Firenze dal vivo, 1952 Ettore Bastianini, Sena Jurinac, Gianna Pederzini. Mario Petri Coro e Orchestra del Maggio Musicale Fiorentino Arthur Rodskinski
Ho sempre posto la mia attenzione verso i tenori ma oggi mi devo un po' ricredere perché ascoltando il magnifico Ettore Bastianini con la sua possente e caldissima voce si percepisce un non so che di molto sensuale che ti accarezza il cuore e dà sollievo all'anima. Una sicurezza nell'eseguire il canto, il percepire nitide le parole ti danno la certezza della sua grande professionalità. Grazie Maestro Bastianini ed anche un sentito ringraziamento a chi ci agevola a farci conoscere i veri talentissimi del tempo che fu. Grazie ancora ingriddoppler!!!!!!!!!!!
Favoloso! Una voce sentita dentro e che vibra nell'anima. In più la tessitura centrale delle opere russe andava come un guanto alla sua bellissima voce che rammentava la corda del basso (sopratutto in quei anni). Quando si sa che la regista Pavlova e il maestro Rodzinzky andavano pazzi per lui..... Sentendolo cantare qui si capisce perchè. Peccato che l'Eugène Oneghine non sia stato registrato.
Still surprising us in this time these artists who left an indelible mark in the heart of all public of his time and long for more because they seem not to be followed them example Bravissimo!!! for the Prince of Baritones always so fit his heart and its expression in each work!!! Grazie Mille Cara Ingrid!!! to share with the world your permanent Tribute!!! **********Infinitas************
Dear Candy, I completely agree with you! What a beautiful and insightful comment, as all your comments are! I was so deeply, genuinely moved both by his singing and your comment!
Прекрасный баритон! Но мне не хватает лиричности в его исполнении. Слишком "героично". Он чудесный Ренато и граф Ди Луна, но здесь он, видимо, не совсем чувствует образ ...
I believe this work was introduced into Italy in early 1950s? It would be hard for those Italian young singers who did not know a single word of Russian or even did not know anything about Russia to undersand a Russian opera in such a short period of time.
Some tenderness please. With this kind of singing "Ja vas lyublyu" I quite understand Lisa, that she doesn't like Yeletsky too much. Give mi some Slavic soul (Lisitsian and Chernov and Mazurok and Hvorostovsky.)
Я русская..для меня этот персонаж Елецкий конечно. Как его Дима Хворостовский сделал..я поняла,с кого он сделал свой образ.Дима был такой трепетный Елецкий
In Italia l'opera russa era totalmente sconosciuta tranne qualche opera di Rimskij Korsakov e il Boris. Dama di Picche era forse la prima volta che si eseguiva in Italia e forse in Europa. Comunque oro colato e in Russia un baritono così non c'è l'hanno mai avuto.
spevoljub The thing is that anyone with their ears right can hear that Hvorostovsky is just a failed caricature of an operatic singer, whereas Bastianini was a great baritone, who nevertheless had technical issues.
@@michelez3710 Bastianini was great singer - with italian way of singing. He was great in italian repertoire. But his italian "exibicionismo" is not appropriate for russian repertoire.
Gorgeous flying high notes, controls so well throughout the range, what a grand baritone with unique gifted voice! 1952 Wow, RIP,
It's the first time I hear the italian version of this aria. So beautiful! Great Bastianini! Will never stop surprising us :)
This was such a HEART-WRENCHING rendition by great, sublime, unforgettable, incomparable Ettore! May the merciful God receive his soul!
Ho sempre posto la mia attenzione verso i tenori ma oggi mi devo un po' ricredere perché ascoltando il magnifico Ettore Bastianini con la sua possente e caldissima voce si percepisce un non so che di molto sensuale che ti accarezza il cuore e dà sollievo all'anima. Una sicurezza nell'eseguire il canto, il percepire nitide le parole ti danno la certezza della sua grande professionalità. Grazie Maestro Bastianini ed anche un sentito ringraziamento a chi ci agevola a farci conoscere i veri talentissimi del tempo che fu. Grazie ancora ingriddoppler!!!!!!!!!!!
Favoloso! Unico Ettore! ❤
non avevo mai ascoltato questa aria di una appassionata bellezza!
