This has been my biggest issue. I have a big (electronic music) platform but my platform is built all on samples/remixes. And I have a big platform on SoundCloud but not anywhere else because I can’t legally upload them anyone else. But a lot of my other musician peers have started saying fuck it and have started uploading their bootlegs onto distros. It’s a great way to grow a fanbase for sure but it’s hard to scale once you’re there
Yep. 100% Becoming a remixer or rework producer is the hardest side of the business. DJs will play your stuff but many creators just do it for fun and love. I would recommend reaching out to labels that would commission my work formally just to put gas on the fire.
For type beats you don't own your track the producer does that's why you signed a license instead of a rights agreement. That's a whole other story in and of it self.
Percentages and points are the same. The lingo of "POINTS" is normally used when talking about masters not publishing. However, it does mean percentage.
Bro I swear you make these videos for me. I just dropped what I thought was a cover LOL of tell me when to go. I never planned on selling it I was using it as mixtape material am I still in the wrong do you think I can send you a link to the song and let you check it out I appreciate your time keep doing your thing you're a motivational person
@@MusicMoneyMakeoverthank you very much for the words of encouragement. If you do have time to check it out let me know your thoughts please. I don't plan on selling it I'm just trying to break through public consciousness
This video was long overdue but now we have it 🔥🔥
Really lol.
5:10 for example: 🎶Big back, big back 🎶 . a parody of Dora’s Backpack Theme.
Right
This has been my biggest issue. I have a big (electronic music) platform but my platform is built all on samples/remixes. And I have a big platform on SoundCloud but not anywhere else because I can’t legally upload them anyone else. But a lot of my other musician peers have started saying fuck it and have started uploading their bootlegs onto distros. It’s a great way to grow a fanbase for sure but it’s hard to scale once you’re there
Yep. 100% Becoming a remixer or rework producer is the hardest side of the business. DJs will play your stuff but many creators just do it for fun and love. I would recommend reaching out to labels that would commission my work formally just to put gas on the fire.
Track lib has been a great place for sample based beat makers
Most Def
13:46 what about typebeats
For type beats you don't own your track the producer does that's why you signed a license instead of a rights agreement. That's a whole other story in and of it self.
I’m here for it & Bless, Thank you.
What’s the difference between royalties and publishing points?!
Percentages and points are the same. The lingo of "POINTS" is normally used when talking about masters not publishing. However, it does mean percentage.
Bro I swear you make these videos for me. I just dropped what I thought was a cover LOL of tell me when to go. I never planned on selling it I was using it as mixtape material am I still in the wrong do you think I can send you a link to the song and let you check it out I appreciate your time keep doing your thing you're a motivational person
Drop the link here for everybody to hear it man.
ua-cam.com/video/2heVbGDV7BM/v-deo.htmlsi=hi_n1nA8aOdGzYB0
@@MusicMoneyMakeoverthank you very much for the words of encouragement. If you do have time to check it out let me know your thoughts please. I don't plan on selling it I'm just trying to break through public consciousness
basically just be original and produce your own music unless you are a remixer for a label lol
I mean..... sometimes the samples can hit tho.
@@MusicMoneyMakeover I do not disagree but can cost you more then you think you can make lol
Sampling is Hip Hop WTF
Never said it wasn't
Fye video 🔥🔥lotta info in this one
'Preciate cha