제가 강남 유명 어학원에서 토플 수업들었을때의 얘기인데요. 당시 리딩 지문에 하나가 엄청 복잡했어요. 주제도 뭔지 감도 안오고.. 단문, 복문 막 섞여있고 문법도 어렵고.. 단어는 또 왤케 생소한지. 하여간 그렇게 머리싸매고 학원 수업을 갔는데 리딩선생님이 엄청 간결하게 술술 해석해주시고 이건 이래서 이런 뜻이고 이런 문장은 이렇게 접근해야된다고 말씀해주셨는데 충격받았어요. 이렇게 쉽게 설명을 해주시다니. 열음님의 슈만 판타지는 딱 그런 느낌입니다. 본인이 이미 이해를 하고 사람들에게 이건 이렇다라고 확신있게 해석해주는 모습... 오늘도 참 위안을 얻습니다~ 앞으로도 좋은 수업 부탁드려요.
Watching Yeol Eum Son play is like reading a romantic novel, the passion, intrigue, disappointment, and rekindling, all while listening and enjoying a delightful Schumann Fantasy in C. Very enjoyable indeed.
언니 안녕하세요 :) 처음으로 댓글을 남겨봐요. 언니가 쓰신 '하노버에서 온 음악 편지' 중 슈만 판타지를 너무 감명 깊게 읽었습니다. 책에 있는 곡을 들으며 책을 읽으면 감회가 남다를 것 같아서 슈만 판타지를 들으며 한 문장 한 문장 곱씹었어요. 읽으면서 저도 모르는 게 눈물이 나는 거 있죠? 슈만의 마음을 이해하게 되기도 하고, 선율도 너무 아름답게 느껴졌어요. 그 이후로 슈만 판타지는 제가 좋아하는 곡 중 하나가 되었어요. 좋은 곡을 소개해주셔서 감사해요. 그리고 제 버킷리스트 중 하나가 언니 연주를 보러 가는 것이었는데, 작년 3월에 부산에서 부산시향과 협연 하셨을 때 갔었어요. 그때도 감동 받아서 눈물이 나더라고요. ㅎㅎ 그 감동은 여전히 잊지 못할 것 같아요. 지금은 코로나로 인해 공연장에서 뵙긴 어렵겠지만 다시 만날 그날까지 기다립니다 🙏🏻 유튜브로 연주 영상 올려주시는 것도 너무너무 감사합니다. ❤️
나는 Robert Schumann이 작곡했을 때 그 음악이 얼마나 아름다운지 전혀 몰랐을 것이라고 확신합니다. 손열음의 연주를들을 수 있었다면 그녀의 손에 키스를하고 고맙다는 말을했을 것이다. 그의 솔로 곡 해석은 그의 음악을 해석하는 데있어 새로운 정점에 이르렀다. 예를 들어 그녀의 Kreisleriana는 다른 연주 시도에 대해 고개를 들고 서 있습니다.이 환상을 들으면서 느꼈던 것은 새로운 작곡가를 발견하는 느낌이었습니다. 아름답게 그녀는 그것을 연주했습니다.
This has always been, for me, the most passionate outpouring of Romanticism in music. I've loved it for many decades and have heard too many performances to count--none, sadly, in person. I just heard Son's Onyx recording for the first time, and it's simply gorgeous. The pianism, the soul that understands the music, and the physical prowess that conveys it are breathtaking. And the sound captures it all in glowing detail. So this video is a real wonder. I've loved Son's playing since hearing her in the Cliburn Competition, which I thought she should have won in a walkover. She has matured into a truly special artist. Thank you Yeol Eum. This performance now ranks with my handful of best-of-the-best.
20:46 she refuses to suffer like Schumann did. And dictate now her appetite and dominance. What a strange and magical moment ... there is no more place for howling or pain, but only for her unique music making .... the girl has incredible guts ..
Stunning performance. Oh, the ending! -- like saying good-bye to a loved one for good. Dying, maybe, departing in some way, lingering but approaching the moment of termination. Pain mixed with beauty. Will we ever know whether Robert Schumann experienced something that became this exquisite piece of music?
The Gold Standard recording for this piece for me has always been by the late Hiroko Nakamura, on Sony Essential Classics. No one has ever come even close to that performance until I heard and saw Ms. Son here. An incredibly difficult and imposing composition to take on by even the most accomplished pianists. Done by Ms.Son with great sensitively, power, control and most importantly passion as deep as the ocean. Thank You
I have to admit that among all Schumanns op 17 interpretations this is the best I have heard so far. It is probably due to the pianist, Yeol Eum Son, who lets this music shimmer they way it was meant to shimmer. For me this is a new revelation, and foregive me for just two month ago saying that I only liked op 15 and op 16. Now I like op 15, 16 and 17. But they have to be played by Yeol Eum Son.
No one ever has or ever will play the Fantasia so brilliantly ! Sadly this work was never performed in public during Schumann's lifetime . I hope he is now able to look down and hear your beautiful , elegant , stylish and perfect performance of his masterpiece .
손열음은 최근 슈만의 4 연속 피아노 솔로 걸작 오페라 15, 16, 17, 18에 대한 그녀의 해석을 올렸는데, 내가 66 년 동안 들었던 모든 것들은 수년 동안 많은 위대한 피아니스트들이 연주했다. 그러나 그들 중 누구도 그녀가 할 수있는 일을하지 않았습니다. 당시 슈만은 양극성 장애로 고통 받기 시작했고 세 가지 방법으로 만 마음을 진정시킬 수있었습니다. 1)시와 함께, 2) 그의 사랑하는 클라라가 그를 위해 음악을 연주하게함으로써, 3) 통제 할 수없는 열정적 인 마음 속에있는 매우 다양한 그림, 생각, 기억을 피아노 음악으로 바꾼다. 손열음은이 음악의 비극적 인 아름다움을 전하는 방법을 처음으로 연구했다. 그녀는 그의 머리 속에 들어갔고 그 당시 그녀가 한 일은 우리가 지금 듣는 것을 생산하는 것이 었습니다. 그것은 삶의 모든 분야에서 극소수의 사람들에게 주어진 일종의 천재입니다. 그러나 믿음을 넘어서는 아름다움.
