it is amazing how loud this oud is. it is almost louder than the keman!! good job Dr. Sarikus. And Richard, parmaklarina saglik... makes you wonder what the Anatolian culture would look like if Armenians and other minorities were not forced out. Imagine this guy lived in America all his life and learned this stuff from people who came in early 20's. And he did not have internet and UA-cam to learn from like us....
Oriental Ottoman Turkish music had already reached to Highest level since a couple of centuries. Turkish music has lived a transformation starting with the early 10 th century. Some Oghuz tribes establish a kingdom named Great Seldjuk Empire covering Turkmenistan, Ozbekistan, Iran and Western Anatolia of today. Getting in close contact with Persians and the Arabs who had Islamized them, their interpretation of music develops through their influence. This is followed by Anatolian Seldjuk Kingdom. More influence is on the stage by the mystic soufi interpretation of İslam, Worldwide known Scholar Mevlana and his whirling Dervishes under the accompany of mystic Ney music. An introduction to Byzantine Greek and Armenian music adds spices. During the mid Ottoman era of 1600 s, writing islamic oratorios and become popular with the aim of attracting masses to become pious, the same way as Comidas vartabet did during the late 1700 ies so that pleasant church music would attract more members to the church. He did use some oriental tunes as well. This era created the Great master and the grand father of today's oriental Turkish music. Giant composer Itri (1650 - 1719). Many Composers followed his path during the following 100 years. Hammamizade Ismail Dede (1769 - 1846) was the son of a Mevlevi father, Growing up with their music he was influenced, he created his New style. Became the father of Oriental Turkish music. and trained many talented students among whom were Turkish, Armenian, Greek, Bulgaria musicians and instrument players. Through this wind Oriental Ottoman music flourished and outstanding Pieces were written either in form of songs or instrumental Compositions between early 1800 s and late 1900 s. Among the some 100 + instrument players and/or Composers were a minimum of 20-25 Armenian master musicians, 15-20 Greek master musicians. No doubt that a Handicraft and artwise talented peoples, Armenian Subjects of the Ottoman Empire (the only one named by the palace as "most loyal Subjects") have had Great contribution to Ottoman art history in many fields of art as well as hand work oriented professions. The rest is quite disputable, what major powers are doing in the middle east Today occured in the past as from 1840, for pursuit of oil, control of the raw material rich lands of the middle east, and provocations by The Tsar of Russia, Queen of UK, interferance of France and even USA from such a distance have caused All. Nothing happened to those major powers who had DIRTY HANDS. By the way my past away wife was Armenian. She was the one who as I was told later by Friends was crying at their Homes saying Lord take my life and save him when I had cancer treatment. I survived. I wished the same when she Got cancer some 6 years later. But ALAS she passed away at 57, (told me 6 days before her coma, not to cry anf construct a New life again. This I haven't done since April 2006. How could have I while her image is always in my MIND, Hasgıtzar???? Virtue is much more important then religion and etnicity. Mınak parov.
@@KnowsBilir Yorumunuz önemli tarihi bilgiler içerdiğinden çok değerli. Bunları anlaşılır bir ingilizce ile ifade edebilmeniz de takdire şayan.Acılı geçmişiniz için üzüldüm.Son cümlenize aynen katılıyorum: Fazilet çok daha önemli elbette ama gel de bunu günümüz insanlarına anlat anlatabilirsen.
turkish composer tamburi cemil created this music, virtuoso armenian richard hagopian, and great violinist played perfect. i love them all! thanks for sharing :)
This is a samai Shat Uourban Jamil al tanbouri It`s sooooo beatiful combination Oud & vaiolin not to forget that father and son playing good Arminian people!!!
Ne güzel, ortak yanlarımızın oluşu. Tahminim ben ermenistana gitsem,( ama eski tarihi karıştırmadan) sadece haraketlerden olsun % 50 orada ne demek istendiğini anlarım. Sayın Udi bu iki toplumun kaynaşması için sizin gibilere görev düşmektedir.
