Salt Print Demonstration
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- Опубліковано 6 жов 2017
- I'm demonstrating my current process for making salted paper prints by making a print step by step. I'm still early in my learning process, but I really love this style.
I hope to get out a video like this or different once a month, but we'll see. This took a while to finish. They might be simpler next time.
Details:
Fixer - Sodium Thiosulfate
Gold Chloride solution for tonight
Hypo-Clear - Sodium Sulfite
My Facebook is kept most up to date...
lavphoto
Music: www.bensound.com
You covered the best part of the photo with the mat board. Being able to see the "brush marks" around the photo is what makes it cool.
This is me on a different account, but I decided not to keep it because it would be too irregular, like some larger strokes would still go under the mat, while some of it would be left with more white. I'm happy with it the way it is, and while I made sure not to permanently fasten the top layer to the bottom with more than just a hinge.
Thanks for the vid. I'm getting started on Cyanotype but aspire to salt prints and callotype. In the dim, distant past, I did Printing out Paper but wanted to do more of the basic chemical compounding and hand sensitizing paper. Love the waxing. The cat is much cuter than you are but, you knew that
Andrew. Best use a Japanese flat brush to coat the paper with light sensitive emulsion. Coat with horizontal and vertical brush strokes. You can leave the lamplight on as the nitrate only reacts to rich UV light (sunlight). You need to develop and wash the print in a larger dish with running water from a hose.
Do yourself a favor and melt the bees wax in a shallow bowl in the microwave. Then let that cool completely. Make a “rubber pad” by putting a ball of cotton wadding in the middle of a piece of flannel. Add drops of lav oil in the cold wax and work it into the rubber pad and apply to the print. Add oil as needed to soften the wax which should be the consistency of lip balm.
Yeeeeeasss
I have just bought a kit to start doing salt printing, hopefully should be here tomorrow. Like the gold toning, as I think it looks much better than the red, so thanks for that. Hopefully going to make my own video on my channel so that will be fun messing up lol.
Richard Rollinson - My Analog Life, I've had a great time learning all of this. I started with a kit (photographers formulary?) and god a few decent prints, but realized I'd rather mix fresh chemistry and ended up spending about $150 for a heck of a lot more chemistry through Bostick and Sullivan. They've been great to work with.
The stuff that gave me the best progress was making digital negatives on Pictorico transparency, and letting the image print in until I felt like it was just barely ruined, and it always seemed to lighten up quite a bit in the fix.
I have not done anything like this before and have been watching a lot of Borut Peterlin, so I am giving it a go :) Here in the UK it's hard to find supplies, so thought I'd buy a kit first just to see what it's like. I have also found a guy who said he will teach me wet plate. It's great to see how even your printing changed from the carnations one to this, it's was really deep. Keep up the cool work and look forward to seeing your next video :)
www.firstcall-photographic.co.uk/firstcall-pictorico-premium-ohp-transparency-film-a3-pack-of-20/p6935 :)
What printer are you using?and great video! Keep uploading them... I wish I could learn how to
Hey, sorry for the slow reply. I was just using a standard HP C4200 all in one inkjet. Doesn't take anything too sophisticated. I did recently get a Canon Pixma Pro-100, so hopefully I'll try that soon. It doesn't take a fantastic printer to do salt prints or cyanotypes.
Thanks for the compliments as well. I'm hoping to get a couple uploaded this week and get back into some salt prints. I usually get very little done over the winter unless it's digital photography.
Hey buddy, I got my kit and made a couple of prints. Struggling with the paper reacting before it drys enough, any tips? Plus weather here in the UK is poor,no sun and very low UV :/
Richard Rollinson - My Analog Life,
Make sure you have pretty subdued lighting. Get it as dark as you can, even dark enough for normal darkroom conditions. Also, I've had better luck using the hairdryer with the "cool" setting. I'm not sure if the heat is doing anything to it, but I've had the chemistry start to brown very slightly while drying it myself. I try to stay further from the 60watt bulb, turn off computer lights, etc. Before I changed and solved the browning problem, it didn't seem to affect my prints too much.
