This beautiful rendition stands as a witness that Swamy Sadhguru Thyagaraja Swamigals Keerthanas will be young and immortal for ever and would take millions of people to the depth of peaceful bliss. My heart felt appreciation to Thiru.SP Ramh avargal. What a chemistry between Lord Rama's wonderful qualities and Sadhguru Thiyagaraja Swamigals desire free devotion!
I am interested in this inspired artist going to thiruvaiaru sannidhi on a day alone bet 11 am and 12 noon, rendering it to St Thyagaraja and record it. The outcome is going to be be something surprising!
Superb ! Vandanamu Ragam Sahana 28th Mela Janya Rupaka Talam Thyagarajar Krithi In this song Tyagaraja implores Rama to dwell in his heart always. He tries to convince in many ways. He praises, invites and surrenders as a true devotee. Hea also depicts how prahlAda pleads with Lord to have mercy on him. This song is another from the Prahalada Bhakti Vijayam cycle. Its simple structure, rhyme and metrical symmetry make it suitable for group singing in a call-response form as well as normal rendition by a single performer. The fastidious may note a mythological anachronism in this song. As it is from the Prahalada cycle, we can surmise that it appears to Tyagaraja that Prahalada prays thus to Rama. However, in commonly held mythology, Prahalada figured in the fourth incarnation of Vishnu, that of Nrsimha or the Man-Lion. Rama was the seventh incarnation and was born ages after Prahalada's time. Even the line of the Raghus had not yet been founded. This song too, thus shows Tyagaraja's propensity for Ishta Devata Aradhana, or worship of a personal deity, a concept discussed elsewhere. This concept makes the seeming anachronism consistent, for we next encounter the reference to Wealth being His consort, rendering this as a case of pars pro toto. Shahana is one of the gems of the Carnatic system. It is not easily imparted and needs some maturity for an exposition, but it can convey extraordinary emotional content. There is a tradition in many parts that this raga must not be taught by a teacher lest the tutelage would break prematurely. It is often postponed to the end of the training period. As can be concluded from its complex ascent and descent schema, it may not be easy to compose such simple lyrics and music for it as in this song without oversimplification. From personal experience too, I think it can sometimes be hard to compose in it. Compare this with the song emaanticchevo, which we shall soon cover. That is a more mature work in terms of sustention of phrases, shows the complex layers of Shahana more and contains rich emotional expression. P vandanamu raghu nandanA sEtu bandhanA bhakta chandanA rAma Salutations to Raghunandana the builder of the bridge on the sea, the favourite of devotees. C1 Sree damA nAtO vAdamA nE bhEdamA idi mOdamA rAma Why debate, why indifference, is this happy to you Rama? C2 Sree ramA hrutchAramA brOva bhAramA rAya bAramA rAma Oh, beloved of Sri Ramaa, is it a burden for you to save me? Why so much debate? C3 vinTini nammu konTini Sara NanTini rammanTini rAma I heard of you, surrendered to you and invited you, oh Rama. C4 ODanu bhakti veeDa norula vEDanu rAma I will not be defeated in my attempt. I'll not leave devotion to you. I'll not seek others' help. I am yours, Oh Rama. C5 kammani viDemimmani varamu kommani paluka rammani rAma You ask me for tasty betel leaves, you offer me boons and you call me to talk to you, Oh Rama. C6 nyAyamA nee kAdAyamA inka hEyamA muni gEyamA Is it reasonable? Is it beneficial to you? Do you hate me, Oh Rama? All the sages sing your praise C7 chooDumee kApADumee mammu pODimigA gooDumee rAma See me, save me, be with us, Oh Rama. C8 kshEmamu divya dhAmamu nitya nEmamu rAma nAmamu rAma Safe is your heavenly abode, your name is perpetually on my lips, Oh Rama. C9 vEgarA karuNA sAgarA Sree tyAgarAja hrudayAgAra rAma Come quickly, Oh Rama, the ocean of kindness. You dwell in the heart of Tyagaraja. Comments :- This Kriti is part of dance-drama 'Prahlada Bhakti Vijayam' The wordings of the kRti are as uttered by prahlAda addressed to the Lord. Sahana Ragam :- On listening to Sahana, the emotions that one experiences include compassion, pleading, fervent appeal, helpless surrender, and piety. A breathtakingly beautiful raga, Sahana gives peace to the inner self and soothes the artiste as well as the audience. This is a vakra raga and has notes in zig-zag patterns in the arohana and avarohana. The prayogas are given more importance than the mere scale itself, since ragas like Sahana live through their jiva prayogas (characteristic phrases). The notes in this raga apart from Sadja and Pancama are Chatusruti Rishabha, Antara Gandhara, Suddha Madhyama, Chatusruti Dhaivata and Kaisiki Nishada. The oscillations in the Rishabha, the long pauses in the Gandhara and the majestic glides from the Sadja to Pancama and then the Rishabha, all these are the stamps of Sahana. It is one of the most easily identified ragas, even by a lay listener of music; such is it's power to permeate the hearts of people. In classical music Sahana has been used widely by Thyagaraja and Dikshitar. The well-known “Sri Kamalambikayam” is a splendid navavarana by Dikshitar. Thyagaraja's “Vandanamu” has a simple charm as does his Kovur Pancaratna “E Vasudha”, while “Giripai” has a majestic grace. “Rama Ika Nannu” of Patnam Subramanya Iyer and “Chittam irangaada” of Papanasam Sivan are melting pieces.