Udun akordu La Bella tellerin üzerinde yazan sese çekili. Yüzyıllar geçse de kendinizi doğru anlatamazsanız böyle birilerinin çok eski tarza ait tercihlerini size dayatırlar. Nerede bizim Udi Nevres Bey'le başlayan yeni akort tarzımıza uygun tel imalatı. Bugün olmuş, yerli tel imalatçıları bile hala bu icradaki ucuz ezber tarza göre tel üretiyor. Ud imalatçılarının çabalarıyla bas sesler alabiliyoruz bu en bas sesli milli sazımızdan. Bu ezikliktir, cehalettir; kendi kültürüne sahip çıkmamaktır. Vebalini henüz ödemedik ama çok ağır şekilde ödemek üzereyiz. Hala bu sazı Araplara ait zanneden kendi insanımız var ve gün be gün sayıları artıyor. Bizim bin yıllık kültürümüz nereye gitti o halde? Acilen silkinip kendine gelmesi gereken milletimiz uyuduğu sürece, bizi bu topraklardan çok kolay siler atarlar. Uyduruk hamaset olmaz. İçi boş milli duruş sergilenmez. Bir Afrika kabilesi olan Massai kabilesinin atasözü der ki, kültürsüz insan çizgisiz zebraya benzer. Kültürü olmayan topluluklar tarihten silinmeye mahkumdur. Kahvede ahkam kesene değil, gerçekten bilene saygı başlarsa yeniden bu toplum dirilir.
Ya bir vesile ile bana hakkınız geçti, helal edin de aramızda hukuk kalmasın rica ederim , gerçekten bazı eserlerin altına lüzumsuz yorumlar yapıyorsunuz.
@@selaleturan8869 hanımefendi kemanın akordu tutmuyor orası bariz. 70 yaşını geçtiğinizde bir şedaraban calarsaniz sizi de dinleriz, kayda değer bir saz tavrı ortaya koymanız şartıyla elbette.
udun ifadeler çok kıymetli 🎶
it is amazing how loud this oud is. it is almost louder than the keman!! good job Dr. Sarikus. And Richard, parmaklarina saglik... makes you wonder what the Anatolian culture would look like if Armenians and other minorities were not forced out. Imagine this guy lived in America all his life and learned this stuff from people who came in early 20's. And he did not have internet and UA-cam to learn from like us....
Oriental Ottoman Turkish music had already reached to Highest level since a couple of centuries. Turkish music has lived a transformation starting with the early 10 th century. Some Oghuz tribes establish a kingdom named Great Seldjuk Empire covering
Turkmenistan, Ozbekistan, Iran and Western Anatolia of today. Getting in close contact with Persians and the Arabs who had Islamized them, their interpretation of music develops through their influence. This is followed by Anatolian Seldjuk Kingdom. More influence is on the stage by the mystic soufi interpretation of İslam, Worldwide known Scholar Mevlana and his whirling Dervishes under the accompany of mystic Ney music. An introduction to Byzantine Greek and Armenian music adds spices. During the mid Ottoman era of 1600 s, writing islamic oratorios and become popular with the aim of attracting masses to become pious, the same way as Comidas vartabet did during the late 1700 ies so that pleasant church music would attract more members to the church. He did use some oriental tunes as well. This era created the Great master and the grand father of today's oriental Turkish music. Giant composer Itri (1650 - 1719). Many Composers followed his path during the following 100 years. Hammamizade Ismail Dede (1769 - 1846) was the son of a Mevlevi father, Growing up with their music he was influenced, he created his New style. Became the father of Oriental Turkish music. and trained many talented students among whom were Turkish, Armenian, Greek, Bulgaria musicians and instrument players. Through this wind Oriental Ottoman music flourished and outstanding Pieces were written either in form of songs or instrumental Compositions between early 1800 s and late 1900 s. Among the some 100 + instrument players and/or Composers were a minimum of 20-25 Armenian master musicians, 15-20 Greek master musicians. No doubt that a Handicraft and artwise talented peoples, Armenian Subjects of the Ottoman Empire (the only one named by the palace as "most loyal Subjects") have had Great contribution to Ottoman art history in many fields of art as well as hand work oriented professions. The rest is quite disputable, what major powers are doing in the middle east Today occured in the past as from 1840, for pursuit of oil, control of the raw material rich lands of the middle east, and provocations by The Tsar of Russia, Queen of UK, interferance of France and even USA from such a distance have caused All. Nothing happened to those major powers who had DIRTY HANDS. By the way my past away wife was Armenian. She was the one who as I was told later by Friends was crying at their Homes saying Lord take my life and save him when I had cancer treatment. I survived. I wished the same when she Got cancer some 6 years later. But ALAS she passed away at 57, (told me 6 days before her coma, not to cry anf construct a New life again. This I haven't done since April 2006. How could have I while her image is always in my MIND, Hasgıtzar???? Virtue is much more important then religion and etnicity. Mınak parov.
@@KnowsBilir Yorumunuz önemli tarihi bilgiler içerdiğinden çok değerli. Bunları anlaşılır bir ingilizce ile ifade edebilmeniz de takdire şayan.Acılı geçmişiniz için üzüldüm.Son cümlenize aynen katılıyorum: Fazilet çok daha önemli elbette ama gel de bunu günümüz insanlarına anlat anlatabilirsen.