At times Yeol Eum Sons' music holds me in a state wonder. So soothing and fragile, undeserved raptures. Her music can steal hours away from you if you let it. I'm spoiled. 👏👏👏 Thank you! 🙏😁😎
진짜 슈만 판타지 in C major 세계적인 & 래전드 피아니스트들이 연주한 거 다 들어봐도 슈만 판타지 in C major 만큼은 손열음 피아니스트님이 연주한 것이 제일 좋아요. 다른 피아니스트들은 너무 남성적이고 씩씩하게 연주하는데 손열음 피아니스트님 연주는 슈만의 불안하고 섬세하고 여리지만 열정이 있는 마음을 잘 표현했다고 생각해요. 저의 최애곡입니다 손열음 피아니스트님이 연주한 슈만 판타지 in C Major.❤️🧡💛💚💙💜 제가 울컥울컥하게 하고 눈물이 왈칵 쏟아지는 슈만 판타지 in C major는 손열음 피아니스트님이 연주한 것 뿐이에요. 🥹🥺😭 Onyx에서 녹음하신 앨범 잘 듣고 있습니다. 🥰😍
An absolute stunning performance! I have been on a bit of a Schumann Fantasie binge of late. Her interpretation of the 3rd movement brought me to tears. I had no idea she was this good. She is a true artist and master communicator at the piano. Thank You for posting this.
Such formidable playing! Yes there were some missed notes here and there, but hey its a live performance and not everyone can nail that treacherous 2nd movement coda with the octave leaps in opposing directions. She does a great job. Her reading is superbly rendered. And the final movement is a slice of heaven. Worth noting is that in that final movement she takes the original ending that was discarded by Schumann prior to publication for whatever reasons he thought. But Son resurrects it and makes it seem so right and brings closure to the whole piece. Thanks to Andras Schiff who discovered the original ending in a Budapest library on a tip from the musicologist Charles Rosen.
Well, just about nobody, including Horowitz and Richter, could, in live performance, nail those famous concluding leaps in the 2nd movement. Pollini reportedly succeeded.....but.... well.... that's Pollini--- a technically precise dynamo, at least at one time.
I. Durchaus fantastisch und leidenschaftlich vorzutragen 0:12 II. Mäßig. Durchaus energisch 12:57 III. Langsam getragen. Durchweg leise zu halten 20:37 저 실황때 3악장까지 듣고 소름돋아가지고ㅜㅜ 눈물 핑 다리 힘빠져서 제대로 못일어났던 1인입니당.... 한없이 깊은 정열과 감정의 1악장, 가슴터질듯한 2악장, 그리고 마침내 모든걸 극복한 듯한 3악장... 업로드 너무너무 감사해요 열음님!!!!!!! P.S. 어제 클라라주미강님과의 온라인 공연도 진짜ㅜㅜㅜㅜ 너어어무 좋았어요!!!!! 👍🏻👍🏻👏🏻👏🏻👏🏻 진짜 바로 레코딩하셔도 될 정도....최고에용!!!🤩
1st English translation of above. 00.00 Durhaus : play as a passionate fantasy 12.58 play energetically but with sensitive control 20.44 play slowly, quietly and gently throughout ::Yeol-Eum Son has recently put up her interpretations of Schumann's four consecutive solo piano masterworks , opera 15,16,17,18. It is now 66 years since I had heard all of them and, though I have heard many great pianists play them over the years, I have never heard any one do what she has managed to do. At that time in his life Schumann was starting to suffer from manic depression and could only sooth his mind in three ways. 1) with poetry, 2) by letting his beloved Clara play his music for him and 3) turn the extraordinary variety of pictures, thoughts and memories in his uncontrollably passionate mind into piano music. Yeol Eum is the first person who worked out how to convey the tragic beauty of his illness. She got inside his head, and what she then did was to produce what we hear now. A type of genius reserved for very, very few people in any walk of life. But beauty beyond belief.
@Mazzel Tov I don't mind you criticising my opinion, that is what opinions are for. But one thing I would stress very strongly. I too knew and studied with Michelangeli and rank him amongst the greatest pianists I ever heard. Each of the others you mentioned were indeed maestri but they all lacked one thing and had another in common. They all played the music in front of them how it sounded to them, but none tried to convey what Schumann, in his mental agony, was trying to say in music. Probably because he knew he was not that good a pianist. Maybe Clara was, we'll never know. But what Yeol Eum does here is lose herself in the music, something I have never heard anybody else so with this piece. You may have noticed that all the pianists you mention are men. But Schumann wrote this for a woman, for Clara, and Son is the first musician to bring out the beauty of this fantasy by just playing it as herself. I honestly don't believe a man could do this and make it sound like Schumann imagined it. He could only compose it, because it was a female face he saw when he did so. I don't know how much is written about his terrible depression, but it was being conscious of his own inadequacy as a pianist that frustrated him so terribly. Do forgive my hyperbole in saying anyone is the greatest ever at anything. A momentary reaction to what I was hearing. That is not something one can ever say about another person.:),Ciao. Anton
@Mazzel Tov Bologna University in 1966 when I was finishing a PhD in hagiography. He was a shy gentleman who loved talking about his art to young students (I was 23 then) who would sit round the piano for about an hour while he explained many aspects of his music. I was at four of these sessions in seven months, amongst the greatest memories of my life.
@Mazzel Tov lucky you! I loved the piano from the age of four but never played to your level, I just loved the music. Our chats on music with Michelangeli were a real bonus for those students who loved music. He seemed so glad to talk about something he loved to people who loved listening. I never used my academic degrees for my work. I was a journalist and spent half my life covering seven wars. Music was my tranquiliser.
@Mazzel Tov sorry I missed the second line of your reply : Actually I would certainly call listening to a genius explaining why and how he loved his gift was very definitely a form of "study". I was reading for a doctorate in why certain people were classified and revered in the way they were and that was certainly studying. . Listening to other people talking about things that enthral both you and them is certainly a form of study. My reference to "his music" is actually a quote from him! He would talk about 'my music' in the sense of the sounds he subjectively produced by doing what he did when playing the piano. After all the possessive adjective can only be used in relation to the person or object which owns, produces or advocates it.