The simple but meaningful lyrics bring out the pain frustration and unflinching devotion of Thyagabrahma. In my opinion the best composition for class and mass. Diehard fan of Shri Thyagaraja
He is one of the wonderful, excellent, fantastic, outstanding, well knowledged, disciplined, dedicated classical artists.. You are great sir.. What a nice pleasant voice, completely concentrated.. I felt very happy and daily watch your programmes... I like you your efficiency, dedication, disciplined performance.. I like you i like you sir Dhanyawadamulu and hearty congratulations.. God gift to you... God bless you respected sir... Thank you all for organising and uploading ...Spl thanks to UA-cam
What a well controlled flow of swaras [musical notes] in Sahana Ragham as part of kalapana swaras! Quite amazing. I am yet to come across a Vidwan who can sing like him especially with regard to singing of swaras. I wholeheartedly appreciate his musical talents.
Beautiful telugu keerthanam written by Saint & Telugu poet Thyaagaraaja of Thiruvayaaru(Tamilnadu).As we all know that Saint and Telugu poet Thyaagaiah(Thygaraaja) was born & brought up at Thiruvaiyaaru in Tamilnadu.All his telugu keerthanams were written here.His samaadhi is also in this Thiruvaiyaaru and many music lovers & devotees from all over the world visit this place in Tamilnadu.
Dear friend Mr. R. Nanjappa...You have told quite aptly. For any holy song the 'bhakthi bhava' is the most important aspect. I see those traits in the singing of Sri Sp Ramh in abundance which is praiseworthy. Fitting tribute to Sri Rama on His day. "Mandakolathur Subramanian"
This beautiful rendition stands as a witness that Swamy Sadhguru Thyagaraja Swamigals Keerthanas will be young and immortal for ever and would take millions of people to the depth of peaceful bliss. My heart felt appreciation to Thiru.SP Ramh avargal. What a chemistry between Lord Rama's wonderful qualities and Sadhguru Thiyagaraja Swamigals desire free devotion!
I have done some punniy
am to listen to this song now. Jai sri ram.
I am interested in this inspired artist going to thiruvaiaru sannidhi on a day
alone bet 11 am and 12 noon, rendering it to St Thyagaraja and record it. The outcome is going to be be something surprising!
No words for comment except listen and feel happiness
Superb ! Vandanamu Ragam Sahana 28th Mela Janya Rupaka Talam Thyagarajar Krithi
In this song Tyagaraja implores Rama to dwell in his heart always. He tries to convince in many ways. He praises, invites and surrenders as a true devotee. Hea also depicts how prahlAda pleads with Lord to have mercy on him. This song is another from the Prahalada Bhakti Vijayam cycle. Its simple structure, rhyme and metrical symmetry make it suitable for group singing in a call-response form as well as normal rendition by a single performer.
