Taemin - 'Guilty' First reaction! | RoseBlue

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  • Опубліковано 4 лип 2024
  • G-U-I-L-T-Y Guilty i say! GUILTY!!
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КОМЕНТАРІ • 4

  • @saralee65
    @saralee65 5 місяців тому +1

    king of kpop.

  • @user-zp4fu9iw9b
    @user-zp4fu9iw9b 5 місяців тому +1

    I am glad people are explaining the the headpiece. Nothing taemin does is random. A whole storylines is behind everything he does

  • @bea_hae_tae9392
    @bea_hae_tae9392 5 місяців тому +2

    Taemin has talked about the literature that inspired this concept: Erotism: Death and Sensuality by Georges Bataille and Demian by Hermann Hesse.
    Love that Taemin decided to do things his own way with his own colors. I don't see anyone else doing this concept, or even the way in which he does it. Just stunning! Great reaction
    KING-TPOP-ART
    Next
    CRIMINAL
    IDEA
    ADVICE
    2KIDS
    THE RIZZNESS......uf
    You might be surprised by what he did with this song, what's more, his concert started with it and we saw Taemin hanging on the stage
    like a bat upside down

  • @Saddlemomma
    @Saddlemomma 5 місяців тому +1

    Let me help you out with the significance of the "weird hat". I strongly suspect this was Taemin's choice due to the meaning behind the lyrics and thus the video. One main truth about Taemin's lyrics/MVs is that he has a lot of creative license when it comes to his art. He will sometimes act as co-director and co-producer as he did for the entire "Never Gonna Dance Again" project. Therefore, these are key things to remember when analyzing one of Taemin's works:
    1) The simplest explanation is NOT the true interpretation (opposite from the philosophical argument of Occam's razor).
    2) Taemin is deep into philosophy and regularly explores various world philosophies.
    3) Many of Taemin's lyrics are directed inward to his psyche and history, spanning across a storyline using different philosophies as his concepts for each song.
    4) He incorporates those philosophies along with religious symbolism, metaphors, and allusions to illustrate their conflict with his Christian faith (Taemin is Catholic).
    So, when putting all that together, we need to look at all the details to reveal the deeper meaning behind the surface reading of the lyrics. In short, this is not about a toxic relationship between a couple, but rather the continuation of Taemin's toxic struggle between the relationship of the two egos in his mind (indicated by the hand inside his shirt grabbing himself -- it's coming from inside himself): the demon tempting him with the perks of his celebrity life clashing with his Christian self desiring to adhere to his Christian worldview. The person clinging to the attendant's leg is Taemin himself. He's trying to cling to his faith-based identity. He digs his fingers into his flesh to feel pain and bring him back to, or hold onto, reality. This personal story concept, initially introduced in his MV for "Press Your Number", also runs through his Japanese song, "Under My Skin, as well as "Criminal" (here's a recent live performance that killed many fans: ua-cam.com/video/6y861TxOs44/v-deo.html ), "IDEA" (in fact the entire "Never Gonna Dance Again" Acts 1 & 2 albums), and "Advice".
    For this particular song/MV, Taemin indicated that he researched both "Demian" by Hermann Hesse and ""Erotism: Death and Sensuality" by the French philosopher, Georges Bataille. His concept is that of guilt and how humans process their guilt, especially with respect to dealing with toxic relationships. For Taemin, this is displayed through the character he plays of Abraxas (wearing a headdress and representing the mythological gnostic demigod [also mentioned in "Demian"] of a heretical sect and later referred to as a demon). However, Taemin also plays the character of himself being tormented by this demon who constantly plagues and entices him to go astray. The entire song is a dialogue between Abraxas and Taemin. During the dialogue, Taemin is struggling (the choreo) to fight off being possessed and swallowed completely by Abraxas. We see even more of this struggle in the performance video for "The Rizzness" which came out recently. IT'S WILD! You clearly see the demon, "Abraxas" alone all in black and Taemin dressed in white (associated with innocence - rather than guilt, righteousness, and good in religious symbolism) with backup dancers.
    We see Taemin walking through institutions of his memory such as a school (which, as an introvert, he hated), hospital/mental institution (brainwashing-Taemin was extremely sexualized by the industry as a very young idol), and training center (SM?), always being controlled and in situations that produce temptations to go against his values. If he is not constantly vigilant, "....when you've caught on (Abraxas), I'm already gone (Taemin)." In other words, he will lose himself instantly because the temptations are so appealing and addictive (as illustrated in his MVs for "Want" & "Famous"). The "poison apple" is the bait, (again just like in "Want" & "Famous")..."want a bite?" "Just a little more, that's all it takes." "Gift you once as a bait, then I (Abraxas) take everything." The demon is the father of hundreds of lies.
    The pre-chorus and chorus are actually further dialogue between Taemin and Abraxas:
    [Pre-chorus]
    Ooh-ooh
    (On that vague border between good and bad - Taemin)
    You played the fool for me - Abraxas
    (My judgment in the final moment - Taemin)
    [Chorus -- all Abraxas]
    Ooh, ooh-ooh, ooh-ooh, ooh-ooh
    You got me G-U-I-L-T-Y -
    Trick and take everything from you
    Again, just playing a game all for fun
    Hundreds of lies
    Ooh yeah
    Taemin is a genius when it comes to interweaving layers of meanings into his lyrics (which he often rewrites/tweaks from SM samples to make them fit his concepts) and leaving us mesmerized, trying to arrive at the deepest look into his psyche. This is why he is the ultimate artist for me. Yes, I love his dancing, but it's his lyrical and musical prowess that truly captivates me, while also gratifying my desire for deeper, meaningful Christian messaging that is usually lacking in actual Christian music.