Thanks, it doesn't mention any of this in my fotospeed kit :/ Really need to buy better chemicals
Hello.
I am a Korean subscriber.
Nothing else, I'm using a Bristol watercolor and 240g of paper, but when exposed to UV rays, the image is partially invisible.
I think it's a problem when brushing the paper. What paper do you print on?
I’ve used a couple different kinds of paper. I believe it’s always watercolor paper of some variation. Fabriano, I’ve used an inexpensive type from Walmart, I’ve also used Lana 140lb watercolor.
You’ll want to double check your chemistry I think, making sure that you’ve got the correct mixtures of everything. The gelatin/salt in the salting solution, the correct kind of silver nitrate in the silver, make sure the negative it good and especially that the glass in your contact printing frame doesn’t filter out UV light.
Check out Borut Peterlin here on UA-cam. He gave me his chemistry notes to be able to do this.
great video mate! if I use a pinhole camera instead of copying from the negative, how long should I expose the paper? and is it really necessary to put the salt solution in the refrigerator? this is really helpful, thank you!
Cássio Renan I couldn’t tell you how long it should be if you use a pinhole. Are you talking about using a paper negative from pinhole? If you’d try to make a salt print negative from a pinhole, that’d take forever.
My salt solution has gelatin in it, so I believe that it’s helpful to keep it cool so it doesn’t grow mold.
@@andrewlaverghetta715 what i am planning on doing is putting the sensitized paper inside the pinhole camera instead of a photographic paper and expose it, will that work? in a sunny very light day I will try tomorrow, finally got everything ready today, almost messed up mixing the silver nitrate man, was scared asf lol thanks for helping out it's been so much info to process
@@andrewlaverghetta715 hey bro i tried exposing it yesterday for even more than 4 hours but the paper just got a bit more yellowish but no image whatsoever (by researching a bit more I then learned that Talbot had tried that and haven't had any success either) then I tried making photogenic drawings and it worked pretty well. By reading in the web I understood that I can accomplish what I want by using the calotype process, the only additional things I need are potassium iodide and gallic acid which I already found online to buy but I'm unsure if they're too dangerous for me to work with so I'm looking up about that and I also need to figure out what paper I can use to make the negative since they say the end result for his negative was translucent I have looked it up but cant find what kind paper it is.
Cássio Renan yeah if you’re just using the salt stuff and silver it’s not very sensitive. I know there are ways to make it more sensitive though. I know there’s an orange powder that’s used for carbon printing but I’m not sure how much of whatever it’s called to use.
Thing to keep in mind is even doing a salt print contact print, it takes 5-10 minutes in direct sunlight. I’m not sure what f-number that would be, but you’d have to double it many times to have the exposure at f/100something like you get from a pinhole. Still, it’s going to be a negative, and then you’ll have to make a really long exposure for the contact print too.
@@andrewlaverghetta715 yeah i Will keep experimenting. do u ever any Idea what kind of paper I should use to make the negative for the calotype process?
I was wondering why there is gelatin in the in solution
I don’t totally recall, but I believe it helps the salt have a better place to dry, more uniform and thicker, instead of just letting salt dry on the paper.
Hello. I am a South Korean subscriber. What are the disadvantages of not using toner?
I believe it will keep the print in a dark brown tone, keep the contrast lower, and make it not as archival. I’m not too sure about other toner choices, but the toner I got for this didn’t cost too much, even having gold in the name. I think I got mine from Bostick & Sullivan. Not sure where they ship.
@@andrewlaverghetta715
Can toner prevent deterioration in storing photos for a long time?
Very informative. BUT... TURN DOWN THE MUSIC... When the volume level is set to be able to hear what you are saying the music when it comes in is much too loud.
Thanks for the input! What are you listening on? I just went back to double check and can still hear myself quite clearly except for when I showed the print outside before waxing. The music does get louder in between sections, but it should come down to a lower level when I’m talking. Have fun!
Actually ya know what? I think you’ve just got bad hearing. I’ve watched through this a number of times and the volume is fine.
@@andrewlaverghetta715 If I had bad hearing I would not hear it...