The fastidious may note a mythological anachronism in this song. As it is from the Prahalada cycle, we can surmise that it appears to Tyagaraja that Prahalada prays thus to Rama. However, in commonly held mythology, Prahalada figured in the fourth incarnation of Vishnu, that of Nrsimha or the Man-Lion. Rama was the seventh incarnation and was born ages after Prahalada's time. Even the line of the Raghus had not yet been founded. This song too, thus shows Tyagaraja's propensity for Ishta Devata Aradhana, or worship of a personal deity, a concept discussed elsewhere. This concept makes the seeming anachronism consistent, for we next encounter the reference to Wealth being His consort, rendering this as a case of pars pro toto. Shahana is one of the gems of the Carnatic system. It is not easily imparted and needs some maturity for an exposition, but it can convey extraordinary emotional content. There is a tradition in many parts that this raga must not be taught by a teacher lest the tutelage would break prematurely. It is often postponed to the end of the training period. As can be concluded from its complex ascent and descent schema, it may not be easy to compose such simple lyrics and music for it as in this song without oversimplification. From personal experience too, I think it can sometimes be hard to compose in it. Compare this with the song emaanticchevo, which we shall soon cover. That is a more mature work in terms of sustention of phrases, shows the complex layers of Shahana more and contains rich emotional expression.
P vandanamu raghu nandanA sEtu bandhanA bhakta chandanA rAma
Salutations to Raghunandana the builder of the bridge on the sea, the favourite of devotees.
C1 Sree damA nAtO vAdamA nE bhEdamA idi mOdamA rAma
Why debate, why indifference, is this happy to you Rama?
C2 Sree ramA hrutchAramA brOva bhAramA rAya bAramA rAma
Oh, beloved of Sri Ramaa, is it a burden for you to save me?
Why so much debate?
C3 vinTini nammu konTini Sara NanTini rammanTini rAma
I heard of you, surrendered to you and invited you, oh Rama.
C4 ODanu bhakti veeDa norula vEDanu rAma
I will not be defeated in my attempt. I'll not leave devotion to you. I'll not seek others' help. I am yours, Oh Rama.
C5 kammani viDemimmani varamu kommani paluka rammani rAma
You ask me for tasty betel leaves, you offer me boons and you call me to talk to you, Oh Rama.
C6 nyAyamA nee kAdAyamA inka hEyamA muni gEyamA
Is it reasonable? Is it beneficial to you?
Do you hate me, Oh Rama? All the sages sing your praise
C7 chooDumee kApADumee mammu pODimigA gooDumee rAma
See me, save me, be with us, Oh Rama.
C8 kshEmamu divya dhAmamu nitya nEmamu rAma nAmamu rAma
Safe is your heavenly abode, your name is perpetually on my lips, Oh Rama.
C9 vEgarA karuNA sAgarA Sree tyAgarAja hrudayAgAra rAma
Come quickly, Oh Rama, the ocean of kindness.
You dwell in the heart of Tyagaraja.
Comments :- This Kriti is part of dance-drama 'Prahlada Bhakti Vijayam' The wordings of the kRti are as uttered by prahlAda addressed to the Lord.
Sahana Ragam :- On listening to Sahana, the emotions that one experiences include compassion, pleading, fervent appeal, helpless surrender, and piety. A breathtakingly beautiful raga, Sahana gives peace to the inner self and soothes the artiste as well as the audience. This is a vakra raga and has notes in zig-zag patterns in the arohana and avarohana. The prayogas are given more importance than the mere scale itself, since ragas like Sahana live through their jiva prayogas (characteristic phrases).
The notes in this raga apart from Sadja and Pancama are Chatusruti Rishabha, Antara Gandhara, Suddha Madhyama, Chatusruti Dhaivata and Kaisiki Nishada. The oscillations in the Rishabha, the long pauses in the Gandhara and the majestic glides from the Sadja to Pancama and then the Rishabha, all these are the stamps of Sahana. It is one of the most easily identified ragas, even by a lay listener of music; such is it's power to permeate the hearts of people.
In classical music Sahana has been used widely by Thyagaraja and Dikshitar. The well-known “Sri Kamalambikayam” is a splendid navavarana by Dikshitar. Thyagaraja's “Vandanamu” has a simple charm as does his Kovur Pancaratna “E Vasudha”, while “Giripai” has a majestic grace. “Rama Ika Nannu” of Patnam Subramanya Iyer and “Chittam irangaada” of Papanasam Sivan are melting pieces.