@Mazzel Tov Many thanks for your detailed response on Michelangeli, I agreed with nearly all the points you made and greatly appreciated the time you spent commenting on so much. I think we have to agree that we were approaching the subject from different perspectives. You are obviously an accomplished pianist who dedicated your time with ABM to being taught the most important points in playing the piano to the best of your ability. I would love to hear you play. I, however, had the great good fortune to spend a total of four hours in absorbing his explanation of WHY he loved what he did. I was interested more in his linguistic communication than having a piano lesson. I am fluent in five European (French, Spanish, Italian, English, German) languages and four Asian (Vietnamese, Korean, Cantonese &. Japanese) but am mainly interested in how people of different tongues can learn to comprehend each other. It was a great help having parents of different nationalities to me and to each other. Rather like having pianists as parents. But it still involved hours of practice and study at five universities (Sorbonne, Geneva, Bologna, Seoul & Hong Kong) absorbing manual and facial gestures as much as vocabulary, phrases and grammar. But as with your work on piano playing, I had to love learning so many tongues to succeed. My wife is Korean and we live mostly in Paris now. May I wish you all the best in this covid world which has kept us apart from our children and grandchildren for more than a year. Grazie per gli auguri. Le mie guerre furono in Algeria (61 e 62 vacanze) Vietnam dal 68 febbraio al 71 agosto) Irlanda del Nord 72-75, Falklands 82 e Balcani 92-96 e le due guerre del Golfo. Per il resto ero un corrispondente di notizie in quattro continenti. La mia prima moglie (vietnamita) è stata uccisa nel 1968 a Saigon, la mia seconda (Singaporea) nel 1970 in Cambogia, ma da allora il mio adorabile Ju-Hee, coreano, ha tenuto duro con me, tre figli e cinque nipoti. Lei è buddista e io cattolica, ma non esistono due persone che potrebbero amarsi di più. Prenditi cura di te, amico mio. a la prossima volta. Ciao. Anton
I am sure Robert Schumann had no idea how beautiful that music was when he composed it. If only he had been able to hear Yeol Eum Son play it her way he would have kissed her hand and said ''thank you'.Her rendition of his solo pieces has reached new heights in interpreting his music which so many great pianists over the years have not been able to make sound anything but ordinary. Her Kreisleriana, for instance, stands head and shoulders over any other attempt to play it. What I felt as I listened to this fantasie was a sense of discovering a new composer, that is how beautiful it was.
Anton Wills-Eve Robrt had Clara to play his compositions and she was supposedly the most accomplished concert pianist in her time, far more so than Robert
@@danwebster5439 you make a very good point with which i am sure Brahms in particular would agree. What a shame we have no possible way of hearing pianists such as her playing. I personally wish I could hear john Field playing his nocturnes as he realisedhe had invented a new musical form.
Thank you. If I may add, thank you (so much) for your insight. No other composer can translate such profound quirks into indelible universal code. In that regard no one was more genius than Schumann, no one I'm afraid.
Actually I'm not a fan of these kinds of music but I really appreciate them. They are like conveying hidden messages through the melody that the piano makes. Also I really adore her way of playing. It's like her hands have their own brains and they are moving and playing keys voluntarily.
열음님 올려주신 슈만 리사이틀을 직관했었던 팬인데요. 저는 그 때 여름밤의 그 분위기를 잊지를 못하는거 같아서 계속 이 영상들을 보고 있는 거 같아요. 특히 슈만 판타지 3악장을 들을때면, 막 눈물이 날 거 같으면서 걱정과 고뇌들이 다 날아가는 기분이었어서 .. 홀 한가운데서 열음님만 밝게 떠오른채 피아노 치는 그 장면만 떠올려도 항상 기분이 좋아져요. 작년 한 해 중 가장 아름다운 모먼트를 만들어주셔서 감사합니다 ㅎㅎ
Isn´t her playing in this just formidable? As I always have loved Yeol Eum Sons playing in op.15, op.16, I also now love her op.17, what an experience this is to me. There are no others to match her beautiful interpretatations, as I see it. So I am an honourable guest at this party, I hope. To celebrate her opus 15, opus 16 and opus 17. And to celebrate Robert Schumann. Never has this been done better, I believe, hope and am pretty sure of.
Que gran versión, esta obra la tengo en tres pianistas diferentes, por su extensión y por su profundidad, fraseo es la mejor. Hasta he comprado el CD. MAGNIFICO
연주한다는 소식이 들리면 그곳이 어디든 항상 애매해서 지인들과 함께 보러다녔는데 올해는 시기적으로도 그렇구 개인적으로 여러사정상 리사이틀못가게되서 이번년도는 더 유독 아쉬운 한해여서 그 아쉬움을 영상을 찾아보며 달랬었는데 다른곳에서 찾아보는 연주영상도 좋지만 진짜 애매를 해서 보러가는 기분으로 열음님 채널들어와서 연주를 볼 수 있어서 얼마나 좋은지 모르겠어요 (그래도 꼭 자유롭게 연주보러가는날이 빨리오면 좋겠어요..공연장 공기랑 냄새맡으면서 황홀한연주듣고파요😭)👍🏻👍🏻 항상 좋은 연주들려주셔서 감사합니다❤️항상 응원할께요❤️
Probably I am now an addict to Yeol Eum Sons playing, and has lost my critical sense of listening. I hope it is not so bad! The problem is that I like all her playing, in Schumann op 15, 16 and 17, without any critical point of wiev at all. And this op 17 I just love. I find it heartbreaking and wonderful. Please help me.
Great musician! Beautiful! Sensitive. Emphasising.An asian artist who really got a deeper look into the architecture of European composers. A thousand times more qualified and interesting than as played by guys like Yulia Wang or Lang Lang. Great job! Thank you!
English score directions for playing. I. Play with passion and fantasy. 0:12 II. Quite energeticly but not overdone 12:57 III. Play slowly and softly throughout 20:37
![[#공연실황Pick] R. Schumann - Piano Concerto Op.54 / 손민수의 슈만, 피아노 협주곡 Op.54](http://i.ytimg.com/vi/wf8_-inorrs/mqdefault.jpg)
![[#공연실황Pick] R. Schumann - Piano Concerto Op.54 / 손민수의 슈만, 피아노 협주곡 Op.54](/img/tr.png)
제 초라한 인생을 33분동안 아름답게 만들어주셔서 감사합니다
초라하다뇨! 초라한 인생은 없어요!!! 님의 인생은 초라하지 않아요
이분 화려함의 끝판왕을 살고계실듯.
❤
제가 강남 유명 어학원에서 토플 수업들었을때의 얘기인데요. 당시 리딩 지문에 하나가 엄청 복잡했어요. 주제도 뭔지 감도 안오고.. 단문, 복문 막 섞여있고 문법도 어렵고.. 단어는 또 왤케 생소한지. 하여간 그렇게 머리싸매고 학원 수업을 갔는데 리딩선생님이 엄청 간결하게 술술 해석해주시고 이건 이래서 이런 뜻이고 이런 문장은 이렇게 접근해야된다고 말씀해주셨는데 충격받았어요. 이렇게 쉽게 설명을 해주시다니. 열음님의 슈만 판타지는 딱 그런 느낌입니다. 본인이 이미 이해를 하고 사람들에게 이건 이렇다라고 확신있게 해석해주는 모습... 오늘도 참 위안을 얻습니다~ 앞으로도 좋은 수업 부탁드려요.
