The Ethics of Truth in Reenactments

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  • Опубліковано 28 лип 2024
  • The video includes spoilers for Stories We Tell (2012) and The Act of Killing (2012) and reenactments of graphic violence.
    This video examines how truth is manipulated within reenactments and how filmmakers can address the issue. By using the framework by Garnet C. Buchart, this video will argue that doubling and redoubling the mode of visual address in documentary reenactments creates a self-reflexive presentation that begins to address the ethical issue of using reenactments to represent the truth.
    00:00 - Intro
    00:45 - Reenactments and the Ethics of Truth
    03:11 - Doubling and Redoubling
    04:19 - Stories We Tell (Doubling)
    07:20 - The Act of Killing (Redoubling)
    09:58 - The Caveat
    11:25 - Conclusion
    Works Cited
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    Butchart, Garnet C. “On Ethics and Documentary: A Real and Actual Truth.” Communication Theory, vol. 16, no. 4, Nov. 2006, pp. 427-52, doi:10.1111/j.1468-2885.2006.00279.x.
    Chanan, Michael. “Truth Games: Cinéma Vérité and Direct Cinema.” Politics of Documentary, Bloomsbury Publishing, 2019, pp. 166-83.
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    Lonely Boy. Directed by Wolf Koenig and Roman Kroitor, National Film Board of Canada, 1962.
    Meneghetti, Mike. “Self-Exculpatory Imaginings: Reenactment and Observation in The Act of Killing.” Canadian Journal of Film Studies, vol. 25, no. 2, Oct. 2016, pp. 39-61, doi:10.3138/cjfs.25.2.39.
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    Nichols, Bill. “Documentary Reenactment and the Fantasmatic Subject.” Critical Inquiry, vol. 35, no. 1, Sept. 2008, pp. 72-89, doi:10.1086/595629.
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    Operation Varsity Blues: The College Admissions Scandal. Directed by Chris Smith, Netflix, 2021.
    Stories We Tell. Directed by Sarah Polley, Mongrel Media, 2012.
    The Act of Killing. Directed by Joshua Oppenheimer, Det Danske Filminstitut, 2012.
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