Adhi talam sir
Thank you very much for such a detailed explanation of the Inception, Intent, Integrity of the Kruti Sir!🙏
@@vinaysiddharth7178 Ji My Pleasure 🙏
Thank you for the details. Well explained. 🙏🙏
@@anuradhavasudevan2602 ji My Pleasure 🙏🏼❤️🙏🏼
Kalpanaswaras.....unimaginable prodigious talents👌👌👌👌👌🙏🙏
The simple but meaningful lyrics bring out the pain frustration and unflinching devotion of Thyagabrahma. In my opinion the best composition for class and mass. Diehard fan of Shri Thyagaraja
That is the essence of his krithis straight from the heart spontaneous response of unflinching devotion in simple Telugu ( past )
Vandanamu Raghu Nandana 🙏🙏🙏🙏🙏🙏🙏🙏🙏Jai Sri Ram 🙏🙏🙏 Dhanyoham 🙏
He is one of the wonderful, excellent, fantastic, outstanding, well knowledged, disciplined, dedicated classical artists.. You are great sir.. What a nice pleasant voice, completely concentrated.. I felt very happy and daily watch your programmes... I like you your efficiency, dedication, disciplined performance.. I like you i like you sir Dhanyawadamulu and hearty congratulations.. God gift to you... God bless you respected sir... Thank you all for organising and uploading ...Spl thanks to UA-cam
Beautiful heart melting rendition of the keerthana..
Beautifully rendered! ! Nice to hear his voice.🙏
The word Sreerama namam gives immense pleasure to the soul
What a well controlled flow of swaras [musical notes] in Sahana Ragham as part of kalapana swaras! Quite amazing. I am yet to come across a Vidwan who can sing like him especially with regard to singing of swaras. I wholeheartedly appreciate his musical talents.
So sweet and perfect voice which is the secret of karnatic music
Beautiful telugu keerthanam written by Saint & Telugu poet Thyaagaraaja of Thiruvayaaru(Tamilnadu).As we all know that Saint and Telugu poet Thyaagaiah(Thygaraaja) was born & brought up at Thiruvaiyaaru in Tamilnadu.All his telugu keerthanams were written here.His samaadhi is also in this Thiruvaiyaaru and many music lovers & devotees from all over the world visit this place in Tamilnadu.
Full of bhava and divinity.Movingly rendered Thya garaj Swami's masterpiece
S.P.Ramh...super wonderful. Bhakthi chotta Kettundae irukkalam.Sri Ramanukku Kodi Kodi vandhanangal.
What a great rendering also the video composition is really good.
Thanks for sharing this.
Jai shree Ram Jai shree Ram Jai shree Ram 🙏🙏🙏🙏🙏🙏🙏
No words to say tears in my eyes,such a mesmerizing voice
The bava and bakhthi twined into this melodious rendering by the young widwan . Thanks for my meditation duringListening.
మాధుర్యానికి మరో పేరు మీ కంఠం స్వరము
SPRam is a Wonderful musician& also a very good Veena artist 🙏
Feeling blessed to hear the steely voice. What a great Sadhakam. So beautifully rendered👌👌👌👌👌👍👍👍👍👍👍👍.The Vocal chords roll in sheer ecstasy 🙏
Mesmerizing voice about Rama.
Sahana,,a divine Raga,melodiously composed by Saint Thyagaraja & renditioned beautifully by the Carnatic legend Bombay Jayashree
wonderful long kalpanaswaram in the end!!
Forever favorite keerthanam ❤
Excellent singing sir. I don't know Carnatic music, yet I get a nice feeling when hearing this song.
Absolutely marvellous. No words to describe the feelings that I've felt.
Tears rolling...
16 songs 😊
Gallu gallu gallumane Rama Namamu🎵🎶 enjoyed a lot 😊 Ram Ram .
Nice singing he is in the present invention of the river adjacent to her and her husband is a serious issue of God bless you 🙏
Beautiful Song 🎉
Awesome Singing 🙏🏻
Jai SeethaRam 🙏🏻🙏🏻🙇🏻♂️
Thanks for singing with the emotions needed! 🙏🙏
In this kriti i observed that how dispite of life difficulties lord thyagaraja never left his bhakti to his God Rama.
Written and experienced few thousand yrs goo still it feels soo melodious and touching think the emotions are same ?? To enjoy same ??
Excellent Presentation...
My Favorite Always..
Super Aalaapanam...
🙏🙏🙏🙏🙏🙏🙏
A beautiful rendition of the Keerthana
Hare Raaamaaaaa.....
Ds is my favrt Kriti.
Shahaana giving speechless Bhakti Bhaava.