Watching Yeol Eum Son play is like reading a romantic novel, the passion, intrigue, disappointment, and rekindling, all while listening and enjoying a delightful Schumann Fantasy in C. Very enjoyable indeed.
The only performance I keep returning to. I'm so happy to be alive at the same time as YES 💕
어제 주미강님과 롯데에서 듀오 리사이틀 온라인으로 하시는 것 보았습니다. 노 개런티라는 말에 마음이 아팠습니다. 공연장에서 뵐 날을 기대합니다. ❤️
열음씨의 판타지를 듣고 ‘가슴이 터질 것 같다’는 클라라의 마음이 뭔지 알게 되었어요. 제겐 손열음이 슈만이어요~ 2악장 듣고 심장 터지는 줄! 😍😘🥰
삼악장 너무 좋아서 듣고 또 듣습니다 😭 감히 손열음님과 동시대를 살아간다는 감격에 겨운 1인☆
언니 안녕하세요 :) 처음으로 댓글을 남겨봐요. 언니가 쓰신 '하노버에서 온 음악 편지' 중 슈만 판타지를 너무 감명 깊게 읽었습니다. 책에 있는 곡을 들으며 책을 읽으면 감회가 남다를 것 같아서 슈만 판타지를 들으며 한 문장 한 문장 곱씹었어요. 읽으면서 저도 모르는 게 눈물이 나는 거 있죠? 슈만의 마음을 이해하게 되기도 하고, 선율도 너무 아름답게 느껴졌어요. 그 이후로 슈만 판타지는 제가 좋아하는 곡 중 하나가 되었어요. 좋은 곡을 소개해주셔서 감사해요.
그리고 제 버킷리스트 중 하나가 언니 연주를 보러 가는 것이었는데, 작년 3월에 부산에서 부산시향과 협연 하셨을 때 갔었어요. 그때도 감동 받아서 눈물이 나더라고요. ㅎㅎ 그 감동은 여전히 잊지 못할 것 같아요. 지금은 코로나로 인해 공연장에서 뵙긴 어렵겠지만 다시 만날 그날까지 기다립니다 🙏🏻 유튜브로 연주 영상 올려주시는 것도 너무너무 감사합니다. ❤️
그 책~ 주문합니다. 당장에^^^
쿠팡에서~ 13,500원^^^
하루에도 몇번씩 매일 와서 들어서 여기 있는 댓글 반쯤은 외운 것 같아요 😇 연주는 최고입니다 😂
방금 슈만에 대한 언니의 생각을 듣고 틀었는데요.. 그래서인지 더 와닿는 거 같아요ㅜㅜ 슈만의 개인적인 얘기를 엿듣는 것 같다는 기분.. 오늘도 언니 덕분에 황홀하게 하루를 마감할 수 있는 것 같아요 연주 감사합니다 💝
슈만 특유의 서정성을 이토록 완벽하게 표현하는 분은 처음입니다 감동이네요
나는 Robert Schumann이 작곡했을 때 그 음악이 얼마나 아름다운지 전혀 몰랐을 것이라고 확신합니다. 손열음의 연주를들을 수 있었다면 그녀의 손에 키스를하고 고맙다는 말을했을 것이다. 그의 솔로 곡 해석은 그의 음악을 해석하는 데있어 새로운 정점에 이르렀다. 예를 들어 그녀의 Kreisleriana는 다른 연주 시도에 대해 고개를 들고 서 있습니다.이 환상을 들으면서 느꼈던 것은 새로운 작곡가를 발견하는 느낌이었습니다. 아름답게 그녀는 그것을 연주했습니다.
번역본♡
지당지언
대학생때 정말 좋아했던 슈만과 손열음님 연주. 클라라를 품었던 슈만의 기억이 밤하늘의 별처럼 쏟아지는 것 같네요 언젠가 직접 가서 연주를 들을 날을 희망합니다
아~ Clara^^^
진짜 이곡은 언제들어도 마음이 갈수 밖에 없는 명곡..ㅜㅠ 열음님의 버전 너무 좋아요....
This has always been, for me, the most passionate outpouring of Romanticism in music. I've loved it for many decades and have heard too many performances to count--none, sadly, in person. I just heard Son's Onyx recording for the first time, and it's simply gorgeous. The pianism, the soul that understands the music, and the physical prowess that conveys it are breathtaking. And the sound captures it all in glowing detail. So this video is a real wonder. I've loved Son's playing since hearing her in the Cliburn Competition, which I thought she should have won in a walkover. She has matured into a truly special artist. Thank you Yeol Eum. This performance now ranks with my handful of best-of-the-best.
I second every word. I couldn't have said it better.
너무 황홀한 곡이에요. 열음님만의 명확한 터치의 선율과 치밀한 감정조절때문에 들을수록 더더더 감동적인 것 같아요. 요즘 정말 매일 틀어놓네요. 아무것도 안했는데 이런 선물 주시고 넘 감사해요 :)
가장 인간적인 해석인 것 같아요... 기성세대의 안드로메다로 날아가는 듯한 환상 가득한 해석과는 거리가 멀지만... 슈만 개인의 이야기를 풀어놓는 듯한 해석이라 좋아요.
20:46 she refuses to suffer like Schumann did. And dictate now her appetite and dominance. What a strange and magical moment ... there is no more place for howling or pain, but only for her unique music making .... the girl has incredible guts ..
열음님❤ 차가운 새벽공기날씨에 열음님 연주를 감상하면서 와인한잔 마시는 순간은 요즘 제 최고의 사치랍니다
♡
Stunning performance. Oh, the ending! -- like saying good-bye to a loved one for good. Dying, maybe, departing in some way, lingering but approaching the moment of termination. Pain mixed with beauty. Will we ever know whether Robert Schumann experienced something that became this exquisite piece of music?
She doesn’t just play the piano but lives in the music she interprets.Therefore the performance touches the listener so deeply. Outstanding!
🙏
can't agree more.