Favoloso! Una voce sentita dentro e che vibra nell'anima.
In più la tessitura centrale delle opere russe andava come un guanto alla sua bellissima voce che rammentava la corda del basso (sopratutto in quei anni).
Quando si sa che la regista Pavlova e il maestro Rodzinzky andavano pazzi per lui..... Sentendolo cantare qui si capisce perchè.
Peccato che l'Eugène Oneghine non sia stato registrato.
Grandissimo peccato !! Grazie per il tuo commento, Ingrid
Still surprising us
in this time these artists
who left an indelible mark
in the heart of all public
of his time
and long for more because they
seem not to be followed
them example
Bravissimo!!! for the Prince of Baritones
always so fit his heart
and its expression in each work!!!
Grazie Mille Cara Ingrid!!!
to share with the world
your permanent Tribute!!!
**********Infinitas************
Dear Candy, I completely agree with you! What a beautiful and insightful comment, as all your comments are! I was so deeply, genuinely moved both by his singing and your comment!
That voice...!
Как хорошо,что великолепный баритон исполняет оперы П.И.Чайковского. ария Елецкого на итальянском звучит божественно!
Thank you, always makes me happy to meet another fan of Ettore
Прекрасный баритон! Но мне не хватает лиричности в его исполнении. Слишком "героично". Он чудесный Ренато и граф Ди Луна, но здесь он, видимо, не совсем чувствует образ ...
WOOOOOW, marvelous !!! I've listened his Mazeppa , but never Yeletsky. And he is so young here. Thank you
Incredibilmente bello!
I love this aria! and I've never heard him sing it. Thank you so much Ingrid
I believe this work was introduced into Italy in early 1950s? It would be hard for those Italian young singers who did not know a single word of Russian or even did not know anything about Russia to undersand a Russian opera in such a short period of time.
Бастианини - лучший.
Curiosité!
MAMMA MIA....
Мне кажется, что партия Томского ему больше подходит. Хотя, его голос можно слушать бесконечно!
Some tenderness please. With this kind of singing "Ja vas lyublyu" I quite understand Lisa, that she doesn't like Yeletsky too much. Give mi some Slavic soul (Lisitsian and Chernov and Mazurok and Hvorostovsky.)
Or Sergei Migai.
Or Norzov Panteleimon
Я русская..для меня этот персонаж Елецкий конечно. Как его Дима Хворостовский сделал..я поняла,с кого он сделал свой образ.Дима был такой трепетный Елецкий
@lumsdenew1 1989 cardiff:)
who say about Нvorostovsy? :)
In this aria Hvorostovsky was so much better.
@@spevoljub in what area?
Listen Czech singers...
Мнение о том, что Бастьянини был слабым актером, мне кажется неверным. В каждой партии его персонаж драматически убедителен.
Gorgeous voice, but interpretation is by far too Italian.
.....well, after all ~he was an " Italien Soul" , wasn´t he !
@@ingriddoppler That's what I'm saying - he was Italian and totally lost in non - Italian repertoire
A me scortica il cuore! Grande Ettore sempre!
In Italia l'opera russa era totalmente sconosciuta tranne qualche opera di Rimskij Korsakov e il Boris. Dama di Picche era forse la prima volta che si eseguiva in Italia e forse in Europa. Comunque oro colato e in Russia un baritono così non c'è l'hanno mai avuto.
@@fabriziogarzi9892 In my opinion: Pavel Lisistian was better
Comparing Dmitri Hvorostovsky with this magnificent singer is to say the least… controversial.
That's right. In russian repertoire Bastianini was quite lost and didn't know what to do.
spevoljub The thing is that anyone with their ears right can hear that Hvorostovsky is just a failed caricature of an operatic singer, whereas Bastianini was a great baritone, who nevertheless had technical issues.
@@michelez3710 Bastianini was great singer - with italian way of singing. He was great in italian repertoire. But his italian "exibicionismo" is not appropriate for russian repertoire.
@@spevoljub ...as Mr. Hvorostovsky was lost in Italien repertoir and songs !°
@@spevoljub besides ~ I think you better should analize Hvorostovsky´s " exibicionismo"
before making such a statement.
Ettore спел великолепно, но в образ Елецкого не попал: слишком напористо, победительно...