Pranaaaaaams
Really superb..melodiously filled with great musical excellence accomplishments..simply a feast to ears
Beautifully rendered 😊🎉namaste namaste
Vaadama daggera aapulo sruthilo enka baga kalavalisindi.antha chaalaa baagundi
How nicely sung? A genius in deed! SaiPremi
Excellently forecast his devotion to rama soothing to our ears to listen to such melodious song creating sympathy and heartfelt devotion to god
One of the best renditions... 🙏🙏🙏
You are a great devotee also bless you kodanda pani Rama
Nice to hear swamy, Sahana
ఏమి పాడారు త్యాగయ్య గారూ .మీ పాట వల్ల తెలుగు భాషే ధన్యము ఐనది .
పాడలేదు, రాశారు
Aahhaaaaaa wat a divine voice ...seythu bhandha bhaktha chandhana Rama.. 🙏🙏🙏🙏🙏
He deserves senior slot in all Sabhas. Why I don't know the reason. B.ful voice very knowledgeable and sings so well
Enjoyed the rendition
Amazing excellent divine voice beautiful singing spritual vibration congratulations thank you so much for your sharing spritual services
One can feel the compassionate divine being Lord Rama entering into the heart as one melts with the song
Very very happy after listening to this excellent presentation ❤
Excellent melodious .Jai sri Ram. 🙏🙏🙏🙏🙏🙏🙏🙏🙏🙏🙏🙏
Third step.."Neem Neem Neem" very very attractive.
Wonderful rendition.God bless you abundantly
అద్భుతం, EXCELLENT
Jai shreeram Jai Jai Shreeram 🙏🙏🙏
WONDERFUL EXCELLENT AND FANTASTIC SIR YOU ARE VERY GREAT GOD BLESS YOU
❤....Hearing it everyday...Divine.
What an excellent voice and grateful to the artist for presenting supeeeeer keertana
Sri Rama Jayam. Very good to listen and understand clear pronunciation. Thanks
Vandanamu was really excellent song and fantastic
Lovely! Thanks for the lyrics & translation of such great song.
Excellent 😅 Divine voice 🎉🎉
Marvelous, Melodious and Magnificent
Excellent rendition 😊
Excellent. Outstanding 😮
Excellent. Melodious. शुभकामनाएँ.
Very nice rendering. Enjoying it very much during the Rama Navami season!
Even otherwise also you can enjoy it.
Dear friend Mr. R. Nanjappa...You have told quite aptly. For any holy song the 'bhakthi bhava' is the most important aspect. I see those traits in the singing of Sri Sp Ramh in abundance which is praiseworthy. Fitting tribute to Sri Rama on His day.
"Mandakolathur Subramanian"
Melodious voice. Nice presentation..Very very pleasing to ears. We wish for many more videos/audios.
EXCELLENT ,RICH VOICE GREAT.
Kowta Padmanabha Sarma , Hyderabad ----Good Voice besides displaying higher Musical Talent.
Amazing amazing
Sri ram Sri Ram namo namaha
Naku chala ishtam andi mee pata mata ..adhrushtavanthunni
అద్భుతం
Excellent Excellent Excellent Excellent Excellent Excellent SRI RAMABHAKTI SAMRAJYAM OF SWARAS.
very melodious!!!! wonderful song!!!!
Sweet voice. Verynice
Excellent performance Jay sriram
Vid at and voice and rendition thoroughly professional and very pleasing.excellent.
What a feel, fully blessed
Guruwa Saranam Rama. 👌👌👌👌👏👏👏👏🙏🙏🙏🙏🙏😄😄😄
Super, enjoya ble rendition
ரொம்ப ரொம்ப இனிமையாக உள்ளது. சிவ பகவானுக்கு நன்றி.
How listening 2024
Who listening in 2024? - Me
Excellent, Jai Sri Ram !
Wonderful. Thank you.
Fine and beautiful presentation by SP.Ramh
Namaskaram to hearAnicesong
Ji Sri ram 🙏🙏
My favrt.....very soothing
🙏Excellent rendition
Divine singing by Bombay Jayashree - Lord shree rama bless her
వందనము రఘు
నందనా సేతు
భందనా భక్త
చందనా రామ
శ్రీ దమా నాతో వాదమా
నే భేదమా ఆమోదమా
క్షేమము దివ్యధామము
నిత్యనీమము రామనామము
Exlent
Super🙏🙏👌👌
S.p.ramh excellent rendering with rich and melodious voice
శ్రీరామ శ్రీరామ శ్రీరామ
Excellent singing. Very good voice. Do it more and more….
sahana bhakthi at its peak. unique presentation. hear -dehi thava rendered by Sri. Yesudas also
Hare Rama