❤❤❤❤❤
The Gold Standard recording for this piece for me has always been by the late Hiroko Nakamura, on Sony Essential Classics. No one has ever come even close to that performance until I heard and saw Ms. Son here. An incredibly difficult and imposing composition to take on by even the most accomplished pianists. Done by Ms.Son with great sensitively, power, control and most importantly passion as deep as the ocean. Thank You
I have to admit that among all Schumanns op 17 interpretations this is the best I have heard so far. It is probably due to the pianist, Yeol Eum Son, who lets this music shimmer they way it was meant to shimmer. For me this is a new revelation, and foregive me for just two month ago saying that I only liked op 15 and op 16. Now I like op 15, 16 and 17. But they have to be played by Yeol Eum Son.
The best movement? No 3: Langsam getragen. Durchweg leise zu halten, at 20:44
Pletnev
Benjamin Grosvenor.
와 정말... 마지막 엔딩 초판버젼으로 연주해주신거 너무 좋습니다😘
No one ever has or ever will play the Fantasia so brilliantly ! Sadly this work was never performed in public during Schumann's lifetime . I hope he is now able to look down and hear your beautiful , elegant , stylish and perfect performance of his masterpiece .
열음님 입술 깨물지마요. 열음님 입술 깨물 때마다 내 심장이 깨물리는 것 같으니까
ㅋㅋㅋㅋㅋ
@박일 ㄱㅅㅈ
열음님 저는 이 공연에 갔었는데 정말 얼마나 감동했는지 모릅니다~ 이렇게 영상으로 다시 볼수있어서 넘나 행복해요💜
손열음은 최근 슈만의 4 연속 피아노 솔로 걸작 오페라 15, 16, 17, 18에 대한 그녀의 해석을 올렸는데, 내가 66 년 동안 들었던 모든 것들은 수년 동안 많은 위대한 피아니스트들이 연주했다. 그러나 그들 중 누구도 그녀가 할 수있는 일을하지 않았습니다. 당시 슈만은 양극성 장애로 고통 받기 시작했고 세 가지 방법으로 만 마음을 진정시킬 수있었습니다. 1)시와 함께, 2) 그의 사랑하는 클라라가 그를 위해 음악을 연주하게함으로써, 3) 통제 할 수없는 열정적 인 마음 속에있는 매우 다양한 그림, 생각, 기억을 피아노 음악으로 바꾼다. 손열음은이 음악의 비극적 인 아름다움을 전하는 방법을 처음으로 연구했다. 그녀는 그의 머리 속에 들어갔고 그 당시 그녀가 한 일은 우리가 지금 듣는 것을 생산하는 것이 었습니다. 그것은 삶의 모든 분야에서 극소수의 사람들에게 주어진 일종의 천재입니다. 그러나 믿음을 넘어서는 아름다움.
It would've been way better if you wrote it in your language. Maybe english? The translation is understandable but not that great.
돈 없어서 연주회 못가는데 이렇게 공유해주셔서 감사해요.
잉 넘 감사합니다...올해 힘든 일이 많았는데 제게 큰 위로가 되어준 곡이 이 슈만 환상곡이에요...열음님 앨범을 얼마나 들었는지요 ㅠㅠ 진짜 이렇게 영상 올려주셔서 너무 감사드려요...🤍항상 건강하시고 행복하세요...🥰
At times Yeol Eum Sons' music holds me in a state wonder. So soothing and fragile, undeserved raptures. Her music can steal hours away from you if you let it. I'm spoiled. 👏👏👏 Thank you! 🙏😁😎
Yes I agree
I have lost many hours with no regrets...
진짜 슈만 판타지 in C major 세계적인 & 래전드 피아니스트들이 연주한 거 다 들어봐도 슈만 판타지 in C major 만큼은 손열음 피아니스트님이 연주한 것이 제일 좋아요.
다른 피아니스트들은 너무 남성적이고 씩씩하게 연주하는데 손열음 피아니스트님 연주는 슈만의 불안하고 섬세하고 여리지만 열정이 있는 마음을 잘 표현했다고 생각해요.
저의 최애곡입니다 손열음 피아니스트님이 연주한 슈만 판타지 in C Major.❤️🧡💛💚💙💜
제가 울컥울컥하게 하고 눈물이 왈칵 쏟아지는 슈만 판타지 in C major는 손열음 피아니스트님이 연주한 것 뿐이에요. 🥹🥺😭
Onyx에서 녹음하신 앨범 잘 듣고 있습니다. 🥰😍
2021년 시작도 손열음과 함께 한다면
예쁜 손 멋진 손 다 들어 주세요.
An absolute stunning performance! I have been on a bit of a Schumann Fantasie binge of late. Her interpretation of the 3rd movement brought me to tears. I had no idea she was this good. She is a true artist and master communicator at the piano. Thank You for posting this.
There can't be a better binge to be on.
@@djmotise Thanks Darren. You are so right. It's a joy to be blessed with such sublime music.
열음님의 연주에선 열정이 정말 잘 느껴져요 저까지 빠져들어 황홀함을 느끼곤 해요🥰 귀한 영상 올려주셔서 감사합니다💕 동시대를 함께 한다는 것에서 기쁨을 느껴요
Thanks 😊
Such formidable playing! Yes there were some missed notes here and there, but hey its a live performance and not everyone can nail that treacherous 2nd movement coda with the octave leaps in opposing directions. She does a great job. Her reading is superbly rendered. And the final movement is a slice of heaven.
Worth noting is that in that final movement she takes the original ending that was discarded by Schumann prior to publication for whatever reasons he thought. But Son resurrects it and makes it seem so right and brings closure to the whole piece. Thanks to Andras Schiff who discovered the original ending in a Budapest library on a tip from the musicologist Charles Rosen.
Well, just about nobody, including Horowitz and Richter, could, in live performance, nail those famous concluding leaps in the 2nd movement. Pollini reportedly succeeded.....but.... well.... that's Pollini--- a technically precise dynamo, at least at one time.
3악장 듣고 눈물 흘린사람입니다. 너무 감동적인 연주입니다..
너무 예쁘다 생김새 겉모습이 아니라 영혼이 이쁘다
아멘 감사합니다 🙏
@@user-oo2lx2lj7c ??
모차르트와 베토벤에 빠져 살던 제가 슈만과 사랑에 빠지게 된 곡이 열음님의 랍니다. 들을 때마다 설레고 두근두근 거려요! 😍 오늘도 잘 들었어요. 감사합니당. 🌹🎁😘
I. Durchaus fantastisch und leidenschaftlich vorzutragen 0:12
II. Mäßig. Durchaus energisch 12:57
III. Langsam getragen. Durchweg leise zu halten 20:37
저 실황때 3악장까지 듣고 소름돋아가지고ㅜㅜ 눈물 핑 다리 힘빠져서 제대로 못일어났던 1인입니당....
