Questions for Martin Muehle
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- Опубліковано 29 вер 2024
- What do you want to know from Martin Muehle? I am going to interview him in a few weeks from now. Post your questions in the comment section, and I'll pick the best ones for the interview!
Thank you all!
![[Reality Check] Grigolo vs. Tetelman](http://i.ytimg.com/vi/TZS7IbIbmgE/mqdefault.jpg)
I’d be curious to know his views on technique, the singers he looks up to, past and present teachers etc.
Wouldn't be better for the Opera Houses to do audition instead of relying entirely on Agencies?Perhaps the singers will have less controversial careers and each will have the fair share of accountability...P.S Bravo Muhele!
As a young tenor myself I have a personal question...How to make a big voice like my...spinto lirico...how to thin out the voice in passagio part to excess notes above G easier...Exercises if he can show, share...And if he thinks a young voice( am 21) should sing harder, dramatic thing or stic to leggero repertory at beginning even if I am a big dramatic voice...to save I guess the voice for future... Advise...Thank you...
How does he go about projecting the voice specifically above the passaggio? Is the projection automatic with his technique? How does he experience his technique/singing (what does he feel/sense as he sings a line)? Thank you.
Верхняя нота была низковата, ее прикрыли, но в целом неплохо
Can he describe his technique and what methods he used to develop it? What are the best tips for breath training? How does he warm up?
Question: How can we make opera popular with young audiences?
I guess, cann he tell about the situation with more old school, bigger singing in today's opera houses - is the rumor true that big voices have a difficult time, that this type of singing is "not wanted" anymore?
Should we forbid microphones?
If not, why?
I have some:
What role he would never take and why?
If he could ask a composer to write an opera for him, what subjetc, theme or book would it be?
Question: How do you respond to a conductor/director who tries to give you negative singing advice?
What are your thoughts on the quality of bel canto singing these days?
And, curious question to you ;) How did you get in contact with him? Does he watch your channel?
I would ask: Which roles would you not sing for and why?
Who are your seven main inspirations as a singer, specifically old-school tenors?
No question but feedback: it was a pleasure to meet and work with him for two lessons and listen to him several times in Germany. Very nice and patient person, standing with two feet on the ground. Very old-school oriented. Would look forward to work with him again. Last time has been during covid. Will definetely follow your interview. @Afropoli: I would be actually curious to meet and hear you too someday. 😜
Not much of a question, just wanna congratulate Martin Muehle and tell him to keep doing his thing and that his talent would continue to be remembered even to the next generation :)
We don't have a decent Samson since decades...has he thougth about approaching this role? Thanks a lot for sharing, wonderful channel, a place for learning.
Ich stelle Fragen für die Aktion, weil ich sie klasse finde:
Wie geradlinig war der Weg zum Erfolg?
Wie hart hast du für deinen großARTigen Erfolg gearbeitet?
Wer hat dich am Meisten unterstützt?
Was kannst du empfehlen, wenn jmd aufgeben will, weil sich der Erfolg nicht einstellt?
Ich wünsche dir lieber Martin von Herzen weiterhin super viel Erfolg und freue mich mit dir und für dich.
Du bist in der Opernwelt für meine Ohren: the Best of the Rest 🥰
Ganz liebe Grüße aus Mannheim 💃
Also, no question from me. Only tell him, He has made Opera worth going to again for lovers of the Opera. From the first time I heard him in Simon Boccanegra in Mannheim 10 years ago, it was like hearing one of the great tenors of the past.
When is the next time you're coming to NYC? I'd love to see you live
he learned by listening to Del Monaco, Corelli, Bergonzi & co. How did he learn by listening to these guys, how did he apply?
Which tenors of past generations have inspired him?
Ask him if he teaches and what he things of teaching please. Would be interesting.
Thank you!
What is his biggest inspiration and what is the real goal ?❤ Why he still does it today?
Hello!Ask him please what he knows about Russian opera singers?
As a college student, I am curious about his habits in his early 20s. Where did he feel in his technique? When did he think he understood his voice, when did he actually, and when did his voice teachers and mentors understand his voice? How much work would he put into a piece of music, opera, or warmups?
Pretty neat! I would like to know what he thinks of Bjoerling.
Question, can he discribe the difference between singing in the mask and ingolato, also what is chestvoice?
I would love to know the progression of his repetoire. What did he sing as a young man, at 28 or at 32?
How do singers build a lasting career? It seems like it has very little to do with purely great singing.
How can we raise the standards of singing in the future when singers, conductors competitions and teachers of today work in the opposite direction so very often?
(Direction towards small or even faulty singing meaning woofy unclear voices, thin white-ish timbre, no chestvoice, wobble and wrong fach)
Хороші.
I would very much like to know who you are. I love your videos, they are interesting and important and by the way we have got the same opinion about opera and opera singing. Your voice is important. I’m looking forward to other videos of you. Very best wishes from Duesseldorf/Germany