve written, but now you guys have broken down the necessary process to making this move efficient! God bless y’all! Killing the cinema education game!
"ah, so, the point emerges" . . darn right it does. that superman speech is pure gold.
Tarantino - the God of writing dialogues!
I like kill bill a lot because it didn't beat me over the head like marvel or something that the protagonist is a female. She was so badass
Tarantino’s structure for dialog is sometimes repetitive and unnatural. It can be very flowery and all his characters speak and sound like him. They all adhere to that same structure. Like at times too detailed. But I love about 80% of it. A true gem.
That's called "style".
Tarintino also wrote the script for "True Romance", which itself is a masterpiece BECAUSE of the dialogue.
Revising those film school breakdown days
"purse,"close that with the line. "ahh.",Gothic Grim Reaper,"forearm t" "eternal life,read it forever"
a Church weighs over 33,000 pounds "Bible and top comment what a read"
that past keeps creaping up "films are with . . .",uhmm mm uhm they see the comments here and they see clips "cheeks are soft",Hell on Earth no repeats,Goth.
vault no repeats
Kill Bill introduces me to Tarantino's Filmography. And it becomes my personal favorite movie of his
What's your favorite dialogue scene from Kill Bill? Let us know by replying here 🎥 🎞 🎬
The Bride and Gogo.
BK: Gogo, right?
GG: Bingo. And you're Black Mamba.
BK: Our reputations precede us.
GG: Don't they?
BK: Gogo, I know you feel you must protect your mistress. But I beg you, walk away.
GG: You call that begging?
GG: You can beg better than that.
Short, sweet, to the point. A masterclass in writing... in 39 words.
the dialogue between bill and budd.
The Superman dialogue
- Any good with the shotgun?
- Not that I have to be at this range, but I'm a fucking surgeon with the shotgun!
Karen Kim simultaneously disrespecting Vernita Green and surgeons in the process.
This one for sure us my all time fave Tarantino scene, which is why I clicked on it fast. A close second is the opening interrogation scene from inglorious basterds. Just magical
Every tangent Tarantino writes on dialogue still has purpose to the theme of the scene, that's why is so engaging.
I'd watch Tarantino just for the dialog. The man is brilliant!
dialogue and characterization are far more important aspects of a movie than action can ever hope to be.
As I’m getting older I find myself watching Kill Bill more than any other Tarantino movie.
The Superman analysis bugs the hell out of me though. Then again, it IS through the eyes of well, Bill.
@Christian Tompkins oh absolutely. The analysis he has of Kiddo is dead on, again I however don't believe Superman views the human race as weak......I wonder if he wrote for the DCCU before he had his heart exploded 😂
@Christian Tompkins oop
I guess the idea was imply these two are kind of elite, and alien, from all the little people. Plus Superman had his costume right from being a baby, and spent his whole life trying to fit in, so I can't think of a more suitable comic book character for his anecdote. As you say, seeing humans as weak, is merely Bill's take on it, which adds something to his characterisation.
It's pretty much how lex luther sees superman.
@chubbyurma Eh, I disagree. Clark dresses like a nerd so that he's a far cry from what people expect of Superman, which allows him to maintain his Superman status as a secret.
If he walked around in clothes that showed off his huge muscles, and didn't wear those goofy big glasses, it'd be tougher to justify why people don't immediately clock who he is.
It's really nothing to do with how he sees the average person; he raised by, and grew up with, "average humans". For all intents and purposes, aside from how his body reacts to the yellow sun, he pretty much IS human himself.
I needed this video essay in my life.
Kill Bill, my favorite of Tarantino.
thank u for the explanatory video on Quentin's suspenseful engaging, always intriguing dialogue.
I dont know how you knew i was ob a Tarantino binge
I've killed a hell of a lot of people to get to this point
QTs dialog magic is always TENSION.
The aesthetics, showdowns and actual fights had me hooked on th KILLBILL series
🧐 That is way too much intellectualisation for Tarantino, I’m sure. That is not how he works. He is much more intuitive than that. He just puts his characters in a situation, let them talk and have them revile the outcome. And that’s how I do it to.
But how to become intuitive? either;
1. read/watch and write a lot until it clicks through trial and error until mastery
2. start with a formula (based on what others have made = read/watch) and imitate and adapt it until mastery
@@Ruylopez778 Tarantino did both I assume . On UA-cam Tarantino says he was in acting class and filled in the blanks with original Tarantino dialogue for scenes from movies that he couldn't accurately remember . And Tarantino is a movie film nerd who reuses tons of famous shots from movies.