한없이 깊은 정열과 감정의 1악장, 가슴터질듯한 2악장, 그리고 마침내 모든걸 극복한 듯한 3악장... 업로드 너무너무 감사해요 열음님!!!!!!!
P.S. 어제 클라라주미강님과의 온라인 공연도 진짜ㅜㅜㅜㅜ 너어어무 좋았어요!!!!! 👍🏻👍🏻👏🏻👏🏻👏🏻 진짜 바로 레코딩하셔도 될 정도....최고에용!!!🤩
역시 Juho님👍💙 감사합니다^^
& croissant Cappuccino ㅋㅋㅋㅋ 카푸치노님 즐추되세용 ㅎㅎㅎ
@@kkkangjoo.NM.cembalo
Juho님도 연휴 즐겁게 보내세요🍀
혹시 오늘 새벽 바르샤바 그곳 오시나용~?
어제 티예무에서 정보를. .😊😊😊
& croissant Cappuccino 앗 어제 티예무 결석했어용ㅜㅜ 지금 근무땜에 넘 일찍 잠든 탓에.....
오늘 쇼팽 거기서 뭐하능건가용 알려주세욥ㅋㅋㅋㅋ
@@kkkangjoo.NM.cembalo
안그래도 안오셔서 궁금했어요ㅋㅋ
오늘 근무시면ㅠㅠ 새벽 2시 넘어서
할듯해요😔 Chopin Institude 가보세용^^
소개 영상 나와 있어요💜
첫타자는 그분👏👏👏👏👏👏
1st English translation of above. 00.00 Durhaus : play as a passionate fantasy
12.58 play energetically but with sensitive control
20.44 play slowly, quietly and gently throughout ::Yeol-Eum Son has recently put up her interpretations of Schumann's four consecutive solo piano masterworks , opera 15,16,17,18. It is now 66 years since I had heard all of them and, though I have heard many great pianists play them over the years, I have never heard any one do what she has managed to do. At that time in his life Schumann was starting to suffer from manic depression and could only sooth his mind in three ways. 1) with poetry, 2) by letting his beloved Clara play his music for him and 3) turn the extraordinary variety of pictures, thoughts and memories in his uncontrollably passionate mind into piano music. Yeol Eum is the first person who worked out how to convey the tragic beauty of his illness. She got inside his head, and what she then did was to produce what we hear now. A type of genius reserved for very, very few people in any walk of life. But beauty beyond belief.
@Mazzel Tov I don't mind you criticising my opinion, that is what opinions are for. But one thing I would stress very strongly. I too knew and studied with Michelangeli and rank him amongst the greatest pianists I ever heard. Each of the others you mentioned were indeed maestri but they all lacked one thing and had another in common. They all played the music in front of them how it sounded to them, but none tried to convey what Schumann, in his mental agony, was trying to say in music. Probably because he knew he was not that good a pianist. Maybe Clara was, we'll never know. But what Yeol Eum does here is lose herself in the music, something I have never heard anybody else so with this piece. You may have noticed that all the pianists you mention are men. But Schumann wrote this for a woman, for Clara, and Son is the first musician to bring out the beauty of this fantasy by just playing it as herself. I honestly don't believe a man could do this and make it sound like Schumann imagined it. He could only compose it, because it was a female face he saw when he did so. I don't know how much is written about his terrible depression, but it was being conscious of his own inadequacy as a pianist that frustrated him so terribly. Do forgive my hyperbole in saying anyone is the greatest ever at anything. A momentary reaction to what I was hearing. That is not something one can ever say about another person.:),Ciao. Anton
@Mazzel Tov Bologna University in 1966 when I was finishing a PhD in hagiography. He was a shy gentleman who loved talking about his art to young students (I was 23 then) who would sit round the piano for about an hour while he explained many aspects of his music. I was at four of these sessions in seven months, amongst the greatest memories of my life.
@Mazzel Tov lucky you! I loved the piano from the age of four but never played to your level, I just loved the music. Our chats on music with Michelangeli were a real bonus for those students who loved music. He seemed so glad to talk about something he loved to people who loved listening. I never used my academic degrees for my work. I was a journalist and spent half my life covering seven wars. Music was my tranquiliser.
@Mazzel Tov sorry I missed the second line of your reply : Actually I would certainly call listening to a genius explaining why and how he loved his gift was very definitely a form of "study". I was reading for a doctorate in why certain people were classified and revered in the way they were and that was certainly studying. . Listening to other people talking about things that enthral both you and them is certainly a form of study. My reference to "his music" is actually a quote from him! He would talk about 'my music' in the sense of the sounds he subjectively produced by doing what he did when playing the piano. After all the possessive adjective can only be used in relation to the person or object which owns, produces or advocates it.
@Mazzel Tov Many thanks for your detailed response on Michelangeli, I agreed with nearly all the points you made and greatly appreciated the time you spent commenting on so much. I think we have to agree that we were approaching the subject from different perspectives. You are obviously an accomplished pianist who dedicated your time with ABM to being taught the most important points in playing the piano to the best of your ability. I would love to hear you play. I, however, had the great good fortune to spend a total of four hours in absorbing his explanation of WHY he loved what he did. I was interested more in his linguistic communication than having a piano lesson. I am fluent in five European (French, Spanish, Italian, English, German) languages and four Asian (Vietnamese, Korean, Cantonese &. Japanese) but am mainly interested in how people of different tongues can learn to comprehend each other. It was a great help having parents of different nationalities to me and to each other. Rather like having pianists as parents. But it still involved hours of practice and study at five universities (Sorbonne, Geneva, Bologna, Seoul & Hong Kong) absorbing manual and facial gestures as much as vocabulary, phrases and grammar. But as with your work on piano playing, I had to love learning so many tongues to succeed. My wife is Korean and we live mostly in Paris now. May I wish you all the best in this covid world which has kept us apart from our children and grandchildren for more than a year. Grazie per gli auguri. Le mie guerre furono in Algeria (61 e 62 vacanze) Vietnam dal 68 febbraio al 71 agosto) Irlanda del Nord 72-75, Falklands 82 e Balcani 92-96 e le due guerre del Golfo. Per il resto ero un corrispondente di notizie in quattro continenti. La mia prima moglie (vietnamita) è stata uccisa nel 1968 a Saigon, la mia seconda (Singaporea) nel 1970 in Cambogia, ma da allora il mio adorabile Ju-Hee, coreano, ha tenuto duro con me, tre figli e cinque nipoti. Lei è buddista e io cattolica, ma non esistono due persone che potrebbero amarsi di più. Prenditi cura di te, amico mio. a la prossima volta. Ciao. Anton
이런 귀한 영상을 집에서 볼 수 있다니.. 데이터키고 보고있습니다.. 올려주셔서 감사합니다 ㅠㅠㅠㅠㅠㅠㅠ
알면 사랑하게 된다...연주는 말할 것도 없고 곡 해설 감사합니다♡♡♡
😮
I am sure Robert Schumann had no idea how beautiful that music was when he composed it. If only he had been able to hear Yeol Eum Son play it her way he would have kissed her hand and said ''thank you'.Her rendition of his solo pieces has reached new heights in interpreting his music which so many great pianists over the years have not been able to make sound anything but ordinary. Her Kreisleriana, for instance, stands head and shoulders over any other attempt to play it. What I felt as I listened to this fantasie was a sense of discovering a new composer, that is how beautiful it was.