Armenian master ellerinuze saglik ve eslik eden keman ellerinize saglik daha guzeli olamaz mest ettiniz cok cok sagolun varolun defalarca izledim
turkish composer tamburi cemil created this music, virtuoso armenian richard hagopian, and great violinist played perfect. i love them all! thanks for sharing :)
ustamın elleriden öpüyorum allah uzun ömürler versin
Bu coğrafyanın kadim ahalisi, ortak kültürümüzün taşıyıcısı aziz komşumuz...Ellerinize sağlık!
Aynı bahçenin güllerine selam olsun
This is a samai Shat Uourban Jamil al tanbouri It`s sooooo beatiful combination Oud & vaiolin
not to forget that father and son playing good Arminian people!!!
The best of oud hagopian dayday shat shat avor shat merci
Üstad elinize sağlık 👏 Bir de Tanburi Cemil Bey’den Çeçen Kızını da icra etmenizi rica ederim.
ellerine sağlık,uzun ömür dilerim.
A real masterpiece… Bravo and thank you to the masters! I would be grateful if you could also perform Chechen Lass of Tanburi Cemil Bey.
so beatiful the combination of violin and barbat is the best
music and laughter distinguish us from wild animals
i agree....!.!
It is actually concellation of sexuality and awareness of death which distinguish us from wild animals.
Wonderful performance 🙂👏🤔
teşekkürler ahbarik
kos geldinis kardesh
beautiful, master richard
Harika
Composer is Tanburi Cemil Bey
Bravo. Tebrik ederim. Bu çalması çok zor eseri başarı ile çalmışsınız.
Ellerinize saglik, tesekürler.!
Ellerinize saglık
Dolsun kadehler
Aradabi keriz atmadan daha güzel olacakmış udcu agidis kemancı bin performansı da Güzel
Ne güzel, ortak yanlarımızın oluşu. Tahminim ben ermenistana gitsem,( ama eski tarihi karıştırmadan) sadece haraketlerden olsun % 50 orada ne demek istendiğini anlarım. Sayın Udi bu iki toplumun kaynaşması için sizin gibilere görev düşmektedir.
Ermeni soykırımı ve Karabağ sorunu çözüldüğü anda olacak olan bu zaten.
🎼🎶☝🏻️👍👌🏻👏👏👏👏👏👏
menekse gozlum soyleseniz
Şenol dinleyen
Udun akordu La Bella tellerin üzerinde yazan sese çekili. Yüzyıllar geçse de kendinizi doğru anlatamazsanız böyle birilerinin çok eski tarza ait tercihlerini size dayatırlar. Nerede bizim Udi Nevres Bey'le başlayan yeni akort tarzımıza uygun tel imalatı. Bugün olmuş, yerli tel imalatçıları bile hala bu icradaki ucuz ezber tarza göre tel üretiyor. Ud imalatçılarının çabalarıyla bas sesler alabiliyoruz bu en bas sesli milli sazımızdan. Bu ezikliktir, cehalettir; kendi kültürüne sahip çıkmamaktır. Vebalini henüz ödemedik ama çok ağır şekilde ödemek üzereyiz. Hala bu sazı Araplara ait zanneden kendi insanımız var ve gün be gün sayıları artıyor. Bizim bin yıllık kültürümüz nereye gitti o halde? Acilen silkinip kendine gelmesi gereken milletimiz uyuduğu sürece, bizi bu topraklardan çok kolay siler atarlar. Uyduruk hamaset olmaz. İçi boş milli duruş sergilenmez. Bir Afrika kabilesi olan Massai kabilesinin atasözü der ki, kültürsüz insan çizgisiz zebraya benzer. Kültürü olmayan topluluklar tarihten silinmeye mahkumdur. Kahvede ahkam kesene değil, gerçekten bilene saygı başlarsa yeniden bu toplum dirilir.
Bu saz Araplara ait
Akordlar?!!
Ya bir vesile ile bana hakkınız geçti, helal edin de aramızda hukuk kalmasın rica ederim , gerçekten bazı eserlerin altına lüzumsuz yorumlar yapıyorsunuz.
@@nurettinbaygibi akord probleminin farkında değilseniz vah vah
@@selaleturan8869 hanımefendi kemanın akordu tutmuyor orası bariz. 70 yaşını geçtiğinizde bir şedaraban calarsaniz sizi de dinleriz, kayda değer bir saz tavrı ortaya koymanız şartıyla elbette.
menekse gozlum soyleseniz
Şenol dinleyen