So I conclude qt did both of your points to become a movie genius
I love Tarantino films but in kill bill there were many scenes that are "out of logic" and many mistakes but he hides them with his raw style making and strong screenplay, Eg: That Fight between crazy 88 (Wow..What a Women.. Ahh wait a minute Wtf ?) My Reaction while watching those scenes but I loved all the characters. Any Relatable Reaction Guys..😅
This is crazy good! Thanks for this Studiobinder!
I love how something around 75% of Tarantino movies are just dialogue
Where other films use dialogue to move the story, Tarantino's dialogue is the story. He doesn't use it as a tool.
i just watched kill bill volume 1 & 2 and i am so in love with the dialogues🙌
And I just finished binge watching all of Studiobinder's videos! Feel like I have accomplished something... gained so much knowledge... (even though I do not sound like Tarantino :-P )
We talk about Tarantino's amazing dialogues and we forget to mention that he was initially writing dialogues with Roger Avary. Which has totally determine his style.
The gentleman who normally voice-overs these is missed here.
The Hateful Eight has the best dialouges imo.
@Iron Gamer It's one of this best. Only true Tarantino fans will enjoy that movie.
Damn right, the whole movie is basically dialogue and I was hooked from the beginning to the end.
It's not his worst one in my opinion but there's no way it's better than Pulp fiction, Kill bill and Inglorious basterds
Brilliant analysis!
Kill Bill is awesome! I loved the action and style of the film. But of course the dialogue is still absolutely needed to give it an extra layer, too!
Exceptionally well done. Just watching it really clarified some issues with a scene I am working on. Highly recommended.
Great scene, Uma and David Carradine did a great job
Love the dialogue in Once Upon A Time In Hollywood.....Don’t cry in front of the Mexicans, The three Georges Peppard, Maharis and Chakiris, YOUR’E THE BLIND ONE!!!!
But you know it's QT shoehorning in comic book references. At some point, QT's dialogue being unpredictable and seemingly random, makes it predictable.
Kill Bill was Tarantino's first movie I watched as a child, then you have to imagine how violent that movie was for a 7-years-old kid like me. Actually, I saw this movie with my entire family even though you don't believe.
Got the first 8 on my shelf, along with True Romance, Four Rooms, and Natural Born Killers.
I will say that adding stakes is not necessary. I am not talking about Tarantino, am talking about extended dialogues. Take an example of Seinfeld. They are generally talking and talking, but there is nothing at stake there. Like the pulp fiction Mac n Cheese dialogues, Seinfeld writes about the watch, the pen, parking lot, chinese restaurant and more. I know the example which am using is very far from Tarantino, but am solely talking about extended dialogues and how it keeps you hooked.
It's important to note that Seinfeld and Tarantino films are drastically different genres. One is a TV sitcom and the other is a vibrant, gritty, and violent cinematic experience. Creating stakes in a Seinfeld conversation scene would be disingenuous to the show's style and tone. Whereas, in a Tarantino film, the stakes are set high and are inherent occurrences in the storyline due to Tarantino's direction. Not sure where you're going with this comparison. Thanks for watching though! Hope you like our other content 😊✌🏻🎬
@@StudioBinder No, no am sorry if I offended you. I did not mean that, I was not actually comparing, I am just saying that it happened in Seinfeld too. So, I meant stakes need not be very high, but yes, Tarantino films are different.
I love your content.
Thank you and again sorry.
@@KevalVorahere Didn't take any offense at all. Appreciate the clarification! 😊
Studio binder is the new cinefix
Will they use Death Proof?
That was so good to watch tarantino is a master director
Its quite simple: if the voice over is done by the old dude, I'm watching the video, if not I won't.
Excalibur!
I am your foreign audience, my English is not very good, hope you can add subtitles in video in the future, thank you
In my personals, David was incredible as a QT character I've ever seen. Bill was amazing and great performed by David C, who reast in peace ❤💚
Best channel ever
thank you
But its not just dialogue, he also always keeps it visually interesting. Even in scenes that arent action scenes.
Sooo cool! Thanks Studio Binder!
I think Tarantino uses dialogues correctly, they are narrative tools, like a camera movement, or a shot. The content of the dialogue doesn't really matter as much as its context in the narrative.
Very interesting,thx, great work.
What page number is this scene from?
Thanks for the video!