Anton Wills-Eve Robrt had Clara to play his compositions and she was supposedly the most accomplished concert pianist in her time, far more so than Robert
@@danwebster5439 Schumann desperciaba la interpretacion que hacia Liszt de su Fantasia.
Amen
@@danwebster5439 you make a very good point with which i am sure Brahms in particular would agree. What a shame we have no possible way of hearing pianists such as her playing. I personally wish I could hear john Field playing his nocturnes as he realisedhe had invented a new musical form.
열음님 덕분에 집에서 지루하고 힘들지않게 잘 보내고 있어요🥰 감사합니다🤍
어제 듀오 리사이틀도 온라인으로라도 해주셔서 감사해요😊 이 시기가 빨리지나 다시 공연장에서 볼 수 있는 날이 오길 소망합니다🙏
This was truly breathtaking. A performance for the ages, in my opinion. Thank you, Ms. Son, for sharing your gift with us at this time and always.
역시 진짜 슈만 짱팬 열음님ㅋㅋㅋ 세개 연속 슈만이네요 너무 좋아요 +_+
열음 피아니스트님 코로나 시기에 공연계가 많이 어렵지만 이렇게라도 아름다운 음악을 들을 수 있어 좋네요.. 9월 되면서 날이 서늘해지니까 더욱 더 클래식을 찾아듣게 되어요. 채널 열어주셔서 감사하고 늘 응원하겠습니다~ ^^
넘 감동입니다~~오늘 같은곡 연주회 다녀왔는데 어쩜 이리도 감동이 다를까요~~
감사합니다~귀호강했습니다^*^
손열음님 어릴적 원주에서 자주뵀어요.
그시절 피아노학원초보 강사였답니당.민지엄마밑에서용~~
@@youngha2010 네~~제귀엔... 아니어서 실망을 많이 했어요....ㅠㅠ
이날 물론 모든 연주가 다 쩔었지만 진심 판타지는 입틀어막고 들었어요 단연 레전드연주ㅠㅠㅠㅠ... (영상은 제가 본 날이랑 다른날이네요 그날은 2악장 끝났을때 박수 터졌던...)
손열음은 항상 음악을 즐기는 표정이 좋음 깊이있는 예술을 하는 사람 같다
열음님! 자주 영상 업로드 해주셔서 정말 너무 좋아요🤭😍 시카고 공연 오시는 날을 손꼽아 기다리고 있어요. 나중에라도 미국도 와주세요오~ 항상 응원하는 팬 될게요!!
정말 감사하고 행복합니다 퇴근길에 이런 아름다운 음악을 들을 수 있다는 것에!!
Exquisitely moving. Thank you Yeol Eum for another mesmerizing performance.
책에서 설명해주신 글을 읽고, 이 곡을 들으니 연주가 더욱 좋고 소중해져서, 집에 CD player도 없지만, 열음님의 슈만 앨범을 결제해버렸어요 ♥ 이제 CD player를 사야할까봐요 ♡
Olha, suas mãos é alma e espírito, adoro ver vc representando com seus lábios. Isso deixa que vc flutue com o coração...parabéns 😍🙏
É a maís pura paz !!! Gratidão , de verdade .❤🌹🌹🌹
Beleza , delicadeza e perfeição na execução da obra . É bom demais!!!❤❤❤
판타지를 제일 기다렸어요!! 항상 감사합니다🙏
Quem dera devolver a ela um milésimo da paz que ela me traz .❤🌹🌹🌹
영상 감사합니다 😊
잘 들을게요🌷
음 하나하나를 너무 소중하게 다루시면서 감성적이게 연주하시는 모습에 깊은 감명을 받았고 딩신의 연주덕분에 이 곡을 작곡했던 당시 클라라와의 결혼 문제로복잡했던 슈만의 심리상태를 더 잘 이해할수 있게 되었습니다. 이 영상을 업로드 해주셔서 진심으로 감사드립니다^^
Wonderful performance. I have always felt the short sections starting at 3m28s and 10m40s are pure genius.
Thank you. If I may add, thank you (so much) for your insight. No other composer can translate such profound quirks into indelible universal code. In that regard no one was more genius than Schumann, no one I'm afraid.
Exacto!!! Nunca mejor dicho
Ela pensa que está trabalhando , está é me purificando!!!❤🌹🌹🌹
이 채널의 존재를 이제서야 알았습니다 ㅠㅠ
클래식 음악을 좋아하는 대학생입니다. 슈만의 C장조 판타지를 손열음 선생님 버전으로 처음 들어보네요. 아름다운 음악 들려주신 것 감사합니다!!!
앞으로 건강하시고 좋은 일만 가득하세요~!
This was beautiful. Well worth the wait.
Thank you.
내 마음속에 언제나 최고!!!!!
이쁘고 잘치고 다해요 ㅠㅠㅠ 언니의 오랜 팬입니다...❤️ 유튜브계정 개설해주셔서 정말 너무너무너무 감사해요❤️
지.덕.체.세가지 미덕을 갖춘 보기드문 ♡국보♡
피알못인데 열음언니 연주는 항상 재밌어서 보게돼요. ☺️ 이번영상도 잘볼게요~ 공연장에서 얼른 뵙길... ㅜㅜ
Actually I'm not a fan of these kinds of music but I really appreciate them. They are like conveying hidden messages through the melody that the piano makes. Also I really adore her way of playing. It's like her hands have their own brains and they are moving and playing keys voluntarily.