I love the beginning of Reservoir Dogs. There seems to be an odd pointlessness to that scene in the restaurant and the truth is if you remove it, it wont make the difference to the story. However, I think there are four purposes to the scene. First it introduces us the characters in style. Second, its sets the tone of the story. It allows us to make up our minds about how we feel about them. Here's how I feel about the characters. I like the father and son because they consider paying a tip to the waitress almost a duty. The son collects the tips and the father checks the total. So even though they are thieves, they still have principals that I respect. The babbling idiot who is speaking nonsense and who is inconsequential to the mini plot of the scene is oddly enough, Quentin's character. It will mirror his pointlessness in the overall story. Even when he speaks here he seems to be ignored. The one that ratted out Mr Pink when the old man asked who didnt tip, is the overall rat in the story. The one that I hate is the man who is stealing his money rather than earning it but is not generous enough to leave a tip. Mr White's ability to confiscate the old man's book and still live to tell the tale shows that the old man has heart is a father figure to most of these people. Other than Pink everyone else has heart and compassion. However the fourth purpose is subversion of expectation. Even though we are being shown that they are nice people, what happens afterwards, spins our opinion of them on its head. Awesome opening.
Tarantino is my biggest inspiration for making movies and also writing stories and scripts....❤❤
Like if u guys agree 🤘🤘
I still prefer Stanley Kuvrick Martin Scorsese and David Fincher
Yout channel is best of the best
thank you so much to make this video for us
Personally I'm not a huge fan of the ending of this film but I appreciate the craft behind it.
Tqq soo much studio binder 👍
thanks for this!
QT can keep us engaged no matter what. Even look at RD & the I don't tip scene. That could've been longer.
Someone help me explain this. I heard that dialogue is about context. For the scene in Pulp Fiction about the Royale with Cheese scene. Despite it not having to do with the context of the following moment, why is it still memorable?
Kind of a late reply, but I think it has to do with the fact that it introduces the characters as humans, having a very fun and interesting conversation before they go into character to get a job done later. It's also funny because you can see that the 2 guys are obviously killers but they're talking about burgers... which so happens there's a half-eaten burger in the next scene that Jules takes a bite off. It's just amazing how it all ties up and gets us hooked.
It's like the the tip scene at the start of reservoir dogs.
I forget the exact name but it's like an introduction to the characters even though it doesn't relate much to the story it's just a way for authors to show us the characters and even foreshadow events that happen in the movie with benign little things in the character introduction scene that turn into on second reading or viewing oh this character did this in the intro that's why in he told or is shrewd or whatever the charavters personality type is later on in the movie
This is a long winded way of saying the character introduction scene is about showing their personality and linking those actions in the intro scene to later critical events in the story
"10 long years your father wore this watch, I possess..."
I love it, I swear. Your videos are so well made. SUB FOR YOU!
I understood the gold watch was all but roger averys, but Tarantino injected his own pacing and some changes to it, in order to have the final pulp fiction section?? I could be wrong. Could you possibly do a Tarantino/Avery dialogue analysis.. to see how we got the final product of pulp fiction, as to be fair to Avery he rarely gets any notice at all. Thanks for this video. Very good.
Tarantino has given us iconic nuggets
I Fucking love this channel
Waiting for Robert Eggers explanations collection
Love it. 👍👌👏
why joining a cinema school when you can just subscribe to Studio Binder??? ❤️
QT is the 🐐
Bong joon-ho film next please
great information! Thank you, StudioBinder
Glad you liked it! Thanks for watching! 😊✌🏻🎬
Ya know who writes like Tarantino?
Nishio Ishin.
Good videos
This is not necessarily accurate saying act one is physical should be replaced with act 1 is responsible for hooking you and show you in a loud defining way the types of characters your dealing with 2 uses the hook to explain the character and grows the cobversation throughout the scene 3 is the culmination of the argument/conversation and follow under that structure an air of conflict that ypu wont understand how to implement if you dont specifically study it in films or any other story based medium. Act 1 show the characters act 2 explain the characters act 3 decipate the inter character conflict.
I've never made a screenplay or film so........
Do with that what you will
@August Canaille that too
I love this movie and i love how its costructed, ith hurts me the superficiality of this analisys
You cant have a particuler structure in mind while writting, its just how you hook them and you can do it by practicing and trying to develop your own style instead of following someone
Lets go!!! 🔥
1st btw but who cares lol
"That's right, I killed your master."
Nice
Please do a video of mise en scène .