슈만판타지는 열음님이 최고!! 앨범도 잘듣고잇습니당!^^♥
2악장 무한반복 중이에요ㅠㅠ 20대 때는 쇼팽 곡만 좋다가 30대 되니까 슈만 작품이 마음에 와닿더라구요. 소중한 선물 주셔서 감사합니다!!❤️
Always deeply emotionally played, a real artist in all sens of the word. Yeol Eum son est un trésor pour le monde de la musique classique.
열음님 올려주신 슈만 리사이틀을 직관했었던 팬인데요. 저는 그 때 여름밤의 그 분위기를 잊지를 못하는거 같아서 계속 이 영상들을 보고 있는 거 같아요. 특히 슈만 판타지 3악장을 들을때면, 막 눈물이 날 거 같으면서 걱정과 고뇌들이 다 날아가는 기분이었어서 .. 홀 한가운데서 열음님만 밝게 떠오른채 피아노 치는 그 장면만 떠올려도 항상 기분이 좋아져요. 작년 한 해 중 가장 아름다운 모먼트를 만들어주셔서 감사합니다 ㅎㅎ
Isn´t her playing in this just formidable? As I always have loved Yeol Eum Sons playing in op.15, op.16, I also now love her op.17, what an experience this is to me. There are no others to match her beautiful interpretatations, as I see it. So I am an honourable guest at this party, I hope. To celebrate her opus 15, opus 16 and opus 17. And to celebrate Robert Schumann. Never has this been done better, I believe, hope and am pretty sure of.
열음언니 슈만음악 많이 연구하고 생각의 성숙도가 예전보다 많이 깊어지신게 느껴져요 그리고 기대됩니다. 40,50,60의 언니의 독일음악의 깊이의 곡들이요! 꼭 오랫동안 연주 들려주세요
결혼은?
두길을 병행하여 주시기 바랍니다 ♡
@@user-oo2lx2lj7c 어련히 알아서 하시겠지요?
❤😊감사합니다
열음님 올려주신 영상 매일 듣고 있어요~ 💕어제 온라인 리사이틀도 진짜 진짜 최고!!!👍👍👍
Robert Schumann, come and see... you will shed tears of immense joy!
One word is enough to describe both the performance and the performer: beautiful!
사랑합니다
This is a great interpretation of this Fantasy by Schubert. Thank you Yeol Eum.
Schumann
Beautifully done. Imaginative and moving.
항상 귀호강시켜주셔서 감사해요 ❣️❣️👍🏻 어제 공연 내내 행복했어요 ㅎㅎㅎㅎ
what lovely music, how can she possibly remember all of it. and it is a BIG composition, a veritable masterpiece.
Que gran versión, esta obra la tengo en tres pianistas diferentes, por su extensión y por
su profundidad, fraseo es la mejor. Hasta he comprado el CD.
MAGNIFICO
연주한다는 소식이 들리면 그곳이 어디든 항상 애매해서 지인들과 함께 보러다녔는데 올해는 시기적으로도 그렇구 개인적으로 여러사정상 리사이틀못가게되서 이번년도는 더 유독 아쉬운 한해여서 그 아쉬움을 영상을 찾아보며 달랬었는데 다른곳에서 찾아보는 연주영상도 좋지만 진짜 애매를 해서 보러가는 기분으로 열음님 채널들어와서 연주를 볼 수 있어서 얼마나 좋은지 모르겠어요 (그래도 꼭 자유롭게 연주보러가는날이 빨리오면 좋겠어요..공연장 공기랑 냄새맡으면서 황홀한연주듣고파요😭)👍🏻👍🏻 항상 좋은 연주들려주셔서 감사합니다❤️항상 응원할께요❤️
이번 onyx에서 슈만 녹음 너무 좋았어요 !
손열음 선수의 마지막 동작은 항상 눈물을 흘리게 합니다.
Probably I am now an addict to Yeol Eum Sons playing, and has lost my critical sense of listening. I hope it is not so bad! The problem is that I like all her playing, in Schumann op 15, 16 and 17, without any critical point of wiev at all. And this op 17 I just love. I find it heartbreaking and wonderful. Please help me.
Спасибо! Небывалое удовольствие для ушей и глаз!
손열음님의 피아노 연주 들으며《하노버에서 온 음악편지》 읽고 있습니다^^
싸랑해요 열음손ㅠㅠ..
柔らかいしっとりとした音で、この曲を弾ききっていると思います。決して無理をしない、しなやかな弾き方です。
このYeol Eum Sonの演奏で同じschumannのKreislerianaも聞けますが、こちらも稀にみる名演だと思います。
0:12～ 最初から左手が柔らかいですね。
1:30～ 右手の3連音符をキチンと綺麗に弾いています。気持ちがいい。（最近は、こういう弾き方をする人が少なくなったので。。）
3:40 ～左手がよく歌っています。
19:37～ 第2楽章の最後の終わり方が、毅然として男前（セクハラになるでしょうか？）で彼女の別な一面が見れると思います。
Wonderful! 🙂
You play brilliant! 🎼🎵🎶 👏🌟
Congratulations! 🙂🌹
... esta joven pianista coreana nos está indicando que ha pasado a integrar la lista de los mas grandes intérpretes
Great musician! Beautiful! Sensitive. Emphasising.An asian artist who really got a deeper look into the architecture of European composers. A thousand times more qualified and interesting than as played by guys like Yulia Wang or Lang Lang. Great job! Thank you!
There's no doubting the pianistic ability of both Lang & Wang but the 'extra' that this remarkable young woman gives us is fabulous musicianship too.
English score directions for playing.
I. Play with passion and fantasy. 0:12
II. Quite energeticly but not overdone 12:57
III. Play slowly and softly throughout 20:37
ㄴ
손열음을 보면 피아노계 김연아 같고, 김연아를 보면 피겨계 손열음 같다.
멋있는 표현이네요~~
동감입니다 날이 갈수록 깊고 넓어지는 피아니스트 손열음
저도 손열음 피아노 연주하는 모습 보면서 김연아 피겨 타는 모습 떠올릴 때가 많은데, 😊😊😊 아름다움은 궁극적으로 하나인가 봅니다.
심지어 둘이 좀 닮으심ㅋㅋㅋ
내가 손열음입장 이라면 김연아와 비교함이 기분좋지
않을것 같음.